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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F9446 it is the complementary color #C06BB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F9446. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F9446 shade: #449441, #55A654, #66B867, #77CA7A and #88DC8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F9446. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F9446 shade: #3F9446, #2E8233, #1D7020, #0C5E0D and #004C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F9446 shade: #3E9245, #4E923E, #64923E, #7B923E and #92923E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F9446 shade: #3E9245, #3E925C, #3E9272, #3E9289 and #3E8492

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F9446 shade matches the following richer shades: #3E9245, #2DA337, #1CB429 and #0BC51B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F9446 shade: #3E9245, #4F8153, #607061, #715F70 and #824E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F9446 shade: #65923E, #4F923E, #3E9244, #3E925A and #3E9270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F9446 shade: #25582A, #327537, #3E9245, #4BAF53 and #66BD6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F9446 shade: #3F9446, #3E7C92 and #923E5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F9446 shade: #3F9446, #443E92 and #92443E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F9446 shade: #3F9446, #3E7C92, #923E8C and #92553E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F9446 shade: #3F9446, #3E6292, #923E8C and #926E3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 53 / 42

HEX #3F9446

RGB 63 148 70

HSL 124.94, 0.4%, 0.41%

LAB 54.74, -42.47, 33.42

 

Complementary color

CMYK 0 / 44 / 4 / 25

HEX #C06BB9

RGB 192 107 185

HSL 304.94, 0.4%, 0.59%

LAB 57.29, 45.01, -26.77

 

CMYK 54 / 0 / 56 / 42

HEX #449441

RGB 68 148 65

HSL 117.83, 0.39%, 0.42%

LAB 54.86, -41.81, 36.14

 

CMYK 49 / 0 / 49 / 35

HEX #55A654

RGB 85 166 84

HSL 119.27, 0.33%, 0.49%

LAB 61.52, -41.87, 34.8

 

CMYK 45 / 0 / 44 / 28

HEX #66B867

RGB 102 184 103

HSL 120.73, 0.37%, 0.56%

LAB 68.08, -41.78, 33.48

 

CMYK 41 / 0 / 40 / 21

HEX #77CA7A

RGB 119 202 122

HSL 122.17, 0.44%, 0.63%

LAB 74.55, -41.6, 32.21

 

CMYK 38 / 0 / 36 / 14

HEX #88DC8D

RGB 136 220 141

HSL 123.57, 0.55%, 0.7%

LAB 80.93, -41.38, 31

 

CMYK 57 / 0 / 53 / 42

HEX #3F9446

RGB 63 148 70

HSL 124.94, 0.4%, 0.41%

LAB 54.74, -42.47, 33.42

 

CMYK 65 / 0 / 61 / 49

HEX #2E8233

RGB 46 130 51

HSL 123.57, 0.48%, 0.35%

LAB 47.99, -42.1, 34.81

 

CMYK 74 / 0 / 71 / 56

HEX #1D7020

RGB 29 112 32

HSL 122.17, 0.59%, 0.28%

LAB 41.14, -41.19, 35.99

 

CMYK 87 / 0 / 86 / 63

HEX #0C5E0D

RGB 12 94 13

HSL 120.73, 0.77%, 0.21%

LAB 34.22, -39.3, 36.36

 

CMYK 100 / 0 / 100 / 70

HEX #004C00

RGB 0 76 0

HSL 120, 1%, 0.15%

LAB 27.21, -35.9, 34.59

 

CMYK 58 / 0 / 53 / 43

HEX #3E9245

RGB 62 146 69

HSL 125, 0.4%, 0.41%

LAB 54.04, -42.05, 33.07

 

CMYK 47 / 0 / 58 / 43

HEX #4E923E

RGB 78 146 62

HSL 108.57, 0.4%, 0.41%

LAB 54.58, -38.35, 37.4

 

CMYK 32 / 0 / 58 / 43

HEX #64923E

RGB 100 146 62

HSL 92.86, 0.4%, 0.41%

LAB 55.7, -30.67, 38.99

 

