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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A06A0E it is the complementary color #5F95F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A06A0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A06A0E shade: #A56A09, #B67C1C, #C78E2F, #D8A042 and #E9B255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A06A0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A06A0E shade: #A06A0E, #8F5800, #7E4600, #6D3400 and #5C2200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A06A0E shade: #9F690D, #9F420D, #9F1B0D and #9F0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A06A0E shade: #9F690D, #9F900D, #869F0D, #5F9F0D and #389F0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A06A0E shade matches the following richer shades: #9F690D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A06A0E shade: #9F690D, #91661B, #836229, #755E37 and #675B45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A06A0E shade: #9F1A0D, #9F400D, #9F670D, #9F8E0D and #899F0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A06A0E shade: #533707, #79500A, #9F690D, #C58211 and #EA9B15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A06A0E shade: #A06A0E, #289F0D and #2D0D9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A06A0E shade: #A06A0E, #0D9F67 and #670D9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A06A0E shade: #A06A0E, #289F0D, #0D459F and #840D9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A06A0E shade: #A06A0E, #0D9F1E, #0D459F and #9F0D8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 91 / 37

HEX #A06A0E

RGB 160 106 14

HSL 37.81, 0.84%, 0.34%

LAB 49.27, 14.72, 53.4

 

Complementary color

CMYK 61 / 38 / 0 / 5

HEX #5F95F1

RGB 95 149 241

HSL 217.81, 0.84%, 0.66%

LAB 61.89, 9.69, -51.58

 

CMYK 0 / 36 / 95 / 35

HEX #A56A09

RGB 165 106 9

HSL 37.31, 0.9%, 0.34%

LAB 49.89, 16.91, 55.25

 

CMYK 0 / 32 / 85 / 29

HEX #B67C1C

RGB 182 124 28

HSL 37.4, 0.73%, 0.41%

LAB 56.53, 14.87, 56.37

 

CMYK 0 / 29 / 76 / 22

HEX #C78E2F

RGB 199 142 47

HSL 37.5, 0.62%, 0.48%

LAB 63.09, 13.13, 56.13

 

CMYK 0 / 26 / 69 / 15

HEX #D8A042

RGB 216 160 66

HSL 37.6, 0.66%, 0.55%

LAB 69.56, 11.64, 55.25

 

CMYK 0 / 24 / 64 / 9

HEX #E9B255

RGB 233 178 85

HSL 37.7, 0.77%, 0.62%

LAB 75.96, 10.36, 54.09

 

CMYK 0 / 34 / 91 / 37

HEX #A06A0E

RGB 160 106 14

HSL 37.81, 0.84%, 0.34%

LAB 49.27, 14.72, 53.4

 

CMYK 0 / 38 / 100 / 44

HEX #8F5800

RGB 143 88 0

HSL 36.92, 1%, 0.28%

LAB 42.49, 16.99, 50.92

 

CMYK 0 / 44 / 100 / 51

HEX #7E4600

RGB 126 70 0

HSL 33.33, 1%, 0.25%

LAB 35.63, 19.6, 45.35

 

CMYK 0 / 52 / 100 / 57

HEX #6D3400

RGB 109 52 0

HSL 28.62, 1%, 0.21%

LAB 28.66, 22.28, 39.34

 

CMYK 0 / 63 / 100 / 64

HEX #5C2200

RGB 92 34 0

HSL 22.17, 1%, 0.18%

LAB 21.65, 24.88, 31.65

 

CMYK 0 / 34 / 92 / 38

HEX #9F690D

RGB 159 105 13

HSL 37.81, 0.85%, 0.34%

LAB 48.89, 14.81, 53.3

 

CMYK 0 / 58 / 92 / 38

HEX #9F420D

RGB 159 66 13

HSL 21.78, 0.85%, 0.34%

LAB 40.08, 36.2, 46.68

 

CMYK 0 / 83 / 92 / 38

HEX #9F1B0D

RGB 159 27 13

HSL 5.75, 0.85%, 0.34%

LAB 34.36, 51.69, 42.54

 

CMYK 0 / 92 / 92 / 38

HEX #9F0D0D

RGB 159 13 13

HSL 0, 0.85%, 0.34%

LAB 33.32, 54.65, 41.81

 

CMYK 0 / 34 / 92 / 38

HEX #9F690D

RGB 159 105 13

HSL 37.81, 0.85%, 0.34%

LAB 48.89, 14.81, 53.3

 

CMYK 0 / 9 / 92 / 38

HEX #9F900D

RGB 159 144 13

HSL 53.84, 0.85%, 0.34%

LAB 59.29, -7.01, 61.31

 

CMYK 16 / 0 / 92 / 38

HEX #869F0D

RGB 134 159 13

HSL 70.27, 0.85%, 0.34%

LAB 61.56, -25.93, 62.23

 

CMYK 40 / 0 / 92 / 38

HEX #5F9F0D

RGB 95 159 13

HSL 86.3, 0.85%, 0.34%

LAB 59.21, -41.43, 59.34

 

CMYK 65 / 0 / 92 / 38

HEX #389F0D

RGB 56 159 13

HSL 102.33, 0.85%, 0.34%

LAB 57.72, -53.06, 57.49

 

CMYK 0 / 34 / 92 / 38

HEX #9F690D

RGB 159 105 13

HSL 37.81, 0.85%, 0.34%

LAB 48.89, 14.81, 53.3

 

CMYK 0 / 34 / 92 / 38

HEX #9F690D

RGB 159 105 13

HSL 37.81, 0.85%, 0.34%

LAB 48.89, 14.81, 53.3

 

