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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FF2B1 it is the complementary color #C00D4E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FF2B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FF2B1 shade: #44F2AC, #55FFBF, #66FFD2, #77FFE5 and #88FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FF2B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FF2B1 shade: #3FF2B1, #2EE09E, #1DCE8B, #0CBC78 and #00AA65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FF2B1 shade: #40F1B1, #40F181, #40F151, #5EF140 and #8EF140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FF2B1 shade: #40F1B1, #40F1E1, #40D2F1, #40A2F1 and #4072F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FF2B1 shade matches the following richer shades: #40F1B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FF2B1 shade: #40F1B1, #50E1AC, #61D0A8, #71C0A3 and #82AF9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FF2B1 shade: #40F152, #40F181, #40F1B0, #40F1DF and #40D4F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FF2B1 shade: #0ED08A, #19EFA1, #40F1B1, #66F4C1 and #8DF7D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FF2B1 shade: #3FF2B1, #405DF1 and #F16940

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FF2B1 shade: #3FF2B1, #B040F1 and #F1B040

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FF2B1 shade: #3FF2B1, #405DF1, #F14081 and #F1D440

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FF2B1 shade: #3FF2B1, #5740F1, #F14081 and #DAF140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 27 / 5

HEX #3FF2B1

RGB 63 242 177

HSL 158.21, 0.87%, 0.6%

LAB 85.87, -59.07, 18.84

 

Complementary color

CMYK 0 / 93 / 59 / 25

HEX #C00D4E

RGB 192 13 78

HSL 338.21, 0.87%, 0.4%

LAB 41.29, 65.81, 13.95

 

CMYK 72 / 0 / 29 / 5

HEX #44F2AC

RGB 68 242 172

HSL 155.86, 0.87%, 0.61%

LAB 85.86, -59.49, 21.42

 

CMYK 67 / 0 / 25 / 0

HEX #55FFBF

RGB 85 255 191

HSL 157.41, 1%, 0.67%

LAB 90.42, -58.03, 18.05

 

CMYK 60 / 0 / 18 / 0

HEX #66FFD2

RGB 102 255 210

HSL 162.35, 1%, 0.7%

LAB 91.23, -51, 9.49

 

CMYK 53 / 0 / 10 / 0

HEX #77FFE5

RGB 119 255 229

HSL 168.53, 1%, 0.73%

LAB 92.18, -43.37, 1.1

 

CMYK 47 / 0 / 3 / 0

HEX #88FFF8

RGB 136 255 248

HSL 176.47, 1%, 0.77%

LAB 93.25, -35.27, -7.09

 

CMYK 74 / 0 / 27 / 5

HEX #3FF2B1

RGB 63 242 177

HSL 158.21, 0.87%, 0.6%

LAB 85.87, -59.07, 18.84

 

CMYK 79 / 0 / 29 / 12

HEX #2EE09E

RGB 46 224 158

HSL 157.75, 0.74%, 0.53%

LAB 79.82, -58.24, 20.27

 

CMYK 86 / 0 / 33 / 19

HEX #1DCE8B

RGB 29 206 139

HSL 157.29, 0.75%, 0.46%

LAB 73.72, -57.07, 21.83

 

CMYK 94 / 0 / 36 / 26

HEX #0CBC78

RGB 12 188 120

HSL 156.82, 0.88%, 0.39%

LAB 67.58, -55.47, 23.53

 

CMYK 100 / 0 / 41 / 33

HEX #00AA65

RGB 0 170 101

HSL 155.65, 1%, 0.33%

LAB 61.38, -53.38, 25.39

 

CMYK 73 / 0 / 27 / 5

HEX #40F1B1

RGB 64 241 177

HSL 158.31, 0.86%, 0.6%

LAB 85.59, -58.56, 18.45

 

CMYK 73 / 0 / 46 / 5

HEX #40F181

RGB 64 241 129

HSL 142.03, 0.86%, 0.6%

LAB 84.78, -67.59, 41.56

 

CMYK 73 / 0 / 66 / 5

HEX #40F151

RGB 64 241 81

HSL 125.76, 0.86%, 0.6%

LAB 84.27, -73.65, 62.3

 

CMYK 61 / 0 / 73 / 5

HEX #5EF140

RGB 94 241 64

HSL 109.83, 0.86%, 0.6%

LAB 84.82, -69.51, 69.24

 

CMYK 41 / 0 / 73 / 5

HEX #8EF140

RGB 142 241 64

HSL 93.56, 0.86%, 0.6%

LAB 86.52, -56.47, 71.48

 

CMYK 73 / 0 / 27 / 5

HEX #40F1B1

RGB 64 241 177

HSL 158.31, 0.86%, 0.6%

LAB 85.59, -58.56, 18.45

 

CMYK 73 / 0 / 7 / 5

HEX #40F1E1

RGB 64 241 225

HSL 174.58, 0.86%, 0.6%

LAB 86.72, -46.92, -4.97

 

CMYK 73 / 13 / 0 / 5

HEX #40D2F1

RGB 64 210 241

HSL 190.51, 0.86%, 0.6%

LAB 78.19, -28.08, -26.26

 

CMYK 73 / 33 / 0 / 5

HEX #40A2F1

RGB 64 162 241

HSL 206.78, 0.86%, 0.6%

LAB 64.39, -2.65, -47.71

 

CMYK 73 / 53 / 0 / 5

HEX #4072F1

RGB 64 114 241

HSL 223.05, 0.86%, 0.6%

LAB 51.24, 26.25, -68.74

 

CMYK 73 / 0 / 27 / 5

HEX #40F1B1

RGB 64 241 177

HSL 158.31, 0.86%, 0.6%

LAB 85.59, -58.56, 18.45

 

