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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F9458 it is the complementary color #C06BA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F9458. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F9458 shade: #449453, #55A666, #66B879, #77CA8C and #88DC9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F9458. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F9458 shade: #3F9458, #2E8245, #1D7032, #0C5E1F and #004C0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F9458 shade: #3E9257, #3E9240, #53923E, #69923E and #80923E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F9458 shade: #3E9257, #3E926D, #3E9284, #3E8992 and #3E7392

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F9458 shade matches the following richer shades: #3E9257, #2DA350, #1CB449 and #0BC542

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F9458 shade: #3E9257, #4F815E, #607065, #715F6C and #824E73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F9458 shade: #53923E, #3E9240, #3E9256, #3E926C and #3E9283

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F9458 shade: #255834, #327546, #3E9257, #4BAF68 and #66BD7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F9458 shade: #3F9458, #3E6992 and #923E48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F9458 shade: #3F9458, #563E92 and #92563E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F9458 shade: #3F9458, #3E6992, #923E7A and #92673E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F9458 shade: #3F9458, #3E5092, #923E7A and #92803E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 41 / 42

HEX #3F9458

RGB 63 148 88

HSL 137.65, 0.4%, 0.41%

LAB 55.01, -39.53, 24.2

 

Complementary color

CMYK 0 / 44 / 13 / 25

HEX #C06BA7

RGB 192 107 167

HSL 317.65, 0.4%, 0.59%

LAB 56.6, 41.92, -17.47

 

CMYK 54 / 0 / 44 / 42

HEX #449453

RGB 68 148 83

HSL 131.25, 0.37%, 0.42%

LAB 55.11, -39.11, 27.07

 

CMYK 49 / 0 / 39 / 35

HEX #55A666

RGB 85 166 102

HSL 132.59, 0.32%, 0.49%

LAB 61.79, -39.02, 25.7

 

CMYK 45 / 0 / 34 / 28

HEX #66B879

RGB 102 184 121

HSL 133.9, 0.37%, 0.56%

LAB 68.38, -38.83, 24.42

 

CMYK 41 / 0 / 31 / 21

HEX #77CA8C

RGB 119 202 140

HSL 135.18, 0.44%, 0.63%

LAB 74.86, -38.59, 23.24

 

CMYK 38 / 0 / 28 / 14

HEX #88DC9F

RGB 136 220 159

HSL 136.43, 0.55%, 0.7%

LAB 81.25, -38.33, 22.13

 

CMYK 57 / 0 / 41 / 42

HEX #3F9458

RGB 63 148 88

HSL 137.65, 0.4%, 0.41%

LAB 55.01, -39.53, 24.2

 

CMYK 65 / 0 / 47 / 49

HEX #2E8245

RGB 46 130 69

HSL 136.43, 0.48%, 0.35%

LAB 48.23, -39.37, 25.7

 

CMYK 74 / 0 / 55 / 56

HEX #1D7032

RGB 29 112 50

HSL 135.18, 0.59%, 0.28%

LAB 41.34, -38.82, 27.31

 

CMYK 87 / 0 / 67 / 63

HEX #0C5E1F

RGB 12 94 31

HSL 133.9, 0.77%, 0.21%

LAB 34.36, -37.52, 28.91

 

CMYK 100 / 0 / 84 / 70

HEX #004C0C

RGB 0 76 12

HSL 129.47, 1%, 0.15%

LAB 27.28, -34.94, 29.99

 

CMYK 58 / 0 / 40 / 43

HEX #3E9257

RGB 62 146 87

HSL 137.86, 0.4%, 0.41%

LAB 54.31, -39.1, 23.82

 

CMYK 58 / 0 / 56 / 43

HEX #3E9240

RGB 62 146 64

HSL 121.43, 0.4%, 0.41%

LAB 53.98, -42.75, 35.53

 

CMYK 43 / 0 / 58 / 43

HEX #53923E

RGB 83 146 62

HSL 105, 0.4%, 0.41%

LAB 54.81, -36.72, 37.72

 

