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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A04E6D it is the complementary color #5FB192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A04E6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A04E6D shade: #A54E68, #B6607B, #C7728E, #D884A1 and #E996B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A04E6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A04E6D shade: #A04E6D, #8F3C5A, #7E2A47, #6D1834 and #5C0621

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A04E6D shade: #A04F6D, #A04F57 and #A04F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A04E6D shade: #A04F6D, #A04F83, #A04F99, #914FA0 and #7B4FA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A04E6D shade matches the following richer shades: #A04F6D, #B33B69, #C72864, #DA145F and #EE015A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A04E6D shade: #A04F6D, #8D6272, #797577, #66897C and #539C80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A04E6D shade: #A04F99, #A04F84, #A04F6E, #A04F58 and #A05B4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A04E6D shade: #693348, #84415A, #A04F6D, #B36582 and #C18199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A04E6D shade: #A04E6D, #A0914F and #4F8EA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A04E6D shade: #A04E6D, #6EA04F and #4F6EA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A04E6D shade: #A04E6D, #A0914F, #4FA081 and #4F5EA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A04E6D shade: #A04E6D, #97A04F, #4FA081 and #584FA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 32 / 37

HEX #A04E6D

RGB 160 78 109

HSL 337.32, 0.34%, 0.47%

LAB 44.27, 37.52, -1.89

 

Complementary color

CMYK 46 / 0 / 18 / 31

HEX #5FB192

RGB 95 177 146

HSL 157.32, 0.34%, 0.53%

LAB 66.48, -32.51, 8.17

 

CMYK 0 / 53 / 37 / 35

HEX #A54E68

RGB 165 78 104

HSL 342.07, 0.36%, 0.48%

LAB 44.87, 38.66, 2.13

 

CMYK 0 / 47 / 32 / 29

HEX #B6607B

RGB 182 96 123

HSL 341.16, 0.37%, 0.55%

LAB 51.54, 37.75, 0.67

 

CMYK 0 / 43 / 29 / 22

HEX #C7728E

RGB 199 114 142

HSL 340.24, 0.43%, 0.61%

LAB 58.16, 36.85, -0.55

 

CMYK 0 / 39 / 25 / 15

HEX #D884A1

RGB 216 132 161

HSL 339.29, 0.52%, 0.68%

LAB 64.7, 35.99, -1.61

 

CMYK 0 / 36 / 23 / 9

HEX #E996B4

RGB 233 150 180

HSL 338.31, 0.65%, 0.75%

LAB 71.17, 35.17, -2.55

 

CMYK 0 / 51 / 32 / 37

HEX #A04E6D

RGB 160 78 109

HSL 337.32, 0.34%, 0.47%

LAB 44.27, 37.52, -1.89

 

CMYK 0 / 58 / 37 / 44

HEX #8F3C5A

RGB 143 60 90

HSL 338.31, 0.41%, 0.4%

LAB 37.5, 38.33, -0.3

 

CMYK 0 / 67 / 44 / 51

HEX #7E2A47

RGB 126 42 71

HSL 339.29, 0.5%, 0.33%

LAB 30.75, 38.93, 1.77

 

CMYK 0 / 78 / 52 / 57

HEX #6D1834

RGB 109 24 52

HSL 340.24, 0.64%, 0.26%

LAB 24.17, 38.94, 4.66

 

CMYK 0 / 93 / 64 / 64

HEX #5C0621

RGB 92 6 33

HSL 341.16, 0.88%, 0.19%

LAB 17.99, 37.71, 8.87

 

CMYK 0 / 51 / 32 / 37

HEX #A04F6D

RGB 160 79 109

HSL 337.78, 0.34%, 0.47%

LAB 44.48, 36.99, -1.59

 

CMYK 0 / 51 / 46 / 37

HEX #A04F57

RGB 160 79 87

HSL 354.07, 0.34%, 0.47%

LAB 43.88, 34.33, 11.03

 

