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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F97F7 it is the complementary color #C06808. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F97F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F97F7 shade: #4497F2, #55A9FF, #66BBFF, #77CDFF and #88DFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F97F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F97F7 shade: #3F97F7, #2E85E4, #1D73D1, #0C61BE and #004FAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F97F7 shade: #4097F7, #4066F7, #4B40F7, #7C40F7 and #AD40F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F97F7 shade: #4097F7, #4066F7 and #4040F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F97F7 shade matches the following richer shades: #4097F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F97F7 shade: #4097F7, #5098E6, #6098D6, #7099C6 and #809AB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F97F7 shade: #40F7F3, #40C9F7, #4098F7, #4067F7 and #4940F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F97F7 shade: #096DDB, #1882F5, #4097F7, #67ADF8 and #8FC2FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F97F7 shade: #3F97F7, #C340F7 and #E1F740

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F97F7 shade: #3F97F7, #F74098 and #98F740

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F97F7 shade: #3F97F7, #C340F7, #F79E40 and #73F740

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F97F7 shade: #3F97F7, #F740F3, #F79E40 and #40F743

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 39 / 0 / 3

HEX #3F97F7

RGB 63 151 247

HSL 211.3, 0.92%, 0.61%

LAB 61.57, 5.71, -55.46

 

Complementary color

CMYK 0 / 46 / 96 / 25

HEX #C06808

RGB 192 104 8

HSL 31.3, 0.92%, 0.39%

LAB 53.09, 29.81, 59.4

 

CMYK 72 / 38 / 0 / 5

HEX #4497F2

RGB 68 151 242

HSL 211.38, 0.87%, 0.61%

LAB 61.46, 4.57, -52.89

 

CMYK 67 / 34 / 0 / 0

HEX #55A9FF

RGB 85 169 255

HSL 210.35, 1%, 0.67%

LAB 67.67, 1.06, -50.12

 

CMYK 60 / 27 / 0 / 0

HEX #66BBFF

RGB 102 187 255

HSL 206.67, 1%, 0.7%

LAB 73.28, -6.1, -41.28

 

CMYK 53 / 20 / 0 / 0

HEX #77CDFF

RGB 119 205 255

HSL 202.06, 1%, 0.73%

LAB 78.93, -12.42, -32.46

 

CMYK 47 / 13 / 0 / 0

HEX #88DFFF

RGB 136 223 255

HSL 196.13, 1%, 0.77%

LAB 84.6, -18.01, -23.72

 

CMYK 74 / 39 / 0 / 3

HEX #3F97F7

RGB 63 151 247

HSL 211.3, 0.92%, 0.61%

LAB 61.57, 5.71, -55.46

 

CMYK 80 / 42 / 0 / 11

HEX #2E85E4

RGB 46 133 228

HSL 211.32, 0.77%, 0.54%

LAB 55.03, 7.74, -55.41

 

CMYK 86 / 45 / 0 / 18

HEX #1D73D1

RGB 29 115 209

HSL 211.33, 0.76%, 0.47%

LAB 48.42, 10.24, -55.3

 

CMYK 94 / 49 / 0 / 25

HEX #0C61BE

RGB 12 97 190

HSL 211.35, 0.88%, 0.4%

LAB 41.76, 13.33, -55.1

 

CMYK 100 / 54 / 0 / 33

HEX #004FAB

RGB 0 79 171

HSL 212.28, 1%, 0.34%

LAB 35.07, 17.07, -54.76

 

CMYK 74 / 39 / 0 / 3

HEX #4097F7

RGB 64 151 247

HSL 211.48, 0.92%, 0.61%

LAB 61.6, 5.83, -55.42

 

CMYK 74 / 59 / 0 / 3

HEX #4066F7

RGB 64 102 247

HSL 227.54, 0.92%, 0.61%

LAB 48.65, 35.86, -76.3

 

CMYK 70 / 74 / 0 / 3

HEX #4B40F7

RGB 75 64 247

HSL 243.61, 0.92%, 0.61%

LAB 41.02, 58.98, -88.79

 

CMYK 50 / 74 / 0 / 3

HEX #7C40F7

RGB 124 64 247

HSL 259.67, 0.92%, 0.61%

LAB 45.18, 64.73, -81.81

 

CMYK 30 / 74 / 0 / 3

HEX #AD40F7

RGB 173 64 247

HSL 275.74, 0.92%, 0.61%

LAB 51, 72.5, -72.06

 

CMYK 74 / 39 / 0 / 3

HEX #4097F7

RGB 64 151 247

HSL 211.48, 0.92%, 0.61%

LAB 61.6, 5.83, -55.42

 

CMYK 74 / 59 / 0 / 3

HEX #4066F7

RGB 64 102 247

HSL 227.54, 0.92%, 0.61%

LAB 48.65, 35.86, -76.3

 

CMYK 74 / 74 / 0 / 3

HEX #4040F7

RGB 64 64 247

HSL 240, 0.92%, 0.61%

LAB 40.36, 58.05, -89.9

 

CMYK 74 / 39 / 0 / 3

HEX #4097F7

RGB 64 151 247

HSL 211.48, 0.92%, 0.61%

LAB 61.6, 5.83, -55.42

 

CMYK 74 / 39 / 0 / 3

HEX #4097F7

RGB 64 151 247

HSL 211.48, 0.92%, 0.61%

LAB 61.6, 5.83, -55.42

 

CMYK 65 / 34 / 0 / 10

HEX #5098E6

RGB 80 152 230

HSL 211.2, 0.75%, 0.61%

LAB 61.55, 1.66, -46.1

 

