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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FBBDD it is the complementary color #C04422. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FBBDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FBBDD shade: #44BBD8, #55CDEB, #66DFFE, #77F1FF and #88FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FBBDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FBBDD shade: #3FBBDD, #2EA9CA, #1D97B7, #0C85A4 and #007391

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FBBDD shade: #40BBDD, #4091DD, #4066DD, #4440DD and #6E40DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FBBDD shade: #40BBDD, #4091DD, #4066DD and #4040DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FBBDD shade matches the following richer shades: #40BBDD and #2EC5EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FBBDD shade: #40BBDD, #52B1CB, #64A6B9, #769CA6 and #889294

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FBBDD shade: #40DDA8, #40DDD2, #40BDDD, #4094DD and #406ADD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FBBDD shade: #1E8EAC, #24AACF, #40BBDD, #63C7E3 and #86D4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FBBDD shade: #3FBBDD, #7F40DD and #DDBD40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FBBDD shade: #3FBBDD, #DD40BD and #BDDD40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FBBDD shade: #3FBBDD, #7F40DD, #DD5F40 and #9EDD40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FBBDD shade: #3FBBDD, #AE40DD, #DD5F40 and #6FDD40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 15 / 0 / 13

HEX #3FBBDD

RGB 63 187 221

HSL 192.91, 0.7%, 0.56%

LAB 70.75, -22.94, -26.87

 

Complementary color

CMYK 0 / 65 / 82 / 25

HEX #C04422

RGB 192 68 34

HSL 12.91, 0.7%, 0.44%

LAB 46.25, 48.11, 45.44

 

CMYK 69 / 13 / 0 / 15

HEX #44BBD8

RGB 68 187 216

HSL 191.76, 0.65%, 0.56%

LAB 70.68, -23.82, -24.23

 

CMYK 64 / 13 / 0 / 8

HEX #55CDEB

RGB 85 205 235

HSL 192, 0.79%, 0.63%

LAB 77.04, -24.54, -24.77

 

CMYK 60 / 12 / 0 / 0

HEX #66DFFE

RGB 102 223 254

HSL 192.24, 0.99%, 0.7%

LAB 83.31, -25.11, -25.26

 

CMYK 53 / 5 / 0 / 0

HEX #77F1FF

RGB 119 241 255

HSL 186.18, 1%, 0.73%

LAB 88.95, -30.43, -17.21

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 71 / 15 / 0 / 13

HEX #3FBBDD

RGB 63 187 221

HSL 192.91, 0.7%, 0.56%

LAB 70.75, -22.94, -26.87

 

CMYK 77 / 16 / 0 / 21

HEX #2EA9CA

RGB 46 169 202

HSL 192.69, 0.63%, 0.49%

LAB 64.34, -21.82, -26.29

 

CMYK 84 / 17 / 0 / 28

HEX #1D97B7

RGB 29 151 183

HSL 192.47, 0.73%, 0.42%

LAB 57.86, -20.37, -25.63

 

CMYK 93 / 19 / 0 / 36

HEX #0C85A4

RGB 12 133 164

HSL 192.24, 0.86%, 0.35%

LAB 51.31, -18.48, -24.88

 

CMYK 100 / 21 / 0 / 43

HEX #007391

RGB 0 115 145

HSL 192.41, 1%, 0.28%

LAB 44.67, -16.07, -24.02

 

CMYK 71 / 15 / 0 / 13

HEX #40BBDD

RGB 64 187 221

HSL 192.99, 0.7%, 0.56%

LAB 70.77, -22.81, -26.83

 

CMYK 71 / 34 / 0 / 13

HEX #4091DD

RGB 64 145 221

HSL 209.04, 0.7%, 0.56%

LAB 58.57, 0.19, -45.84

 

CMYK 71 / 54 / 0 / 13

HEX #4066DD

RGB 64 102 221

HSL 225.48, 0.7%, 0.56%

LAB 46.73, 26.6, -64.8

 

CMYK 69 / 71 / 0 / 13

HEX #4440DD

RGB 68 64 221

HSL 241.53, 0.7%, 0.56%

LAB 38.05, 50.21, -78.97

 

CMYK 50 / 71 / 0 / 13

HEX #6E40DD

RGB 110 64 221

HSL 257.58, 0.7%, 0.56%

LAB 41.54, 55.78, -73.12

 

CMYK 71 / 15 / 0 / 13

HEX #40BBDD

RGB 64 187 221

HSL 192.99, 0.7%, 0.56%

LAB 70.77, -22.81, -26.83

 

CMYK 71 / 34 / 0 / 13

HEX #4091DD

RGB 64 145 221

HSL 209.04, 0.7%, 0.56%

LAB 58.57, 0.19, -45.84

 

CMYK 71 / 54 / 0 / 13

HEX #4066DD

RGB 64 102 221

HSL 225.48, 0.7%, 0.56%

LAB 46.73, 26.6, -64.8

 

CMYK 71 / 71 / 0 / 13

HEX #4040DD

RGB 64 64 221

HSL 240, 0.7%, 0.56%

LAB 37.8, 49.8, -79.39

 

CMYK 71 / 15 / 0 / 13

HEX #40BBDD

RGB 64 187 221

HSL 192.99, 0.7%, 0.56%

LAB 70.77, -22.81, -26.83

 

CMYK 81 / 18 / 0 / 6

HEX #2EC5EF

RGB 46 197 239

HSL 193.06, 0.86%, 0.56%

LAB 74.03, -24.04, -31.61

 

CMYK 71 / 15 / 0 / 13

HEX #40BBDD

RGB 64 187 221

HSL 192.99, 0.7%, 0.56%

LAB 70.77, -22.81, -26.83

 

