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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A028AC it is the complementary color #5FD753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A028AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A028AC shade: #A528A7, #B63ABA, #C74CCD, #D85EE0 and #E970F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A028AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A028AC shade: #A028AC, #8F1699, #7E0486, #6D0073 and #5C0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A028AC shade: #A128AD, #AD2895, #AD2871, #AD284E and #AD282A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A028AC shade: #A128AD, #7D28AD, #5928AD, #3628AD and #2828AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A028AC shade matches the following richer shades: #A128AD, #AF17BE and #BD06D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A028AC shade: #A128AD, #933A9C, #854B8A, #765C79 and #686E68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A028AC shade: #5928AD, #7C28AD, #A028AD, #AD2897 and #AD2873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A028AC shade: #63196A, #82208C, #A128AD, #C030CE and #CA52D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A028AC shade: #A028AC, #AD3528 and #28AD6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A028AC shade: #A028AC, #ADA028 and #28ADA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A028AC shade: #A028AC, #AD3528, #35AD28 and #28A0AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A028AC shade: #A028AC, #AD5D28, #35AD28 and #2878AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 77 / 0 / 33

HEX #A028AC

RGB 160 40 172

HSL 294.55, 0.62%, 0.42%

LAB 41.17, 63.81, -44.85

 

Complementary color

CMYK 56 / 0 / 61 / 16

HEX #5FD753

RGB 95 215 83

HSL 114.55, 0.62%, 0.58%

LAB 77.08, -58.57, 53.76

 

CMYK 1 / 76 / 0 / 35

HEX #A528A7

RGB 165 40 167

HSL 299.06, 0.61%, 0.41%

LAB 41.7, 64, -40.97

 

CMYK 2 / 69 / 0 / 27

HEX #B63ABA

RGB 182 58 186

HSL 298.13, 0.52%, 0.48%

LAB 47.64, 64.84, -42.57

 

CMYK 3 / 63 / 0 / 20

HEX #C74CCD

RGB 199 76 205

HSL 297.21, 0.56%, 0.55%

LAB 53.73, 65.05, -43.74

 

CMYK 4 / 58 / 0 / 12

HEX #D85EE0

RGB 216 94 224

HSL 296.31, 0.68%, 0.62%

LAB 59.88, 64.87, -44.63

 

CMYK 4 / 54 / 0 / 5

HEX #E970F3

RGB 233 112 243

HSL 295.42, 0.85%, 0.7%

LAB 66.05, 64.46, -45.33

 

CMYK 7 / 77 / 0 / 33

HEX #A028AC

RGB 160 40 172

HSL 294.55, 0.62%, 0.42%

LAB 41.17, 63.81, -44.85

 

CMYK 7 / 86 / 0 / 40

HEX #8F1699

RGB 143 22 153

HSL 295.42, 0.75%, 0.34%

LAB 35.43, 62.05, -42.77

 

CMYK 6 / 97 / 0 / 47

HEX #7E0486

RGB 126 4 134

HSL 296.31, 0.94%, 0.27%

LAB 30.02, 58.93, -39.9

 

CMYK 5 / 100 / 0 / 55

HEX #6D0073

RGB 109 0 115

HSL 296.87, 1%, 0.23%

LAB 25.23, 53.53, -35.74

 

CMYK 4 / 100 / 0 / 62

HEX #5C0060

RGB 92 0 96

HSL 297.5, 1%, 0.19%

LAB 20.52, 47.33, -31.09

 

CMYK 7 / 77 / 0 / 32

HEX #A128AD

RGB 161 40 173

HSL 294.59, 0.62%, 0.42%

LAB 41.39, 64.19, -45.07

 

CMYK 0 / 77 / 14 / 32

HEX #AD2895

RGB 173 40 149

HSL 310.83, 0.62%, 0.42%

LAB 42.11, 62.97, -29.41

 

CMYK 0 / 77 / 35 / 32

HEX #AD2871

RGB 173 40 113

HSL 327.07, 0.62%, 0.42%

LAB 40.56, 58.33, -9.65

 

