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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3B450 it is the complementary color #5C4BAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3B450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3B450 shade: #A8B44B, #B9C65E, #CAD871, #DBEA84 and #ECFC97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3B450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3B450 shade: #A3B450, #92A23D, #81902A, #707E17 and #5F6C04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3B450 shade: #A3B450, #B4AA50, #B48F50, #B47450 and #B45950

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3B450 shade: #A3B450, #88B450, #6DB450, #52B450 and #50B468

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3B450 shade matches the following richer shades: #A3B450, #B0C83B, #BDDC27 and #CBF013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3B450 shade: #A3B450, #959F64, #888B78, #7B778C and #6D63A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3B450 shade: #B48F50, #B4AA50, #A3B450, #88B450 and #6EB450

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3B450 shade: #707C35, #8A9941, #A3B450, #B2C06C and #C1CC89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3B450 shade: #A3B450, #50B474 and #9C50B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3B450 shade: #A3B450, #50A3B4 and #B450A3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3B450 shade: #A3B450, #50B474, #6050B4 and #B4508F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3B450 shade: #A3B450, #50B492, #6050B4 and #B45071

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

Complementary color

CMYK 47 / 57 / 0 / 31

HEX #5C4BAF

RGB 92 75 175

HSL 250.2, 0.4%, 0.49%

LAB 38.56, 33.04, -51.29

 

CMYK 7 / 0 / 58 / 29

HEX #A8B44B

RGB 168 180 75

HSL 66.86, 0.41%, 0.5%

LAB 70.51, -18.85, 50.96

 

CMYK 7 / 0 / 53 / 22

HEX #B9C65E

RGB 185 198 94

HSL 67.5, 0.48%, 0.57%

LAB 76.99, -19.3, 49.94

 

CMYK 6 / 0 / 48 / 15

HEX #CAD871

RGB 202 216 113

HSL 68.16, 0.57%, 0.65%

LAB 83.37, -19.65, 48.82

 

CMYK 6 / 0 / 44 / 8

HEX #DBEA84

RGB 219 234 132

HSL 68.82, 0.71%, 0.72%

LAB 89.66, -19.94, 47.69

 

CMYK 6 / 0 / 40 / 1

HEX #ECFC97

RGB 236 252 151

HSL 69.5, 0.94%, 0.79%

LAB 95.87, -20.17, 46.55

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 10 / 0 / 62 / 36

HEX #92A23D

RGB 146 162 61

HSL 69.5, 0.45%, 0.44%

LAB 63.58, -20.05, 49.14

 

CMYK 10 / 0 / 71 / 44

HEX #81902A

RGB 129 144 42

HSL 68.82, 0.55%, 0.36%

LAB 56.86, -19.44, 49.73

 

CMYK 11 / 0 / 82 / 51

HEX #707E17

RGB 112 126 23

HSL 68.16, 0.69%, 0.29%

LAB 50.01, -18.62, 49.54

 

CMYK 12 / 0 / 96 / 58

HEX #5F6C04

RGB 95 108 4

HSL 67.5, 0.93%, 0.22%

LAB 43.01, -17.51, 47.91

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 0 / 6 / 56 / 29

HEX #B4AA50

RGB 180 170 80

HSL 54, 0.4%, 0.51%

LAB 68.77, -8.24, 46.94

 

CMYK 0 / 21 / 56 / 29

HEX #B48F50

RGB 180 143 80

HSL 37.8, 0.4%, 0.51%

LAB 61.59, 6.34, 38.48

 

CMYK 0 / 36 / 56 / 29

HEX #B47450

RGB 180 116 80

HSL 21.6, 0.4%, 0.51%

LAB 54.84, 21.37, 30.17

 

CMYK 0 / 51 / 56 / 29

HEX #B45950

RGB 180 89 80

HSL 5.4, 0.4%, 0.51%

LAB 48.79, 36.05, 22.4

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 24 / 0 / 56 / 29

HEX #88B450

RGB 136 180 80

HSL 86.4, 0.4%, 0.51%

LAB 68.36, -31.21, 45.61

 

CMYK 39 / 0 / 56 / 29

HEX #6DB450

RGB 109 180 80

HSL 102.6, 0.4%, 0.51%

LAB 66.88, -40.88, 43.51

 

CMYK 54 / 0 / 56 / 29

HEX #52B450

RGB 82 180 80

HSL 118.8, 0.4%, 0.51%

LAB 65.76, -48.96, 41.91

 

CMYK 56 / 0 / 42 / 29

HEX #50B468

RGB 80 180 104

HSL 134.4, 0.4%, 0.51%

LAB 66.02, -45.94, 30.13

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 12 / 0 / 71 / 22

HEX #B0C83B

RGB 176 200 59

HSL 70.21, 0.56%, 0.51%

LAB 76.59, -26.45, 64.07

 