CMYK 28 / 0 / 58 / 43

HEX #69923E

RGB 105 146 62

HSL 89.29, 0.4%, 0.41%

LAB 56, -28.76, 39.41

 

CMYK 12 / 0 / 58 / 43

HEX #80923E

RGB 128 146 62

HSL 72.86, 0.4%, 0.41%

LAB 57.55, -19.4, 41.6

 

CMYK 58 / 0 / 40 / 43

HEX #3E9257

RGB 62 146 87

HSL 137.86, 0.4%, 0.41%

LAB 54.31, -39.1, 23.82

 

CMYK 58 / 0 / 25 / 43

HEX #3E926D

RGB 62 146 109

HSL 153.57, 0.4%, 0.41%

LAB 54.75, -34.59, 12.1

 

CMYK 58 / 0 / 10 / 43

HEX #3E9284

RGB 62 146 132

HSL 170, 0.4%, 0.41%

LAB 55.33, -28.91, -0.22

 

CMYK 58 / 6 / 0 / 43

HEX #3E8992

RGB 62 137 146

HSL 186.43, 0.4%, 0.41%

LAB 52.94, -20.38, -11.85

 

CMYK 58 / 21 / 0 / 43

HEX #3E7392

RGB 62 115 146

HSL 202.14, 0.4%, 0.41%

LAB 46.12, -8.16, -22.24

 

CMYK 58 / 0 / 40 / 43

HEX #3E9257

RGB 62 146 87

HSL 137.86, 0.4%, 0.41%

LAB 54.31, -39.1, 23.82

 

CMYK 72 / 0 / 51 / 36

HEX #2DA350

RGB 45 163 80

HSL 137.8, 0.57%, 0.41%

LAB 59.28, -50.57, 33.79

 

CMYK 84 / 0 / 59 / 29

HEX #1CB449

RGB 28 180 73

HSL 137.76, 0.73%, 0.41%

LAB 64.46, -59.66, 43.38

 

CMYK 94 / 0 / 66 / 23

HEX #0BC542

RGB 11 197 66

HSL 137.74, 0.89%, 0.41%

LAB 69.75, -66.93, 52.39

 

CMYK 58 / 0 / 40 / 43

HEX #3E9257

RGB 62 146 87

HSL 137.86, 0.4%, 0.41%

LAB 54.31, -39.1, 23.82

 

CMYK 39 / 0 / 27 / 49

HEX #4F815E

RGB 79 129 94

HSL 138, 0.24%, 0.41%

LAB 49.7, -24.96, 13.78

 

CMYK 14 / 0 / 10 / 56

HEX #607065

RGB 96 112 101

HSL 138.75, 0.08%, 0.41%

LAB 45.65, -8.35, 4.11

 

CMYK 0 / 16 / 4 / 56

HEX #715F6C

RGB 113 95 108

HSL 316.67, 0.09%, 0.41%

LAB 42.43, 9.74, -4.66

 

CMYK 0 / 40 / 12 / 49

HEX #824E73

RGB 130 78 115

HSL 317.31, 0.25%, 0.41%

LAB 40.3, 27.68, -11.95

 

CMYK 43 / 0 / 58 / 43

HEX #53923E

RGB 83 146 62

HSL 105, 0.4%, 0.41%

LAB 54.81, -36.72, 37.72

 

CMYK 58 / 0 / 56 / 43

HEX #3E9240

RGB 62 146 64

HSL 121.43, 0.4%, 0.41%

LAB 53.98, -42.75, 35.53

 

CMYK 58 / 0 / 41 / 43

HEX #3E9256

RGB 62 146 86

HSL 137.14, 0.4%, 0.41%

LAB 54.3, -39.28, 24.35

 

CMYK 58 / 0 / 26 / 43

HEX #3E926C

RGB 62 146 108

HSL 152.86, 0.4%, 0.41%

LAB 54.73, -34.82, 12.64

 