CMYK 0 / 77 / 55 / 32

HEX #AD284E

RGB 173 40 78

HSL 342.86, 0.62%, 0.42%

LAB 39.5, 55.01, 10.88

 

CMYK 0 / 77 / 76 / 32

HEX #AD282A

RGB 173 40 42

HSL 359.1, 0.62%, 0.42%

LAB 38.84, 52.9, 32.46

 

CMYK 7 / 77 / 0 / 32

HEX #A128AD

RGB 161 40 173

HSL 294.59, 0.62%, 0.42%

LAB 41.39, 64.19, -45.07

 

CMYK 28 / 77 / 0 / 32

HEX #7D28AD

RGB 125 40 173

HSL 278.35, 0.62%, 0.42%

LAB 35.78, 57.18, -54.4

 

CMYK 49 / 77 / 0 / 32

HEX #5928AD

RGB 89 40 173

HSL 262.11, 0.62%, 0.42%

LAB 31.02, 51.08, -62.37

 

CMYK 69 / 77 / 0 / 32

HEX #3628AD

RGB 54 40 173

HSL 246.32, 0.62%, 0.42%

LAB 27.62, 46.6, -68.08

 

CMYK 77 / 77 / 0 / 32

HEX #2828AD

RGB 40 40 173

HSL 240, 0.62%, 0.42%

LAB 26.69, 45.35, -69.65

 

CMYK 7 / 77 / 0 / 32

HEX #A128AD

RGB 161 40 173

HSL 294.59, 0.62%, 0.42%

LAB 41.39, 64.19, -45.07

 

CMYK 8 / 88 / 0 / 25

HEX #AF17BE

RGB 175 23 190

HSL 294.61, 0.78%, 0.42%

LAB 43.43, 73.67, -51.71

 

CMYK 9 / 97 / 0 / 18

HEX #BD06D0

RGB 189 6 208

HSL 294.36, 0.94%, 0.42%

LAB 46.32, 80.81, -57.39

 

CMYK 7 / 77 / 0 / 32

HEX #A128AD

RGB 161 40 173

HSL 294.59, 0.62%, 0.42%

LAB 41.39, 64.19, -45.07

 

CMYK 6 / 63 / 0 / 39

HEX #933A9C

RGB 147 58 156

HSL 294.49, 0.46%, 0.42%

LAB 40.62, 51.07, -36.27

 

CMYK 4 / 46 / 0 / 46

HEX #854B8A

RGB 133 75 138

HSL 295.24, 0.3%, 0.42%

LAB 40.98, 34.86, -24.95

 

CMYK 2 / 24 / 0 / 53

HEX #765C79

RGB 118 92 121

HSL 293.79, 0.14%, 0.42%

LAB 42.59, 16.14, -12.29

 

CMYK 5 / 0 / 5 / 57

HEX #686E68

RGB 104 110 104

HSL 120, 0.03%, 0.42%

LAB 45.76, -3.53, 2.55

 

CMYK 49 / 77 / 0 / 32

HEX #5928AD

RGB 89 40 173

HSL 262.11, 0.62%, 0.42%

LAB 31.02, 51.08, -62.37

 

CMYK 28 / 77 / 0 / 32

HEX #7C28AD

RGB 124 40 173

HSL 277.89, 0.62%, 0.42%

LAB 35.64, 57, -54.64

 

CMYK 8 / 77 / 0 / 32

HEX #A028AD

RGB 160 40 173

HSL 294.14, 0.62%, 0.42%

LAB 41.23, 63.99, -45.34

 

CMYK 0 / 77 / 13 / 32

HEX #AD2897

RGB 173 40 151

HSL 309.92, 0.62%, 0.42%

LAB 42.21, 63.26, -30.46

 

CMYK 0 / 77 / 34 / 32

HEX #AD2873

RGB 173 40 115

HSL 326.17, 0.62%, 0.42%

LAB 40.64, 58.56, -10.79

 

