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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3AEB1 it is the complementary color #5C514E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3AEB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A3AEB1 shade: #A8AEAC, #B9C0BF, #CAD2D2, #DBE4E5 and #ECF6F8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3AEB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A3AEB1 shade: #A3AEB1, #929C9E, #818A8B, #707878 and #5F6665

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A3AEB1 shade: #A4AEB1, #A4ABB1, #A4A7B1, #A4A4B1 and #A8A4B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A3AEB1 shade: #A4AEB1, #A4ABB1, #A4A7B1 and #A4A4B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A3AEB1 shade matches the following richer shades: #A4AEB1, #96B6BF, #88BECC, #7BC6DA and #6DCDE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A3AEB1 shade: #A4AEB1, #B1A6A3, #BF9F96, #CC9788 and #DA8F7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A3AEB1 shade: #A4B1AD, #A4B1B0, #A4AEB1, #A4ABB1 and #A4A7B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A3AEB1 shade: #77878B, #8D9B9E, #A4AEB1, #BAC2C4 and #D0D6D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A3AEB1 shade: #A3AEB1, #A9A4B1 and #B1AEA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A3AEB1 shade: #A3AEB1, #B1A4AE and #AEB1A4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A3AEB1 shade: #A3AEB1, #A9A4B1, #B1A6A4 and #ACB1A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A3AEB1 shade: #A3AEB1, #ADA4B1, #B1A6A4 and #A8B1A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 2 / 0 / 31

HEX #A3AEB1

RGB 163 174 177

HSL 192.86, 0.08%, 0.67%

LAB 70.34, -3.24, -2.87

 

Complementary color

CMYK 0 / 12 / 15 / 64

HEX #5C514E

RGB 92 81 78

HSL 12.86, 0.08%, 0.33%

LAB 35.42, 3.97, 3.42

 

CMYK 3 / 0 / 1 / 32

HEX #A8AEAC

RGB 168 174 172

HSL 160, 0.04%, 0.67%

LAB 70.58, -2.49, 0.28

 

CMYK 4 / 0 / 1 / 25

HEX #B9C0BF

RGB 185 192 191

HSL 171.43, 0.05%, 0.74%

LAB 77.15, -2.6, -0.35

 

CMYK 4 / 0 / 0 / 18

HEX #CAD2D2

RGB 202 210 210

HSL 180, 0.08%, 0.81%

LAB 83.6, -2.71, -0.95

 

CMYK 4 / 0 / 0 / 10

HEX #DBE4E5

RGB 219 228 229

HSL 186, 0.16%, 0.88%

LAB 89.95, -2.81, -1.54

 

CMYK 5 / 1 / 0 / 3

HEX #ECF6F8

RGB 236 246 248

HSL 190, 0.46%, 0.95%

LAB 96.21, -2.92, -2.11

 

CMYK 8 / 2 / 0 / 31

HEX #A3AEB1

RGB 163 174 177

HSL 192.86, 0.08%, 0.67%

LAB 70.34, -3.24, -2.87

 

CMYK 8 / 1 / 0 / 38

HEX #929C9E

RGB 146 156 158

HSL 190, 0.06%, 0.6%

LAB 63.64, -3.15, -2.28

 

CMYK 7 / 1 / 0 / 45

HEX #818A8B

RGB 129 138 139

HSL 186, 0.04%, 0.53%

LAB 56.79, -3.07, -1.67

 

CMYK 7 / 0 / 0 / 53

HEX #707878

RGB 112 120 120

HSL 180, 0.03%, 0.45%

LAB 49.78, -2.99, -1.04

 

CMYK 7 / 0 / 1 / 60

HEX #5F6665

RGB 95 102 101

HSL 171.43, 0.04%, 0.39%

LAB 42.57, -2.91, -0.37

 

CMYK 7 / 2 / 0 / 31

HEX #A4AEB1

RGB 164 174 177

HSL 193.85, 0.08%, 0.67%

LAB 70.41, -2.9, -2.75

 

CMYK 7 / 3 / 0 / 31

HEX #A4ABB1

RGB 164 171 177

HSL 207.69, 0.08%, 0.67%

LAB 69.61, -1.27, -3.94

 

