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Color name
HEX #A06917

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A06917 it is the complementary color #5F96E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A06917. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A06917 shade: #A56912, #B67B25, #C78D38, #D89F4B and #E9B15E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A06917. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A06917 shade: #A06917, #8F5704, #7E4500, #6D3300 and #5C2100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A06917 shade: #A06916, #A04416, #A01F16 and #A01616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A06917 shade: #A06916, #A08E16, #8DA016, #68A016 and #43A016

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A06917 shade matches the following richer shades: #A06916 and #AF6C08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A06917 shade: #A06916, #916625, #826334, #746043 and #655D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A06917 shade: #A01D16, #A04216, #A06716, #A08B16 and #90A016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A06917 shade: #583A0C, #7C5111, #A06916, #C4811C and #E09729

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A06917 shade: #A06917, #34A016 and #3016A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A06917 shade: #A06917, #16A067 and #6716A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A06917 shade: #A06917, #34A016, #1650A0 and #8216A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A06917 shade: #A06917, #16A022, #1650A0 and #A01695

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 86 / 37

HEX #A06917

RGB 160 105 23

HSL 35.91, 0.75%, 0.36%

LAB 49.05, 15.51, 50.59

 

Complementary color

CMYK 59 / 35 / 0 / 9

HEX #5F96E8

RGB 95 150 232

HSL 215.91, 0.75%, 0.64%

LAB 61.72, 6.17, -46.9

 

CMYK 0 / 36 / 89 / 35

HEX #A56912

RGB 165 105 18

HSL 35.51, 0.8%, 0.36%

LAB 49.67, 17.64, 52.92

 

CMYK 0 / 32 / 80 / 29

HEX #B67B25

RGB 182 123 37

HSL 35.59, 0.66%, 0.43%

LAB 56.33, 15.72, 52.98

 

CMYK 0 / 29 / 72 / 22

HEX #C78D38

RGB 199 141 56

HSL 35.66, 0.56%, 0.5%

LAB 62.91, 14.09, 52.16

 

CMYK 0 / 26 / 65 / 15

HEX #D89F4B

RGB 216 159 75

HSL 35.74, 0.64%, 0.57%

LAB 69.4, 12.69, 50.97

 

CMYK 0 / 24 / 60 / 9

HEX #E9B15E

RGB 233 177 94

HSL 35.83, 0.76%, 0.64%

LAB 75.81, 11.49, 49.65

 

CMYK 0 / 34 / 86 / 37

HEX #A06917

RGB 160 105 23

HSL 35.91, 0.75%, 0.36%

LAB 49.05, 15.51, 50.59

 

CMYK 0 / 39 / 97 / 44

HEX #8F5704

RGB 143 87 4

HSL 35.83, 0.95%, 0.29%

LAB 42.25, 17.65, 49.66

 

CMYK 0 / 45 / 100 / 51

HEX #7E4500

RGB 126 69 0

HSL 32.86, 1%, 0.25%

LAB 35.38, 20.19, 45.2

 

CMYK 0 / 53 / 100 / 57

HEX #6D3300

RGB 109 51 0

HSL 28.07, 1%, 0.21%

LAB 28.43, 22.86, 39.15

 

CMYK 0 / 64 / 100 / 64

HEX #5C2100

RGB 92 33 0

HSL 21.52, 1%, 0.18%

LAB 21.44, 25.42, 31.42

 

CMYK 0 / 34 / 86 / 37

HEX #A06916

RGB 160 105 22

HSL 36.09, 0.76%, 0.36%

LAB 49.05, 15.48, 50.92

 

CMYK 0 / 58 / 86 / 37

HEX #A04416

RGB 160 68 22

HSL 20, 0.76%, 0.36%

LAB 40.68, 35.79, 43.83

 

CMYK 0 / 81 / 86 / 37

HEX #A01F16

RGB 160 31 22

HSL 3.91, 0.76%, 0.36%

LAB 35.03, 51.05, 38.94

 

CMYK 0 / 86 / 86 / 37

HEX #A01616

RGB 160 22 22

HSL 0, 0.76%, 0.36%

LAB 34.2, 53.39, 38.22

 

CMYK 0 / 34 / 86 / 37

HEX #A06916

RGB 160 105 22

HSL 36.09, 0.76%, 0.36%

LAB 49.05, 15.48, 50.92

 

CMYK 0 / 11 / 86 / 37

HEX #A08E16

RGB 160 142 22

HSL 52.17, 0.76%, 0.36%

LAB 58.86, -5.27, 59.09

 

CMYK 12 / 0 / 86 / 37

HEX #8DA016

RGB 141 160 22

HSL 68.26, 0.76%, 0.36%

LAB 62.39, -23.19, 61.37

 

CMYK 35 / 0 / 86 / 37

HEX #68A016

RGB 104 160 22

HSL 84.35, 0.76%, 0.36%

LAB 60.02, -38.29, 58.41

 

CMYK 58 / 0 / 86 / 37

HEX #43A016

RGB 67 160 22

HSL 100.43, 0.76%, 0.36%

LAB 58.41, -50.34, 56.38

 

CMYK 0 / 34 / 86 / 37

HEX #A06916

RGB 160 105 22

HSL 36.09, 0.76%, 0.36%

LAB 49.05, 15.48, 50.92

 

CMYK 0 / 38 / 95 / 31

HEX #AF6C08

RGB 175 108 8

HSL 35.93, 0.91%, 0.36%

LAB 51.67, 20.26, 57.33

 

CMYK 0 / 34 / 86 / 37

HEX #A06916

RGB 160 105 22

HSL 36.09, 0.76%, 0.36%

LAB 49.05, 15.48, 50.92

 

