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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F829C it is the complementary color #C07D63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F829C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F829C shade: #448297, #5594AA, #66A6BD, #77B8D0 and #88CAE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F829C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F829C shade: #3F829C, #2E7089, #1D5E76, #0C4C63 and #003A50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F829C shade: #3F819B, #3F699B, #3F509B, #473F9B and #603F9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F829C shade: #3F819B, #3F699B, #3F509B and #3F3F9B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F829C shade matches the following richer shades: #3F819B, #2D89AD, #1C91BF and #0A99D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F829C shade: #3F819B, #517A89, #637278, #746A66 and #866254

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F829C shade: #3F9B83, #3F9B9B, #3F839B, #3F6A9B and #3F529B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F829C shade: #275161, #33697E, #3F819B, #4D99B6 and #6BAAC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F829C shade: #3F829C, #6A3F9B and #9B8F3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F829C shade: #3F829C, #9B3F83 and #839B3F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F829C shade: #3F829C, #6A3F9B, #9B583F and #709B3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F829C shade: #3F829C, #863F9B, #9B583F and #559B3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 17 / 0 / 39

HEX #3F829C

RGB 63 130 156

HSL 196.77, 0.42%, 0.43%

LAB 51.18, -13.29, -20.34

 

Complementary color

CMYK 0 / 35 / 48 / 25

HEX #C07D63

RGB 192 125 99

HSL 16.77, 0.42%, 0.57%

LAB 58.77, 23.11, 24.88

 

CMYK 55 / 14 / 0 / 41

HEX #448297

RGB 68 130 151

HSL 195.18, 0.38%, 0.43%

LAB 51.18, -13.79, -17.4

 

CMYK 50 / 13 / 0 / 33

HEX #5594AA

RGB 85 148 170

HSL 195.53, 0.33%, 0.5%

LAB 58.05, -14.09, -17.82

 

CMYK 46 / 12 / 0 / 26

HEX #66A6BD

RGB 102 166 189

HSL 195.86, 0.4%, 0.57%

LAB 64.78, -14.31, -18.22

 

CMYK 43 / 12 / 0 / 18

HEX #77B8D0

RGB 119 184 208

HSL 196.18, 0.49%, 0.64%

LAB 71.39, -14.47, -18.61

 

CMYK 40 / 11 / 0 / 11

HEX #88CAE3

RGB 136 202 227

HSL 196.48, 0.62%, 0.71%

LAB 77.89, -14.59, -18.99

 

CMYK 60 / 17 / 0 / 39

HEX #3F829C

RGB 63 130 156

HSL 196.77, 0.42%, 0.43%

LAB 51.18, -13.29, -20.34

 

CMYK 66 / 18 / 0 / 46

HEX #2E7089

RGB 46 112 137

HSL 196.48, 0.5%, 0.36%

LAB 44.2, -12.63, -19.91

 

CMYK 75 / 20 / 0 / 54

HEX #1D5E76

RGB 29 94 118

HSL 196.18, 0.61%, 0.29%

LAB 37.07, -11.65, -19.43

 

CMYK 88 / 23 / 0 / 61

HEX #0C4C63

RGB 12 76 99

HSL 195.86, 0.78%, 0.22%

LAB 29.78, -10.14, -18.86

 

CMYK 100 / 28 / 0 / 69

HEX #003A50

RGB 0 58 80

HSL 196.5, 1%, 0.16%

LAB 22.32, -7.85, -18.14

 

CMYK 59 / 17 / 0 / 39

HEX #3F819B

RGB 63 129 155

HSL 196.96, 0.42%, 0.43%

LAB 50.83, -13.05, -20.28

 

CMYK 59 / 32 / 0 / 39

HEX #3F699B

RGB 63 105 155

HSL 212.61, 0.42%, 0.43%

LAB 43.55, 1.07, -31.59

 

CMYK 59 / 48 / 0 / 39

HEX #3F509B

RGB 63 80 155

HSL 228.91, 0.42%, 0.43%

LAB 36.29, 17.04, -43.1

 