CMYK 7 / 76 / 0 / 58

HEX #63196A

RGB 99 25 106

HSL 294.81, 0.62%, 0.26%

LAB 24.92, 43.62, -30.53

 

CMYK 7 / 77 / 0 / 45

HEX #82208C

RGB 130 32 140

HSL 294.44, 0.63%, 0.34%

LAB 33.29, 54.43, -38.34

 

CMYK 7 / 77 / 0 / 32

HEX #A128AD

RGB 161 40 173

HSL 294.59, 0.62%, 0.42%

LAB 41.39, 64.19, -45.07

 

CMYK 7 / 77 / 0 / 19

HEX #C030CE

RGB 192 48 206

HSL 294.68, 0.62%, 0.5%

LAB 49.22, 73.57, -51.55

 

CMYK 6 / 62 / 0 / 16

HEX #CA52D6

RGB 202 82 214

HSL 294.55, 0.62%, 0.58%

LAB 55.53, 64.85, -45.99

 

CMYK 7 / 77 / 0 / 33

HEX #A028AC

RGB 160 40 172

HSL 294.55, 0.62%, 0.42%

LAB 41.17, 63.81, -44.85

 

CMYK 0 / 69 / 77 / 32

HEX #AD3528

RGB 173 53 40

HSL 5.86, 0.62%, 0.42%

LAB 40.55, 48.05, 35.47

 

CMYK 77 / 0 / 38 / 32

HEX #28AD6B

RGB 40 173 107

HSL 150.23, 0.62%, 0.42%

LAB 62.84, -50.22, 24.18

 

CMYK 7 / 77 / 0 / 33

HEX #A028AC

RGB 160 40 172

HSL 294.55, 0.62%, 0.42%

LAB 41.17, 63.81, -44.85

 

CMYK 0 / 8 / 77 / 32

HEX #ADA028

RGB 173 160 40

HSL 54.14, 0.62%, 0.42%

LAB 65.1, -8.45, 59.66

 

CMYK 77 / 0 / 8 / 32

HEX #28ADA0

RGB 40 173 160

HSL 174.14, 0.62%, 0.42%

LAB 64.06, -37.33, -3.31

 

CMYK 7 / 77 / 0 / 33

HEX #A028AC

RGB 160 40 172

HSL 294.55, 0.62%, 0.42%

LAB 41.17, 63.81, -44.85

 

CMYK 0 / 69 / 77 / 32

HEX #AD3528

RGB 173 53 40

HSL 5.86, 0.62%, 0.42%

LAB 40.55, 48.05, 35.47

 

CMYK 69 / 0 / 77 / 32

HEX #35AD28

RGB 53 173 40

HSL 114.14, 0.62%, 0.42%

LAB 62.34, -57.08, 54.69

 

CMYK 77 / 8 / 0 / 32

HEX #28A0AD

RGB 40 160 173

HSL 185.86, 0.62%, 0.42%

LAB 60.44, -27.25, -16.02

 

CMYK 7 / 77 / 0 / 33

HEX #A028AC

RGB 160 40 172

HSL 294.55, 0.62%, 0.42%

LAB 41.17, 63.81, -44.85

 

CMYK 0 / 46 / 77 / 32

HEX #AD5D28

RGB 173 93 40

HSL 23.91, 0.62%, 0.42%

LAB 48.09, 28.54, 43.31

 

CMYK 69 / 0 / 77 / 32

HEX #35AD28

RGB 53 173 40

HSL 114.14, 0.62%, 0.42%

LAB 62.34, -57.08, 54.69

 

CMYK 77 / 31 / 0 / 32

HEX #2878AD

RGB 40 120 173

HSL 203.91, 0.62%, 0.42%

LAB 48.14, -5.44, -35.01

 

Description

Color code: HEX #A028AC | qconv.com Color code: HEX #A028AC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 40 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 40 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 77 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 77% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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