CMYK 60 / 13 / 0 / 20

HEX #52B1CB

RGB 82 177 203

HSL 192.89, 0.54%, 0.56%

LAB 67.69, -20.36, -21.63

 

CMYK 46 / 10 / 0 / 27

HEX #64A6B9

RGB 100 166 185

HSL 193.41, 0.38%, 0.56%

LAB 64.55, -15.91, -16.34

 

CMYK 29 / 6 / 0 / 35

HEX #769CA6

RGB 118 156 166

HSL 192.5, 0.21%, 0.56%

LAB 61.98, -10.55, -9.45

 

CMYK 8 / 1 / 0 / 42

HEX #889294

RGB 136 146 148

HSL 190, 0.05%, 0.56%

LAB 59.83, -3.19, -2.31

 

CMYK 71 / 0 / 24 / 13

HEX #40DDA8

RGB 64 221 168

HSL 159.75, 0.7%, 0.56%

LAB 79.4, -52.7, 14.49

 

CMYK 71 / 0 / 5 / 13

HEX #40DDD2

RGB 64 221 210

HSL 175.8, 0.7%, 0.56%

LAB 80.44, -42.22, -6.33

 

CMYK 71 / 14 / 0 / 13

HEX #40BDDD

RGB 64 189 221

HSL 192.23, 0.7%, 0.56%

LAB 71.35, -23.82, -25.93

 

CMYK 71 / 33 / 0 / 13

HEX #4094DD

RGB 64 148 221

HSL 207.9, 0.7%, 0.56%

LAB 59.43, -1.56, -44.48

 

CMYK 71 / 52 / 0 / 13

HEX #406ADD

RGB 64 106 221

HSL 223.95, 0.7%, 0.56%

LAB 47.78, 24.08, -63.1

 

CMYK 83 / 17 / 0 / 33

HEX #1E8EAC

RGB 30 142 172

HSL 192.68, 0.7%, 0.4%

LAB 54.66, -19.28, -24.29

 

CMYK 83 / 18 / 0 / 19

HEX #24AACF

RGB 36 170 207

HSL 192.98, 0.7%, 0.48%

LAB 64.67, -21.62, -28.57

 

CMYK 71 / 15 / 0 / 13

HEX #40BBDD

RGB 64 187 221

HSL 192.99, 0.7%, 0.56%

LAB 70.77, -22.81, -26.83

 

CMYK 56 / 12 / 0 / 11

HEX #63C7E3

RGB 99 199 227

HSL 193.13, 0.7%, 0.64%

LAB 75.48, -21.39, -22.79

 

CMYK 42 / 9 / 0 / 9

HEX #86D4E9

RGB 134 212 233

HSL 192.73, 0.69%, 0.72%

LAB 80.76, -18.67, -17.87

 

CMYK 71 / 15 / 0 / 13

HEX #3FBBDD

RGB 63 187 221

HSL 192.91, 0.7%, 0.56%

LAB 70.75, -22.94, -26.87

 

CMYK 43 / 71 / 0 / 13

HEX #7F40DD

RGB 127 64 221

HSL 264.08, 0.7%, 0.56%

LAB 43.36, 58.57, -70.06

 

CMYK 0 / 14 / 71 / 13

HEX #DDBD40

RGB 221 189 64

HSL 47.77, 0.7%, 0.56%

LAB 77.36, -1.67, 64.2

 

CMYK 71 / 15 / 0 / 13

HEX #3FBBDD

RGB 63 187 221

HSL 192.91, 0.7%, 0.56%

LAB 70.75, -22.94, -26.87

 

CMYK 0 / 71 / 14 / 13

HEX #DD40BD

RGB 221 64 189

HSL 312.23, 0.7%, 0.56%

LAB 54.78, 72.22, -32.66

 

CMYK 14 / 0 / 71 / 13

HEX #BDDD40

RGB 189 221 64

HSL 72.23, 0.7%, 0.56%

LAB 83.39, -30.88, 69.29

 

CMYK 71 / 15 / 0 / 13

HEX #3FBBDD

RGB 63 187 221

HSL 192.91, 0.7%, 0.56%

LAB 70.75, -22.94, -26.87

 

CMYK 43 / 71 / 0 / 13

HEX #7F40DD

RGB 127 64 221

HSL 264.08, 0.7%, 0.56%

LAB 43.36, 58.57, -70.06

 

CMYK 0 / 57 / 71 / 13

HEX #DD5F40

RGB 221 95 64

HSL 11.85, 0.7%, 0.56%

LAB 56.01, 47.42, 41.7

 

CMYK 29 / 0 / 71 / 13

HEX #9EDD40

RGB 158 221 64

HSL 84.08, 0.7%, 0.56%

LAB 81.48, -42.76, 66.77

 

CMYK 71 / 15 / 0 / 13

HEX #3FBBDD

RGB 63 187 221

HSL 192.91, 0.7%, 0.56%

LAB 70.75, -22.94, -26.87

 

CMYK 21 / 71 / 0 / 13

HEX #AE40DD

RGB 174 64 221

HSL 282.04, 0.7%, 0.56%

LAB 49.36, 67.35, -60.06

 

CMYK 0 / 57 / 71 / 13

HEX #DD5F40

RGB 221 95 64

HSL 11.85, 0.7%, 0.56%

LAB 56.01, 47.42, 41.7

 

CMYK 50 / 0 / 71 / 13

HEX #6FDD40

RGB 111 221 64

HSL 102.04, 0.7%, 0.56%

LAB 79.31, -58.19, 63.86

 

Description

Color code: HEX #3FBBDD | qconv.com Color code: HEX #3FBBDD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 187 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 187 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 15 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 15% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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