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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F948F it is the complementary color #C06B70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F948F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F948F shade: #44948A, #55A69D, #66B8B0, #77CAC3 and #88DCD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F948F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F948F shade: #3F948F, #2E827C, #1D7069, #0C5E56 and #004C43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F948F shade: #3E928D, #3E9276, #3E9260, #3E9249 and #4A923E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F948F shade: #3E928D, #3E8092, #3E6A92, #3E5392 and #3E3E92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F948F shade matches the following richer shades: #3E928D, #2DA39C, #1CB4AB and #0BC5BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F948F shade: #3E928D, #4F817E, #60706F, #715F60 and #824E51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F948F shade: #3E9260, #3E9276, #3E928C, #3E8192 and #3E6B92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F948F shade: #255855, #327571, #3E928D, #4BAFA9 and #66BDB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F948F shade: #3F948F, #493E92 and #926B3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F948F shade: #3F948F, #8C3E92 and #928C3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F948F shade: #3F948F, #493E92, #923E44 and #87923E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F948F shade: #3F948F, #623E92, #923E44 and #6E923E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 3 / 42

HEX #3F948F

RGB 63 148 143

HSL 176.47, 0.4%, 0.41%

LAB 56.31, -26.69, -5.09

 

Complementary color

CMYK 0 / 44 / 42 / 25

HEX #C06B70

RGB 192 107 112

HSL 356.47, 0.4%, 0.59%

LAB 54.96, 34.27, 12.23

 

CMYK 54 / 0 / 7 / 42

HEX #44948A

RGB 68 148 138

HSL 172.5, 0.37%, 0.42%

LAB 56.33, -26.99, -2.17

 

CMYK 49 / 0 / 5 / 35

HEX #55A69D

RGB 85 166 157

HSL 173.33, 0.32%, 0.49%

LAB 63.04, -27.02, -2.99

 

CMYK 45 / 0 / 4 / 28

HEX #66B8B0

RGB 102 184 176

HSL 174.15, 0.37%, 0.56%

LAB 69.64, -26.99, -3.75

 

CMYK 41 / 0 / 3 / 21

HEX #77CAC3

RGB 119 202 195

HSL 174.94, 0.44%, 0.63%

LAB 76.13, -26.92, -4.45

 

CMYK 38 / 0 / 3 / 14

HEX #88DCD6

RGB 136 220 214

HSL 175.71, 0.55%, 0.7%

LAB 82.53, -26.83, -5.11

 

CMYK 57 / 0 / 3 / 42

HEX #3F948F

RGB 63 148 143

HSL 176.47, 0.4%, 0.41%

LAB 56.31, -26.69, -5.09

 

CMYK 65 / 0 / 5 / 49

HEX #2E827C

RGB 46 130 124

HSL 175.71, 0.48%, 0.35%

LAB 49.5, -26.38, -4.2

 

CMYK 74 / 0 / 6 / 56

HEX #1D7069

RGB 29 112 105

HSL 174.94, 0.59%, 0.28%

LAB 42.57, -25.81, -3.19

 

CMYK 87 / 0 / 9 / 63

HEX #0C5E56

RGB 12 94 86

HSL 174.15, 0.77%, 0.21%

LAB 35.51, -24.79, -1.98

 

CMYK 100 / 0 / 12 / 70

HEX #004C43

RGB 0 76 67

HSL 172.89, 1%, 0.15%

LAB 28.31, -23.12, -0.53

 

CMYK 58 / 0 / 3 / 43

HEX #3E928D

RGB 62 146 141

HSL 176.43, 0.4%, 0.41%

LAB 55.59, -26.46, -5.01

 

CMYK 58 / 0 / 19 / 43

HEX #3E9276

RGB 62 146 118

HSL 160, 0.4%, 0.41%

LAB 54.96, -32.48, 7.27

 

CMYK 58 / 0 / 34 / 43

HEX #3E9260

RGB 62 146 96

HSL 144.29, 0.4%, 0.41%

LAB 54.48, -37.37, 19.06

 

