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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3DB3B it is the complementary color #5C24C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3DB3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3DB3B shade: #A8DB36, #B9ED49, #CAFF5C, #DBFF6F and #ECFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3DB3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3DB3B shade: #A3DB3B, #92C928, #81B715, #70A502 and #5F9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3DB3B shade: #A4DB3D, #CEDB3D, #DBBD3D, #DB923D and #DB683D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3DB3B shade: #A4DB3D, #79DB3D, #4EDB3D, #3DDB56 and #3DDB80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3DB3B shade matches the following richer shades: #A4DB3D and #A9ED2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3DB3B shade: #A4DB3D, #9EC84F, #98B662, #93A374 and #8D9187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3DB3B shade: #DBBE3D, #CEDB3D, #A4DB3D, #79DB3D and #4FDB3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3DB3B shade: #77A71E, #90CA25, #A4DB3D, #B4E15F and #C4E882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3DB3B shade: #A3DB3B, #3DDB94 and #D33DDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3DB3B shade: #A3DB3B, #3DA4DB and #DB3DA4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3DB3B shade: #A3DB3B, #3DDB94, #743DDB and #DB3D84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3DB3B shade: #A3DB3B, #3DDBC3, #743DDB and #DB3D54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 73 / 14

HEX #A3DB3B

RGB 163 219 59

HSL 81, 0.69%, 0.55%

LAB 81.16, -40.32, 68.27

 

Complementary color

CMYK 53 / 82 / 0 / 23

HEX #5C24C4

RGB 92 36 196

HSL 261, 0.69%, 0.45%

LAB 32.97, 59.18, -72.79

 

CMYK 23 / 0 / 75 / 14

HEX #A8DB36

RGB 168 219 54

HSL 78.55, 0.7%, 0.54%

LAB 81.43, -38.68, 70.25

 

CMYK 22 / 0 / 69 / 7

HEX #B9ED49

RGB 185 237 73

HSL 79.02, 0.82%, 0.61%

LAB 87.66, -39.21, 70.27

 

CMYK 21 / 0 / 64 / 0

HEX #CAFF5C

RGB 202 255 92

HSL 79.51, 1%, 0.68%

LAB 93.82, -39.61, 69.83

 

CMYK 14 / 0 / 56 / 0

HEX #DBFF6F

RGB 219 255 111

HSL 75, 1%, 0.72%

LAB 95.05, -31.8, 63.68

 

CMYK 7 / 0 / 49 / 0

HEX #ECFF82

RGB 236 255 130

HSL 69.12, 1%, 0.75%

LAB 96.4, -23.7, 57.1

 

CMYK 26 / 0 / 73 / 14

HEX #A3DB3B

RGB 163 219 59

HSL 81, 0.69%, 0.55%

LAB 81.16, -40.32, 68.27

 

CMYK 27 / 0 / 80 / 21

HEX #92C928

RGB 146 201 40

HSL 80.5, 0.67%, 0.47%

LAB 74.85, -39.73, 67.82

 

CMYK 30 / 0 / 89 / 28

HEX #81B715

RGB 129 183 21

HSL 80, 0.79%, 0.4%

LAB 68.45, -38.93, 66.33

 

CMYK 32 / 0 / 99 / 35

HEX #70A502

RGB 112 165 2

HSL 79.51, 0.98%, 0.33%

LAB 61.96, -37.92, 63.5

 

CMYK 35 / 0 / 100 / 42

HEX #5F9300

RGB 95 147 0

HSL 81.22, 1%, 0.29%

LAB 55.38, -36.56, 58.3

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 6 / 0 / 72 / 14

HEX #CEDB3D

RGB 206 219 61

HSL 64.94, 0.69%, 0.55%

LAB 84.03, -23.2, 71.35

 

CMYK 0 / 14 / 72 / 14

HEX #DBBD3D

RGB 219 189 61

HSL 48.61, 0.69%, 0.55%

LAB 77.16, -2.66, 65.08

 

CMYK 0 / 33 / 72 / 14

HEX #DB923D

RGB 219 146 61

HSL 32.28, 0.69%, 0.55%

LAB 66.49, 20.2, 54.36

 

CMYK 0 / 53 / 72 / 14

HEX #DB683D

RGB 219 104 61

HSL 16.33, 0.69%, 0.55%

LAB 57.36, 42.18, 44.68

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 45 / 0 / 72 / 14

HEX #79DB3D

RGB 121 219 61

HSL 97.22, 0.69%, 0.55%

LAB 79.08, -54.68, 64.82

 

CMYK 64 / 0 / 72 / 14

HEX #4EDB3D

RGB 78 219 61

HSL 113.54, 0.69%, 0.55%

LAB 77.65, -65.84, 62.92

 

CMYK 72 / 0 / 61 / 14

HEX #3DDB56

RGB 61 219 86

HSL 129.49, 0.69%, 0.55%

LAB 77.48, -66.56, 52.68

 

CMYK 72 / 0 / 42 / 14

HEX #3DDB80

RGB 61 219 128

HSL 145.44, 0.69%, 0.55%

LAB 78, -60.44, 33.32

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 29 / 0 / 82 / 7

HEX #A9ED2A

RGB 169 237 42

HSL 80.92, 0.84%, 0.55%

LAB 86.59, -46.62, 78.24

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 21 / 0 / 61 / 22

HEX #9EC84F

RGB 158 200 79

HSL 80.83, 0.52%, 0.55%

LAB 75.54, -32.25, 54.59

 