CMYK 0 / 51 / 51 / 37

HEX #A04F4F

RGB 160 79 79

HSL 0, 0.34%, 0.47%

LAB 43.7, 33.51, 15.67

 

CMYK 0 / 51 / 32 / 37

HEX #A04F6D

RGB 160 79 109

HSL 337.78, 0.34%, 0.47%

LAB 44.48, 36.99, -1.59

 

CMYK 0 / 51 / 18 / 37

HEX #A04F83

RGB 160 79 131

HSL 321.48, 0.34%, 0.47%

LAB 45.23, 40.22, -13.86

 

CMYK 0 / 51 / 4 / 37

HEX #A04F99

RGB 160 79 153

HSL 305.19, 0.34%, 0.47%

LAB 46.13, 43.97, -25.7

 

CMYK 9 / 51 / 0 / 37

HEX #914FA0

RGB 145 79 160

HSL 288.89, 0.34%, 0.47%

LAB 44.45, 40.85, -32.64

 

CMYK 23 / 51 / 0 / 37

HEX #7B4FA0

RGB 123 79 160

HSL 272.59, 0.34%, 0.47%

LAB 41.75, 34.48, -37.07

 

CMYK 0 / 51 / 32 / 37

HEX #A04F6D

RGB 160 79 109

HSL 337.78, 0.34%, 0.47%

LAB 44.48, 36.99, -1.59

 

CMYK 0 / 67 / 41 / 30

HEX #B33B69

RGB 179 59 105

HSL 337, 0.5%, 0.47%

LAB 43.85, 52.28, 0.31

 

CMYK 0 / 80 / 50 / 22

HEX #C72864

RGB 199 40 100

HSL 337.36, 0.67%, 0.47%

LAB 45.05, 63.94, 5.61

 

CMYK 0 / 91 / 56 / 15

HEX #DA145F

RGB 218 20 95

HSL 337.27, 0.83%, 0.47%

LAB 47.28, 72.27, 12.38

 

CMYK 0 / 100 / 62 / 7

HEX #EE015A

RGB 238 1 90

HSL 337.47, 0.99%, 0.47%

LAB 50.61, 78.34, 20.66

 

CMYK 0 / 51 / 32 / 37

HEX #A04F6D

RGB 160 79 109

HSL 337.78, 0.34%, 0.47%

LAB 44.48, 36.99, -1.59

 

CMYK 0 / 30 / 19 / 45

HEX #8D6272

RGB 141 98 114

HSL 337.67, 0.18%, 0.47%

LAB 46.46, 19.95, -2

 

CMYK 0 / 3 / 2 / 53

HEX #797577

RGB 121 117 119

HSL 330, 0.02%, 0.47%

LAB 49.64, 1.93, -0.56

 

CMYK 26 / 0 / 9 / 46

HEX #66897C

RGB 102 137 124

HSL 157.71, 0.15%, 0.47%

LAB 54.21, -15.15, 2.99

 

CMYK 47 / 0 / 18 / 39

HEX #539C80

RGB 83 156 128

HSL 156.99, 0.31%, 0.47%

LAB 59.14, -29.71, 7.65

 

CMYK 0 / 51 / 4 / 37

HEX #A04F99

RGB 160 79 153

HSL 305.19, 0.34%, 0.47%

LAB 46.13, 43.97, -25.7

 

CMYK 0 / 51 / 18 / 37

HEX #A04F84

RGB 160 79 132

HSL 320.74, 0.34%, 0.47%

LAB 45.26, 40.38, -14.41

 

CMYK 0 / 51 / 31 / 37

HEX #A04F6E

RGB 160 79 110

HSL 337.04, 0.34%, 0.47%

LAB 44.51, 37.13, -2.16

 

CMYK 0 / 51 / 45 / 37

HEX #A04F58

RGB 160 79 88

HSL 353.33, 0.34%, 0.47%

LAB 43.9, 34.44, 10.45

 

CMYK 0 / 43 / 51 / 37

HEX #A05B4F

RGB 160 91 79

HSL 8.89, 0.34%, 0.47%

LAB 46.34, 26.95, 19.22

 