CMYK 54 / 59 / 0 / 39

HEX #473F9B

RGB 71 63 155

HSL 245.22, 0.42%, 0.43%

LAB 32.39, 29.73, -49.35

 

CMYK 38 / 59 / 0 / 39

HEX #603F9B

RGB 96 63 155

HSL 261.52, 0.42%, 0.43%

LAB 34.82, 35.34, -45.32

 

CMYK 59 / 17 / 0 / 39

HEX #3F819B

RGB 63 129 155

HSL 196.96, 0.42%, 0.43%

LAB 50.83, -13.05, -20.28

 

CMYK 59 / 32 / 0 / 39

HEX #3F699B

RGB 63 105 155

HSL 212.61, 0.42%, 0.43%

LAB 43.55, 1.07, -31.59

 

CMYK 59 / 48 / 0 / 39

HEX #3F509B

RGB 63 80 155

HSL 228.91, 0.42%, 0.43%

LAB 36.29, 17.04, -43.1

 

CMYK 59 / 59 / 0 / 39

HEX #3F3F9B

RGB 63 63 155

HSL 240, 0.42%, 0.43%

LAB 31.76, 28.16, -50.41

 

CMYK 59 / 17 / 0 / 39

HEX #3F819B

RGB 63 129 155

HSL 196.96, 0.42%, 0.43%

LAB 50.83, -13.05, -20.28

 

CMYK 74 / 21 / 0 / 32

HEX #2D89AD

RGB 45 137 173

HSL 196.88, 0.59%, 0.43%

LAB 53.46, -14.55, -26.7

 

CMYK 85 / 24 / 0 / 25

HEX #1C91BF

RGB 28 145 191

HSL 196.93, 0.74%, 0.43%

LAB 56.35, -14.4, -32.51

 

CMYK 95 / 26 / 0 / 18

HEX #0A99D0

RGB 10 153 208

HSL 196.67, 0.91%, 0.43%

LAB 59.34, -13.62, -37.42

 

CMYK 59 / 17 / 0 / 39

HEX #3F819B

RGB 63 129 155

HSL 196.96, 0.42%, 0.43%

LAB 50.83, -13.05, -20.28

 

CMYK 41 / 11 / 0 / 46

HEX #517A89

RGB 81 122 137

HSL 196.07, 0.26%, 0.43%

LAB 48.85, -10.13, -12.67

 

CMYK 18 / 5 / 0 / 53

HEX #637278

RGB 99 114 120

HSL 197.14, 0.1%, 0.43%

LAB 47.03, -4.2, -5.2

 

CMYK 0 / 9 / 12 / 55

HEX #746A66

RGB 116 106 102

HSL 17.14, 0.06%, 0.43%

LAB 45.61, 3.17, 3.66

 

CMYK 0 / 27 / 37 / 47

HEX #866254

RGB 134 98 84

HSL 16.8, 0.23%, 0.43%

LAB 44.86, 12.58, 13.68

 

CMYK 59 / 0 / 15 / 39

HEX #3F9B83

RGB 63 155 131

HSL 164.35, 0.42%, 0.43%

LAB 58.17, -33.26, 4.47

 

CMYK 59 / 0 / 0 / 39

HEX #3F9B9B

RGB 63 155 155

HSL 180, 0.42%, 0.43%

LAB 58.85, -26.79, -8.16

 

CMYK 59 / 15 / 0 / 39

HEX #3F839B

RGB 63 131 155

HSL 195.65, 0.42%, 0.43%

LAB 51.45, -14.16, -19.34

 

CMYK 59 / 32 / 0 / 39

HEX #3F6A9B

RGB 63 106 155

HSL 211.96, 0.42%, 0.43%

LAB 43.85, 0.45, -31.12

 

CMYK 59 / 47 / 0 / 39

HEX #3F529B

RGB 63 82 155

HSL 227.61, 0.42%, 0.43%

LAB 36.85, 15.73, -42.2

 