CMYK 7 / 6 / 0 / 31

HEX #A4A7B1

RGB 164 167 177

HSL 226.15, 0.08%, 0.67%

LAB 68.54, 0.91, -5.52

 

CMYK 7 / 7 / 0 / 31

HEX #A4A4B1

RGB 164 164 177

HSL 240, 0.08%, 0.67%

LAB 67.74, 2.56, -6.7

 

CMYK 5 / 7 / 0 / 31

HEX #A8A4B1

RGB 168 164 177

HSL 258.46, 0.08%, 0.67%

LAB 68.06, 3.95, -6.19

 

CMYK 7 / 2 / 0 / 31

HEX #A4AEB1

RGB 164 174 177

HSL 193.85, 0.08%, 0.67%

LAB 70.41, -2.9, -2.75

 

CMYK 7 / 3 / 0 / 31

HEX #A4ABB1

RGB 164 171 177

HSL 207.69, 0.08%, 0.67%

LAB 69.61, -1.27, -3.94

 

CMYK 7 / 6 / 0 / 31

HEX #A4A7B1

RGB 164 167 177

HSL 226.15, 0.08%, 0.67%

LAB 68.54, 0.91, -5.52

 

CMYK 7 / 7 / 0 / 31

HEX #A4A4B1

RGB 164 164 177

HSL 240, 0.08%, 0.67%

LAB 67.74, 2.56, -6.7

 

CMYK 7 / 2 / 0 / 31

HEX #A4AEB1

RGB 164 174 177

HSL 193.85, 0.08%, 0.67%

LAB 70.41, -2.9, -2.75

 

CMYK 21 / 5 / 0 / 25

HEX #96B6BF

RGB 150 182 191

HSL 193.17, 0.24%, 0.67%

LAB 72.03, -8.81, -8.17

 

CMYK 33 / 7 / 0 / 20

HEX #88BECC

RGB 136 190 204

HSL 192.35, 0.4%, 0.67%

LAB 73.82, -14.13, -12.68

 

CMYK 44 / 9 / 0 / 15

HEX #7BC6DA

RGB 123 198 218

HSL 192.63, 0.56%, 0.67%

LAB 75.86, -18.11, -17.26

 

CMYK 53 / 12 / 0 / 9

HEX #6DCDE8

RGB 109 205 232

HSL 193.17, 0.73%, 0.67%

LAB 77.72, -21.02, -22.04

 

CMYK 7 / 2 / 0 / 31

HEX #A4AEB1

RGB 164 174 177

HSL 193.85, 0.08%, 0.67%

LAB 70.41, -2.9, -2.75

 

CMYK 0 / 6 / 8 / 31

HEX #B1A6A3

RGB 177 166 163

HSL 12.86, 0.08%, 0.67%

LAB 68.94, 3.43, 2.97

 

CMYK 0 / 17 / 21 / 25

HEX #BF9F96

RGB 191 159 150

HSL 13.17, 0.24%, 0.67%

LAB 68.08, 10.38, 9.1

 

CMYK 0 / 26 / 33 / 20

HEX #CC9788

RGB 204 151 136

HSL 13.24, 0.4%, 0.67%

LAB 67.09, 17.84, 15.69

 

CMYK 0 / 34 / 44 / 15

HEX #DA8F7B

RGB 218 143 123

HSL 12.63, 0.56%, 0.67%

LAB 66.5, 26.15, 22.36

 

CMYK 7 / 0 / 2 / 31

HEX #A4B1AD

RGB 164 177 173

HSL 161.54, 0.08%, 0.67%

LAB 71.11, -5.3, 0.48

 

CMYK 7 / 0 / 1 / 31

HEX #A4B1B0

RGB 164 177 176

HSL 175.38, 0.08%, 0.67%

LAB 71.19, -4.71, -1.05

 

CMYK 7 / 2 / 0 / 31

HEX #A4AEB1

RGB 164 174 177

HSL 193.85, 0.08%, 0.67%

LAB 70.41, -2.9, -2.75

 

CMYK 7 / 3 / 0 / 31

HEX #A4ABB1

RGB 164 171 177

HSL 207.69, 0.08%, 0.67%

LAB 69.61, -1.27, -3.94

 

