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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A010E5 it is the complementary color #5FEF1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A010E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A010E5 shade: #A510E0, #B622F3, #C734FF, #D846FF and #E958FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A010E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A010E5 shade: #A010E5, #8F00D2, #7E00BF, #6D00AC and #5C0099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A010E5 shade: #9F0FE4, #D90FE4, #E40FB7, #E40F7D and #E40F44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A010E5 shade: #9F0FE4, #660FE4, #2D0FE4 and #0F0FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A010E5 shade matches the following richer shades: #9F0FE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A010E5 shade: #9F0FE4, #9823D1, #9137BD, #8A4BA9 and #835F95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A010E5 shade: #2C0FE4, #650FE4, #9D0FE4, #D60FE4 and #E40FBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A010E5 shade: #690A97, #840DBE, #9F0FE4, #B12DF0 and #BF54F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A010E5 shade: #A010E5, #E40F2C and #0FE448

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A010E5 shade: #A010E5, #E49D0F and #0FE49D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A010E5 shade: #A010E5, #E40F2C, #56E40F and #0FE4C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A010E5 shade: #A010E5, #E4330F, #56E40F and #0FC1E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 93 / 0 / 10

HEX #A010E5

RGB 160 16 229

HSL 280.56, 0.87%, 0.48%

LAB 43.51, 79.43, -74.2

 

Complementary color

CMYK 60 / 0 / 89 / 6

HEX #5FEF1A

RGB 95 239 26

HSL 100.56, 0.87%, 0.52%

LAB 84.09, -70.43, 78.05

 

CMYK 26 / 93 / 0 / 12

HEX #A510E0

RGB 165 16 224

HSL 282.98, 0.87%, 0.47%

LAB 43.87, 79.13, -70.72

 

CMYK 25 / 86 / 0 / 5

HEX #B622F3

RGB 182 34 243

HSL 282.49, 0.9%, 0.54%

LAB 48.96, 81.91, -73.08

 

CMYK 22 / 80 / 0 / 0

HEX #C734FF

RGB 199 52 255

HSL 283.45, 1%, 0.6%

LAB 53.83, 82.33, -71.75

 

CMYK 15 / 73 / 0 / 0

HEX #D846FF

RGB 216 70 255

HSL 287.35, 1%, 0.64%

LAB 58.23, 79.77, -64.54

 

CMYK 9 / 65 / 0 / 0

HEX #E958FF

RGB 233 88 255

HSL 292.1, 1%, 0.67%

LAB 62.95, 76.73, -56.85

 

CMYK 30 / 93 / 0 / 10

HEX #A010E5

RGB 160 16 229

HSL 280.56, 0.87%, 0.48%

LAB 43.51, 79.43, -74.2

 

CMYK 32 / 100 / 0 / 18

HEX #8F00D2

RGB 143 0 210

HSL 280.86, 1%, 0.41%

LAB 38.71, 75.57, -71.25

 

CMYK 34 / 100 / 0 / 25

HEX #7E00BF

RGB 126 0 191

HSL 279.58, 1%, 0.37%

LAB 34.39, 69.98, -67.34

 

CMYK 37 / 100 / 0 / 33

HEX #6D00AC

RGB 109 0 172

HSL 278.02, 1%, 0.34%

LAB 29.98, 64.29, -63.36

 

CMYK 40 / 100 / 0 / 40

HEX #5C0099

RGB 92 0 153

HSL 276.08, 1%, 0.3%

LAB 25.49, 58.49, -59.31

 

CMYK 30 / 93 / 0 / 11

HEX #9F0FE4

RGB 159 15 228

HSL 280.56, 0.88%, 0.48%

LAB 43.23, 79.24, -74.09

 

CMYK 5 / 93 / 0 / 11

HEX #D90FE4

RGB 217 15 228

HSL 296.9, 0.88%, 0.48%

LAB 52.61, 87.46, -58.44

 

CMYK 0 / 93 / 20 / 11

HEX #E40FB7

RGB 228 15 183

HSL 312.68, 0.88%, 0.48%

LAB 52.12, 83.27, -33.23

 

CMYK 0 / 93 / 45 / 11

HEX #E40F7D

RGB 228 15 125

HSL 329.01, 0.88%, 0.48%

LAB 49.88, 77.36, -2.06

 

CMYK 0 / 93 / 70 / 11

HEX #E40F44

RGB 228 15 68

HSL 345.07, 0.88%, 0.48%

LAB 48.58, 73.81, 31.03

 

CMYK 30 / 93 / 0 / 11

HEX #9F0FE4

RGB 159 15 228

HSL 280.56, 0.88%, 0.48%

LAB 43.23, 79.24, -74.09

 

CMYK 55 / 93 / 0 / 11

HEX #660FE4

RGB 102 15 228

HSL 264.51, 0.88%, 0.48%

LAB 35.53, 73.54, -87.03

 

CMYK 80 / 93 / 0 / 11

HEX #2D0FE4

RGB 45 15 228

HSL 248.45, 0.88%, 0.48%

LAB 30.64, 70.69, -95.3

 

CMYK 93 / 93 / 0 / 11

HEX #0F0FE4

RGB 15 15 228

HSL 240, 0.88%, 0.48%

LAB 29.52, 70.15, -97.2

 

CMYK 30 / 93 / 0 / 11

HEX #9F0FE4

RGB 159 15 228

HSL 280.56, 0.88%, 0.48%

LAB 43.23, 79.24, -74.09

 

CMYK 30 / 93 / 0 / 11

HEX #9F0FE4

RGB 159 15 228

HSL 280.56, 0.88%, 0.48%

LAB 43.23, 79.24, -74.09

 

