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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3EA9C it is the complementary color #5C1563. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3EA9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3EA9C shade: #A8EA97, #B9FCAA, #CAFFBD, #DBFFD0 and #ECFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3EA9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3EA9C shade: #A3EA9C, #92D889, #81C676, #70B463 and #5FA250

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3EA9C shade: #A1E99A, #B6E99A, #CCE99A, #E1E99A and #E9DC9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3EA9C shade: #A1E99A, #9AE9A8, #9AE9BD, #9AE9D3 and #9AE9E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3EA9C shade matches the following richer shades: #A1E99A, #99F390 and #90FD86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3EA9C shade: #A1E99A, #A9DFA3, #B1D5AD, #B9CBB7 and #C1C1C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3EA9C shade: #CCE99A, #B7E99A, #A1E99A, #9AE9A7 and #9AE9BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3EA9C shade: #61DB55, #81E277, #A1E99A, #C0F0BC and #E0F8DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3EA9C shade: #A3EA9C, #9AE1E9 and #E99AC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3EA9C shade: #A3EA9C, #9AA1E9 and #E99AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3EA9C shade: #A3EA9C, #9AE1E9, #E19AE9 and #E9A19A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3EA9C shade: #A3EA9C, #9AC9E9, #E19AE9 and #E9B99A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 33 / 8

HEX #A3EA9C

RGB 163 234 156

HSL 114.62, 0.65%, 0.76%

LAB 86.52, -36.85, 31.04

 

Complementary color

CMYK 7 / 79 / 0 / 61

HEX #5C1563

RGB 92 21 99

HSL 294.62, 0.65%, 0.24%

LAB 22.7, 42.12, -29.58

 

CMYK 28 / 0 / 35 / 8

HEX #A8EA97

RGB 168 234 151

HSL 107.71, 0.66%, 0.75%

LAB 86.7, -35.97, 33.86

 

CMYK 27 / 0 / 33 / 1

HEX #B9FCAA

RGB 185 252 170

HSL 109.02, 0.93%, 0.83%

LAB 92.94, -35.78, 32.77

 

CMYK 21 / 0 / 26 / 0

HEX #CAFFBD

RGB 202 255 189

HSL 108.18, 1%, 0.87%

LAB 95.06, -28.66, 26.22

 

CMYK 14 / 0 / 18 / 0

HEX #DBFFD0

RGB 219 255 208

HSL 105.96, 1%, 0.91%

LAB 96.47, -19.95, 18.67

 

CMYK 7 / 0 / 11 / 0

HEX #ECFFE3

RGB 236 255 227

HSL 100.71, 1%, 0.95%

LAB 97.99, -11.11, 11.27

 

CMYK 30 / 0 / 33 / 8

HEX #A3EA9C

RGB 163 234 156

HSL 114.62, 0.65%, 0.76%

LAB 86.52, -36.85, 31.04

 

CMYK 32 / 0 / 37 / 15

HEX #92D889

RGB 146 216 137

HSL 113.16, 0.5%, 0.69%

LAB 80.2, -37.08, 32.17

 

CMYK 35 / 0 / 40 / 22

HEX #81C676

RGB 129 198 118

HSL 111.75, 0.41%, 0.62%

LAB 73.78, -37.29, 33.36

 

CMYK 38 / 0 / 45 / 29

HEX #70B463

RGB 112 180 99

HSL 110.37, 0.35%, 0.55%

LAB 67.27, -37.47, 34.59

 

CMYK 41 / 0 / 51 / 36

HEX #5FA250

RGB 95 162 80

HSL 109.02, 0.34%, 0.47%

LAB 60.65, -37.59, 35.86

 

CMYK 31 / 0 / 34 / 9

HEX #A1E99A

RGB 161 233 154

HSL 114.68, 0.64%, 0.76%

LAB 86.1, -37.35, 31.48

 

CMYK 22 / 0 / 34 / 9

HEX #B6E99A

RGB 182 233 154

HSL 98.73, 0.64%, 0.76%

LAB 87.27, -30.34, 33.24

 

