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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3D934 it is the complementary color #5C26CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3D934. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3D934 shade: #A8D92F, #B9EB42, #CAFD55, #DBFF68 and #ECFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3D934. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3D934 shade: #A3D934, #92C721, #81B50E, #70A300 and #5F9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3D934 shade: #A3D835, #CFD835, #D8B635, #D88A35 and #D85E35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3D934 shade: #A3D835, #77D835, #4BD835, #35D84B and #35D877

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3D934 shade matches the following richer shades: #A3D835 and #A9EC22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3D934 shade: #A3D835, #9CC549, #95B15C, #8F9E6F and #888B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3D934 shade: #D8B535, #D0D835, #A5D835, #79D835 and #4ED835

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3D934 shade: #739D1E, #8DC024, #A3D835, #B3DF58 and #C2E57A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3D934 shade: #A3D934, #35D889 and #CB35D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3D934 shade: #A3D934, #35A5D8 and #D835A5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3D934 shade: #A3D934, #35D889, #6935D8 and #D83584

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3D934 shade: #A3D934, #35D8BA, #6935D8 and #D83553

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 76 / 15

HEX #A3D934

RGB 163 217 52

HSL 79.64, 0.68%, 0.53%

LAB 80.55, -39.8, 69.94

 

Complementary color

CMYK 55 / 81 / 0 / 20

HEX #5C26CB

RGB 92 38 203

HSL 259.64, 0.68%, 0.47%

LAB 33.93, 60.22, -75.3

 

CMYK 23 / 0 / 78 / 15

HEX #A8D92F

RGB 168 217 47

HSL 77.29, 0.69%, 0.52%

LAB 80.83, -38.11, 71.78

 

CMYK 21 / 0 / 72 / 8

HEX #B9EB42

RGB 185 235 66

HSL 77.75, 0.81%, 0.59%

LAB 87.06, -38.71, 72.11

 

CMYK 20 / 0 / 66 / 1

HEX #CAFD55

RGB 202 253 85

HSL 78.21, 0.98%, 0.66%

LAB 93.22, -39.19, 71.87

 

CMYK 14 / 0 / 59 / 0

HEX #DBFF68

RGB 219 255 104

HSL 74.3, 1%, 0.7%

LAB 94.98, -32.35, 66.57

 

CMYK 7 / 0 / 52 / 0

HEX #ECFF7B

RGB 236 255 123

HSL 68.64, 1%, 0.74%

LAB 96.32, -24.32, 60.18

 

CMYK 25 / 0 / 76 / 15

HEX #A3D934

RGB 163 217 52

HSL 79.64, 0.68%, 0.53%

LAB 80.55, -39.8, 69.94

 

CMYK 27 / 0 / 83 / 22

HEX #92C721

RGB 146 199 33

HSL 79.16, 0.72%, 0.45%

LAB 74.23, -39.11, 69.08

 

CMYK 29 / 0 / 92 / 29

HEX #81B50E

RGB 129 181 14

HSL 78.68, 0.86%, 0.38%

LAB 67.83, -38.21, 66.98

 

CMYK 31 / 0 / 100 / 36

HEX #70A300

RGB 112 163 0

HSL 78.77, 1%, 0.32%

LAB 61.34, -37.07, 63.3

 

CMYK 34 / 0 / 100 / 43

HEX #5F9100

RGB 95 145 0

HSL 80.69, 1%, 0.28%

LAB 54.75, -35.67, 57.81

 

CMYK 25 / 0 / 75 / 15

HEX #A3D835

RGB 163 216 53

HSL 79.51, 0.68%, 0.53%

LAB 80.27, -39.31, 69.36

 

CMYK 4 / 0 / 75 / 15

HEX #CFD835

RGB 207 216 53

HSL 63.31, 0.68%, 0.53%

LAB 83.25, -21.68, 73.21

 

