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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3DCEA it is the complementary color #5C2315. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3DCEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3DCEA shade: #A8DCE5, #B9EEF8, #CAFFFF, #DBFFFF and #ECFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3DCEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3DCEA shade: #A3DCEA, #92CAD7, #81B8C4, #70A6B1 and #5F949E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3DCEA shade: #A3DCEA, #A3C9EA, #A3B6EA, #A3A3EA and #B7A3EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3DCEA shade: #A3DCEA, #A3C9EA, #A3B6EA and #A3A3EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3DCEA shade matches the following richer shades: #A3DCEA, #9AE1F3 and #91E7FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3DCEA shade: #A3DCEA, #ACD6E1, #B5D1D8, #BECBCF and #C7C6C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3DCEA shade: #A3EAD1, #A3EAE4, #A3DDEA, #A3CAEA and #A3B7EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3DCEA shade: #60C2DA, #81CFE2, #A3DCEA, #C5E9F1 and #E6F5F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3DCEA shade: #A3DCEA, #BEA3EA and #EADAA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3DCEA shade: #A3DCEA, #EAA3DD and #DDEAA3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3DCEA shade: #A3DCEA, #BEA3EA, #EAB0A3 and #CFEAA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3DCEA shade: #A3DCEA, #D3A3EA, #EAB0A3 and #B9EAA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

Complementary color

CMYK 0 / 62 / 77 / 64

HEX #5C2315

RGB 92 35 21

HSL 11.83, 0.63%, 0.22%

LAB 22.06, 25.16, 22.13

 

CMYK 27 / 4 / 0 / 10

HEX #A8DCE5

RGB 168 220 229

HSL 188.85, 0.54%, 0.78%

LAB 84.57, -14.62, -9.86

 

CMYK 25 / 4 / 0 / 3

HEX #B9EEF8

RGB 185 238 248

HSL 189.52, 0.82%, 0.85%

LAB 90.89, -14.58, -10.34

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 32 / 6 / 0 / 16

HEX #92CAD7

RGB 146 202 215

HSL 191.3, 0.46%, 0.71%

LAB 78.03, -14.9, -12.28

 

CMYK 34 / 6 / 0 / 23

HEX #81B8C4

RGB 129 184 196

HSL 190.75, 0.36%, 0.64%

LAB 71.51, -14.91, -11.81

 

CMYK 37 / 6 / 0 / 31

HEX #70A6B1

RGB 112 166 177

HSL 190.15, 0.29%, 0.57%

LAB 64.88, -14.91, -11.33

 

CMYK 40 / 6 / 0 / 38

HEX #5F949E

RGB 95 148 158

HSL 189.52, 0.25%, 0.5%

LAB 58.11, -14.9, -10.83

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 30 / 14 / 0 / 8

HEX #A3C9EA

RGB 163 201 234

HSL 207.89, 0.63%, 0.78%

LAB 79.33, -5.02, -20.42

 

CMYK 30 / 22 / 0 / 8

HEX #A3B6EA

RGB 163 182 234

HSL 223.94, 0.63%, 0.78%

LAB 74.31, 5.25, -28.08

 

CMYK 30 / 30 / 0 / 8

HEX #A3A3EA

RGB 163 163 234

HSL 240, 0.63%, 0.78%

LAB 69.41, 15.83, -35.64

 

CMYK 22 / 30 / 0 / 8

HEX #B7A3EA

RGB 183 163 234

HSL 256.9, 0.63%, 0.78%

LAB 71.01, 21.68, -33.04

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 30 / 14 / 0 / 8

HEX #A3C9EA

RGB 163 201 234

HSL 207.89, 0.63%, 0.78%

LAB 79.33, -5.02, -20.42

 

CMYK 30 / 22 / 0 / 8

HEX #A3B6EA

RGB 163 182 234

HSL 223.94, 0.63%, 0.78%

LAB 74.31, 5.25, -28.08

 

CMYK 30 / 30 / 0 / 8

HEX #A3A3EA

RGB 163 163 234

HSL 240, 0.63%, 0.78%

LAB 69.41, 15.83, -35.64

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 37 / 7 / 0 / 5

HEX #9AE1F3

RGB 154 225 243

HSL 192.13, 0.79%, 0.78%

LAB 85.6, -17.7, -15.8

 

CMYK 42 / 8 / 0 / 1

HEX #91E7FC

RGB 145 231 252

HSL 191.78, 0.95%, 0.78%

LAB 87.09, -20.71, -18.33

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 24 / 5 / 0 / 12

HEX #ACD6E1

RGB 172 214 225

HSL 192.45, 0.47%, 0.78%

LAB 83.07, -11.27, -9.94

 

