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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3B483 it is the complementary color #5C4B7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3B483. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3B483 shade: #A8B47E, #B9C691, #CAD8A4, #DBEAB7 and #ECFCCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3B483. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3B483 shade: #A3B483, #92A270, #81905D, #707E4A and #5F6C37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3B483 shade: #A3B482, #B0B482, #B4AA82, #B49D82 and #B49082

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3B483 shade: #A3B482, #95B482, #88B482, #82B48A and #82B497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3B483 shade matches the following richer shades: #A3B482, #A8C472, #ADD462, #B1E452 and #B6F442

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3B483 shade: #A3B482, #9EA492, #9994A2, #9484B2 and #8F74C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3B483 shade: #B4AA82, #B1B482, #A3B482, #96B482 and #89B482

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3B483 shade: #7B8E55, #90A468, #A3B482, #B6C39C and #C9D3B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3B483 shade: #A3B483, #82B49D and #B182B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3B483 shade: #A3B483, #82A3B4 and #B482A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3B483 shade: #A3B483, #82B49D, #9382B4 and #B48299

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3B483 shade: #A3B483, #82B4AC, #9382B4 and #B4828A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 27 / 29

HEX #A3B483

RGB 163 180 131

HSL 80.82, 0.25%, 0.61%

LAB 70.92, -14.49, 23.1

 

Complementary color

CMYK 26 / 40 / 0 / 51

HEX #5C4B7C

RGB 92 75 124

HSL 260.82, 0.25%, 0.39%

LAB 35.52, 18.34, -25.24

 

CMYK 7 / 0 / 30 / 29

HEX #A8B47E

RGB 168 180 126

HSL 73.33, 0.26%, 0.6%

LAB 71.2, -13.3, 26.22

 

CMYK 7 / 0 / 27 / 22

HEX #B9C691

RGB 185 198 145

HSL 74.72, 0.32%, 0.67%

LAB 77.73, -13.39, 25.14

 

CMYK 6 / 0 / 24 / 15

HEX #CAD8A4

RGB 202 216 164

HSL 76.15, 0.4%, 0.75%

LAB 84.15, -13.47, 24.12

 

CMYK 6 / 0 / 22 / 8

HEX #DBEAB7

RGB 219 234 183

HSL 77.65, 0.55%, 0.82%

LAB 90.47, -13.53, 23.15

 

CMYK 6 / 0 / 20 / 1

HEX #ECFCCA

RGB 236 252 202

HSL 79.2, 0.89%, 0.89%

LAB 96.7, -13.59, 22.23

 

CMYK 9 / 0 / 27 / 29

HEX #A3B483

RGB 163 180 131

HSL 80.82, 0.25%, 0.61%

LAB 70.92, -14.49, 23.1

 

CMYK 10 / 0 / 31 / 36

HEX #92A270

RGB 146 162 112

HSL 79.2, 0.21%, 0.54%

LAB 64.26, -14.45, 24.19

 

CMYK 10 / 0 / 35 / 44

HEX #81905D

RGB 129 144 93

HSL 77.65, 0.22%, 0.46%

LAB 57.47, -14.39, 25.36

 

CMYK 11 / 0 / 41 / 51

HEX #707E4A

RGB 112 126 74

HSL 76.15, 0.26%, 0.39%

LAB 50.52, -14.28, 26.59

 

CMYK 12 / 0 / 49 / 58

HEX #5F6C37

RGB 95 108 55

HSL 74.72, 0.33%, 0.32%

LAB 43.41, -14.11, 27.88

 

CMYK 9 / 0 / 28 / 29

HEX #A3B482

RGB 163 180 130

HSL 80.4, 0.25%, 0.61%

LAB 70.9, -14.64, 23.61

 

CMYK 2 / 0 / 28 / 29

HEX #B0B482

RGB 176 180 130

HSL 64.8, 0.25%, 0.61%

LAB 71.88, -9.64, 25.11

 

CMYK 0 / 6 / 28 / 29

HEX #B4AA82

RGB 180 170 130

HSL 48, 0.25%, 0.61%

LAB 69.52, -2.78, 21.96

 