CMYK 58 / 0 / 10 / 43

HEX #3E9283

RGB 62 146 131

HSL 169.29, 0.4%, 0.41%

LAB 55.3, -29.18, 0.31

 

CMYK 58 / 0 / 41 / 65

HEX #255834

RGB 37 88 52

HSL 137.65, 0.41%, 0.25%

LAB 33.18, -26.24, 15.84

 

CMYK 57 / 0 / 40 / 54

HEX #327546

RGB 50 117 70

HSL 137.91, 0.4%, 0.33%

LAB 44.01, -32.61, 19.68

 

CMYK 58 / 0 / 40 / 43

HEX #3E9257

RGB 62 146 87

HSL 137.86, 0.4%, 0.41%

LAB 54.31, -39.1, 23.82

 

CMYK 57 / 0 / 41 / 31

HEX #4BAF68

RGB 75 175 104

HSL 137.4, 0.4%, 0.49%

LAB 64.29, -45.09, 27.84

 

CMYK 46 / 0 / 33 / 26

HEX #66BD7F

RGB 102 189 127

HSL 137.24, 0.4%, 0.57%

LAB 70, -39.97, 23.42

 

CMYK 57 / 0 / 41 / 42

HEX #3F9458

RGB 63 148 88

HSL 137.65, 0.4%, 0.41%

LAB 55.01, -39.53, 24.2

 

CMYK 58 / 28 / 0 / 43

HEX #3E6992

RGB 62 105 146

HSL 209.29, 0.4%, 0.41%

LAB 43.07, -2.2, -26.98

 

CMYK 0 / 58 / 51 / 43

HEX #923E48

RGB 146 62 72

HSL 352.86, 0.4%, 0.41%

LAB 37.89, 36.4, 11.7

 

CMYK 57 / 0 / 41 / 42

HEX #3F9458

RGB 63 148 88

HSL 137.65, 0.4%, 0.41%

LAB 55.01, -39.53, 24.2

 

CMYK 41 / 58 / 0 / 43

HEX #563E92

RGB 86 62 146

HSL 257.14, 0.4%, 0.41%

LAB 32.92, 30.94, -42.96

 

CMYK 0 / 41 / 58 / 43

HEX #92563E

RGB 146 86 62

HSL 17.14, 0.4%, 0.41%

LAB 42.94, 22.34, 24.49

 

CMYK 57 / 0 / 41 / 42

HEX #3F9458

RGB 63 148 88

HSL 137.65, 0.4%, 0.41%

LAB 55.01, -39.53, 24.2

 

CMYK 58 / 28 / 0 / 43

HEX #3E6992

RGB 62 105 146

HSL 209.29, 0.4%, 0.41%

LAB 43.07, -2.2, -26.98

 

CMYK 0 / 58 / 16 / 43

HEX #923E7A

RGB 146 62 122

HSL 317.14, 0.4%, 0.41%

LAB 39.52, 42.92, -17.26

 

CMYK 0 / 29 / 58 / 43

HEX #92673E

RGB 146 103 62

HSL 29.29, 0.4%, 0.41%

LAB 47.18, 12.51, 29.78

 

CMYK 57 / 0 / 41 / 42

HEX #3F9458

RGB 63 148 88

HSL 137.65, 0.4%, 0.41%

LAB 55.01, -39.53, 24.2

 

CMYK 58 / 45 / 0 / 43

HEX #3E5092

RGB 62 80 146

HSL 227.14, 0.4%, 0.41%

LAB 35.67, 13.68, -38.66

 

CMYK 0 / 58 / 16 / 43

HEX #923E7A

RGB 146 62 122

HSL 317.14, 0.4%, 0.41%

LAB 39.52, 42.92, -17.26

 

CMYK 0 / 12 / 58 / 43

HEX #92803E

RGB 146 128 62

HSL 47.14, 0.4%, 0.41%

LAB 53.92, -1.8, 37.82

 

Description

Color code: HEX #3F9458 | qconv.com Color code: HEX #3F9458 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 148 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 148 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 41 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 41% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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