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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FCAB2 it is the complementary color #C0354D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FCAB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FCAB2 shade: #44CAAD, #55DCC0, #66EED3, #77FFE6 and #88FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FCAB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FCAB2 shade: #3FCAB2, #2EB89F, #1DA68C, #0C9479 and #008266

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FCAB2 shade: #3ECAB2, #3ECA8C, #3ECA67, #3ECA41 and #61CA3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FCAB2 shade: #3ECAB2, #3EBCCA, #3E97CA, #3E71CA and #3E4BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FCAB2 shade matches the following richer shades: #3ECAB2, #2BDEBF and #17F1CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FCAB2 shade: #3ECAB2, #52B6A5, #66A298, #7A8E8B and #8E7B7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FCAB2 shade: #3ECA66, #3ECA8B, #3ECAB0, #3EBECA and #3E99CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FCAB2 shade: #278F7D, #30AF99, #3ECAB2, #5FD3BF and #7FDCCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FCAB2 shade: #3FCAB2, #413ECA and #CA783E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FCAB2 shade: #3FCAB2, #B03ECA and #CAB03E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FCAB2 shade: #3FCAB2, #413ECA, #CA3E58 and #C8CA3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FCAB2 shade: #3FCAB2, #6B3ECA, #CA3E58 and #9ECA3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 12 / 21

HEX #3FCAB2

RGB 63 202 178

HSL 169.64, 0.57%, 0.52%

LAB 73.88, -42.46, 1.22

 

Complementary color

CMYK 0 / 72 / 60 / 25

HEX #C0354D

RGB 192 53 77

HSL 349.64, 0.57%, 0.48%

LAB 44.64, 56.17, 19.1

 

CMYK 66 / 0 / 14 / 21

HEX #44CAAD

RGB 68 202 173

HSL 167.01, 0.56%, 0.53%

LAB 73.86, -42.98, 3.92

 

CMYK 61 / 0 / 13 / 14

HEX #55DCC0

RGB 85 220 192

HSL 167.56, 0.66%, 0.6%

LAB 80.14, -43.3, 2.88

 

CMYK 57 / 0 / 11 / 7

HEX #66EED3

RGB 102 238 211

HSL 168.09, 0.8%, 0.67%

LAB 86.34, -43.49, 1.92

 

CMYK 53 / 0 / 10 / 0

HEX #77FFE6

RGB 119 255 230

HSL 168.97, 1%, 0.73%

LAB 92.2, -43.14, 0.62

 

CMYK 47 / 0 / 2 / 0

HEX #88FFF9

RGB 136 255 249

HSL 176.97, 1%, 0.77%

LAB 93.27, -35.03, -7.57

 

CMYK 69 / 0 / 12 / 21

HEX #3FCAB2

RGB 63 202 178

HSL 169.64, 0.57%, 0.52%

LAB 73.88, -42.46, 1.22

 

CMYK 75 / 0 / 14 / 28

HEX #2EB89F

RGB 46 184 159

HSL 169.13, 0.6%, 0.45%

LAB 67.55, -41.81, 2.36

 

CMYK 83 / 0 / 16 / 35

HEX #1DA68C

RGB 29 166 140

HSL 168.61, 0.7%, 0.38%

LAB 61.16, -40.85, 3.62

 

CMYK 92 / 0 / 18 / 42

HEX #0C9479

RGB 12 148 121

HSL 168.09, 0.85%, 0.31%

LAB 54.7, -39.47, 5.05

 

CMYK 100 / 0 / 22 / 49

HEX #008266

RGB 0 130 102

HSL 167.08, 1%, 0.25%

LAB 48.16, -37.57, 6.67

 

CMYK 69 / 0 / 12 / 21

HEX #3ECAB2

RGB 62 202 178

HSL 169.71, 0.57%, 0.52%

LAB 73.86, -42.61, 1.19

 

CMYK 69 / 0 / 31 / 21

HEX #3ECA8C

RGB 62 202 140

HSL 153.43, 0.57%, 0.52%

LAB 73, -51.54, 20.39

 