CMYK 16 / 0 / 58 / 43

HEX #7B923E

RGB 123 146 62

HSL 76.43, 0.4%, 0.41%

LAB 57.19, -21.5, 41.09

 

CMYK 0 / 0 / 58 / 43

HEX #92923E

RGB 146 146 62

HSL 60, 0.4%, 0.41%

LAB 58.99, -11.64, 43.62

 

CMYK 58 / 0 / 53 / 43

HEX #3E9245

RGB 62 146 69

HSL 125, 0.4%, 0.41%

LAB 54.04, -42.05, 33.07

 

CMYK 58 / 0 / 37 / 43

HEX #3E925C

RGB 62 146 92

HSL 141.43, 0.4%, 0.41%

LAB 54.4, -38.16, 21.18

 

CMYK 58 / 0 / 22 / 43

HEX #3E9272

RGB 62 146 114

HSL 157.14, 0.4%, 0.41%

LAB 54.86, -33.43, 9.42

 

CMYK 58 / 0 / 6 / 43

HEX #3E9289

RGB 62 146 137

HSL 173.57, 0.4%, 0.41%

LAB 55.47, -27.56, -2.89

 

CMYK 58 / 10 / 0 / 43

HEX #3E8492

RGB 62 132 146

HSL 190, 0.4%, 0.41%

LAB 51.38, -17.71, -14.2

 

CMYK 58 / 0 / 53 / 43

HEX #3E9245

RGB 62 146 69

HSL 125, 0.4%, 0.41%

LAB 54.04, -42.05, 33.07

 

CMYK 72 / 0 / 66 / 36

HEX #2DA337

RGB 45 163 55

HSL 125.08, 0.57%, 0.41%

LAB 59, -53.86, 45.38

 

CMYK 84 / 0 / 77 / 29

HEX #1CB429

RGB 28 180 41

HSL 125.13, 0.73%, 0.41%

LAB 64.2, -62.88, 56.04

 

CMYK 94 / 0 / 86 / 23

HEX #0BC51B

RGB 11 197 27

HSL 125.16, 0.89%, 0.41%

LAB 69.53, -69.77, 64.74

 

CMYK 58 / 0 / 53 / 43

HEX #3E9245

RGB 62 146 69

HSL 125, 0.4%, 0.41%

LAB 54.04, -42.05, 33.07

 

CMYK 39 / 0 / 36 / 49

HEX #4F8153

RGB 79 129 83

HSL 124.8, 0.24%, 0.41%

LAB 49.48, -27.06, 19.78

 

CMYK 14 / 0 / 13 / 56

HEX #607061

RGB 96 112 97

HSL 123.75, 0.08%, 0.41%

LAB 45.55, -9.17, 6.34

 

CMYK 0 / 16 / 1 / 56

HEX #715F70

RGB 113 95 112

HSL 303.33, 0.09%, 0.41%

LAB 42.56, 10.56, -6.91

 

CMYK 0 / 40 / 3 / 49

HEX #824E7E

RGB 130 78 126

HSL 304.62, 0.25%, 0.41%

LAB 40.74, 29.76, -18.04

 

CMYK 31 / 0 / 58 / 43

HEX #65923E

RGB 101 146 62

HSL 92.14, 0.4%, 0.41%

LAB 55.76, -30.29, 39.07

 

CMYK 46 / 0 / 58 / 43

HEX #4F923E

RGB 79 146 62

HSL 107.86, 0.4%, 0.41%

LAB 54.62, -38.03, 37.46

 

CMYK 58 / 0 / 53 / 43

HEX #3E9244

RGB 62 146 68

HSL 124.29, 0.4%, 0.41%

LAB 54.03, -42.2, 33.57

 

CMYK 58 / 0 / 38 / 43

HEX #3E925A

RGB 62 146 90

HSL 140, 0.4%, 0.41%

LAB 54.36, -38.54, 22.24

 