CMYK 58 / 0 / 50 / 43

HEX #3E9249

RGB 62 146 73

HSL 127.86, 0.4%, 0.41%

LAB 54.09, -41.46, 31.06

 

CMYK 49 / 0 / 58 / 43

HEX #4A923E

RGB 74 146 62

HSL 111.43, 0.4%, 0.41%

LAB 54.41, -39.6, 37.15

 

CMYK 58 / 0 / 3 / 43

HEX #3E928D

RGB 62 146 141

HSL 176.43, 0.4%, 0.41%

LAB 55.59, -26.46, -5.01

 

CMYK 58 / 12 / 0 / 43

HEX #3E8092

RGB 62 128 146

HSL 192.86, 0.4%, 0.41%

LAB 50.14, -15.53, -16.09

 

CMYK 58 / 27 / 0 / 43

HEX #3E6A92

RGB 62 106 146

HSL 208.57, 0.4%, 0.41%

LAB 43.37, -2.81, -26.51

 

CMYK 58 / 43 / 0 / 43

HEX #3E5392

RGB 62 83 146

HSL 225, 0.4%, 0.41%

LAB 36.53, 11.72, -37.29

 

CMYK 58 / 58 / 0 / 43

HEX #3E3E92

RGB 62 62 146

HSL 240, 0.4%, 0.41%

LAB 30.75, 25.53, -46.57

 

CMYK 58 / 0 / 3 / 43

HEX #3E928D

RGB 62 146 141

HSL 176.43, 0.4%, 0.41%

LAB 55.59, -26.46, -5.01

 

CMYK 72 / 0 / 4 / 36

HEX #2DA39C

RGB 45 163 156

HSL 176.44, 0.57%, 0.41%

LAB 60.92, -33.25, -5.7

 

CMYK 84 / 0 / 5 / 29

HEX #1CB4AB

RGB 28 180 171

HSL 176.45, 0.73%, 0.41%

LAB 66.39, -38.44, -6

 

CMYK 94 / 0 / 6 / 23

HEX #0BC5BA

RGB 11 197 186

HSL 176.45, 0.89%, 0.41%

LAB 71.93, -42.51, -6.06

 

CMYK 58 / 0 / 3 / 43

HEX #3E928D

RGB 62 146 141

HSL 176.43, 0.4%, 0.41%

LAB 55.59, -26.46, -5.01

 

CMYK 39 / 0 / 2 / 49

HEX #4F817E

RGB 79 129 126

HSL 176.4, 0.24%, 0.41%

LAB 50.53, -17.54, -3.7

 

CMYK 14 / 0 / 1 / 56

HEX #60706F

RGB 96 112 111

HSL 176.25, 0.08%, 0.41%

LAB 45.94, -6.18, -1.46

 

CMYK 0 / 16 / 15 / 56

HEX #715F60

RGB 113 95 96

HSL 356.67, 0.09%, 0.41%

LAB 42.06, 7.44, 2.13

 

CMYK 0 / 40 / 38 / 49

HEX #824E51

RGB 130 78 81

HSL 356.54, 0.25%, 0.41%

LAB 39.22, 22.3, 7.58

 

CMYK 58 / 0 / 34 / 43

HEX #3E9260

RGB 62 146 96

HSL 144.29, 0.4%, 0.41%

LAB 54.48, -37.37, 19.06

 

CMYK 58 / 0 / 19 / 43

HEX #3E9276

RGB 62 146 118

HSL 160, 0.4%, 0.41%

LAB 54.96, -32.48, 7.27

 

CMYK 58 / 0 / 4 / 43

HEX #3E928C

RGB 62 146 140

HSL 175.71, 0.4%, 0.41%

LAB 55.56, -26.73, -4.48

 

CMYK 58 / 12 / 0 / 43

HEX #3E8192

RGB 62 129 146

HSL 192.14, 0.4%, 0.41%

LAB 50.45, -16.08, -15.61

 