CMYK 0 / 30 / 81 / 43

HEX #91661B

RGB 145 102 27

HSL 38.14, 0.69%, 0.34%

LAB 46.45, 10.46, 46.13

 

CMYK 0 / 25 / 69 / 49

HEX #836229

RGB 131 98 41

HSL 38, 0.52%, 0.34%

LAB 43.83, 6.97, 36.66

 

CMYK 0 / 20 / 53 / 54

HEX #755E37

RGB 117 94 55

HSL 37.74, 0.36%, 0.34%

LAB 41.32, 3.98, 25.76

 

CMYK 0 / 12 / 33 / 60

HEX #675B45

RGB 103 91 69

HSL 38.82, 0.2%, 0.34%

LAB 39.23, 1.14, 14.48

 

CMYK 0 / 84 / 92 / 38

HEX #9F1A0D

RGB 159 26 13

HSL 5.34, 0.85%, 0.34%

LAB 34.27, 51.95, 42.48

 

CMYK 0 / 60 / 92 / 38

HEX #9F400D

RGB 159 64 13

HSL 20.96, 0.85%, 0.34%

LAB 39.69, 37.19, 46.4

 

CMYK 0 / 35 / 92 / 38

HEX #9F670D

RGB 159 103 13

HSL 36.99, 0.85%, 0.34%

LAB 48.39, 15.95, 52.92

 

CMYK 0 / 11 / 92 / 38

HEX #9F8E0D

RGB 159 142 13

HSL 53.01, 0.85%, 0.34%

LAB 58.74, -5.93, 60.88

 

CMYK 14 / 0 / 92 / 38

HEX #899F0D

RGB 137 159 13

HSL 69.04, 0.85%, 0.34%

LAB 61.78, -24.64, 62.49

 

CMYK 0 / 34 / 92 / 67

HEX #533707

RGB 83 55 7

HSL 37.89, 0.84%, 0.18%

LAB 25.52, 8.01, 32.22

 

CMYK 0 / 34 / 92 / 53

HEX #79500A

RGB 121 80 10

HSL 37.84, 0.85%, 0.26%

LAB 37.53, 11.53, 43.16

 

CMYK 0 / 34 / 92 / 38

HEX #9F690D

RGB 159 105 13

HSL 37.81, 0.85%, 0.34%

LAB 48.89, 14.81, 53.3

 

CMYK 0 / 34 / 91 / 23

HEX #C58211

RGB 197 130 17

HSL 37.67, 0.84%, 0.42%

LAB 59.78, 17.96, 62.69

 

CMYK 0 / 34 / 91 / 8

HEX #EA9B15

RGB 234 155 21

HSL 37.75, 0.84%, 0.5%

LAB 70.17, 20.55, 71.59

 

CMYK 0 / 34 / 91 / 37

HEX #A06A0E

RGB 160 106 14

HSL 37.81, 0.84%, 0.34%

LAB 49.27, 14.72, 53.4

 

CMYK 75 / 0 / 92 / 38

HEX #289F0D

RGB 40 159 13

HSL 108.9, 0.85%, 0.34%

LAB 57.34, -56.26, 57.02

 

CMYK 72 / 92 / 0 / 38

HEX #2D0D9F

RGB 45 13 159

HSL 253.15, 0.85%, 0.34%

LAB 21.39, 53.14, -69.95

 

CMYK 0 / 34 / 91 / 37

HEX #A06A0E

RGB 160 106 14

HSL 37.81, 0.84%, 0.34%

LAB 49.27, 14.72, 53.4

 

CMYK 92 / 0 / 35 / 38

HEX #0D9F67

RGB 13 159 103

HSL 156.99, 0.85%, 0.34%

LAB 57.9, -48.28, 19.66

 

CMYK 35 / 92 / 0 / 38

HEX #670D9F

RGB 103 13 159

HSL 276.99, 0.85%, 0.34%

LAB 28.58, 58.66, -57.84

 

CMYK 0 / 34 / 91 / 37

HEX #A06A0E

RGB 160 106 14

HSL 37.81, 0.84%, 0.34%

LAB 49.27, 14.72, 53.4

 

CMYK 75 / 0 / 92 / 38

HEX #289F0D

RGB 40 159 13

HSL 108.9, 0.85%, 0.34%

LAB 57.34, -56.26, 57.02

 

CMYK 92 / 57 / 0 / 38

HEX #0D459F

RGB 13 69 159

HSL 216.99, 0.85%, 0.34%

LAB 31.45, 19.52, -53.43

 

CMYK 17 / 92 / 0 / 38

HEX #840D9F

RGB 132 13 159

HSL 288.9, 0.85%, 0.34%

LAB 33.34, 62.92, -49.87

 

CMYK 0 / 34 / 91 / 37

HEX #A06A0E

RGB 160 106 14

HSL 37.81, 0.84%, 0.34%

LAB 49.27, 14.72, 53.4

 

CMYK 92 / 0 / 81 / 38

HEX #0D9F1E

RGB 13 159 30

HSL 126.99, 0.85%, 0.34%

LAB 57.05, -58.6, 52.59

 

CMYK 92 / 57 / 0 / 38

HEX #0D459F

RGB 13 69 159

HSL 216.99, 0.85%, 0.34%

LAB 31.45, 19.52, -53.43

 

CMYK 0 / 92 / 11 / 38

HEX #9F0D8E

RGB 159 13 142

HSL 306.99, 0.85%, 0.34%

LAB 37.14, 64.97, -33.14

 

Description

Color code: HEX #A06A0E | qconv.com Color code: HEX #A06A0E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 106 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 106 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 91 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 91% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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