CMYK 55 / 29 / 0 / 16

HEX #6098D6

RGB 96 152 214

HSL 211.53, 0.59%, 0.61%

LAB 61.48, -0.52, -37.27

 

CMYK 43 / 23 / 0 / 22

HEX #7099C6

RGB 112 153 198

HSL 211.4, 0.43%, 0.61%

LAB 61.92, -2.1, -27.59

 

CMYK 30 / 15 / 0 / 29

HEX #809AB6

RGB 128 154 182

HSL 211.11, 0.27%, 0.61%

LAB 62.57, -2.45, -17.51

 

CMYK 74 / 0 / 2 / 3

HEX #40F7F3

RGB 64 247 243

HSL 178.69, 0.92%, 0.61%

LAB 88.96, -44.66, -11.06

 

CMYK 74 / 19 / 0 / 3

HEX #40C9F7

RGB 64 201 247

HSL 195.08, 0.92%, 0.61%

LAB 75.81, -21.7, -33.13

 

CMYK 74 / 38 / 0 / 3

HEX #4098F7

RGB 64 152 247

HSL 211.15, 0.92%, 0.61%

LAB 61.88, 5.24, -54.97

 

CMYK 74 / 58 / 0 / 3

HEX #4067F7

RGB 64 103 247

HSL 227.21, 0.92%, 0.61%

LAB 48.89, 35.24, -75.9

 

CMYK 70 / 74 / 0 / 3

HEX #4940F7

RGB 73 64 247

HSL 242.95, 0.92%, 0.61%

LAB 40.89, 58.8, -89.01

 

CMYK 96 / 50 / 0 / 14

HEX #096DDB

RGB 9 109 219

HSL 211.43, 0.92%, 0.45%

LAB 47.12, 17.01, -63.1

 

CMYK 90 / 47 / 0 / 4

HEX #1882F5

RGB 24 130 245

HSL 211.22, 0.92%, 0.53%

LAB 54.82, 14.44, -65.23

 

CMYK 74 / 39 / 0 / 3

HEX #4097F7

RGB 64 151 247

HSL 211.48, 0.92%, 0.61%

LAB 61.6, 5.83, -55.42

 

CMYK 58 / 30 / 0 / 3

HEX #67ADF8

RGB 103 173 248

HSL 211.03, 0.91%, 0.69%

LAB 69.15, -0.35, -43.95

 

CMYK 43 / 22 / 0 / 2

HEX #8FC2FA

RGB 143 194 250

HSL 211.4, 0.91%, 0.77%

LAB 76.88, -2.5, -32.86

 

CMYK 74 / 39 / 0 / 3

HEX #3F97F7

RGB 63 151 247

HSL 211.3, 0.92%, 0.61%

LAB 61.57, 5.71, -55.46

 

CMYK 21 / 74 / 0 / 3

HEX #C340F7

RGB 195 64 247

HSL 282.95, 0.92%, 0.61%

LAB 54.01, 76.41, -67.04

 

CMYK 9 / 0 / 74 / 3

HEX #E1F740

RGB 225 247 64

HSL 67.21, 0.92%, 0.61%

LAB 92.97, -28.65, 79.32

 

CMYK 74 / 39 / 0 / 3

HEX #3F97F7

RGB 63 151 247

HSL 211.3, 0.92%, 0.61%

LAB 61.57, 5.71, -55.46

 

CMYK 0 / 74 / 38 / 3

HEX #F74098

RGB 247 64 152

HSL 331.15, 0.92%, 0.61%

LAB 57.76, 74.24, -6.15

 

CMYK 38 / 0 / 74 / 3

HEX #98F740

RGB 152 247 64

HSL 91.15, 0.92%, 0.61%

LAB 88.72, -55.6, 73.78

 

CMYK 74 / 39 / 0 / 3

HEX #3F97F7

RGB 63 151 247

HSL 211.3, 0.92%, 0.61%

LAB 61.57, 5.71, -55.46

 

CMYK 21 / 74 / 0 / 3

HEX #C340F7

RGB 195 64 247

HSL 282.95, 0.92%, 0.61%

LAB 54.01, 76.41, -67.04

 

CMYK 0 / 36 / 74 / 3

HEX #F79E40

RGB 247 158 64

HSL 30.82, 0.92%, 0.61%

LAB 72.63, 25.64, 60.38

 

CMYK 53 / 0 / 74 / 3

HEX #73F740

RGB 115 247 64

HSL 103.28, 0.92%, 0.61%

LAB 87.26, -66.51, 71.86

 

CMYK 74 / 39 / 0 / 3

HEX #3F97F7

RGB 63 151 247

HSL 211.3, 0.92%, 0.61%

LAB 61.57, 5.71, -55.46

 

CMYK 0 / 74 / 2 / 3

HEX #F740F3

RGB 247 64 243

HSL 301.31, 0.92%, 0.61%

LAB 61.58, 85.7, -52.26

 

CMYK 0 / 36 / 74 / 3

HEX #F79E40

RGB 247 158 64

HSL 30.82, 0.92%, 0.61%

LAB 72.63, 25.64, 60.38

 

CMYK 74 / 0 / 73 / 3

HEX #40F743

RGB 64 247 67

HSL 120.98, 0.92%, 0.61%

LAB 86.01, -76.66, 69.21

 

Description

Color code: HEX #3F97F7 | qconv.com Color code: HEX #3F97F7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 151 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 151 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 39 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 39% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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