CMYK 0 / 16 / 75 / 15

HEX #D8B635

RGB 216 182 53

HSL 47.48, 0.68%, 0.53%

LAB 75.02, -0.65, 65.85

 

CMYK 0 / 36 / 75 / 15

HEX #D88A35

RGB 216 138 53

HSL 31.29, 0.68%, 0.53%

LAB 64.19, 22.87, 55.41

 

CMYK 0 / 56 / 75 / 15

HEX #D85E35

RGB 216 94 53

HSL 15.09, 0.68%, 0.53%

LAB 54.93, 45.56, 46

 

CMYK 25 / 0 / 75 / 15

HEX #A3D835

RGB 163 216 53

HSL 79.51, 0.68%, 0.53%

LAB 80.27, -39.31, 69.36

 

CMYK 45 / 0 / 75 / 15

HEX #77D835

RGB 119 216 53

HSL 95.71, 0.68%, 0.53%

LAB 78.05, -54.64, 66.46

 

CMYK 65 / 0 / 75 / 15

HEX #4BD835

RGB 75 216 53

HSL 111.9, 0.68%, 0.53%

LAB 76.6, -66.04, 64.55

 

CMYK 75 / 0 / 65 / 15

HEX #35D84B

RGB 53 216 75

HSL 128.1, 0.68%, 0.53%

LAB 76.3, -67.97, 55.98

 

CMYK 75 / 0 / 45 / 15

HEX #35D877

RGB 53 216 119

HSL 144.29, 0.68%, 0.53%

LAB 76.8, -62.03, 36.26

 

CMYK 25 / 0 / 75 / 15

HEX #A3D835

RGB 163 216 53

HSL 79.51, 0.68%, 0.53%

LAB 80.27, -39.31, 69.36

 

CMYK 28 / 0 / 86 / 7

HEX #A9EC22

RGB 169 236 34

HSL 79.9, 0.84%, 0.53%

LAB 86.28, -46.45, 79.7

 

CMYK 25 / 0 / 75 / 15

HEX #A3D835

RGB 163 216 53

HSL 79.51, 0.68%, 0.53%

LAB 80.27, -39.31, 69.36

 

CMYK 21 / 0 / 63 / 23

HEX #9CC549

RGB 156 197 73

HSL 79.84, 0.52%, 0.53%

LAB 74.5, -32.1, 55.98

 

CMYK 16 / 0 / 48 / 31

HEX #95B15C

RGB 149 177 92

HSL 79.76, 0.35%, 0.53%

LAB 68.47, -23.46, 40.1

 

CMYK 9 / 0 / 30 / 38

HEX #8F9E6F

RGB 143 158 111

HSL 79.15, 0.2%, 0.53%

LAB 62.88, -13.66, 22.85

 

CMYK 2 / 0 / 6 / 45

HEX #888B83

RGB 136 139 131

HSL 82.5, 0.03%, 0.53%

LAB 57.4, -2.65, 3.88

 

CMYK 0 / 16 / 75 / 15

HEX #D8B535

RGB 216 181 53

HSL 47.12, 0.68%, 0.53%

LAB 74.76, -0.13, 65.61

 

CMYK 4 / 0 / 75 / 15

HEX #D0D835

RGB 208 216 53

HSL 62.94, 0.68%, 0.53%

LAB 83.33, -21.27, 73.31

 

CMYK 24 / 0 / 75 / 15

HEX #A5D835

RGB 165 216 53

HSL 78.77, 0.68%, 0.53%

LAB 80.39, -38.54, 69.51

 

CMYK 44 / 0 / 75 / 15

HEX #79D835

RGB 121 216 53

HSL 94.97, 0.68%, 0.53%

LAB 78.13, -54.02, 66.57

 

CMYK 64 / 0 / 75 / 15

HEX #4ED835

RGB 78 216 53

HSL 110.8, 0.68%, 0.53%

LAB 76.67, -65.41, 64.65

 