CMYK 58 / 0 / 23 / 43

HEX #3E9270

RGB 62 146 112

HSL 155.71, 0.4%, 0.41%

LAB 54.82, -33.9, 10.49

 

CMYK 58 / 0 / 52 / 65

HEX #25582A

RGB 37 88 42

HSL 125.88, 0.41%, 0.25%

LAB 33.01, -28.09, 21.51

 

CMYK 57 / 0 / 53 / 54

HEX #327537

RGB 50 117 55

HSL 124.48, 0.4%, 0.33%

LAB 43.77, -35.19, 27.73

 

CMYK 58 / 0 / 53 / 43

HEX #3E9245

RGB 62 146 69

HSL 125, 0.4%, 0.41%

LAB 54.04, -42.05, 33.07

 

CMYK 57 / 0 / 53 / 31

HEX #4BAF53

RGB 75 175 83

HSL 124.8, 0.4%, 0.49%

LAB 63.98, -48.39, 38.25

 

CMYK 46 / 0 / 42 / 26

HEX #66BD6D

RGB 102 189 109

HSL 124.83, 0.4%, 0.57%

LAB 69.7, -43.01, 32.47

 

CMYK 57 / 0 / 53 / 42

HEX #3F9446

RGB 63 148 70

HSL 124.94, 0.4%, 0.41%

LAB 54.74, -42.47, 33.42

 

CMYK 58 / 15 / 0 / 43

HEX #3E7C92

RGB 62 124 146

HSL 195.71, 0.4%, 0.41%

LAB 48.9, -13.31, -17.98

 

CMYK 0 / 58 / 38 / 43

HEX #923E5A

RGB 146 62 90

HSL 340, 0.4%, 0.41%

LAB 38.37, 38.38, 1.02

 

CMYK 57 / 0 / 53 / 42

HEX #3F9446

RGB 63 148 70

HSL 124.94, 0.4%, 0.41%

LAB 54.74, -42.47, 33.42

 

CMYK 53 / 58 / 0 / 43

HEX #443E92

RGB 68 62 146

HSL 244.29, 0.4%, 0.41%

LAB 31.23, 26.78, -45.76

 

CMYK 0 / 53 / 58 / 43

HEX #92443E

RGB 146 68 62

HSL 4.29, 0.4%, 0.41%

LAB 38.89, 32.36, 19.28

 

CMYK 57 / 0 / 53 / 42

HEX #3F9446

RGB 63 148 70

HSL 124.94, 0.4%, 0.41%

LAB 54.74, -42.47, 33.42

 

CMYK 58 / 15 / 0 / 43

HEX #3E7C92

RGB 62 124 146

HSL 195.71, 0.4%, 0.41%

LAB 48.9, -13.31, -17.98

 

CMYK 0 / 58 / 4 / 43

HEX #923E8C

RGB 146 62 140

HSL 304.29, 0.4%, 0.41%

LAB 40.33, 45.98, -27.05

 

CMYK 0 / 42 / 58 / 43

HEX #92553E

RGB 146 85 62

HSL 16.43, 0.4%, 0.41%

LAB 42.7, 22.91, 24.19

 

CMYK 57 / 0 / 53 / 42

HEX #3F9446

RGB 63 148 70

HSL 124.94, 0.4%, 0.41%

LAB 54.74, -42.47, 33.42

 

CMYK 58 / 33 / 0 / 43

HEX #3E6292

RGB 62 98 146

HSL 214.29, 0.4%, 0.41%

LAB 40.95, 2.12, -30.29

 

CMYK 0 / 58 / 4 / 43

HEX #923E8C

RGB 146 62 140

HSL 304.29, 0.4%, 0.41%

LAB 40.33, 45.98, -27.05

 

CMYK 0 / 25 / 58 / 43

HEX #926E3E

RGB 146 110 62

HSL 34.29, 0.4%, 0.41%

LAB 49.02, 8.46, 32.01

 

Description

Color code: HEX #3F9446 | qconv.com Color code: HEX #3F9446 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 148 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 148 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 53 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 53% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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