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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A01B68 it is the complementary color #5FE497. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A01B68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A01B68 shade: #A51B63, #B62D76, #C73F89, #D8519C and #E963AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A01B68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A01B68 shade: #A01B68, #8F0955, #7E0042, #6D002F and #5C001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A01B68 shade: #A11B68, #A11B44, #A11B20 and #A11B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A01B68 shade: #A11B68, #A11B8D, #911BA1, #6D1BA1 and #491BA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A01B68 shade matches the following richer shades: #A11B68 and #B00C6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A01B68 shade: #A11B68, #922A66, #823964, #734961 and #64585F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A01B68 shade: #911BA1, #A11B8D, #A11B69, #A11B45 and #A11B22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A01B68 shade: #5A0F3B, #7E1551, #A11B68, #C4217F and #DC3295

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A01B68 shade: #A01B68, #A16D1B and #1B9FA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A01B68 shade: #A01B68, #69A11B and #1B69A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A01B68 shade: #A01B68, #A16D1B, #1BA153 and #1B4EA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A01B68 shade: #A01B68, #A1961B, #1BA153 and #1B26A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 35 / 37

HEX #A01B68

RGB 160 27 104

HSL 325.26, 0.71%, 0.37%

LAB 36.47, 57.66, -10.39

 

Complementary color

CMYK 58 / 0 / 34 / 11

HEX #5FE497

RGB 95 228 151

HSL 145.26, 0.71%, 0.63%

LAB 81.92, -53.58, 26.94

 

CMYK 0 / 84 / 40 / 35

HEX #A51B63

RGB 165 27 99

HSL 328.7, 0.72%, 0.38%

LAB 37.27, 58.38, -5.92

 

CMYK 0 / 75 / 35 / 29

HEX #B62D76

RGB 182 45 118

HSL 328.03, 0.6%, 0.45%

LAB 42.96, 59.69, -8.99

 

CMYK 0 / 68 / 31 / 22

HEX #C73F89

RGB 199 63 137

HSL 327.35, 0.55%, 0.51%

LAB 48.89, 60.16, -11.36

 

CMYK 0 / 63 / 28 / 15

HEX #D8519C

RGB 216 81 156

HSL 326.67, 0.63%, 0.58%

LAB 54.95, 60.11, -13.23

 

CMYK 0 / 58 / 25 / 9

HEX #E963AF

RGB 233 99 175

HSL 325.97, 0.75%, 0.65%

LAB 61.08, 59.75, -14.75

 

CMYK 0 / 83 / 35 / 37

HEX #A01B68

RGB 160 27 104

HSL 325.26, 0.71%, 0.37%

LAB 36.47, 57.66, -10.39

 

CMYK 0 / 94 / 41 / 44

HEX #8F0955

RGB 143 9 85

HSL 325.97, 0.88%, 0.3%

LAB 31.09, 55.06, -6.56

 

CMYK 0 / 100 / 48 / 51

HEX #7E0042

RGB 126 0 66

HSL 328.57, 1%, 0.25%

LAB 26.24, 50.67, -1.46

 

CMYK 0 / 100 / 57 / 57

HEX #6D002F

RGB 109 0 47

HSL 334.13, 1%, 0.21%

LAB 21.79, 44.9, 4.76

 

CMYK 0 / 100 / 70 / 64

HEX #5C001C

RGB 92 0 28

HSL 341.74, 1%, 0.18%

LAB 17.27, 39.12, 11.53

 

CMYK 0 / 83 / 35 / 37

HEX #A11B68

RGB 161 27 104

HSL 325.52, 0.71%, 0.37%

LAB 36.67, 57.91, -10.08

 

CMYK 0 / 83 / 58 / 37

HEX #A11B44

RGB 161 27 68

HSL 341.64, 0.71%, 0.37%

LAB 35.55, 54.63, 11.48

 

CMYK 0 / 83 / 80 / 37

HEX #A11B20

RGB 161 27 32

HSL 357.76, 0.71%, 0.37%

LAB 34.93, 52.75, 33.41

 

CMYK 0 / 83 / 83 / 37

HEX #A11B1B

RGB 161 27 27

HSL 0, 0.71%, 0.37%

LAB 34.88, 52.59, 36.22

 

CMYK 0 / 83 / 35 / 37

HEX #A11B68

RGB 161 27 104

HSL 325.52, 0.71%, 0.37%

LAB 36.67, 57.91, -10.08

 

CMYK 0 / 83 / 12 / 37

HEX #A11B8D

RGB 161 27 141

HSL 308.96, 0.71%, 0.37%

LAB 38.35, 62.63, -30.59

 

CMYK 10 / 83 / 0 / 37

HEX #911BA1

RGB 145 27 161

HSL 292.84, 0.71%, 0.37%

LAB 36.7, 62.62, -45.56

 

CMYK 32 / 83 / 0 / 37

HEX #6D1BA1

RGB 109 27 161

HSL 276.72, 0.71%, 0.37%

LAB 30.9, 56.34, -55.23

 

CMYK 55 / 83 / 0 / 37

HEX #491BA1

RGB 73 27 161

HSL 260.6, 0.71%, 0.37%

LAB 26.08, 51.25, -63.31

 

CMYK 0 / 83 / 35 / 37

HEX #A11B68

RGB 161 27 104

HSL 325.52, 0.71%, 0.37%

LAB 36.67, 57.91, -10.08

 

CMYK 0 / 93 / 39 / 31

HEX #B00C6B

RGB 176 12 107

HSL 325.24, 0.87%, 0.37%

LAB 38.82, 64.48, -8.45

 

CMYK 0 / 83 / 35 / 37

HEX #A11B68

RGB 161 27 104

HSL 325.52, 0.71%, 0.37%

LAB 36.67, 57.91, -10.08

 