CMYK 0 / 30 / 74 / 43

HEX #916625

RGB 145 102 37

HSL 36.11, 0.59%, 0.36%

LAB 46.52, 10.91, 41.93

 

CMYK 0 / 24 / 60 / 49

HEX #826334

RGB 130 99 52

HSL 36.15, 0.43%, 0.36%

LAB 44.11, 6.74, 31.17

 

CMYK 0 / 17 / 42 / 55

HEX #746043

RGB 116 96 67

HSL 35.51, 0.27%, 0.36%

LAB 41.98, 3.69, 19.58

 

CMYK 0 / 8 / 19 / 60

HEX #655D52

RGB 101 93 82

HSL 34.74, 0.1%, 0.36%

LAB 39.92, 1.16, 7.48

 

CMYK 0 / 82 / 86 / 37

HEX #A01D16

RGB 160 29 22

HSL 3.04, 0.76%, 0.36%

LAB 34.82, 51.62, 38.77

 

CMYK 0 / 59 / 86 / 37

HEX #A04216

RGB 160 66 22

HSL 19.13, 0.76%, 0.36%

LAB 40.29, 36.79, 43.5

 

CMYK 0 / 36 / 86 / 37

HEX #A06716

RGB 160 103 22

HSL 35.22, 0.76%, 0.36%

LAB 48.55, 16.62, 50.5

 

CMYK 0 / 13 / 86 / 37

HEX #A08B16

RGB 160 139 22

HSL 50.87, 0.76%, 0.36%

LAB 58.03, -3.63, 58.4

 

CMYK 10 / 0 / 86 / 37

HEX #90A016

RGB 144 160 22

HSL 66.96, 0.76%, 0.36%

LAB 62.62, -21.88, 61.65

 

CMYK 0 / 34 / 86 / 65

HEX #583A0C

RGB 88 58 12

HSL 36.32, 0.76%, 0.2%

LAB 27.09, 8.85, 31.84

 

CMYK 0 / 35 / 86 / 51

HEX #7C5111

RGB 124 81 17

HSL 35.89, 0.76%, 0.28%

LAB 38.22, 12.57, 41.58

 

CMYK 0 / 34 / 86 / 37

HEX #A06916

RGB 160 105 22

HSL 36.09, 0.76%, 0.36%

LAB 49.05, 15.48, 50.92

 

CMYK 0 / 34 / 86 / 23

HEX #C4811C

RGB 196 129 28

HSL 36.07, 0.75%, 0.44%

LAB 59.45, 18.3, 59.51

 

CMYK 0 / 33 / 82 / 12

HEX #E09729

RGB 224 151 41

HSL 36.07, 0.75%, 0.52%

LAB 68.12, 18.86, 64.03

 

CMYK 0 / 34 / 86 / 37

HEX #A06917

RGB 160 105 23

HSL 35.91, 0.75%, 0.36%

LAB 49.05, 15.51, 50.59

 

CMYK 68 / 0 / 86 / 37

HEX #34A016

RGB 52 160 22

HSL 106.96, 0.76%, 0.36%

LAB 57.97, -53.95, 55.82

 

CMYK 70 / 86 / 0 / 37

HEX #3016A0

RGB 48 22 160

HSL 251.3, 0.76%, 0.36%

LAB 22.79, 50.54, -68.22

 

CMYK 0 / 34 / 86 / 37

HEX #A06917

RGB 160 105 23

HSL 35.91, 0.75%, 0.36%

LAB 49.05, 15.51, 50.59

 

CMYK 86 / 0 / 36 / 37

HEX #16A067

RGB 22 160 103

HSL 155.22, 0.76%, 0.36%

LAB 58.31, -48.03, 20.23

 

CMYK 36 / 86 / 0 / 37

HEX #6716A0

RGB 103 22 160

HSL 275.22, 0.76%, 0.36%

LAB 29.4, 56.7, -57.1

 

CMYK 0 / 34 / 86 / 37

HEX #A06917

RGB 160 105 23

HSL 35.91, 0.75%, 0.36%

LAB 49.05, 15.51, 50.59

 

CMYK 68 / 0 / 86 / 37

HEX #34A016

RGB 52 160 22

HSL 106.96, 0.76%, 0.36%

LAB 57.97, -53.95, 55.82

 

CMYK 86 / 50 / 0 / 37

HEX #1650A0

RGB 22 80 160

HSL 214.78, 0.76%, 0.36%

LAB 34.89, 13.03, -48.45

 

CMYK 19 / 86 / 0 / 37

HEX #8216A0

RGB 130 22 160

HSL 286.96, 0.76%, 0.36%

LAB 33.68, 60.98, -49.94

 

CMYK 0 / 34 / 86 / 37

HEX #A06917

RGB 160 105 23

HSL 35.91, 0.75%, 0.36%

LAB 49.05, 15.51, 50.59

 

CMYK 86 / 0 / 79 / 37

HEX #16A022

RGB 22 160 34

HSL 125.22, 0.76%, 0.36%

LAB 57.49, -57.9, 51.77

 

CMYK 86 / 50 / 0 / 37

HEX #1650A0

RGB 22 80 160

HSL 214.78, 0.76%, 0.36%

LAB 34.89, 13.03, -48.45

 

CMYK 0 / 86 / 7 / 37

HEX #A01695

RGB 160 22 149

HSL 304.78, 0.76%, 0.36%

LAB 38.23, 64.68, -35.68

 

Description

Color code: HEX #A06917 | qconv.com Color code: HEX #A06917 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 105 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 105 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 86 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 86% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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