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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A000D1 it is the complementary color #5FFF2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A000D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A000D1 shade: #A500CC, #B612DF, #C724F2, #D836FF and #E948FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A000D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A000D1 shade: #A000D1, #8F00BE, #7E00AB, #6D0098 and #5C0085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A000D1 shade: #A000D1, #D100C9, #D10091, #D10058 and #D10020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A000D1 shade: #A000D1, #6700D1, #2F00D1 and #0000D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A000D1 shade matches the following richer shades: #A000D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A000D1 shade: #A000D1, #9710C0, #8E21AF, #85329E and #7C438D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A000D1 shade: #2D00D1, #6500D1, #9C00D1, #D100CD and #D10095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A000D1 shade: #60007E, #8000A7, #A000D1, #BF00FA and #CB24FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A000D1 shade: #A000D1, #D1000A and #00D149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A000D1 shade: #A000D1, #D19C00 and #00D19C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A000D1 shade: #A000D1, #D1000A, #34D100 and #00D1C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A000D1 shade: #A000D1, #D13400, #34D100 and #009CD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

Complementary color

CMYK 63 / 0 / 82 / 0

HEX #5FFF2E

RGB 95 255 46

HSL 105.93, 1%, 0.59%

LAB 88.99, -74.85, 78.34

 

CMYK 19 / 100 / 0 / 20

HEX #A500CC

RGB 165 0 204

HSL 288.53, 1%, 0.4%

LAB 41.78, 77.24, -62.62

 

CMYK 18 / 92 / 0 / 13

HEX #B612DF

RGB 182 18 223

HSL 288, 0.85%, 0.47%

LAB 46.59, 81.04, -65.62

 

CMYK 18 / 85 / 0 / 5

HEX #C724F2

RGB 199 36 242

HSL 287.48, 0.89%, 0.55%

LAB 51.63, 83.86, -68.07

 

CMYK 15 / 79 / 0 / 0

HEX #D836FF

RGB 216 54 255

HSL 288.36, 1%, 0.61%

LAB 56.54, 84.62, -67.25

 

CMYK 9 / 72 / 0 / 0

HEX #E948FF

RGB 233 72 255

HSL 292.79, 1%, 0.64%

LAB 60.94, 82.41, -60.05

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 25 / 100 / 0 / 25

HEX #8F00BE

RGB 143 0 190

HSL 285.16, 1%, 0.37%

LAB 37.04, 71.84, -62.31

 

CMYK 26 / 100 / 0 / 33

HEX #7E00AB

RGB 126 0 171

HSL 284.21, 1%, 0.34%

LAB 32.65, 66.13, -58.29

 

CMYK 28 / 100 / 0 / 40

HEX #6D0098

RGB 109 0 152

HSL 283.03, 1%, 0.3%

LAB 28.16, 60.3, -54.2

 

CMYK 31 / 100 / 0 / 48

HEX #5C0085

RGB 92 0 133

HSL 281.5, 1%, 0.26%

LAB 23.57, 54.33, -50.02

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 0 / 100 / 4 / 18

HEX #D100C9

RGB 209 0 201

HSL 302.3, 1%, 0.41%

LAB 49.22, 83.43, -48.5

 

CMYK 0 / 100 / 31 / 18

HEX #D10091

RGB 209 0 145

HSL 318.37, 1%, 0.41%

LAB 46.44, 76.51, -19.74

 

CMYK 0 / 100 / 58 / 18

HEX #D10058

RGB 209 0 88

HSL 334.74, 1%, 0.41%

LAB 44.6, 71.69, 12.76

 

CMYK 0 / 100 / 85 / 18

HEX #D10020

RGB 209 0 32

HSL 350.81, 1%, 0.41%

LAB 43.74, 69.37, 45.38

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 51 / 100 / 0 / 18

HEX #6700D1

RGB 103 0 209

HSL 269.57, 1%, 0.41%

LAB 32.89, 71.54, -80.46

 

CMYK 78 / 100 / 0 / 18

HEX #2F00D1

RGB 47 0 209

HSL 253.49, 1%, 0.41%

LAB 27.32, 68.77, -89.88

 

CMYK 100 / 100 / 0 / 18

HEX #0000D1

RGB 0 0 209

HSL 240, 1%, 0.41%

LAB 25.57, 68.16, -92.84

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 21 / 92 / 0 / 25

HEX #9710C0

RGB 151 16 192

HSL 286.02, 0.85%, 0.41%

LAB 39.17, 71.35, -59.97

 

