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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3E1C2 it is the complementary color #5C1E3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3E1C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3E1C2 shade: #A8E1BD, #B9F3D0, #CAFFE3, #DBFFF6 and #ECFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3E1C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3E1C2 shade: #A3E1C2, #92CFAF, #81BD9C, #70AB89 and #5F9976

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3E1C2 shade: #A2E1C1, #A2E1B0, #A5E1A2, #B5E1A2 and #C6E1A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3E1C2 shade: #A2E1C1, #A2E1D2, #A2DEE1, #A2CDE1 and #A2BCE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3E1C2 shade matches the following richer shades: #A2E1C1, #98EAC1, #8EF4C1 and #84FEC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3E1C2 shade: #A2E1C1, #ACD7C1, #B6CDC1, #C0C3C1 and #CAB9C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3E1C2 shade: #A4E1A2, #A2E1B1, #A2E1C1, #A2E1D2 and #A2DEE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3E1C2 shade: #64CC98, #83D6AD, #A2E1C1, #C1EBD6 and #E0F5EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3E1C2 shade: #A3E1C2, #A2B5E1 and #E1A8A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3E1C2 shade: #A3E1C2, #C1A2E1 and #E1C1A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3E1C2 shade: #A3E1C2, #A2B5E1, #E1A2C1 and #E1CEA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3E1C2 shade: #A3E1C2, #A2A2E1, #E1A2C1 and #E1E1A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 14 / 12

HEX #A3E1C2

RGB 163 225 194

HSL 150, 0.51%, 0.76%

LAB 84.76, -25.97, 8.88

 

Complementary color

CMYK 0 / 67 / 34 / 64

HEX #5C1E3D

RGB 92 30 61

HSL 330, 0.51%, 0.24%

LAB 22.09, 31.76, -4.96

 

CMYK 25 / 0 / 16 / 12

HEX #A8E1BD

RGB 168 225 189

HSL 142.11, 0.49%, 0.77%

LAB 84.92, -25.38, 11.78

 

CMYK 24 / 0 / 14 / 5

HEX #B9F3D0

RGB 185 243 208

HSL 143.79, 0.71%, 0.84%

LAB 91.22, -25.19, 10.97

 

CMYK 21 / 0 / 11 / 0

HEX #CAFFE3

RGB 202 255 227

HSL 148.3, 1%, 0.9%

LAB 95.84, -22.13, 7.9

 

CMYK 14 / 0 / 4 / 0

HEX #DBFFF6

RGB 219 255 246

HSL 165, 1%, 0.93%

LAB 97.32, -13.23, 0.41

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 28 / 0 / 14 / 12

HEX #A3E1C2

RGB 163 225 194

HSL 150, 0.51%, 0.76%

LAB 84.76, -25.97, 8.88

 

CMYK 29 / 0 / 15 / 19

HEX #92CFAF

RGB 146 207 175

HSL 148.52, 0.39%, 0.69%

LAB 78.36, -26.19, 9.7

 

CMYK 32 / 0 / 17 / 26

HEX #81BD9C

RGB 129 189 156

HSL 147, 0.31%, 0.62%

LAB 71.87, -26.43, 10.57

 

CMYK 35 / 0 / 20 / 33

HEX #70AB89

RGB 112 171 137

HSL 145.42, 0.26%, 0.55%

LAB 65.26, -26.69, 11.51

 

CMYK 38 / 0 / 23 / 40

HEX #5F9976

RGB 95 153 118

HSL 143.79, 0.23%, 0.49%

LAB 58.53, -26.96, 12.51

 

CMYK 28 / 0 / 14 / 12

HEX #A2E1C1

RGB 162 225 193

HSL 149.52, 0.51%, 0.76%

LAB 84.68, -26.47, 9.29

 

CMYK 28 / 0 / 22 / 12

HEX #A2E1B0

RGB 162 225 176

HSL 133.33, 0.51%, 0.76%

LAB 84.31, -29.66, 17.69

 

