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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3FB5F1 it is the complementary color #C04A0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3FB5F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3FB5F1 shade: #44B5EC, #55C7FF, #66D9FF, #77EBFF and #88FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3FB5F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3FB5F1 shade: #3FB5F1, #2EA3DE, #1D91CB, #0C7FB8 and #006DA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3FB5F1 shade: #41B5F0, #4186F0, #4156F0, #5A41F0 and #8A41F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3FB5F1 shade: #41B5F0, #4186F0, #4156F0 and #4141F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3FB5F1 shade matches the following richer shades: #41B5F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3FB5F1 shade: #41B5F0, #51B0E0, #62AACF, #72A5BF and #83A0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3FB5F1 shade: #41F0CD, #41E5F0, #41B6F0, #4187F0 and #4158F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3FB5F1 shade: #0F8FCF, #1AA6ED, #41B5F0, #67C4F3 and #8ED3F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3FB5F1 shade: #3FB5F1, #9E41F0 and #F0E541

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3FB5F1 shade: #3FB5F1, #F041B6 and #B6F041

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3FB5F1 shade: #3FB5F1, #9E41F0, #F07B41 and #93F041

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3FB5F1 shade: #3FB5F1, #D341F0, #F07B41 and #5EF041

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 25 / 0 / 5

HEX #3FB5F1

RGB 63 181 241

HSL 200.22, 0.86%, 0.6%

LAB 69.79, -13.3, -39.23

 

Complementary color

CMYK 0 / 61 / 93 / 25

HEX #C04A0E

RGB 192 74 14

HSL 20.22, 0.86%, 0.4%

LAB 47.15, 44.99, 53.99

 

CMYK 71 / 23 / 0 / 7

HEX #44B5EC

RGB 68 181 236

HSL 199.64, 0.82%, 0.6%

LAB 69.71, -14.32, -36.64

 

CMYK 67 / 22 / 0 / 0

HEX #55C7FF

RGB 85 199 255

HSL 199.76, 1%, 0.67%

LAB 76.07, -15.34, -36.98

 

CMYK 60 / 15 / 0 / 0

HEX #66D9FF

RGB 102 217 255

HSL 194.9, 1%, 0.7%

LAB 81.66, -21.83, -28.32

 

CMYK 53 / 8 / 0 / 0

HEX #77EBFF

RGB 119 235 255

HSL 188.82, 1%, 0.73%

LAB 87.27, -27.55, -19.74

 

CMYK 47 / 1 / 0 / 0

HEX #88FDFF

RGB 136 253 255

HSL 181.01, 1%, 0.77%

LAB 92.89, -32.62, -11.25

 

CMYK 74 / 25 / 0 / 5

HEX #3FB5F1

RGB 63 181 241

HSL 200.22, 0.86%, 0.6%

LAB 69.79, -13.3, -39.23

 

CMYK 79 / 27 / 0 / 13

HEX #2EA3DE

RGB 46 163 222

HSL 200.11, 0.73%, 0.53%

LAB 63.38, -11.84, -38.85

 

CMYK 86 / 29 / 0 / 20

HEX #1D91CB

RGB 29 145 203

HSL 200, 0.75%, 0.45%

LAB 56.9, -10.01, -38.42

 

CMYK 93 / 31 / 0 / 28

HEX #0C7FB8

RGB 12 127 184

HSL 199.88, 0.88%, 0.38%

LAB 50.36, -7.7, -37.91

 

CMYK 100 / 34 / 0 / 35

HEX #006DA5

RGB 0 109 165

HSL 200.36, 1%, 0.32%

LAB 43.73, -4.83, -37.31

 

CMYK 73 / 25 / 0 / 6

HEX #41B5F0

RGB 65 181 240

HSL 200.23, 0.85%, 0.6%

LAB 69.8, -13.39, -38.67

 

CMYK 73 / 44 / 0 / 6

HEX #4186F0

RGB 65 134 240

HSL 216.34, 0.85%, 0.6%

LAB 56.55, 13.65, -59.62

 

CMYK 73 / 64 / 0 / 6

HEX #4156F0

RGB 65 86 240

HSL 232.8, 0.85%, 0.6%

LAB 44.33, 43.34, -79.43

 

CMYK 63 / 73 / 0 / 6

HEX #5A41F0

RGB 90 65 240

HSL 248.57, 0.85%, 0.6%

LAB 41.6, 57.93, -83.86

 

CMYK 43 / 73 / 0 / 6

HEX #8A41F0

RGB 138 65 240

HSL 265.03, 0.85%, 0.6%

LAB 46.28, 64.65, -76.01

 

CMYK 73 / 25 / 0 / 6

HEX #41B5F0

RGB 65 181 240

HSL 200.23, 0.85%, 0.6%

LAB 69.8, -13.39, -38.67

 

CMYK 73 / 44 / 0 / 6

HEX #4186F0

RGB 65 134 240

HSL 216.34, 0.85%, 0.6%

LAB 56.55, 13.65, -59.62

 

CMYK 73 / 64 / 0 / 6

HEX #4156F0

RGB 65 86 240

HSL 232.8, 0.85%, 0.6%

LAB 44.33, 43.34, -79.43

 

CMYK 73 / 73 / 0 / 6

HEX #4141F0

RGB 65 65 240

HSL 240, 0.85%, 0.6%

LAB 39.91, 55.41, -86.71

 

CMYK 73 / 25 / 0 / 6

HEX #41B5F0

RGB 65 181 240

HSL 200.23, 0.85%, 0.6%

LAB 69.8, -13.39, -38.67

 

CMYK 73 / 25 / 0 / 6

HEX #41B5F0

RGB 65 181 240

HSL 200.23, 0.85%, 0.6%

LAB 69.8, -13.39, -38.67

 

