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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FFEE0 it is the complementary color #C0011F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FFEE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FFEE0 shade: #44FEDB, #55FFEE, #66FFFF, #77FFFF and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FFEE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FFEE0 shade: #3FFEE0, #2EECCD, #1DDABA, #0CC8A7 and #00B694

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FFEE0 shade: #3EFEDF, #3EFEAC, #3EFE78, #3EFE44 and #6BFE3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FFEE0 shade: #3EFEDF, #3EE8FE, #3EB4FE, #3E80FE and #3E4DFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FFEE0 shade matches the following richer shades: #3EFEDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FFEE0 shade: #3EFEDF, #4DEED5, #5DDECA, #6DCEBF and #7CBFB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FFEE0 shade: #3EFE77, #3EFEAA, #3EFEDE, #3EEAFE and #3EB7FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FFEE0 shade: #01E8C4, #15FDD9, #3EFEDF, #67FEE6 and #90FEED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FFEE0 shade: #3FFEE0, #443EFE and #FE913E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FFEE0 shade: #3FFEE0, #DE3EFE and #FEDE3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FFEE0 shade: #3FFEE0, #443EFE, #FE3E5E and #F7FE3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FFEE0 shade: #3FFEE0, #7E3EFE, #FE3E5E and #BEFE3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 12 / 0

HEX #3FFEE0

RGB 63 254 224

HSL 170.58, 0.99%, 0.62%

LAB 90.47, -52.76, 1.05

 

Complementary color

CMYK 0 / 99 / 84 / 25

HEX #C0011F

RGB 192 1 31

HSL 350.58, 0.99%, 0.38%

LAB 40.13, 65.06, 41.3

 

CMYK 73 / 0 / 14 / 0

HEX #44FEDB

RGB 68 254 219

HSL 168.71, 0.99%, 0.63%

LAB 90.43, -53.47, 3.58

 

CMYK 67 / 0 / 7 / 0

HEX #55FFEE

RGB 85 255 238

HSL 174, 1%, 0.67%

LAB 91.52, -46.93, -4.63

 

CMYK 60 / 0 / 0 / 0

HEX #66FFFF

RGB 102 255 255

HSL 180, 1%, 0.7%

LAB 92.38, -39.95, -12.11

 

CMYK 53 / 0 / 0 / 0

HEX #77FFFF

RGB 119 255 255

HSL 180, 1%, 0.73%

LAB 92.87, -36.98, -11.34

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 75 / 0 / 12 / 0

HEX #3FFEE0

RGB 63 254 224

HSL 170.58, 0.99%, 0.62%

LAB 90.47, -52.76, 1.05

 

CMYK 81 / 0 / 13 / 7

HEX #2EECCD

RGB 46 236 205

HSL 170.21, 0.83%, 0.55%

LAB 84.47, -51.81, 2.21

 

CMYK 87 / 0 / 15 / 15

HEX #1DDABA

RGB 29 218 186

HSL 169.84, 0.77%, 0.48%

LAB 78.43, -50.57, 3.48

 

CMYK 94 / 0 / 17 / 22

HEX #0CC8A7

RGB 12 200 167

HSL 169.47, 0.89%, 0.42%

LAB 72.35, -48.98, 4.88

 

CMYK 100 / 0 / 19 / 29

HEX #00B694

RGB 0 182 148

HSL 168.79, 1%, 0.36%

LAB 66.21, -47.01, 6.42

 

CMYK 76 / 0 / 12 / 0

HEX #3EFEDF

RGB 62 254 223

HSL 170.31, 0.99%, 0.62%

LAB 90.43, -53.12, 1.5

 

CMYK 76 / 0 / 32 / 0

HEX #3EFEAC

RGB 62 254 172

HSL 154.38, 0.99%, 0.62%

LAB 89.34, -64.71, 26.18

 

CMYK 76 / 0 / 53 / 0

HEX #3EFE78

RGB 62 254 120

HSL 138.13, 0.99%, 0.62%

LAB 88.57, -73.51, 50.51

 

CMYK 76 / 0 / 73 / 0

HEX #3EFE44

RGB 62 254 68

HSL 121.88, 0.99%, 0.62%

LAB 88.12, -78.95, 70.99

 

CMYK 58 / 0 / 76 / 0

HEX #6BFE3E

RGB 107 254 62

HSL 105.94, 0.99%, 0.62%

LAB 89.09, -71.01, 74.18

 

CMYK 76 / 0 / 12 / 0

HEX #3EFEDF

RGB 62 254 223

HSL 170.31, 0.99%, 0.62%

LAB 90.43, -53.12, 1.5

 

CMYK 76 / 9 / 0 / 0

HEX #3EE8FE

RGB 62 232 254

HSL 186.88, 0.99%, 0.62%

LAB 84.94, -34.91, -22.87

 

CMYK 76 / 29 / 0 / 0

HEX #3EB4FE

RGB 62 180 254

HSL 203.13, 0.99%, 0.62%

LAB 70.05, -8.49, -45.87

 

CMYK 76 / 50 / 0 / 0

HEX #3E80FE

RGB 62 128 254

HSL 219.38, 0.99%, 0.62%

LAB 55.7, 22.01, -68.73

 

CMYK 76 / 70 / 0 / 0

HEX #3E4DFE

RGB 62 77 254

HSL 235.31, 0.99%, 0.62%

LAB 43.49, 53.02, -88.67

 

CMYK 76 / 0 / 12 / 0

HEX #3EFEDF

RGB 62 254 223

HSL 170.31, 0.99%, 0.62%

LAB 90.43, -53.12, 1.5

 

CMYK 76 / 0 / 12 / 0

HEX #3EFEDF

RGB 62 254 223

HSL 170.31, 0.99%, 0.62%

LAB 90.43, -53.12, 1.5

 