CMYK 12 / 0 / 34 / 9

HEX #CCE99A

RGB 204 233 154

HSL 82.03, 0.64%, 0.76%

LAB 88.66, -22.51, 35.33

 

CMYK 3 / 0 / 34 / 9

HEX #E1E99A

RGB 225 233 154

HSL 66.08, 0.64%, 0.76%

LAB 90.15, -14.71, 37.56

 

CMYK 0 / 6 / 34 / 9

HEX #E9DC9A

RGB 233 220 154

HSL 50.13, 0.64%, 0.76%

LAB 87.41, -5.14, 34.08

 

CMYK 31 / 0 / 34 / 9

HEX #A1E99A

RGB 161 233 154

HSL 114.68, 0.64%, 0.76%

LAB 86.1, -37.35, 31.48

 

CMYK 34 / 0 / 28 / 9

HEX #9AE9A8

RGB 154 233 168

HSL 130.63, 0.64%, 0.76%

LAB 85.99, -37.26, 24.11

 

CMYK 34 / 0 / 19 / 9

HEX #9AE9BD

RGB 154 233 189

HSL 146.58, 0.64%, 0.76%

LAB 86.42, -33.43, 13.8

 

CMYK 34 / 0 / 9 / 9

HEX #9AE9D3

RGB 154 233 211

HSL 163.29, 0.64%, 0.76%

LAB 86.92, -28.95, 3.01

 

CMYK 34 / 0 / 0 / 9

HEX #9AE9E8

RGB 154 233 232

HSL 179.24, 0.64%, 0.76%

LAB 87.47, -24.28, -7.21

 

CMYK 31 / 0 / 34 / 9

HEX #A1E99A

RGB 161 233 154

HSL 114.68, 0.64%, 0.76%

LAB 86.1, -37.35, 31.48

 

CMYK 37 / 0 / 41 / 5

HEX #99F390

RGB 153 243 144

HSL 114.55, 0.8%, 0.76%

LAB 88.39, -45.75, 39.42

 

CMYK 43 / 0 / 47 / 1

HEX #90FD86

RGB 144 253 134

HSL 114.96, 0.97%, 0.76%

LAB 90.73, -53.95, 47.14

 

CMYK 31 / 0 / 34 / 9

HEX #A1E99A

RGB 161 233 154

HSL 114.68, 0.64%, 0.76%

LAB 86.1, -37.35, 31.48

 

CMYK 24 / 0 / 27 / 13

HEX #A9DFA3

RGB 169 223 163

HSL 114, 0.48%, 0.76%

LAB 83.89, -28.66, 23.94

 

CMYK 17 / 0 / 19 / 16

HEX #B1D5AD

RGB 177 213 173

HSL 114, 0.32%, 0.76%

LAB 81.81, -19.41, 15.9

 

CMYK 9 / 0 / 10 / 20

HEX #B9CBB7

RGB 185 203 183

HSL 114, 0.16%, 0.76%

LAB 79.87, -9.83, 7.9

 

CMYK 0 / 0 / 0 / 24

HEX #C1C1C1

RGB 193 193 193

HSL 0, 0%, 0.76%

LAB 78.07, 0, -0.01

 

CMYK 12 / 0 / 34 / 9

HEX #CCE99A

RGB 204 233 154

HSL 82.03, 0.64%, 0.76%

LAB 88.66, -22.51, 35.33

 

CMYK 21 / 0 / 34 / 9

HEX #B7E99A

RGB 183 233 154

HSL 97.97, 0.64%, 0.76%

LAB 87.33, -29.99, 33.33

 

CMYK 31 / 0 / 34 / 9

HEX #A1E99A

RGB 161 233 154

HSL 114.68, 0.64%, 0.76%

LAB 86.1, -37.35, 31.48

 

CMYK 34 / 0 / 28 / 9

HEX #9AE9A7

RGB 154 233 167

HSL 129.87, 0.64%, 0.76%

LAB 85.98, -37.43, 24.6

 