CMYK 69 / 0 / 49 / 21

HEX #3ECA67

RGB 62 202 103

HSL 137.57, 0.57%, 0.52%

LAB 72.39, -58.28, 38.66

 

CMYK 69 / 0 / 68 / 21

HEX #3ECA41

RGB 62 202 65

HSL 121.29, 0.57%, 0.52%

LAB 71.99, -62.98, 55.4

 

CMYK 52 / 0 / 69 / 21

HEX #61CA3E

RGB 97 202 62

HSL 105, 0.57%, 0.52%

LAB 72.98, -55.17, 57.92

 

CMYK 69 / 0 / 12 / 21

HEX #3ECAB2

RGB 62 202 178

HSL 169.71, 0.57%, 0.52%

LAB 73.86, -42.61, 1.19

 

CMYK 69 / 7 / 0 / 21

HEX #3EBCCA

RGB 62 188 202

HSL 186, 0.57%, 0.52%

LAB 70.35, -29.42, -17.09

 

CMYK 69 / 25 / 0 / 21

HEX #3E97CA

RGB 62 151 202

HSL 201.86, 0.57%, 0.52%

LAB 59.36, -10.07, -33.96

 

CMYK 69 / 44 / 0 / 21

HEX #3E71CA

RGB 62 113 202

HSL 218.14, 0.57%, 0.52%

LAB 48.38, 12.52, -51.3

 

CMYK 69 / 63 / 0 / 21

HEX #3E4BCA

RGB 62 75 202

HSL 234.43, 0.57%, 0.52%

LAB 38.41, 36.65, -67.44

 

CMYK 69 / 0 / 12 / 21

HEX #3ECAB2

RGB 62 202 178

HSL 169.71, 0.57%, 0.52%

LAB 73.86, -42.61, 1.19

 

CMYK 81 / 0 / 14 / 13

HEX #2BDEBF

RGB 43 222 191

HSL 169.61, 0.73%, 0.52%

LAB 79.91, -49.89, 2.98

 

CMYK 90 / 0 / 15 / 5

HEX #17F1CC

RGB 23 241 204

HSL 169.82, 0.89%, 0.52%

LAB 85.73, -55.53, 4.53

 

CMYK 69 / 0 / 12 / 21

HEX #3ECAB2

RGB 62 202 178

HSL 169.71, 0.57%, 0.52%

LAB 73.86, -42.61, 1.19

 

CMYK 55 / 0 / 9 / 29

HEX #52B6A5

RGB 82 182 165

HSL 169.8, 0.41%, 0.52%

LAB 68, -33.37, -0.19

 

CMYK 37 / 0 / 6 / 36

HEX #66A298

RGB 102 162 152

HSL 170, 0.24%, 0.52%

LAB 62.45, -21.82, -0.97

 

CMYK 14 / 0 / 2 / 44

HEX #7A8E8B

RGB 122 142 139

HSL 171, 0.08%, 0.52%

LAB 57.41, -7.78, -0.82

 

CMYK 0 / 13 / 11 / 44

HEX #8E7B7E

RGB 142 123 126

HSL 350.53, 0.08%, 0.52%

LAB 53.41, 7.84, 1.06

 

CMYK 69 / 0 / 50 / 21

HEX #3ECA66

RGB 62 202 102

HSL 137.14, 0.57%, 0.52%

LAB 72.38, -58.44, 39.14

 

CMYK 69 / 0 / 31 / 21

HEX #3ECA8B

RGB 62 202 139

HSL 153, 0.57%, 0.52%

LAB 72.98, -51.75, 20.89

 

CMYK 69 / 0 / 13 / 21

HEX #3ECAB0

RGB 62 202 176

HSL 168.86, 0.57%, 0.52%

LAB 73.8, -43.12, 2.2

 

CMYK 69 / 6 / 0 / 21

HEX #3EBECA

RGB 62 190 202

HSL 185.14, 0.57%, 0.52%

LAB 70.95, -30.39, -16.18

 