CMYK 7 / 6 / 0 / 31

HEX #A4A7B1

RGB 164 167 177

HSL 226.15, 0.08%, 0.67%

LAB 68.54, 0.91, -5.52

 

CMYK 14 / 3 / 0 / 45

HEX #77878B

RGB 119 135 139

HSL 192, 0.08%, 0.51%

LAB 55.19, -4.91, -4.12

 

CMYK 11 / 2 / 0 / 38

HEX #8D9B9E

RGB 141 155 158

HSL 190.59, 0.08%, 0.59%

LAB 62.99, -4.34, -3.28

 

CMYK 7 / 2 / 0 / 31

HEX #A4AEB1

RGB 164 174 177

HSL 193.85, 0.08%, 0.67%

LAB 70.41, -2.9, -2.75

 

CMYK 5 / 1 / 0 / 23

HEX #BAC2C4

RGB 186 194 196

HSL 192, 0.08%, 0.75%

LAB 77.88, -2.36, -1.97

 

CMYK 3 / 0 / 0 / 16

HEX #D0D6D7

RGB 208 214 215

HSL 188.57, 0.08%, 0.83%

LAB 85.2, -1.84, -1.21

 

CMYK 8 / 2 / 0 / 31

HEX #A3AEB1

RGB 163 174 177

HSL 192.86, 0.08%, 0.67%

LAB 70.34, -3.24, -2.87

 

CMYK 5 / 7 / 0 / 31

HEX #A9A4B1

RGB 169 164 177

HSL 263.08, 0.08%, 0.67%

LAB 68.14, 4.29, -6.06

 

CMYK 0 / 2 / 7 / 31

HEX #B1AEA4

RGB 177 174 164

HSL 46.15, 0.08%, 0.67%

LAB 71.08, -0.74, 5.5

 

CMYK 8 / 2 / 0 / 31

HEX #A3AEB1

RGB 163 174 177

HSL 192.86, 0.08%, 0.67%

LAB 70.34, -3.24, -2.87

 

CMYK 0 / 7 / 2 / 31

HEX #B1A4AE

RGB 177 164 174

HSL 313.85, 0.08%, 0.67%

LAB 68.72, 6.53, -3.47

 

CMYK 2 / 0 / 7 / 31

HEX #AEB1A4

RGB 174 177 164

HSL 73.85, 0.08%, 0.67%

LAB 71.64, -3.44, 6.27

 

CMYK 8 / 2 / 0 / 31

HEX #A3AEB1

RGB 163 174 177

HSL 192.86, 0.08%, 0.67%

LAB 70.34, -3.24, -2.87

 

CMYK 5 / 7 / 0 / 31

HEX #A9A4B1

RGB 169 164 177

HSL 263.08, 0.08%, 0.67%

LAB 68.14, 4.29, -6.06

 

CMYK 0 / 6 / 7 / 31

HEX #B1A6A4

RGB 177 166 164

HSL 9.23, 0.08%, 0.67%

LAB 68.97, 3.61, 2.45

 

CMYK 3 / 0 / 7 / 31

HEX #ACB1A4

RGB 172 177 164

HSL 83.08, 0.08%, 0.67%

LAB 71.48, -4.16, 6.03

 

CMYK 8 / 2 / 0 / 31

HEX #A3AEB1

RGB 163 174 177

HSL 192.86, 0.08%, 0.67%

LAB 70.34, -3.24, -2.87

 

CMYK 2 / 7 / 0 / 31

HEX #ADA4B1

RGB 173 164 177

HSL 281.54, 0.08%, 0.67%

LAB 68.47, 5.69, -5.54

 

CMYK 0 / 6 / 7 / 31

HEX #B1A6A4

RGB 177 166 164

HSL 9.23, 0.08%, 0.67%

LAB 68.97, 3.61, 2.45

 

CMYK 5 / 0 / 7 / 31

HEX #A8B1A4

RGB 168 177 164

HSL 101.54, 0.08%, 0.67%

LAB 71.18, -5.59, 5.56

 

Description

Color code: HEX #A3AEB1 | qconv.com Color code: HEX #A3AEB1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 174 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 174 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 2 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 2% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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