CMYK 27 / 83 / 0 / 18

HEX #9823D1

RGB 152 35 209

HSL 280.34, 0.71%, 0.48%

LAB 41.97, 70.74, -65.29

 

CMYK 23 / 71 / 0 / 26

HEX #9137BD

RGB 145 55 189

HSL 280.3, 0.55%, 0.48%

LAB 41.89, 58.55, -53.85

 

CMYK 18 / 56 / 0 / 34

HEX #8A4BA9

RGB 138 75 169

HSL 280.21, 0.39%, 0.48%

LAB 43.21, 42.96, -40

 

CMYK 12 / 36 / 0 / 42

HEX #835F95

RGB 131 95 149

HSL 280, 0.22%, 0.48%

LAB 45.88, 25, -23.98

 

CMYK 81 / 93 / 0 / 11

HEX #2C0FE4

RGB 44 15 228

HSL 248.17, 0.88%, 0.48%

LAB 30.59, 70.66, -95.39

 

CMYK 56 / 93 / 0 / 11

HEX #650FE4

RGB 101 15 228

HSL 264.23, 0.88%, 0.48%

LAB 35.42, 73.47, -87.23

 

CMYK 31 / 93 / 0 / 11

HEX #9D0FE4

RGB 157 15 228

HSL 280, 0.88%, 0.48%

LAB 42.93, 79, -74.59

 

CMYK 6 / 93 / 0 / 11

HEX #D60FE4

RGB 214 15 228

HSL 296.06, 0.88%, 0.48%

LAB 52.11, 86.99, -59.28

 

CMYK 0 / 93 / 18 / 11

HEX #E40FBA

RGB 228 15 186

HSL 311.83, 0.88%, 0.48%

LAB 52.27, 83.63, -34.75

 

CMYK 30 / 93 / 0 / 41

HEX #690A97

RGB 105 10 151

HSL 280.43, 0.88%, 0.32%

LAB 27.99, 57.82, -53.89

 

CMYK 31 / 93 / 0 / 25

HEX #840DBE

RGB 132 13 190

HSL 280.34, 0.87%, 0.4%

LAB 35.81, 68.79, -64.39

 

CMYK 30 / 93 / 0 / 11

HEX #9F0FE4

RGB 159 15 228

HSL 280.56, 0.88%, 0.48%

LAB 43.23, 79.24, -74.09

 

CMYK 26 / 81 / 0 / 6

HEX #B12DF0

RGB 177 45 240

HSL 280.62, 0.87%, 0.56%

LAB 48.9, 77.94, -71.52

 

CMYK 21 / 65 / 0 / 5

HEX #BF54F3

RGB 191 84 243

HSL 280.38, 0.87%, 0.64%

LAB 55.98, 67.04, -61.67

 

CMYK 30 / 93 / 0 / 10

HEX #A010E5

RGB 160 16 229

HSL 280.56, 0.87%, 0.48%

LAB 43.51, 79.43, -74.2

 

CMYK 0 / 93 / 81 / 11

HEX #E40F2C

RGB 228 15 44

HSL 351.83, 0.88%, 0.48%

LAB 48.28, 72.99, 44.63

 

CMYK 93 / 0 / 68 / 11

HEX #0FE448

RGB 15 228 72

HSL 136.06, 0.88%, 0.48%

LAB 79.65, -75.23, 60.67

 

CMYK 30 / 93 / 0 / 10

HEX #A010E5

RGB 160 16 229

HSL 280.56, 0.87%, 0.48%

LAB 43.51, 79.43, -74.2

 

CMYK 0 / 31 / 93 / 11

HEX #E49D0F

RGB 228 157 15

HSL 40, 0.88%, 0.48%

LAB 69.92, 16.83, 72.16

 

CMYK 93 / 0 / 31 / 11

HEX #0FE49D

RGB 15 228 157

HSL 160, 0.88%, 0.48%

LAB 80.75, -62, 22.03

 

CMYK 30 / 93 / 0 / 10

HEX #A010E5

RGB 160 16 229

HSL 280.56, 0.87%, 0.48%

LAB 43.51, 79.43, -74.2

 

CMYK 0 / 93 / 81 / 11

HEX #E40F2C

RGB 228 15 44

HSL 351.83, 0.88%, 0.48%

LAB 48.28, 72.99, 44.63

 

CMYK 62 / 0 / 93 / 11

HEX #56E40F

RGB 86 228 15

HSL 100, 0.88%, 0.48%

LAB 80.46, -69.15, 76.43

 

CMYK 93 / 0 / 12 / 11

HEX #0FE4C8

RGB 15 228 200

HSL 172.11, 0.88%, 0.48%

LAB 81.71, -51.63, 0.79

 

CMYK 30 / 93 / 0 / 10

HEX #A010E5

RGB 160 16 229

HSL 280.56, 0.87%, 0.48%

LAB 43.51, 79.43, -74.2

 

CMYK 0 / 78 / 93 / 11

HEX #E4330F

RGB 228 51 15

HSL 10.14, 0.88%, 0.48%

LAB 50.57, 65.44, 59.12

 

CMYK 62 / 0 / 93 / 11

HEX #56E40F

RGB 86 228 15

HSL 100, 0.88%, 0.48%

LAB 80.46, -69.15, 76.43

 

CMYK 93 / 15 / 0 / 11

HEX #0FC1E4

RGB 15 193 228

HSL 189.86, 0.88%, 0.48%

LAB 72.12, -27.46, -28.61

 

Description

Color code: HEX #A010E5 | qconv.com Color code: HEX #A010E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 16 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 16 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 93 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 93% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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