CMYK 68 / 0 / 11 / 7

HEX #4DEED5

RGB 77 238 213

HSL 170.68, 0.83%, 0.62%

LAB 85.77, -47.12, -0.04

 

CMYK 58 / 0 / 9 / 13

HEX #5DDECA

RGB 93 222 202

HSL 170.7, 0.66%, 0.62%

LAB 81.2, -40.27, -0.86

 

CMYK 47 / 0 / 7 / 19

HEX #6DCEBF

RGB 109 206 191

HSL 170.72, 0.5%, 0.62%

LAB 76.77, -32.25, -1.4

 

CMYK 35 / 0 / 6 / 25

HEX #7CBFB4

RGB 124 191 180

HSL 170.15, 0.34%, 0.62%

LAB 72.79, -23.71, -1.2

 

CMYK 76 / 0 / 53 / 0

HEX #3EFE77

RGB 62 254 119

HSL 137.81, 0.99%, 0.62%

LAB 88.56, -73.65, 50.95

 

CMYK 76 / 0 / 33 / 0

HEX #3EFEAA

RGB 62 254 170

HSL 153.75, 0.99%, 0.62%

LAB 89.3, -65.11, 27.14

 

CMYK 76 / 0 / 13 / 0

HEX #3EFEDE

RGB 62 254 222

HSL 170, 0.99%, 0.62%

LAB 90.41, -53.37, 1.99

 

CMYK 76 / 8 / 0 / 0

HEX #3EEAFE

RGB 62 234 254

HSL 186.25, 0.99%, 0.62%

LAB 85.52, -35.84, -22

 

CMYK 76 / 28 / 0 / 0

HEX #3EB7FE

RGB 62 183 254

HSL 202.19, 0.99%, 0.62%

LAB 70.9, -10.13, -44.54

 

CMYK 100 / 0 / 16 / 9

HEX #01E8C4

RGB 1 232 196

HSL 170.65, 0.99%, 0.46%

LAB 82.76, -54.66, 4.42

 

CMYK 92 / 0 / 14 / 1

HEX #15FDD9

RGB 21 253 217

HSL 170.69, 0.98%, 0.54%

LAB 89.59, -57.07, 3.34

 

CMYK 76 / 0 / 12 / 0

HEX #3EFEDF

RGB 62 254 223

HSL 170.31, 0.99%, 0.62%

LAB 90.43, -53.12, 1.5

 

CMYK 59 / 0 / 9 / 0

HEX #67FEE6

RGB 103 254 230

HSL 170.46, 0.99%, 0.7%

LAB 91.45, -45.69, -0.53

 

CMYK 43 / 0 / 7 / 0

HEX #90FEED

RGB 144 254 237

HSL 170.73, 0.98%, 0.78%

LAB 92.98, -35.59, -1.75

 

CMYK 75 / 0 / 12 / 0

HEX #3FFEE0

RGB 63 254 224

HSL 170.58, 0.99%, 0.62%

LAB 90.47, -52.76, 1.05

 

CMYK 73 / 76 / 0 / 0

HEX #443EFE

RGB 68 62 254

HSL 241.88, 0.99%, 0.62%

LAB 40.94, 61.53, -92.86

 

CMYK 0 / 43 / 76 / 0

HEX #FE913E

RGB 254 145 62

HSL 25.94, 0.99%, 0.62%

LAB 70.64, 35.13, 59.55

 

CMYK 75 / 0 / 12 / 0

HEX #3FFEE0

RGB 63 254 224

HSL 170.58, 0.99%, 0.62%

LAB 90.47, -52.76, 1.05

 

CMYK 13 / 76 / 0 / 0

HEX #DE3EFE

RGB 222 62 254

HSL 290, 0.99%, 0.62%

LAB 58.16, 83.26, -64.04

 

CMYK 0 / 13 / 76 / 0

HEX #FEDE3E

RGB 254 222 62

HSL 50, 0.99%, 0.62%

LAB 88.76, -4.67, 76.88

 

CMYK 75 / 0 / 12 / 0

HEX #3FFEE0

RGB 63 254 224

HSL 170.58, 0.99%, 0.62%

LAB 90.47, -52.76, 1.05

 

CMYK 73 / 76 / 0 / 0

HEX #443EFE

RGB 68 62 254

HSL 241.88, 0.99%, 0.62%

LAB 40.94, 61.53, -92.86

 

CMYK 0 / 76 / 63 / 0

HEX #FE3E5E

RGB 254 62 94

HSL 350, 0.99%, 0.62%

LAB 57.39, 72.25, 27.73

 

CMYK 3 / 0 / 76 / 0

HEX #F7FE3E

RGB 247 254 62

HSL 62.19, 0.99%, 0.62%

LAB 96.41, -23.18, 83.67

 

CMYK 75 / 0 / 12 / 0

HEX #3FFEE0

RGB 63 254 224

HSL 170.58, 0.99%, 0.62%

LAB 90.47, -52.76, 1.05

 

CMYK 50 / 76 / 0 / 0

HEX #7E3EFE

RGB 126 62 254

HSL 260, 0.99%, 0.62%

LAB 45.68, 67.67, -84.88

 

CMYK 0 / 76 / 63 / 0

HEX #FE3E5E

RGB 254 62 94

HSL 350, 0.99%, 0.62%

LAB 57.39, 72.25, 27.73

 

CMYK 25 / 0 / 76 / 0

HEX #BEFE3E

RGB 190 254 62

HSL 80, 0.99%, 0.62%

LAB 92.65, -45.34, 78.83

 

Description

Color code: HEX #3FFEE0 | qconv.com Color code: HEX #3FFEE0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 254 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 254 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 12 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 12% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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