CMYK 14 / 0 / 82 / 14

HEX #BDDC27

RGB 189 220 39

HSL 70.28, 0.72%, 0.51%

LAB 82.99, -31.46, 76.3

 

CMYK 15 / 0 / 92 / 6

HEX #CBF013

RGB 203 240 19

HSL 70.05, 0.88%, 0.51%

LAB 89.42, -35.48, 85.45

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 6 / 0 / 37 / 38

HEX #959F64

RGB 149 159 100

HSL 70.17, 0.24%, 0.51%

LAB 63.43, -13.31, 29.62

 

CMYK 2 / 0 / 14 / 45

HEX #888B78

RGB 136 139 120

HSL 69.47, 0.08%, 0.51%

LAB 57.13, -4.65, 9.79

 

CMYK 12 / 15 / 0 / 45

HEX #7B778C

RGB 123 119 140

HSL 251.43, 0.08%, 0.51%

LAB 51.03, 5.95, -10.86

 

CMYK 32 / 38 / 0 / 37

HEX #6D63A0

RGB 109 99 160

HSL 249.84, 0.24%, 0.51%

LAB 45.24, 18.38, -31.67

 

CMYK 0 / 21 / 56 / 29

HEX #B48F50

RGB 180 143 80

HSL 37.8, 0.4%, 0.51%

LAB 61.59, 6.34, 38.48

 

CMYK 0 / 6 / 56 / 29

HEX #B4AA50

RGB 180 170 80

HSL 54, 0.4%, 0.51%

LAB 68.77, -8.24, 46.94

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 24 / 0 / 56 / 29

HEX #88B450

RGB 136 180 80

HSL 86.4, 0.4%, 0.51%

LAB 68.36, -31.21, 45.61

 

CMYK 39 / 0 / 56 / 29

HEX #6EB450

RGB 110 180 80

HSL 102, 0.4%, 0.51%

LAB 66.93, -40.54, 43.58

 

CMYK 10 / 0 / 57 / 51

HEX #707C35

RGB 112 124 53

HSL 70.14, 0.4%, 0.35%

LAB 49.64, -15.56, 36.64

 

CMYK 10 / 0 / 58 / 40

HEX #8A9941

RGB 138 153 65

HSL 70.23, 0.4%, 0.43%

LAB 60.4, -18.51, 43.6

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 7 / 0 / 44 / 25

HEX #B2C06C

RGB 178 192 108

HSL 70, 0.4%, 0.59%

LAB 74.98, -17.72, 40.59

 

CMYK 5 / 0 / 33 / 20

HEX #C1CC89

RGB 193 204 137

HSL 69.85, 0.4%, 0.67%

LAB 79.8, -14.48, 32.2

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 56 / 0 / 36 / 29

HEX #50B474

RGB 80 180 116

HSL 141.6, 0.4%, 0.51%

LAB 66.22, -43.81, 24.05

 

CMYK 13 / 56 / 0 / 29

HEX #9C50B4

RGB 156 80 180

HSL 285.6, 0.4%, 0.51%

LAB 47.11, 47.57, -40.15

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 56 / 9 / 0 / 29

HEX #50A3B4

RGB 80 163 180

HSL 190.2, 0.4%, 0.51%

LAB 62.67, -20.27, -16.47

 

CMYK 0 / 56 / 9 / 29

HEX #B450A3

RGB 180 80 163

HSL 310.2, 0.4%, 0.51%

LAB 49.6, 51.13, -26.02

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 56 / 0 / 36 / 29

HEX #50B474

RGB 80 180 116

HSL 141.6, 0.4%, 0.51%

LAB 66.22, -43.81, 24.05

 

CMYK 47 / 56 / 0 / 29

HEX #6050B4

RGB 96 80 180

HSL 249.6, 0.4%, 0.51%

LAB 40.44, 32.39, -51.18

 

CMYK 0 / 56 / 21 / 29

HEX #B4508F

RGB 180 80 143

HSL 322.2, 0.4%, 0.51%

LAB 48.79, 47.99, -15.39

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 56 / 0 / 19 / 29

HEX #50B492

RGB 80 180 146

HSL 159.6, 0.4%, 0.51%

LAB 66.84, -37.5, 8.6

 

CMYK 47 / 56 / 0 / 29

HEX #6050B4

RGB 96 80 180

HSL 249.6, 0.4%, 0.51%

LAB 40.44, 32.39, -51.18

 

CMYK 0 / 56 / 37 / 29

HEX #B45071

RGB 180 80 113

HSL 340.2, 0.4%, 0.51%

LAB 47.79, 43.98, 1.18

 

Description

Color code: HEX #A3B450 | qconv.com Color code: HEX #A3B450 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 180 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 180 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 56% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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