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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3C330 it is the complementary color #5C3CCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3C330. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3C330 shade: #A8C32B, #B9D53E, #CAE751, #DBF964 and #ECFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3C330. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3C330 shade: #A3C330, #92B11D, #819F0A, #708D00 and #5F7B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3C330 shade: #A3C330, #C3BC30, #C39430, #C36C30 and #C34530

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3C330 shade: #A3C330, #7CC330, #54C330, #30C334 and #30C35C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3C330 shade matches the following richer shades: #A3C330, #AFD71D and #BAEB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3C330 shade: #A3C330, #98B044, #8D9C58, #82886C and #777480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3C330 shade: #C39530, #C3BC30, #A4C330, #7CC330 and #55C330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3C330 shade: #6C8120, #88A228, #A3C330, #B4D24B and #C2DA6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3C330 shade: #A3C330, #30C36E and #A830C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3C330 shade: #A3C330, #30A4C3 and #C330A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3C330 shade: #A3C330, #30C36E, #5030C3 and #C33086

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3C330 shade: #A3C330, #30C39A, #5030C3 and #C3305A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

Complementary color

CMYK 56 / 71 / 0 / 19

HEX #5C3CCF

RGB 92 60 207

HSL 253.06, 0.6%, 0.52%

LAB 37.86, 51.14, -71.15

 

CMYK 14 / 0 / 78 / 24

HEX #A8C32B

RGB 168 195 43

HSL 70.66, 0.64%, 0.47%

LAB 74.53, -28.11, 67.2

 

CMYK 13 / 0 / 71 / 16

HEX #B9D53E

RGB 185 213 62

HSL 71.13, 0.64%, 0.54%

LAB 80.88, -28.83, 67.43

 

CMYK 13 / 0 / 65 / 9

HEX #CAE751

RGB 202 231 81

HSL 71.6, 0.76%, 0.61%

LAB 87.14, -29.41, 67.09

 

CMYK 12 / 0 / 60 / 2

HEX #DBF964

RGB 219 249 100

HSL 72.08, 0.93%, 0.68%

LAB 93.33, -29.87, 66.41

 

CMYK 7 / 0 / 53 / 0

HEX #ECFF77

RGB 236 255 119

HSL 68.38, 1%, 0.73%

LAB 96.28, -24.65, 61.91

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 18 / 0 / 84 / 31

HEX #92B11D

RGB 146 177 29

HSL 72.57, 0.72%, 0.4%

LAB 67.76, -29.13, 64.43

 

CMYK 19 / 0 / 94 / 38

HEX #819F0A

RGB 129 159 10

HSL 72.08, 0.88%, 0.33%

LAB 61.21, -28.11, 62.25

 

CMYK 21 / 0 / 100 / 45

HEX #708D00

RGB 112 141 0

HSL 72.34, 1%, 0.28%

LAB 54.55, -26.82, 58.12

 

CMYK 23 / 0 / 100 / 52

HEX #5F7B00

RGB 95 123 0

HSL 73.66, 1%, 0.24%

LAB 47.75, -25.34, 52.46

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 0 / 4 / 75 / 24

HEX #C3BC30

RGB 195 188 48

HSL 57.14, 0.6%, 0.48%

LAB 74.69, -13.03, 66.55

 

CMYK 0 / 24 / 75 / 24

HEX #C39430

RGB 195 148 48

HSL 40.82, 0.6%, 0.48%

LAB 64.16, 8.14, 56.61

 

CMYK 0 / 45 / 75 / 24

HEX #C36C30

RGB 195 108 48

HSL 24.49, 0.6%, 0.48%

LAB 54.6, 29.98, 47.12

 

CMYK 0 / 65 / 75 / 24

HEX #C34530

RGB 195 69 48

HSL 8.57, 0.6%, 0.48%

LAB 47.07, 49.23, 39.22

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 36 / 0 / 75 / 24

HEX #7CC330

RGB 124 195 48

HSL 88.98, 0.6%, 0.48%

LAB 71.91, -44.82, 62.24

 

CMYK 57 / 0 / 75 / 24

HEX #54C330

RGB 84 195 48

HSL 105.31, 0.6%, 0.48%

LAB 70.27, -57.11, 60.07

 

CMYK 75 / 0 / 73 / 24

HEX #30C334

RGB 48 195 52

HSL 121.63, 0.6%, 0.48%

LAB 69.4, -64.16, 57.54

 

CMYK 75 / 0 / 53 / 24

HEX #30C35C

RGB 48 195 92

HSL 137.96, 0.6%, 0.48%

LAB 69.78, -59.66, 40.76

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 19 / 0 / 87 / 16

HEX #AFD71D

RGB 175 215 29

HSL 72.9, 0.76%, 0.48%

LAB 80.63, -35.06, 76.08

 