CMYK 27 / 0 / 81 / 38

HEX #739D1E

RGB 115 157 30

HSL 79.84, 0.68%, 0.37%

LAB 59.76, -32.34, 56.31

 

CMYK 27 / 0 / 81 / 25

HEX #8DC024

RGB 141 192 36

HSL 79.62, 0.68%, 0.45%

LAB 71.89, -37.81, 66.14

 

CMYK 25 / 0 / 75 / 15

HEX #A3D835

RGB 163 216 53

HSL 79.51, 0.68%, 0.53%

LAB 80.27, -39.31, 69.36

 

CMYK 20 / 0 / 61 / 13

HEX #B3DF58

RGB 179 223 88

HSL 79.56, 0.68%, 0.61%

LAB 83.48, -34.12, 59.86

 

CMYK 15 / 0 / 47 / 10

HEX #C2E57A

RGB 194 229 122

HSL 79.63, 0.67%, 0.69%

LAB 86.46, -28.09, 48.16

 

CMYK 25 / 0 / 76 / 15

HEX #A3D934

RGB 163 217 52

HSL 79.64, 0.68%, 0.53%

LAB 80.55, -39.8, 69.94

 

CMYK 75 / 0 / 37 / 15

HEX #35D889

RGB 53 216 137

HSL 150.92, 0.68%, 0.53%

LAB 77.09, -58.77, 27.48

 

CMYK 6 / 75 / 0 / 15

HEX #CB35D8

RGB 203 53 216

HSL 295.21, 0.68%, 0.53%

LAB 52.06, 75.92, -52.63

 

CMYK 25 / 0 / 76 / 15

HEX #A3D934

RGB 163 217 52

HSL 79.64, 0.68%, 0.53%

LAB 80.55, -39.8, 69.94

 

CMYK 75 / 24 / 0 / 15

HEX #35A5D8

RGB 53 165 216

HSL 198.77, 0.68%, 0.53%

LAB 63.86, -14.24, -34.79

 

CMYK 0 / 75 / 24 / 15

HEX #D835A5

RGB 216 53 165

HSL 318.77, 0.68%, 0.53%

LAB 51.68, 71.32, -23.52

 

CMYK 25 / 0 / 76 / 15

HEX #A3D934

RGB 163 217 52

HSL 79.64, 0.68%, 0.53%

LAB 80.55, -39.8, 69.94

 

CMYK 75 / 0 / 37 / 15

HEX #35D889

RGB 53 216 137

HSL 150.92, 0.68%, 0.53%

LAB 77.09, -58.77, 27.48

 

CMYK 51 / 75 / 0 / 15

HEX #6935D8

RGB 105 53 216

HSL 259.14, 0.68%, 0.53%

LAB 38.74, 58.92, -74.86

 

CMYK 0 / 75 / 39 / 15

HEX #D83584

RGB 216 53 132

HSL 330.92, 0.68%, 0.53%

LAB 50.47, 67.6, -5.68

 

CMYK 25 / 0 / 76 / 15

HEX #A3D934

RGB 163 217 52

HSL 79.64, 0.68%, 0.53%

LAB 80.55, -39.8, 69.94

 

CMYK 75 / 0 / 14 / 15

HEX #35D8BA

RGB 53 216 186

HSL 168.96, 0.68%, 0.53%

LAB 78.12, -47.69, 3.06

 

CMYK 51 / 75 / 0 / 15

HEX #6935D8

RGB 105 53 216

HSL 259.14, 0.68%, 0.53%

LAB 38.74, 58.92, -74.86

 

CMYK 0 / 75 / 62 / 15

HEX #D83553

RGB 216 53 83

HSL 348.96, 0.68%, 0.53%

LAB 49.22, 63.64, 22.29

 

Description

Color code: HEX #A3D934 | qconv.com Color code: HEX #A3D934 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 217 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 217 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 76 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 76% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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