CMYK 69 / 24 / 0 / 21

HEX #3E99CA

RGB 62 153 202

HSL 201, 0.57%, 0.52%

LAB 59.95, -11.18, -33.04

 

CMYK 73 / 0 / 13 / 44

HEX #278F7D

RGB 39 143 125

HSL 169.62, 0.57%, 0.36%

LAB 53.55, -33.49, 1.14

 

CMYK 73 / 0 / 13 / 31

HEX #30AF99

RGB 48 175 153

HSL 169.61, 0.57%, 0.44%

LAB 64.63, -39.18, 1.44

 

CMYK 69 / 0 / 12 / 21

HEX #3ECAB2

RGB 62 202 178

HSL 169.71, 0.57%, 0.52%

LAB 73.86, -42.61, 1.19

 

CMYK 55 / 0 / 9 / 17

HEX #5FD3BF

RGB 95 211 191

HSL 169.66, 0.57%, 0.6%

LAB 77.75, -37.63, -0.03

 

CMYK 42 / 0 / 7 / 14

HEX #7FDCCC

RGB 127 220 204

HSL 169.68, 0.57%, 0.68%

LAB 81.87, -31.45, -0.81

 

CMYK 69 / 0 / 12 / 21

HEX #3FCAB2

RGB 63 202 178

HSL 169.64, 0.57%, 0.52%

LAB 73.88, -42.46, 1.22

 

CMYK 68 / 69 / 0 / 21

HEX #413ECA

RGB 65 62 202

HSL 241.29, 0.57%, 0.52%

LAB 35.66, 44.87, -71.94

 

CMYK 0 / 41 / 69 / 21

HEX #CA783E

RGB 202 120 62

HSL 24.86, 0.57%, 0.52%

LAB 58.36, 27.13, 44.58

 

CMYK 69 / 0 / 12 / 21

HEX #3FCAB2

RGB 63 202 178

HSL 169.64, 0.57%, 0.52%

LAB 73.88, -42.46, 1.22

 

CMYK 13 / 69 / 0 / 21

HEX #B03ECA

RGB 176 62 202

HSL 288.86, 0.57%, 0.52%

LAB 48.18, 64.86, -51.04

 

CMYK 0 / 13 / 69 / 21

HEX #CAB03E

RGB 202 176 62

HSL 48.86, 0.57%, 0.52%

LAB 72.2, -3.14, 59.22

 

CMYK 69 / 0 / 12 / 21

HEX #3FCAB2

RGB 63 202 178

HSL 169.64, 0.57%, 0.52%

LAB 73.88, -42.46, 1.22

 

CMYK 68 / 69 / 0 / 21

HEX #413ECA

RGB 65 62 202

HSL 241.29, 0.57%, 0.52%

LAB 35.66, 44.87, -71.94

 

CMYK 0 / 69 / 56 / 21

HEX #CA3E58

RGB 202 62 88

HSL 348.86, 0.57%, 0.52%

LAB 47.89, 56.68, 17.03

 

CMYK 1 / 0 / 69 / 21

HEX #C8CA3E

RGB 200 202 62

HSL 60.86, 0.57%, 0.52%

LAB 78.97, -17.31, 65.93

 

CMYK 69 / 0 / 12 / 21

HEX #3FCAB2

RGB 63 202 178

HSL 169.64, 0.57%, 0.52%

LAB 73.88, -42.46, 1.22

 

CMYK 47 / 69 / 0 / 21

HEX #6B3ECA

RGB 107 62 202

HSL 259.29, 0.57%, 0.52%

LAB 39.3, 51.12, -65.84

 

CMYK 0 / 69 / 56 / 21

HEX #CA3E58

RGB 202 62 88

HSL 348.86, 0.57%, 0.52%

LAB 47.89, 56.68, 17.03

 

CMYK 22 / 0 / 69 / 21

HEX #9ECA3E

RGB 158 202 62

HSL 78.86, 0.57%, 0.52%

LAB 75.98, -34.41, 61.96

 

Description

Color code: HEX #3FCAB2 | qconv.com Color code: HEX #3FCAB2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 202 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 202 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 12 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 12% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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