CMYK 0 / 13 / 28 / 29

HEX #B49D82

RGB 180 157 130

HSL 32.4, 0.25%, 0.61%

LAB 66.08, 4.27, 17.25

 

CMYK 0 / 20 / 28 / 29

HEX #B49082

RGB 180 144 130

HSL 16.8, 0.25%, 0.61%

LAB 62.73, 11.46, 12.58

 

CMYK 9 / 0 / 28 / 29

HEX #A3B482

RGB 163 180 130

HSL 80.4, 0.25%, 0.61%

LAB 70.9, -14.64, 23.61

 

CMYK 17 / 0 / 28 / 29

HEX #95B482

RGB 149 180 130

HSL 97.2, 0.25%, 0.61%

LAB 69.93, -19.86, 22.13

 

CMYK 24 / 0 / 28 / 29

HEX #88B482

RGB 136 180 130

HSL 112.8, 0.25%, 0.61%

LAB 69.1, -24.5, 20.87

 

CMYK 28 / 0 / 23 / 29

HEX #82B48A

RGB 130 180 138

HSL 129.6, 0.25%, 0.61%

LAB 68.91, -25.14, 16.22

 

CMYK 28 / 0 / 16 / 29

HEX #82B497

RGB 130 180 151

HSL 145.2, 0.25%, 0.61%

LAB 69.2, -22.65, 9.52

 

CMYK 9 / 0 / 28 / 29

HEX #A3B482

RGB 163 180 130

HSL 80.4, 0.25%, 0.61%

LAB 70.9, -14.64, 23.61

 

CMYK 14 / 0 / 42 / 23

HEX #A8C472

RGB 168 196 114

HSL 80.49, 0.41%, 0.61%

LAB 75.46, -22.93, 38.02

 

CMYK 18 / 0 / 54 / 17

HEX #ADD462

RGB 173 212 98

HSL 80.53, 0.57%, 0.61%

LAB 80.1, -30.43, 51.5

 

CMYK 22 / 0 / 64 / 11

HEX #B1E452

RGB 177 228 82

HSL 80.96, 0.73%, 0.61%

LAB 84.71, -37.6, 63.64

 

CMYK 25 / 0 / 73 / 4

HEX #B6F442

RGB 182 244 66

HSL 80.9, 0.89%, 0.61%

LAB 89.41, -43.79, 74.34

 

CMYK 9 / 0 / 28 / 29

HEX #A3B482

RGB 163 180 130

HSL 80.4, 0.25%, 0.61%

LAB 70.9, -14.64, 23.61

 

CMYK 4 / 0 / 11 / 36

HEX #9EA492

RGB 158 164 146

HSL 80, 0.09%, 0.61%

LAB 66.44, -5.48, 8.61

 

CMYK 6 / 9 / 0 / 36

HEX #9994A2

RGB 153 148 162

HSL 261.43, 0.07%, 0.61%

LAB 62.14, 4.58, -6.69

 

CMYK 17 / 26 / 0 / 30

HEX #9484B2

RGB 148 132 178

HSL 260.87, 0.23%, 0.61%

LAB 58.05, 15.48, -22.01

 

CMYK 27 / 41 / 0 / 24

HEX #8F74C3

RGB 143 116 195

HSL 260.51, 0.4%, 0.61%

LAB 54.31, 27.32, -37.55

 

CMYK 0 / 6 / 28 / 29

HEX #B4AA82

RGB 180 170 130

HSL 48, 0.25%, 0.61%

LAB 69.52, -2.78, 21.96

 

CMYK 2 / 0 / 28 / 29

HEX #B1B482

RGB 177 180 130

HSL 63.6, 0.25%, 0.61%

LAB 71.96, -9.25, 25.23

 

CMYK 9 / 0 / 28 / 29

HEX #A3B482

RGB 163 180 130

HSL 80.4, 0.25%, 0.61%

LAB 70.9, -14.64, 23.61

 

CMYK 17 / 0 / 28 / 29

HEX #96B482

RGB 150 180 130

HSL 96, 0.25%, 0.61%

LAB 69.99, -19.49, 22.23

 

