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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FFA18 it is the complementary color #C005E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FFA18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FFA18 shade: #44FA13, #55FF26, #66FF39, #77FF4C and #88FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FFA18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FFA18 shade: #3FFA18, #2EE805, #1DD600, #0CC400 and #00B200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FFA18 shade: #3FFA19, #7CFA19, #B9FA19, #F6FA19 and #FAC119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FFA18 shade: #3FFA19, #19FA2E, #19FA6B, #19FAA8 and #19FAE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FFA18 shade matches the following richer shades: #3FFA19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FFA18 shade: #3FFA19, #4CE72C, #58D43F, #65C152 and #71AE65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FFA18 shade: #BAFA19, #7EFA19, #42FA19, #19FA2B and #19FA67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FFA18 shade: #23BD03, #2BE504, #3FFA19, #61FB41 and #83FB69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FFA18 shade: #3FFA18, #19F6FA and #FA199C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FFA18 shade: #3FFA18, #1942FA and #FA1942

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FFA18 shade: #3FFA18, #19F6FA, #D119FA and #FA1C19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FFA18 shade: #3FFA18, #19B2FA, #D119FA and #FA6019

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 90 / 2

HEX #3FFA18

RGB 63 250 24

HSL 109.65, 0.96%, 0.54%

LAB 86.75, -79.78, 80.31

 

Complementary color

CMYK 17 / 98 / 0 / 9

HEX #C005E7

RGB 192 5 231

HSL 289.65, 0.96%, 0.46%

LAB 48.37, 85.05, -67.2

 

CMYK 73 / 0 / 92 / 2

HEX #44FA13

RGB 68 250 19

HSL 107.27, 0.96%, 0.53%

LAB 86.82, -79.15, 81.06

 

CMYK 67 / 0 / 85 / 0

HEX #55FF26

RGB 85 255 38

HSL 107, 1%, 0.57%

LAB 88.73, -77.17, 79.77

 

CMYK 60 / 0 / 78 / 0

HEX #66FF39

RGB 102 255 57

HSL 106.36, 1%, 0.61%

LAB 89.22, -72.78, 75.74

 

CMYK 53 / 0 / 70 / 0

HEX #77FF4C

RGB 119 255 76

HSL 105.59, 1%, 0.65%

LAB 89.84, -67.47, 70.44

 

CMYK 47 / 0 / 63 / 0

HEX #88FF5F

RGB 136 255 95

HSL 104.63, 1%, 0.69%

LAB 90.59, -61.32, 64.19

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA18

RGB 63 250 24

HSL 109.65, 0.96%, 0.54%

LAB 86.75, -79.78, 80.31

 

CMYK 80 / 0 / 98 / 9

HEX #2EE805

RGB 46 232 5

HSL 109.16, 0.96%, 0.46%

LAB 80.91, -77.23, 77.4

 

CMYK 86 / 0 / 100 / 16

HEX #1DD600

RGB 29 214 0

HSL 111.87, 1%, 0.42%

LAB 75.05, -74.01, 73.08

 

CMYK 94 / 0 / 100 / 23

HEX #0CC400

RGB 12 196 0

HSL 116.33, 1%, 0.38%

LAB 69.15, -70.18, 68.3

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA19

RGB 63 250 25

HSL 109.87, 0.96%, 0.54%

LAB 86.75, -79.75, 80.17

 

CMYK 50 / 0 / 90 / 2

HEX #7CFA19

RGB 124 250 25

HSL 93.6, 0.96%, 0.54%

LAB 88.32, -66.78, 82.12

 

CMYK 26 / 0 / 90 / 2

HEX #B9FA19

RGB 185 250 25

HSL 77.33, 0.96%, 0.54%

LAB 91.12, -46.68, 85.57

 

CMYK 2 / 0 / 90 / 2

HEX #F6FA19

RGB 246 250 25

HSL 61.07, 0.96%, 0.54%

LAB 95.18, -22.64, 90.5

 

CMYK 0 / 23 / 90 / 2

HEX #FAC119

RGB 250 193 25

HSL 44.8, 0.96%, 0.54%

LAB 81.03, 7.47, 79.78

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA19

RGB 63 250 25

HSL 109.87, 0.96%, 0.54%

LAB 86.75, -79.75, 80.17

 

CMYK 90 / 0 / 82 / 2

HEX #19FA2E

RGB 25 250 46

HSL 125.6, 0.96%, 0.54%

LAB 86.39, -82.69, 75.57

 

CMYK 90 / 0 / 57 / 2

HEX #19FA6B

RGB 25 250 107

HSL 141.87, 0.96%, 0.54%

LAB 86.82, -77.32, 54.18

 

CMYK 90 / 0 / 33 / 2

HEX #19FAA8

RGB 25 250 168

HSL 158.13, 0.96%, 0.54%

LAB 87.68, -67.11, 25.88

 

CMYK 90 / 0 / 8 / 2

HEX #19FAE5

RGB 25 250 229

HSL 174.4, 0.96%, 0.54%

LAB 89.03, -52.55, -3.7

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA19

RGB 63 250 25

HSL 109.87, 0.96%, 0.54%

LAB 86.75, -79.75, 80.17

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA19

RGB 63 250 25

HSL 109.87, 0.96%, 0.54%

LAB 86.75, -79.75, 80.17

 