CMYK 0 / 71 / 30 / 43

HEX #922A66

RGB 146 42 102

HSL 325.38, 0.55%, 0.37%

LAB 35.45, 48.91, -10.92

 

CMYK 0 / 56 / 23 / 49

HEX #823964

RGB 130 57 100

HSL 324.66, 0.39%, 0.37%

LAB 35.19, 36.78, -10.31

 

CMYK 0 / 37 / 16 / 55

HEX #734961

RGB 115 73 97

HSL 325.71, 0.22%, 0.37%

LAB 36.5, 21.78, -6.64

 

CMYK 0 / 12 / 5 / 61

HEX #64585F

RGB 100 88 95

HSL 325, 0.06%, 0.37%

LAB 38.75, 6.26, -2.25

 

CMYK 10 / 83 / 0 / 37

HEX #911BA1

RGB 145 27 161

HSL 292.84, 0.71%, 0.37%

LAB 36.7, 62.62, -45.56

 

CMYK 0 / 83 / 12 / 37

HEX #A11B8D

RGB 161 27 141

HSL 308.96, 0.71%, 0.37%

LAB 38.35, 62.63, -30.59

 

CMYK 0 / 83 / 35 / 37

HEX #A11B69

RGB 161 27 105

HSL 325.07, 0.71%, 0.37%

LAB 36.71, 58.02, -10.66

 

CMYK 0 / 83 / 57 / 37

HEX #A11B45

RGB 161 27 69

HSL 341.19, 0.71%, 0.37%

LAB 35.58, 54.7, 10.86

 

CMYK 0 / 83 / 79 / 37

HEX #A11B22

RGB 161 27 34

HSL 356.87, 0.71%, 0.37%

LAB 34.96, 52.82, 32.26

 

CMYK 0 / 83 / 34 / 65

HEX #5A0F3B

RGB 90 15 59

HSL 324.8, 0.71%, 0.21%

LAB 19.35, 37.14, -7.74

 

CMYK 0 / 83 / 36 / 51

HEX #7E1551

RGB 126 21 81

HSL 325.71, 0.71%, 0.29%

LAB 28.29, 47.92, -8.48

 

CMYK 0 / 83 / 35 / 37

HEX #A11B68

RGB 161 27 104

HSL 325.52, 0.71%, 0.37%

LAB 36.67, 57.91, -10.08

 

CMYK 0 / 83 / 35 / 23

HEX #C4217F

RGB 196 33 127

HSL 325.4, 0.71%, 0.45%

LAB 44.74, 67.44, -11.6

 

CMYK 0 / 77 / 32 / 14

HEX #DC3295

RGB 220 50 149

HSL 325.06, 0.71%, 0.53%

LAB 51.46, 71.26, -14.31

 

CMYK 0 / 83 / 35 / 37

HEX #A01B68

RGB 160 27 104

HSL 325.26, 0.71%, 0.37%

LAB 36.47, 57.66, -10.39

 

CMYK 0 / 32 / 83 / 37

HEX #A16D1B

RGB 161 109 27

HSL 36.72, 0.71%, 0.37%

LAB 50.21, 13.81, 50.24

 

CMYK 83 / 1 / 0 / 37

HEX #1B9FA1

RGB 27 159 161

HSL 180.9, 0.71%, 0.37%

LAB 59.53, -31.75, -10.63

 

CMYK 0 / 83 / 35 / 37

HEX #A01B68

RGB 160 27 104

HSL 325.26, 0.71%, 0.37%

LAB 36.47, 57.66, -10.39

 

CMYK 35 / 0 / 83 / 37

HEX #69A11B

RGB 105 161 27

HSL 85.07, 0.71%, 0.37%

LAB 60.4, -38.16, 57.52

 

CMYK 83 / 35 / 0 / 37

HEX #1B69A1

RGB 27 105 161

HSL 205.07, 0.71%, 0.37%

LAB 42.63, -2.31, -36.68

 

CMYK 0 / 83 / 35 / 37

HEX #A01B68

RGB 160 27 104

HSL 325.26, 0.71%, 0.37%

LAB 36.47, 57.66, -10.39

 

CMYK 0 / 32 / 83 / 37

HEX #A16D1B

RGB 161 109 27

HSL 36.72, 0.71%, 0.37%

LAB 50.21, 13.81, 50.24

 

CMYK 83 / 0 / 48 / 37

HEX #1BA153

RGB 27 161 83

HSL 145.07, 0.71%, 0.37%

LAB 58.37, -51.8, 31.04

 

CMYK 83 / 52 / 0 / 37

HEX #1B4EA1

RGB 27 78 161

HSL 217.16, 0.71%, 0.37%

LAB 34.51, 15.22, -49.67

 

CMYK 0 / 83 / 35 / 37

HEX #A01B68

RGB 160 27 104

HSL 325.26, 0.71%, 0.37%

LAB 36.47, 57.66, -10.39

 

CMYK 0 / 7 / 83 / 37

HEX #A1961B

RGB 161 150 27

HSL 55.07, 0.71%, 0.37%

LAB 61.19, -8.98, 59.77

 

CMYK 83 / 0 / 48 / 37

HEX #1BA153

RGB 27 161 83

HSL 145.07, 0.71%, 0.37%

LAB 58.37, -51.8, 31.04

 

CMYK 83 / 76 / 0 / 37

HEX #1B26A1

RGB 27 38 161

HSL 235.07, 0.71%, 0.37%

LAB 24.3, 41.5, -66.38

 

Description

Color code: HEX #A01B68 | qconv.com Color code: HEX #A01B68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 27 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 27 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 35 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 35% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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