CMYK 27 / 0 / 28 / 12

HEX #A5E1A2

RGB 165 225 162

HSL 117.14, 0.51%, 0.76%

LAB 84.2, -31.09, 24.85

 

CMYK 20 / 0 / 28 / 12

HEX #B5E1A2

RGB 181 225 162

HSL 101.9, 0.51%, 0.76%

LAB 85.14, -25.7, 26.28

 

CMYK 12 / 0 / 28 / 12

HEX #C6E1A2

RGB 198 225 162

HSL 85.71, 0.51%, 0.76%

LAB 86.24, -19.69, 27.95

 

CMYK 28 / 0 / 14 / 12

HEX #A2E1C1

RGB 162 225 193

HSL 149.52, 0.51%, 0.76%

LAB 84.68, -26.47, 9.29

 

CMYK 28 / 0 / 7 / 12

HEX #A2E1D2

RGB 162 225 210

HSL 165.71, 0.51%, 0.76%

LAB 85.09, -23.01, 0.92

 

CMYK 28 / 1 / 0 / 12

HEX #A2DEE1

RGB 162 222 225

HSL 182.86, 0.51%, 0.76%

LAB 84.67, -18.24, -7.63

 

CMYK 28 / 9 / 0 / 12

HEX #A2CDE1

RGB 162 205 225

HSL 199.05, 0.51%, 0.76%

LAB 80.06, -9.54, -14.51

 

CMYK 28 / 16 / 0 / 12

HEX #A2BCE1

RGB 162 188 225

HSL 215.24, 0.51%, 0.76%

LAB 75.5, -0.5, -21.39

 

CMYK 28 / 0 / 14 / 12

HEX #A2E1C1

RGB 162 225 193

HSL 149.52, 0.51%, 0.76%

LAB 84.68, -26.47, 9.29

 

CMYK 35 / 0 / 18 / 8

HEX #98EAC1

RGB 152 234 193

HSL 150, 0.66%, 0.76%

LAB 86.69, -33.69, 12.08

 

CMYK 42 / 0 / 21 / 4

HEX #8EF4C1

RGB 142 244 193

HSL 150, 0.82%, 0.76%

LAB 89.07, -40.98, 15.38

 

CMYK 48 / 0 / 24 / 0

HEX #84FEC1

RGB 132 254 193

HSL 150, 0.98%, 0.76%

LAB 91.52, -47.86, 18.77

 

CMYK 28 / 0 / 14 / 12

HEX #A2E1C1

RGB 162 225 193

HSL 149.52, 0.51%, 0.76%

LAB 84.68, -26.47, 9.29

 

CMYK 20 / 0 / 10 / 16

HEX #ACD7C1

RGB 172 215 193

HSL 149.3, 0.35%, 0.76%

LAB 82.5, -18.42, 6.23

 

CMYK 11 / 0 / 6 / 20

HEX #B6CDC1

RGB 182 205 193

HSL 148.7, 0.19%, 0.76%

LAB 80.44, -10.04, 3.34

 

CMYK 2 / 0 / 1 / 24

HEX #C0C3C1

RGB 192 195 193

HSL 140, 0.02%, 0.76%

LAB 78.51, -1.4, 0.63

 

CMYK 0 / 8 / 4 / 21

HEX #CAB9C1

RGB 202 185 193

HSL 331.76, 0.14%, 0.76%

LAB 76.74, 7.43, -1.86

 

CMYK 27 / 0 / 28 / 12

HEX #A4E1A2

RGB 164 225 162

HSL 118.1, 0.51%, 0.76%

LAB 84.15, -31.42, 24.77

 

CMYK 28 / 0 / 21 / 12

HEX #A2E1B1

RGB 162 225 177

HSL 134.29, 0.51%, 0.76%

LAB 84.33, -29.48, 17.2

 

CMYK 28 / 0 / 14 / 12

HEX #A2E1C1

RGB 162 225 193

HSL 149.52, 0.51%, 0.76%

LAB 84.68, -26.47, 9.29

 