CMYK 67 / 0 / 81 / 9

HEX #4CE72C

RGB 76 231 44

HSL 109.73, 0.8%, 0.54%

LAB 81.22, -71.18, 71.58

 

CMYK 58 / 0 / 70 / 17

HEX #58D43F

RGB 88 212 63

HSL 109.93, 0.63%, 0.54%

LAB 75.77, -61.05, 60.36

 

CMYK 48 / 0 / 58 / 24

HEX #65C152

RGB 101 193 82

HSL 109.73, 0.47%, 0.54%

LAB 70.54, -48.59, 46.77

 

CMYK 35 / 0 / 42 / 32

HEX #71AE65

RGB 113 174 101

HSL 110.14, 0.31%, 0.54%

LAB 65.53, -34.11, 31.35

 

CMYK 26 / 0 / 90 / 2

HEX #BAFA19

RGB 186 250 25

HSL 77.07, 0.96%, 0.54%

LAB 91.18, -46.31, 85.64

 

CMYK 50 / 0 / 90 / 2

HEX #7EFA19

RGB 126 250 25

HSL 93.07, 0.96%, 0.54%

LAB 88.39, -66.22, 82.21

 

CMYK 74 / 0 / 90 / 2

HEX #42FA19

RGB 66 250 25

HSL 109.07, 0.96%, 0.54%

LAB 86.8, -79.32, 80.24

 

CMYK 90 / 0 / 83 / 2

HEX #19FA2B

RGB 25 250 43

HSL 124.8, 0.96%, 0.54%

LAB 86.38, -82.84, 76.28

 

CMYK 90 / 0 / 59 / 2

HEX #19FA67

RGB 25 250 103

HSL 140.8, 0.96%, 0.54%

LAB 86.78, -77.82, 55.88

 

CMYK 81 / 0 / 98 / 26

HEX #23BD03

RGB 35 189 3

HSL 109.68, 0.97%, 0.38%

LAB 67.1, -66.3, 66.39

 

CMYK 81 / 0 / 98 / 10

HEX #2BE504

RGB 43 229 4

HSL 109.6, 0.97%, 0.46%

LAB 79.93, -76.75, 76.69

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA19

RGB 63 250 25

HSL 109.87, 0.96%, 0.54%

LAB 86.75, -79.75, 80.17

 

CMYK 61 / 0 / 74 / 2

HEX #61FB41

RGB 97 251 65

HSL 109.68, 0.96%, 0.62%

LAB 87.93, -72.09, 72.01

 

CMYK 48 / 0 / 58 / 2

HEX #83FB69

RGB 131 251 105

HSL 109.32, 0.95%, 0.7%

LAB 89.32, -60.24, 58.52

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA18

RGB 63 250 24

HSL 109.65, 0.96%, 0.54%

LAB 86.75, -79.78, 80.31

 

CMYK 90 / 2 / 0 / 2

HEX #19F6FA

RGB 25 246 250

HSL 181.07, 0.96%, 0.54%

LAB 88.46, -44.98, -15.51

 

CMYK 0 / 90 / 38 / 2

HEX #FA199C

RGB 250 25 156

HSL 325.07, 0.96%, 0.54%

LAB 55.5, 83.72, -11.82

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA18

RGB 63 250 24

HSL 109.65, 0.96%, 0.54%

LAB 86.75, -79.78, 80.31

 

CMYK 90 / 74 / 0 / 2

HEX #1942FA

RGB 25 66 250

HSL 229.07, 0.96%, 0.54%

LAB 39.59, 55.81, -92.91

 

CMYK 0 / 90 / 74 / 2

HEX #FA1942

RGB 250 25 66

HSL 349.07, 0.96%, 0.54%

LAB 53.4, 77.91, 39

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA18

RGB 63 250 24

HSL 109.65, 0.96%, 0.54%

LAB 86.75, -79.78, 80.31

 

CMYK 90 / 2 / 0 / 2

HEX #19F6FA

RGB 25 246 250

HSL 181.07, 0.96%, 0.54%

LAB 88.46, -44.98, -15.51

 

CMYK 16 / 90 / 0 / 2

HEX #D119FA

RGB 209 25 250

HSL 289.07, 0.96%, 0.54%

LAB 53.12, 88.57, -70.06

 

CMYK 0 / 89 / 90 / 2

HEX #FA1C19

RGB 250 28 25

HSL 0.8, 0.96%, 0.54%

LAB 53.19, 76.49, 59.52

 

CMYK 75 / 0 / 90 / 2

HEX #3FFA18

RGB 63 250 24

HSL 109.65, 0.96%, 0.54%

LAB 86.75, -79.78, 80.31

 

CMYK 90 / 29 / 0 / 2

HEX #19B2FA

RGB 25 178 250

HSL 199.2, 0.96%, 0.54%

LAB 68.71, -11.69, -45.85

 

CMYK 16 / 90 / 0 / 2

HEX #D119FA

RGB 209 25 250

HSL 289.07, 0.96%, 0.54%

LAB 53.12, 88.57, -70.06

 

CMYK 0 / 62 / 90 / 2

HEX #FA6019

RGB 250 96 25

HSL 18.93, 0.96%, 0.54%

LAB 60.57, 56.11, 64.64

 

Description

Color code: HEX #3FFA18 | qconv.com Color code: HEX #3FFA18 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 250 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 250 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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