CMYK 19 / 81 / 0 / 31

HEX #8E21AF

RGB 142 33 175

HSL 286.06, 0.68%, 0.41%

LAB 37.72, 63.01, -52.32

 

CMYK 16 / 68 / 0 / 38

HEX #85329E

RGB 133 50 158

HSL 286.11, 0.52%, 0.41%

LAB 37.37, 51.61, -42.78

 

CMYK 12 / 52 / 0 / 45

HEX #7C438D

RGB 124 67 141

HSL 286.22, 0.36%, 0.41%

LAB 38.24, 37.17, -31.16

 

CMYK 78 / 100 / 0 / 18

HEX #2D00D1

RGB 45 0 209

HSL 252.92, 1%, 0.41%

LAB 27.19, 68.72, -90.1

 

CMYK 52 / 100 / 0 / 18

HEX #6500D1

RGB 101 0 209

HSL 269, 1%, 0.41%

LAB 32.64, 71.39, -80.89

 

CMYK 25 / 100 / 0 / 18

HEX #9C00D1

RGB 156 0 209

HSL 284.78, 1%, 0.41%

LAB 40.69, 76.94, -67.36

 

CMYK 0 / 100 / 2 / 18

HEX #D100CD

RGB 209 0 205

HSL 301.15, 1%, 0.41%

LAB 49.45, 83.99, -50.44

 

CMYK 0 / 100 / 29 / 18

HEX #D10095

RGB 209 0 149

HSL 317.22, 1%, 0.41%

LAB 46.61, 76.94, -21.9

 

CMYK 24 / 100 / 0 / 51

HEX #60007E

RGB 96 0 126

HSL 285.71, 1%, 0.25%

LAB 23.65, 53.48, -45.44

 

CMYK 23 / 100 / 0 / 35

HEX #8000A7

RGB 128 0 167

HSL 285.99, 1%, 0.33%

LAB 32.66, 65.65, -55.86

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 24 / 100 / 0 / 2

HEX #BF00FA

RGB 191 0 250

HSL 285.84, 1%, 0.49%

LAB 49.47, 88.52, -76.11

 

CMYK 20 / 86 / 0 / 0

HEX #CB24FF

RGB 203 36 255

HSL 285.75, 1%, 0.57%

LAB 53.14, 86.72, -72.84

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 0 / 100 / 95 / 18

HEX #D1000A

RGB 209 0 10

HSL 357.13, 1%, 0.41%

LAB 43.62, 69.04, 54.65

 

CMYK 100 / 0 / 65 / 18

HEX #00D149

RGB 0 209 73

HSL 140.96, 1%, 0.41%

LAB 73.6, -70.16, 53.7

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 0 / 25 / 100 / 18

HEX #D19C00

RGB 209 156 0

HSL 44.78, 1%, 0.41%

LAB 67.53, 8.91, 71.48

 

CMYK 100 / 0 / 25 / 18

HEX #00D19C

RGB 0 209 156

HSL 164.78, 1%, 0.41%

LAB 74.83, -55.65, 14.32

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 0 / 100 / 95 / 18

HEX #D1000A

RGB 209 0 10

HSL 357.13, 1%, 0.41%

LAB 43.62, 69.04, 54.65

 

CMYK 75 / 0 / 100 / 18

HEX #34D100

RGB 52 209 0

HSL 105.07, 1%, 0.41%

LAB 73.76, -69.92, 72.17

 

CMYK 100 / 0 / 5 / 18

HEX #00D1C6

RGB 0 209 198

HSL 176.84, 1%, 0.41%

LAB 75.87, -44.6, -6.72

 

CMYK 23 / 100 / 0 / 18

HEX #A000D1

RGB 160 0 209

HSL 285.93, 1%, 0.41%

LAB 41.34, 77.45, -66.27

 

CMYK 0 / 75 / 100 / 18

HEX #D13400

RGB 209 52 0

HSL 14.93, 1%, 0.41%

LAB 46.99, 59.28, 59.21

 

CMYK 75 / 0 / 100 / 18

HEX #34D100

RGB 52 209 0

HSL 105.07, 1%, 0.41%

LAB 73.76, -69.92, 72.17

 

CMYK 100 / 25 / 0 / 18

HEX #009CD1

RGB 0 156 209

HSL 195.22, 1%, 0.41%

LAB 60.23, -15.22, -36.59

 

Description

Color code: HEX #A000D1 | qconv.com Color code: HEX #A000D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, none green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 0 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 100 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 100% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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