CMYK 73 / 0 / 27 / 5

HEX #40F1B1

RGB 64 241 177

HSL 158.31, 0.86%, 0.6%

LAB 85.59, -58.56, 18.45

 

CMYK 64 / 0 / 24 / 12

HEX #50E1AC

RGB 80 225 172

HSL 158.07, 0.71%, 0.6%

LAB 81.04, -50.95, 14.73

 

CMYK 53 / 0 / 19 / 18

HEX #61D0A8

RGB 97 208 168

HSL 158.38, 0.54%, 0.6%

LAB 76.36, -41.27, 10.31

 

CMYK 41 / 0 / 15 / 25

HEX #71C0A3

RGB 113 192 163

HSL 157.97, 0.39%, 0.6%

LAB 72.13, -31.06, 7.04

 

CMYK 26 / 0 / 9 / 31

HEX #82AF9F

RGB 130 175 159

HSL 158.67, 0.22%, 0.6%

LAB 67.95, -18.46, 3.33

 

CMYK 73 / 0 / 66 / 5

HEX #40F152

RGB 64 241 82

HSL 126.1, 0.86%, 0.6%

LAB 84.28, -73.55, 61.92

 

CMYK 73 / 0 / 46 / 5

HEX #40F181

RGB 64 241 129

HSL 142.03, 0.86%, 0.6%

LAB 84.78, -67.59, 41.56

 

CMYK 73 / 0 / 27 / 5

HEX #40F1B0

RGB 64 241 176

HSL 157.97, 0.86%, 0.6%

LAB 85.57, -58.78, 18.94

 

CMYK 73 / 0 / 7 / 5

HEX #40F1DF

RGB 64 241 223

HSL 173.9, 0.86%, 0.6%

LAB 86.67, -47.45, -4

 

CMYK 73 / 12 / 0 / 5

HEX #40D4F1

RGB 64 212 241

HSL 189.83, 0.86%, 0.6%

LAB 78.77, -29.06, -25.38

 

CMYK 93 / 0 / 34 / 18

HEX #0ED08A

RGB 14 208 138

HSL 158.35, 0.87%, 0.44%

LAB 74.22, -58.86, 23.01

 

CMYK 90 / 0 / 33 / 6

HEX #19EFA1

RGB 25 239 161

HSL 158.13, 0.87%, 0.52%

LAB 84.23, -64.66, 24.75

 

CMYK 73 / 0 / 27 / 5

HEX #40F1B1

RGB 64 241 177

HSL 158.31, 0.86%, 0.6%

LAB 85.59, -58.56, 18.45

 

CMYK 58 / 0 / 21 / 4

HEX #66F4C1

RGB 102 244 193

HSL 158.45, 0.87%, 0.68%

LAB 87.67, -50.18, 13.21

 

CMYK 43 / 0 / 16 / 3

HEX #8DF7D0

RGB 141 247 208

HSL 157.92, 0.87%, 0.76%

LAB 90.2, -39.52, 9.22

 

CMYK 74 / 0 / 27 / 5

HEX #3FF2B1

RGB 63 242 177

HSL 158.21, 0.87%, 0.6%

LAB 85.87, -59.07, 18.84

 

CMYK 73 / 61 / 0 / 5

HEX #405DF1

RGB 64 93 241

HSL 230.17, 0.86%, 0.6%

LAB 46, 39.31, -77.26

 

CMYK 0 / 56 / 73 / 5

HEX #F16940

RGB 241 105 64

HSL 13.9, 0.86%, 0.6%

LAB 60.93, 49.98, 48

 

CMYK 74 / 0 / 27 / 5

HEX #3FF2B1

RGB 63 242 177

HSL 158.21, 0.87%, 0.6%

LAB 85.87, -59.07, 18.84

 

CMYK 27 / 73 / 0 / 5

HEX #B040F1

RGB 176 64 241

HSL 277.97, 0.86%, 0.6%

LAB 50.98, 71.78, -68.72

 

CMYK 0 / 27 / 73 / 5

HEX #F1B040

RGB 241 176 64

HSL 37.97, 0.86%, 0.6%

LAB 76.14, 13.66, 63.66

 

CMYK 74 / 0 / 27 / 5

HEX #3FF2B1

RGB 63 242 177

HSL 158.21, 0.87%, 0.6%

LAB 85.87, -59.07, 18.84

 

CMYK 73 / 61 / 0 / 5

HEX #405DF1

RGB 64 93 241

HSL 230.17, 0.86%, 0.6%

LAB 46, 39.31, -77.26

 

CMYK 0 / 73 / 46 / 5

HEX #F14081

RGB 241 64 129

HSL 337.97, 0.86%, 0.6%

LAB 56.04, 70.54, 4.8

 

CMYK 0 / 12 / 73 / 5

HEX #F1D440

RGB 241 212 64

HSL 50.17, 0.86%, 0.6%

LAB 85.08, -4.99, 72.33

 

CMYK 74 / 0 / 27 / 5

HEX #3FF2B1

RGB 63 242 177

HSL 158.21, 0.87%, 0.6%

LAB 85.87, -59.07, 18.84

 

CMYK 64 / 73 / 0 / 5

HEX #5740F1

RGB 87 64 241

HSL 247.8, 0.86%, 0.6%

LAB 41.29, 58.39, -84.95

 

CMYK 0 / 73 / 46 / 5

HEX #F14081

RGB 241 64 129

HSL 337.97, 0.86%, 0.6%

LAB 56.04, 70.54, 4.8

 

CMYK 10 / 0 / 73 / 5

HEX #DAF140

RGB 218 241 64

HSL 67.8, 0.86%, 0.6%

LAB 90.86, -28.64, 77.17

 

Description

Color code: HEX #3FF2B1 | qconv.com Color code: HEX #3FF2B1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 242 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 242 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 27 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 27% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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