CMYK 21 / 0 / 96 / 8

HEX #BAEB09

RGB 186 235 9

HSL 73.01, 0.93%, 0.48%

LAB 86.94, -40.04, 84.02

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 14 / 0 / 61 / 31

HEX #98B044

RGB 152 176 68

HSL 73.33, 0.44%, 0.48%

LAB 68.13, -24.01, 51.13

 

CMYK 10 / 0 / 44 / 39

HEX #8D9C58

RGB 141 156 88

HSL 73.24, 0.28%, 0.48%

LAB 61.78, -16.46, 33.75

 

CMYK 4 / 0 / 21 / 47

HEX #82886C

RGB 130 136 108

HSL 72.86, 0.11%, 0.48%

LAB 55.52, -7.37, 14.32

 

CMYK 7 / 9 / 0 / 50

HEX #777480

RGB 119 116 128

HSL 255, 0.05%, 0.48%

LAB 49.46, 3.63, -6.17

 

CMYK 0 / 24 / 75 / 24

HEX #C39530

RGB 195 149 48

HSL 41.22, 0.6%, 0.48%

LAB 64.41, 7.59, 56.86

 

CMYK 0 / 4 / 75 / 24

HEX #C3BC30

RGB 195 188 48

HSL 57.14, 0.6%, 0.48%

LAB 74.69, -13.03, 66.55

 

CMYK 16 / 0 / 75 / 24

HEX #A4C330

RGB 164 195 48

HSL 72.65, 0.6%, 0.48%

LAB 74.28, -29.52, 65.32

 

CMYK 36 / 0 / 75 / 24

HEX #7CC330

RGB 124 195 48

HSL 88.98, 0.6%, 0.48%

LAB 71.91, -44.82, 62.24

 

CMYK 56 / 0 / 75 / 24

HEX #55C330

RGB 85 195 48

HSL 104.9, 0.6%, 0.48%

LAB 70.3, -56.85, 60.12

 

CMYK 16 / 0 / 75 / 49

HEX #6C8120

RGB 108 129 32

HSL 72.99, 0.6%, 0.32%

LAB 50.68, -21.51, 46.97

 

CMYK 16 / 0 / 75 / 36

HEX #88A228

RGB 136 162 40

HSL 72.79, 0.6%, 0.4%

LAB 62.7, -25.6, 56.34

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 14 / 0 / 64 / 18

HEX #B4D24B

RGB 180 210 75

HSL 73.33, 0.6%, 0.56%

LAB 79.79, -28.62, 61.28

 

CMYK 11 / 0 / 50 / 15

HEX #C2DA6C

RGB 194 218 108

HSL 73.09, 0.6%, 0.64%

LAB 83.28, -24.24, 50.95

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 75 / 0 / 44 / 24

HEX #30C36E

RGB 48 195 110

HSL 145.31, 0.6%, 0.48%

LAB 70.02, -56.76, 32.07

 

CMYK 14 / 75 / 0 / 24

HEX #A830C3

RGB 168 48 195

HSL 288.98, 0.6%, 0.48%

LAB 44.77, 66.96, -52.53

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 75 / 16 / 0 / 24

HEX #30A4C3

RGB 48 164 195

HSL 192.65, 0.6%, 0.48%

LAB 62.61, -21.29, -25.05

 

CMYK 0 / 75 / 16 / 24

HEX #C330A4

RGB 195 48 164

HSL 312.65, 0.6%, 0.48%

LAB 47.49, 67.76, -29.71

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 75 / 0 / 44 / 24

HEX #30C36E

RGB 48 195 110

HSL 145.31, 0.6%, 0.48%

LAB 70.02, -56.76, 32.07

 

CMYK 59 / 75 / 0 / 24

HEX #5030C3

RGB 80 48 195

HSL 253.06, 0.6%, 0.48%

LAB 33.48, 52.14, -71.4

 

CMYK 0 / 75 / 31 / 24

HEX #C33086

RGB 195 48 134

HSL 324.9, 0.6%, 0.48%

LAB 46.23, 63.94, -13.63

 

CMYK 16 / 0 / 75 / 24

HEX #A3C330

RGB 163 195 48

HSL 73.06, 0.6%, 0.48%

LAB 74.21, -29.93, 65.23

 

CMYK 75 / 0 / 21 / 24

HEX #30C39A

RGB 48 195 154

HSL 163.27, 0.6%, 0.48%

LAB 70.87, -47.5, 9.86

 

CMYK 59 / 75 / 0 / 24

HEX #5030C3

RGB 80 48 195

HSL 253.06, 0.6%, 0.48%

LAB 33.48, 52.14, -71.4

 

CMYK 0 / 75 / 54 / 24

HEX #C3305A

RGB 195 48 90

HSL 342.86, 0.6%, 0.48%

LAB 44.88, 59.69, 11.47

 

Description

Color code: HEX #A3C330 | qconv.com Color code: HEX #A3C330 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 195 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 195 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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