CMYK 24 / 0 / 28 / 29

HEX #89B482

RGB 137 180 130

HSL 111.6, 0.25%, 0.61%

LAB 69.16, -24.15, 20.97

 

CMYK 13 / 0 / 40 / 44

HEX #7B8E55

RGB 123 142 85

HSL 80, 0.25%, 0.45%

LAB 56.3, -16.84, 28.13

 

CMYK 12 / 0 / 37 / 36

HEX #90A468

RGB 144 164 104

HSL 80, 0.25%, 0.53%

LAB 64.55, -17.39, 28.86

 

CMYK 9 / 0 / 28 / 29

HEX #A3B482

RGB 163 180 130

HSL 80.4, 0.25%, 0.61%

LAB 70.9, -14.64, 23.61

 

CMYK 7 / 0 / 20 / 24

HEX #B6C39C

RGB 182 195 156

HSL 80, 0.25%, 0.69%

LAB 76.91, -11.32, 18.14

 

CMYK 5 / 0 / 14 / 17

HEX #C9D3B6

RGB 201 211 182

HSL 80.69, 0.25%, 0.77%

LAB 83.12, -8.5, 13.21

 

CMYK 9 / 0 / 27 / 29

HEX #A3B483

RGB 163 180 131

HSL 80.82, 0.25%, 0.61%

LAB 70.92, -14.49, 23.1

 

CMYK 28 / 0 / 13 / 29

HEX #82B49D

RGB 130 180 157

HSL 152.4, 0.25%, 0.61%

LAB 69.34, -21.43, 6.43

 

CMYK 2 / 28 / 0 / 29

HEX #B182B4

RGB 177 130 180

HSL 296.4, 0.25%, 0.61%

LAB 60.43, 26.7, -19.25

 

CMYK 9 / 0 / 27 / 29

HEX #A3B483

RGB 163 180 131

HSL 80.82, 0.25%, 0.61%

LAB 70.92, -14.49, 23.1

 

CMYK 28 / 9 / 0 / 29

HEX #82A3B4

RGB 130 163 180

HSL 200.4, 0.25%, 0.61%

LAB 65.15, -7.31, -12.49

 

CMYK 0 / 28 / 9 / 29

HEX #B482A3

RGB 180 130 163

HSL 320.4, 0.25%, 0.61%

LAB 60.17, 24.57, -9.92

 

CMYK 9 / 0 / 27 / 29

HEX #A3B483

RGB 163 180 131

HSL 80.82, 0.25%, 0.61%

LAB 70.92, -14.49, 23.1

 

CMYK 28 / 0 / 13 / 29

HEX #82B49D

RGB 130 180 157

HSL 152.4, 0.25%, 0.61%

LAB 69.34, -21.43, 6.43

 

CMYK 18 / 28 / 0 / 29

HEX #9382B4

RGB 147 130 180

HSL 260.4, 0.25%, 0.61%

LAB 57.52, 16.78, -23.96

 

CMYK 0 / 28 / 15 / 29

HEX #B48299

RGB 180 130 153

HSL 332.4, 0.25%, 0.61%

LAB 59.86, 22.85, -4.65

 

CMYK 9 / 0 / 27 / 29

HEX #A3B483

RGB 163 180 131

HSL 80.82, 0.25%, 0.61%

LAB 70.92, -14.49, 23.1

 

CMYK 28 / 0 / 4 / 29

HEX #82B4AC

RGB 130 180 172

HSL 170.4, 0.25%, 0.61%

LAB 69.73, -18.2, -1.26

 

CMYK 18 / 28 / 0 / 29

HEX #9382B4

RGB 147 130 180

HSL 260.4, 0.25%, 0.61%

LAB 57.52, 16.78, -23.96

 

CMYK 0 / 28 / 23 / 29

HEX #B4828A

RGB 180 130 138

HSL 350.4, 0.25%, 0.61%

LAB 59.44, 20.46, 3.34

 

Description

Color code: HEX #A3B483 | qconv.com Color code: HEX #A3B483 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 180 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 180 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 27 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 27% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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