CMYK 28 / 0 / 7 / 12

HEX #A2E1D2

RGB 162 225 210

HSL 165.71, 0.51%, 0.76%

LAB 85.09, -23.01, 0.92

 

CMYK 28 / 1 / 0 / 12

HEX #A2DEE1

RGB 162 222 225

HSL 182.86, 0.51%, 0.76%

LAB 84.67, -18.24, -7.63

 

CMYK 51 / 0 / 25 / 20

HEX #64CC98

RGB 100 204 152

HSL 150, 0.5%, 0.6%

LAB 74.93, -42.23, 16.84

 

CMYK 39 / 0 / 19 / 16

HEX #83D6AD

RGB 131 214 173

HSL 150.36, 0.5%, 0.68%

LAB 79.58, -34.33, 12.39

 

CMYK 28 / 0 / 14 / 12

HEX #A2E1C1

RGB 162 225 193

HSL 149.52, 0.51%, 0.76%

LAB 84.68, -26.47, 9.29

 

CMYK 18 / 0 / 9 / 8

HEX #C1EBD6

RGB 193 235 214

HSL 150, 0.51%, 0.84%

LAB 89.68, -17.63, 5.69

 

CMYK 9 / 0 / 4 / 4

HEX #E0F5EB

RGB 224 245 235

HSL 151.43, 0.51%, 0.92%

LAB 94.8, -8.7, 2.45

 

CMYK 28 / 0 / 14 / 12

HEX #A3E1C2

RGB 163 225 194

HSL 150, 0.51%, 0.76%

LAB 84.76, -25.97, 8.88

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 0 / 25 / 28 / 12

HEX #E1A8A2

RGB 225 168 162

HSL 5.71, 0.51%, 0.76%

LAB 73.95, 20.12, 11.29

 

CMYK 28 / 0 / 14 / 12

HEX #A3E1C2

RGB 163 225 194

HSL 150, 0.51%, 0.76%

LAB 84.76, -25.97, 8.88

 

CMYK 14 / 28 / 0 / 12

HEX #C1A2E1

RGB 193 162 225

HSL 269.52, 0.51%, 0.76%

LAB 71.29, 23.3, -27.61

 

CMYK 0 / 14 / 28 / 12

HEX #E1C1A2

RGB 225 193 162

HSL 29.52, 0.51%, 0.76%

LAB 80.04, 6.79, 19.83

 

CMYK 28 / 0 / 14 / 12

HEX #A3E1C2

RGB 163 225 194

HSL 150, 0.51%, 0.76%

LAB 84.76, -25.97, 8.88

 

CMYK 28 / 20 / 0 / 12

HEX #A2B5E1

RGB 162 181 225

HSL 221.9, 0.51%, 0.76%

LAB 73.65, 3.31, -24.21

 

CMYK 0 / 28 / 14 / 12

HEX #E1A2C1

RGB 225 162 193

HSL 330.48, 0.51%, 0.76%

LAB 73.35, 27.96, -6.62

 

CMYK 0 / 8 / 28 / 12

HEX #E1CEA2

RGB 225 206 162

HSL 41.9, 0.51%, 0.76%

LAB 83.32, -0.01, 24.33

 

CMYK 28 / 0 / 14 / 12

HEX #A3E1C2

RGB 163 225 194

HSL 150, 0.51%, 0.76%

LAB 84.76, -25.97, 8.88

 

CMYK 28 / 28 / 0 / 12

HEX #A2A2E1

RGB 162 162 225

HSL 240, 0.51%, 0.76%

LAB 68.72, 13.87, -31.78

 

CMYK 0 / 28 / 14 / 12

HEX #E1A2C1

RGB 225 162 193

HSL 330.48, 0.51%, 0.76%

LAB 73.35, 27.96, -6.62

 

CMYK 0 / 0 / 28 / 12

HEX #E1E1A2

RGB 225 225 162

HSL 60, 0.51%, 0.76%

LAB 88.19, -9.73, 30.92

 

Description

Color code: HEX #A3E1C2 | qconv.com Color code: HEX #A3E1C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 225 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 225 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 14 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 14% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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