CMYK 58 / 27 / 0 / 43

HEX #3E6B92

RGB 62 107 146

HSL 207.86, 0.4%, 0.41%

LAB 43.68, -3.41, -26.04

 

CMYK 58 / 0 / 3 / 65

HEX #255855

RGB 37 88 85

HSL 176.47, 0.41%, 0.25%

LAB 34.04, -17.81, -3.45

 

CMYK 57 / 0 / 3 / 54

HEX #327571

RGB 50 117 113

HSL 176.42, 0.4%, 0.33%

LAB 45.07, -22.13, -4.22

 

CMYK 58 / 0 / 3 / 43

HEX #3E928D

RGB 62 146 141

HSL 176.43, 0.4%, 0.41%

LAB 55.59, -26.46, -5.01

 

CMYK 57 / 0 / 3 / 31

HEX #4BAFA9

RGB 75 175 169

HSL 176.4, 0.4%, 0.49%

LAB 65.76, -30.4, -5.71

 

CMYK 46 / 0 / 3 / 26

HEX #66BDB8

RGB 102 189 184

HSL 176.55, 0.4%, 0.57%

LAB 71.34, -27.43, -5.63

 

CMYK 57 / 0 / 3 / 42

HEX #3F948F

RGB 63 148 143

HSL 176.47, 0.4%, 0.41%

LAB 56.31, -26.69, -5.09

 

CMYK 50 / 58 / 0 / 43

HEX #493E92

RGB 73 62 146

HSL 247.86, 0.4%, 0.41%

LAB 31.66, 27.88, -45.04

 

CMYK 0 / 27 / 58 / 43

HEX #926B3E

RGB 146 107 62

HSL 32.14, 0.4%, 0.41%

LAB 48.23, 10.19, 31.05

 

CMYK 57 / 0 / 3 / 42

HEX #3F948F

RGB 63 148 143

HSL 176.47, 0.4%, 0.41%

LAB 56.31, -26.69, -5.09

 

CMYK 4 / 58 / 0 / 43

HEX #8C3E92

RGB 140 62 146

HSL 295.71, 0.4%, 0.41%

LAB 39.74, 45.4, -31.68

 

CMYK 0 / 4 / 58 / 43

HEX #928C3E

RGB 146 140 62

HSL 55.71, 0.4%, 0.41%

LAB 57.28, -8.41, 41.69

 

CMYK 57 / 0 / 3 / 42

HEX #3F948F

RGB 63 148 143

HSL 176.47, 0.4%, 0.41%

LAB 56.31, -26.69, -5.09

 

CMYK 50 / 58 / 0 / 43

HEX #493E92

RGB 73 62 146

HSL 247.86, 0.4%, 0.41%

LAB 31.66, 27.88, -45.04

 

CMYK 0 / 58 / 53 / 43

HEX #923E44

RGB 146 62 68

HSL 355.71, 0.4%, 0.41%

LAB 37.8, 36.03, 14.09

 

CMYK 8 / 0 / 58 / 43

HEX #87923E

RGB 135 146 62

HSL 67.86, 0.4%, 0.41%

LAB 58.09, -16.41, 42.36

 

CMYK 57 / 0 / 3 / 42

HEX #3F948F

RGB 63 148 143

HSL 176.47, 0.4%, 0.41%

LAB 56.31, -26.69, -5.09

 

CMYK 33 / 58 / 0 / 43

HEX #623E92

RGB 98 62 146

HSL 265.71, 0.4%, 0.41%

LAB 34.23, 33.98, -40.79

 

CMYK 0 / 58 / 53 / 43

HEX #923E44

RGB 146 62 68

HSL 355.71, 0.4%, 0.41%

LAB 37.8, 36.03, 14.09

 

CMYK 25 / 0 / 58 / 43

HEX #6E923E

RGB 110 146 62

HSL 85.71, 0.4%, 0.41%

LAB 56.31, -26.8, 39.85

 

Description

Color code: HEX #3F948F | qconv.com Color code: HEX #3F948F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 148 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 148 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 3 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 3% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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