CMYK 0 / 51 / 31 / 59

HEX #693348

RGB 105 51 72

HSL 336.67, 0.35%, 0.31%

LAB 29, 26.77, -1.86

 

CMYK 0 / 51 / 32 / 48

HEX #84415A

RGB 132 65 90

HSL 337.61, 0.34%, 0.39%

LAB 36.79, 31.73, -1.55

 

CMYK 0 / 51 / 32 / 37

HEX #A04F6D

RGB 160 79 109

HSL 337.78, 0.34%, 0.47%

LAB 44.48, 36.99, -1.59

 

CMYK 0 / 44 / 27 / 30

HEX #B36582

RGB 179 101 130

HSL 337.69, 0.34%, 0.55%

LAB 52.4, 34.96, -2.27

 

CMYK 0 / 33 / 21 / 24

HEX #C18199

RGB 193 129 153

HSL 337.5, 0.34%, 0.63%

LAB 61.08, 28.16, -2.69

 

CMYK 0 / 51 / 32 / 37

HEX #A04E6D

RGB 160 78 109

HSL 337.32, 0.34%, 0.47%

LAB 44.27, 37.52, -1.89

 

CMYK 0 / 9 / 51 / 37

HEX #A0914F

RGB 160 145 79

HSL 48.89, 0.34%, 0.47%

LAB 60.15, -3.51, 36.79

 

CMYK 51 / 11 / 0 / 37

HEX #4F8EA0

RGB 79 142 160

HSL 193.33, 0.34%, 0.47%

LAB 55.63, -15.16, -15.8

 

CMYK 0 / 51 / 32 / 37

HEX #A04E6D

RGB 160 78 109

HSL 337.32, 0.34%, 0.47%

LAB 44.27, 37.52, -1.89

 

CMYK 31 / 0 / 51 / 37

HEX #6EA04F

RGB 110 160 79

HSL 97.04, 0.34%, 0.47%

LAB 60.8, -31.61, 36.73

 

CMYK 51 / 31 / 0 / 37

HEX #4F6EA0

RGB 79 110 160

HSL 217.04, 0.34%, 0.47%

LAB 46.11, 3.34, -30.46

 

CMYK 0 / 51 / 32 / 37

HEX #A04E6D

RGB 160 78 109

HSL 337.32, 0.34%, 0.47%

LAB 44.27, 37.52, -1.89

 

CMYK 0 / 9 / 51 / 37

HEX #A0914F

RGB 160 145 79

HSL 48.89, 0.34%, 0.47%

LAB 60.15, -3.51, 36.79

 

CMYK 51 / 0 / 19 / 37

HEX #4FA081

RGB 79 160 129

HSL 157.04, 0.34%, 0.47%

LAB 60.24, -32.42, 8.64

 

CMYK 51 / 41 / 0 / 37

HEX #4F5EA0

RGB 79 94 160

HSL 228.89, 0.34%, 0.47%

LAB 41.54, 13.32, -37.66

 

CMYK 0 / 51 / 32 / 37

HEX #A04E6D

RGB 160 78 109

HSL 337.32, 0.34%, 0.47%

LAB 44.27, 37.52, -1.89

 

CMYK 6 / 0 / 51 / 37

HEX #97A04F

RGB 151 160 79

HSL 66.67, 0.34%, 0.47%

LAB 63.58, -15.36, 40.73

 

CMYK 51 / 0 / 19 / 37

HEX #4FA081

RGB 79 160 129

HSL 157.04, 0.34%, 0.47%

LAB 60.24, -32.42, 8.64

 

CMYK 45 / 51 / 0 / 37

HEX #584FA0

RGB 88 79 160

HSL 246.67, 0.34%, 0.47%

LAB 38.21, 25.05, -42.93

 

Description

Color code: HEX #A04E6D | qconv.com Color code: HEX #A04E6D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 78 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 78 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 32 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 32% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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