CMYK 60 / 16 / 0 / 62

HEX #275161

RGB 39 81 97

HSL 196.55, 0.43%, 0.27%

LAB 32.21, -9.42, -13.77

 

CMYK 60 / 17 / 0 / 51

HEX #33697E

RGB 51 105 126

HSL 196.8, 0.42%, 0.35%

LAB 41.71, -11.28, -17.11

 

CMYK 59 / 17 / 0 / 39

HEX #3F819B

RGB 63 129 155

HSL 196.96, 0.42%, 0.43%

LAB 50.83, -13.05, -20.28

 

CMYK 58 / 16 / 0 / 29

HEX #4D99B6

RGB 77 153 182

HSL 196.57, 0.42%, 0.51%

LAB 59.65, -14.98, -22.21

 

CMYK 45 / 12 / 0 / 24

HEX #6BAAC2

RGB 107 170 194

HSL 196.55, 0.42%, 0.59%

LAB 66.34, -13.84, -18.6

 

CMYK 60 / 17 / 0 / 39

HEX #3F829C

RGB 63 130 156

HSL 196.77, 0.42%, 0.43%

LAB 51.18, -13.29, -20.34

 

CMYK 32 / 59 / 0 / 39

HEX #6A3F9B

RGB 106 63 155

HSL 268.04, 0.42%, 0.43%

LAB 35.96, 37.81, -43.43

 

CMYK 0 / 8 / 59 / 39

HEX #9B8F3F

RGB 155 143 63

HSL 52.17, 0.42%, 0.43%

LAB 58.95, -5.99, 43.31

 

CMYK 60 / 17 / 0 / 39

HEX #3F829C

RGB 63 130 156

HSL 196.77, 0.42%, 0.43%

LAB 51.18, -13.29, -20.34

 

CMYK 0 / 59 / 15 / 39

HEX #9B3F83

RGB 155 63 131

HSL 315.65, 0.42%, 0.43%

LAB 41.47, 46.62, -19.67

 

CMYK 15 / 0 / 59 / 39

HEX #839B3F

RGB 131 155 63

HSL 75.65, 0.42%, 0.43%

LAB 60.45, -22.63, 44.47

 

CMYK 60 / 17 / 0 / 39

HEX #3F829C

RGB 63 130 156

HSL 196.77, 0.42%, 0.43%

LAB 51.18, -13.29, -20.34

 

CMYK 32 / 59 / 0 / 39

HEX #6A3F9B

RGB 106 63 155

HSL 268.04, 0.42%, 0.43%

LAB 35.96, 37.81, -43.43

 

CMYK 0 / 43 / 59 / 39

HEX #9B583F

RGB 155 88 63

HSL 16.3, 0.42%, 0.43%

LAB 44.67, 25.12, 26.36

 

CMYK 28 / 0 / 59 / 39

HEX #709B3F

RGB 112 155 63

HSL 88.04, 0.42%, 0.43%

LAB 59.2, -30.26, 42.72

 

CMYK 60 / 17 / 0 / 39

HEX #3F829C

RGB 63 130 156

HSL 196.77, 0.42%, 0.43%

LAB 51.18, -13.29, -20.34

 

CMYK 14 / 59 / 0 / 39

HEX #863F9B

RGB 134 63 155

HSL 286.3, 0.42%, 0.43%

LAB 39.56, 45.09, -37.46

 

CMYK 0 / 43 / 59 / 39

HEX #9B583F

RGB 155 88 63

HSL 16.3, 0.42%, 0.43%

LAB 44.67, 25.12, 26.36

 

CMYK 45 / 0 / 59 / 39

HEX #559B3F

RGB 85 155 63

HSL 105.65, 0.42%, 0.43%

LAB 57.78, -39.87, 40.72

 

Description

Color code: HEX #3F829C | qconv.com Color code: HEX #3F829C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 130 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 130 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 17 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 17% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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