CMYK 34 / 0 / 19 / 9

HEX #9AE9BC

RGB 154 233 188

HSL 145.82, 0.64%, 0.76%

LAB 86.39, -33.62, 14.29

 

CMYK 56 / 0 / 61 / 14

HEX #61DB55

RGB 97 219 85

HSL 114.63, 0.65%, 0.6%

LAB 78.38, -59.33, 54.38

 

CMYK 43 / 0 / 47 / 11

HEX #81E277

RGB 129 226 119

HSL 114.39, 0.65%, 0.68%

LAB 82.05, -49.26, 43.37

 

CMYK 31 / 0 / 34 / 9

HEX #A1E99A

RGB 161 233 154

HSL 114.68, 0.64%, 0.76%

LAB 86.1, -37.35, 31.48

 

CMYK 20 / 0 / 22 / 6

HEX #C0F0BC

RGB 192 240 188

HSL 115.38, 0.63%, 0.84%

LAB 90.39, -25.02, 20.2

 

CMYK 10 / 0 / 10 / 3

HEX #E0F8DE

RGB 224 248 222

HSL 115.38, 0.65%, 0.92%

LAB 95.27, -12.51, 9.84

 

CMYK 30 / 0 / 33 / 8

HEX #A3EA9C

RGB 163 234 156

HSL 114.62, 0.65%, 0.76%

LAB 86.52, -36.85, 31.04

 

CMYK 34 / 3 / 0 / 9

HEX #9AE1E9

RGB 154 225 233

HSL 186.08, 0.64%, 0.76%

LAB 85.3, -20.1, -10.96

 

CMYK 0 / 34 / 17 / 9

HEX #E99AC1

RGB 233 154 193

HSL 330.38, 0.64%, 0.76%

LAB 72.42, 35, -7.9

 

CMYK 30 / 0 / 33 / 8

HEX #A3EA9C

RGB 163 234 156

HSL 114.62, 0.65%, 0.76%

LAB 86.52, -36.85, 31.04

 

CMYK 34 / 31 / 0 / 9

HEX #9AA1E9

RGB 154 161 233

HSL 234.68, 0.64%, 0.76%

LAB 68.2, 14.18, -37.03

 

CMYK 0 / 34 / 31 / 9

HEX #E99AA1

RGB 233 154 161

HSL 354.68, 0.64%, 0.76%

LAB 71.56, 30.45, 8.57

 

CMYK 30 / 0 / 33 / 8

HEX #A3EA9C

RGB 163 234 156

HSL 114.62, 0.65%, 0.76%

LAB 86.52, -36.85, 31.04

 

CMYK 34 / 3 / 0 / 9

HEX #9AE1E9

RGB 154 225 233

HSL 186.08, 0.64%, 0.76%

LAB 85.3, -20.1, -10.96

 

CMYK 3 / 34 / 0 / 9

HEX #E19AE9

RGB 225 154 233

HSL 293.92, 0.64%, 0.76%

LAB 72.89, 39.26, -29.26

 

CMYK 0 / 31 / 34 / 9

HEX #E9A19A

RGB 233 161 154

HSL 5.32, 0.64%, 0.76%

LAB 72.99, 25.85, 14.45

 

CMYK 30 / 0 / 33 / 8

HEX #A3EA9C

RGB 163 234 156

HSL 114.62, 0.65%, 0.76%

LAB 86.52, -36.85, 31.04

 

CMYK 34 / 14 / 0 / 9

HEX #9AC9E9

RGB 154 201 233

HSL 204.3, 0.64%, 0.76%

LAB 78.77, -7.78, -20.79

 

CMYK 3 / 34 / 0 / 9

HEX #E19AE9

RGB 225 154 233

HSL 293.92, 0.64%, 0.76%

LAB 72.89, 39.26, -29.26

 

CMYK 0 / 21 / 34 / 9

HEX #E9B99A

RGB 233 185 154

HSL 23.54, 0.64%, 0.76%

LAB 78.67, 13.07, 22.32

 

Description

Color code: HEX #A3EA9C | qconv.com Color code: HEX #A3EA9C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 234 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 234 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 33 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 33% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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