CMYK 16 / 0 / 46 / 29

HEX #98B662

RGB 152 182 98

HSL 81.43, 0.37%, 0.55%

LAB 70.19, -24.08, 39.26

 

CMYK 10 / 0 / 29 / 36

HEX #93A374

RGB 147 163 116

HSL 80.43, 0.2%, 0.55%

LAB 64.69, -14, 22.61

 

CMYK 3 / 0 / 7 / 43

HEX #8D9187

RGB 141 145 135

HSL 84, 0.04%, 0.55%

LAB 59.58, -3.38, 4.79

 

CMYK 0 / 13 / 72 / 14

HEX #DBBE3D

RGB 219 190 61

HSL 48.99, 0.69%, 0.55%

LAB 77.41, -3.18, 65.33

 

CMYK 6 / 0 / 72 / 14

HEX #CEDB3D

RGB 206 219 61

HSL 64.94, 0.69%, 0.55%

LAB 84.03, -23.2, 71.35

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 45 / 0 / 72 / 14

HEX #79DB3D

RGB 121 219 61

HSL 97.22, 0.69%, 0.55%

LAB 79.08, -54.68, 64.82

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3D

RGB 79 219 61

HSL 113.16, 0.69%, 0.55%

LAB 77.68, -65.63, 62.95

 

CMYK 29 / 0 / 82 / 35

HEX #77A71E

RGB 119 167 30

HSL 81.02, 0.7%, 0.39%

LAB 63.06, -35.35, 59.37

 

CMYK 29 / 0 / 82 / 21

HEX #90CA25

RGB 144 202 37

HSL 81.09, 0.69%, 0.47%

LAB 75.02, -41.05, 68.73

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 20 / 0 / 58 / 12

HEX #B4E15F

RGB 180 225 95

HSL 80.77, 0.68%, 0.63%

LAB 84.16, -34.08, 57.63

 

CMYK 16 / 0 / 44 / 9

HEX #C4E882

RGB 196 232 130

HSL 81.18, 0.69%, 0.71%

LAB 87.51, -27.89, 45.64

 

CMYK 26 / 0 / 73 / 14

HEX #A3DB3B

RGB 163 219 59

HSL 81, 0.69%, 0.55%

LAB 81.16, -40.32, 68.27

 

CMYK 72 / 0 / 32 / 14

HEX #3DDB94

RGB 61 219 148

HSL 153.04, 0.69%, 0.55%

LAB 78.34, -56.64, 23.49

 

CMYK 4 / 72 / 0 / 14

HEX #D33DDB

RGB 211 61 219

HSL 296.96, 0.69%, 0.55%

LAB 54.34, 75.56, -50.62

 

CMYK 26 / 0 / 73 / 14

HEX #A3DB3B

RGB 163 219 59

HSL 81, 0.69%, 0.55%

LAB 81.16, -40.32, 68.27

 

CMYK 72 / 25 / 0 / 14

HEX #3DA4DB

RGB 61 164 219

HSL 200.89, 0.69%, 0.55%

LAB 63.88, -11.68, -36.39

 

CMYK 0 / 72 / 25 / 14

HEX #DB3DA4

RGB 219 61 164

HSL 320.89, 0.69%, 0.55%

LAB 53.03, 69.43, -20.8

 

CMYK 26 / 0 / 73 / 14

HEX #A3DB3B

RGB 163 219 59

HSL 81, 0.69%, 0.55%

LAB 81.16, -40.32, 68.27

 

CMYK 72 / 0 / 32 / 14

HEX #3DDB94

RGB 61 219 148

HSL 153.04, 0.69%, 0.55%

LAB 78.34, -56.64, 23.49

 

CMYK 47 / 72 / 0 / 14

HEX #743DDB

RGB 116 61 219

HSL 260.89, 0.69%, 0.55%

LAB 41.48, 57.65, -72.04

 

CMYK 0 / 72 / 40 / 14

HEX #DB3D84

RGB 219 61 132

HSL 333.04, 0.69%, 0.55%

LAB 51.91, 65.83, -3.49

 

CMYK 26 / 0 / 73 / 14

HEX #A3DB3B

RGB 163 219 59

HSL 81, 0.69%, 0.55%

LAB 81.16, -40.32, 68.27

 

CMYK 72 / 0 / 11 / 14

HEX #3DDBC3

RGB 61 219 195

HSL 170.89, 0.69%, 0.55%

LAB 79.38, -45.7, 0.12

 

CMYK 47 / 72 / 0 / 14

HEX #743DDB

RGB 116 61 219

HSL 260.89, 0.69%, 0.55%

LAB 41.48, 57.65, -72.04

 

CMYK 0 / 72 / 62 / 14

HEX #DB3D54

RGB 219 61 84

HSL 351.27, 0.69%, 0.55%

LAB 50.73, 61.94, 23.78

 

Description

Color code: HEX #A3DB3B | qconv.com Color code: HEX #A3DB3B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 219 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 219 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 73 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 73% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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