CMYK 16 / 3 / 0 / 15

HEX #B5D1D8

RGB 181 209 216

HSL 192, 0.31%, 0.78%

LAB 82.05, -7.85, -6.61

 

CMYK 8 / 2 / 0 / 19

HEX #BECBCF

RGB 190 203 207

HSL 194.12, 0.15%, 0.78%

LAB 80.83, -3.63, -3.52

 

CMYK 0 / 1 / 1 / 22

HEX #C7C6C5

RGB 199 198 197

HSL 30, 0.02%, 0.78%

LAB 79.93, 0.17, 0.61

 

CMYK 30 / 0 / 11 / 8

HEX #A3EAD1

RGB 163 234 209

HSL 158.87, 0.63%, 0.78%

LAB 87.6, -27.29, 5.09

 

CMYK 30 / 0 / 3 / 8

HEX #A3EAE4

RGB 163 234 228

HSL 174.93, 0.63%, 0.78%

LAB 88.08, -23.24, -4.17

 

CMYK 30 / 6 / 0 / 8

HEX #A3DDEA

RGB 163 221 234

HSL 190.99, 0.63%, 0.78%

LAB 84.71, -15.4, -12.33

 

CMYK 30 / 14 / 0 / 8

HEX #A3CAEA

RGB 163 202 234

HSL 207.04, 0.63%, 0.78%

LAB 79.6, -5.55, -20.02

 

CMYK 30 / 22 / 0 / 8

HEX #A3B7EA

RGB 163 183 234

HSL 223.1, 0.63%, 0.78%

LAB 74.57, 4.7, -27.68

 

CMYK 56 / 11 / 0 / 15

HEX #60C2DA

RGB 96 194 218

HSL 191.8, 0.62%, 0.62%

LAB 73.63, -22.02, -20.75

 

CMYK 43 / 8 / 0 / 11

HEX #81CFE2

RGB 129 207 226

HSL 191.75, 0.63%, 0.7%

LAB 78.92, -19.16, -16.93

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 18 / 3 / 0 / 5

HEX #C5E9F1

RGB 197 233 241

HSL 190.91, 0.61%, 0.86%

LAB 90.09, -10, -7.79

 

CMYK 8 / 2 / 0 / 2

HEX #E6F5F9

RGB 230 245 249

HSL 192.63, 0.61%, 0.94%

LAB 95.57, -4.16, -3.63

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 19 / 30 / 0 / 8

HEX #BEA3EA

RGB 190 163 234

HSL 262.82, 0.63%, 0.78%

LAB 71.61, 23.79, -32.06

 

CMYK 0 / 7 / 30 / 8

HEX #EADAA3

RGB 234 218 163

HSL 46.48, 0.63%, 0.78%

LAB 87.13, -2.64, 29.11

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 0 / 30 / 6 / 8

HEX #EAA3DD

RGB 234 163 221

HSL 310.99, 0.63%, 0.78%

LAB 75.39, 35.17, -18.8

 

CMYK 6 / 0 / 30 / 8

HEX #DDEAA3

RGB 221 234 163

HSL 70.99, 0.63%, 0.78%

LAB 90.26, -15.58, 33.12

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 19 / 30 / 0 / 8

HEX #BEA3EA

RGB 190 163 234

HSL 262.82, 0.63%, 0.78%

LAB 71.61, 23.79, -32.06

 

CMYK 0 / 25 / 30 / 8

HEX #EAB0A3

RGB 234 176 163

HSL 10.99, 0.63%, 0.78%

LAB 76.79, 19.37, 14.89

 

CMYK 12 / 0 / 30 / 8

HEX #CFEAA3

RGB 207 234 163

HSL 82.82, 0.63%, 0.78%

LAB 89.28, -20.7, 31.64

 

CMYK 30 / 6 / 0 / 8

HEX #A3DCEA

RGB 163 220 234

HSL 191.83, 0.63%, 0.78%

LAB 84.44, -14.89, -12.73

 

CMYK 10 / 30 / 0 / 8

HEX #D3A3EA

RGB 211 163 234

HSL 280.56, 0.63%, 0.78%

LAB 73.54, 30.26, -28.93

 

CMYK 0 / 25 / 30 / 8

HEX #EAB0A3

RGB 234 176 163

HSL 10.99, 0.63%, 0.78%

LAB 76.79, 19.37, 14.89

 

CMYK 21 / 0 / 30 / 8

HEX #B9EAA3

RGB 185 234 163

HSL 101.41, 0.63%, 0.78%

LAB 87.87, -28.46, 29.51

 

Description

Color code: HEX #A3DCEA | qconv.com Color code: HEX #A3DCEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 220 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 220 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 6 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 6% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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