CMYK 64 / 21 / 0 / 12

HEX #51B0E0

RGB 81 176 224

HSL 200.14, 0.7%, 0.6%

LAB 68.15, -13.55, -32.46

 

CMYK 53 / 18 / 0 / 19

HEX #62AACF

RGB 98 170 207

HSL 200.37, 0.53%, 0.6%

LAB 66.41, -12.23, -25.75

 

CMYK 40 / 14 / 0 / 25

HEX #72A5BF

RGB 114 165 191

HSL 200.26, 0.38%, 0.6%

LAB 65.16, -10.16, -18.7

 

CMYK 25 / 8 / 0 / 32

HEX #83A0AE

RGB 131 160 174

HSL 199.53, 0.21%, 0.6%

LAB 64.18, -6.8, -10.58

 

CMYK 73 / 0 / 15 / 6

HEX #41F0CD

RGB 65 240 205

HSL 168, 0.85%, 0.6%

LAB 85.93, -51.52, 4.36

 

CMYK 73 / 5 / 0 / 6

HEX #41E5F0

RGB 65 229 240

HSL 183.77, 0.85%, 0.6%

LAB 83.68, -37.3, -17.4

 

CMYK 73 / 24 / 0 / 6

HEX #41B6F0

RGB 65 182 240

HSL 199.89, 0.85%, 0.6%

LAB 70.09, -13.92, -38.23

 

CMYK 73 / 44 / 0 / 6

HEX #4187F0

RGB 65 135 240

HSL 216, 0.85%, 0.6%

LAB 56.82, 13.04, -59.18

 

CMYK 73 / 63 / 0 / 6

HEX #4158F0

RGB 65 88 240

HSL 232.11, 0.85%, 0.6%

LAB 44.79, 42.13, -78.68

 

CMYK 93 / 31 / 0 / 19

HEX #0F8FCF

RGB 15 143 207

HSL 200, 0.86%, 0.44%

LAB 56.34, -8.19, -41.57

 

CMYK 89 / 30 / 0 / 7

HEX #1AA6ED

RGB 26 166 237

HSL 200.19, 0.85%, 0.52%

LAB 64.65, -9.68, -45.15

 

CMYK 73 / 25 / 0 / 6

HEX #41B5F0

RGB 65 181 240

HSL 200.23, 0.85%, 0.6%

LAB 69.8, -13.39, -38.67

 

CMYK 58 / 19 / 0 / 5

HEX #67C4F3

RGB 103 196 243

HSL 200.14, 0.85%, 0.68%

LAB 75.35, -14.39, -31.6

 

CMYK 42 / 14 / 0 / 4

HEX #8ED3F6

RGB 142 211 246

HSL 200.19, 0.85%, 0.76%

LAB 81.29, -12.82, -23.96

 

CMYK 74 / 25 / 0 / 5

HEX #3FB5F1

RGB 63 181 241

HSL 200.22, 0.86%, 0.6%

LAB 69.79, -13.3, -39.23

 

CMYK 34 / 73 / 0 / 6

HEX #9E41F0

RGB 158 65 240

HSL 271.89, 0.85%, 0.6%

LAB 48.69, 67.99, -71.98

 

CMYK 0 / 5 / 73 / 6

HEX #F0E541

RGB 240 229 65

HSL 56.23, 0.85%, 0.6%

LAB 89.37, -13.86, 76.03

 

CMYK 74 / 25 / 0 / 5

HEX #3FB5F1

RGB 63 181 241

HSL 200.22, 0.86%, 0.6%

LAB 69.79, -13.3, -39.23

 

CMYK 0 / 73 / 24 / 6

HEX #F041B6

RGB 240 65 182

HSL 319.89, 0.85%, 0.6%

LAB 57.74, 75.5, -23.78

 

CMYK 24 / 0 / 73 / 6

HEX #B6F041

RGB 182 240 65

HSL 79.89, 0.85%, 0.6%

LAB 88.28, -42.1, 73.57

 

CMYK 74 / 25 / 0 / 5

HEX #3FB5F1

RGB 63 181 241

HSL 200.22, 0.86%, 0.6%

LAB 69.79, -13.3, -39.23

 

CMYK 34 / 73 / 0 / 6

HEX #9E41F0

RGB 158 65 240

HSL 271.89, 0.85%, 0.6%

LAB 48.69, 67.99, -71.98

 

CMYK 0 / 49 / 73 / 6

HEX #F07B41

RGB 240 123 65

HSL 19.89, 0.85%, 0.6%

LAB 64.22, 40.93, 50.97

 

CMYK 39 / 0 / 73 / 6

HEX #93F041

RGB 147 240 65

HSL 91.89, 0.85%, 0.6%

LAB 86.46, -54.41, 71.17

 

CMYK 74 / 25 / 0 / 5

HEX #3FB5F1

RGB 63 181 241

HSL 200.22, 0.86%, 0.6%

LAB 69.79, -13.3, -39.23

 

CMYK 12 / 73 / 0 / 6

HEX #D341F0

RGB 211 65 240

HSL 290.06, 0.85%, 0.6%

LAB 56.01, 77.82, -59.79

 

CMYK 0 / 49 / 73 / 6

HEX #F07B41

RGB 240 123 65

HSL 19.89, 0.85%, 0.6%

LAB 64.22, 40.93, 50.97

 

CMYK 61 / 0 / 73 / 6

HEX #5EF041

RGB 94 240 65

HSL 110.06, 0.85%, 0.6%

LAB 84.53, -69.11, 68.61

 

Description

Color code: HEX #3FB5F1 | qconv.com Color code: HEX #3FB5F1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 181 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 181 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 25 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 25% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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