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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F7FA0 it is the complementary color #C0805F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F7FA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F7FA0 shade: #447F9B, #5591AE, #66A3C1, #77B5D4 and #88C7E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F7FA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F7FA0 shade: #3F7FA0, #2E6D8D, #1D5B7A, #0C4967 and #003754

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F7FA0 shade: #3F7FA0, #3F65A0, #3F4BA0, #4E3FA0 and #683FA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F7FA0 shade: #3F7FA0, #3F65A0, #3F4BA0 and #3F3FA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F7FA0 shade matches the following richer shades: #3F7FA0, #2D85B2, #1B8BC4 and #0991D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F7FA0 shade: #3F7FA0, #52798E, #64747C, #766E69 and #886857

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F7FA0 shade: #3FA08D, #3F9AA0, #3F80A0, #3F66A0 and #3F4CA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F7FA0 shade: #285065, #346882, #3F7FA0, #5095B9 and #6DA7C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F7FA0 shade: #3F7FA0, #733FA0 and #A09A3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F7FA0 shade: #3F7FA0, #A03F80 and #80A03F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F7FA0 shade: #3F7FA0, #733FA0, #A0603F and #6CA03F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F7FA0 shade: #3F7FA0, #903FA0, #A0603F and #50A03F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

Complementary color

CMYK 0 / 33 / 51 / 25

HEX #C0805F

RGB 192 128 95

HSL 20.41, 0.43%, 0.56%

LAB 59.41, 21.06, 27.96

 

CMYK 56 / 18 / 0 / 39

HEX #447F9B

RGB 68 127 155

HSL 199.31, 0.39%, 0.44%

LAB 50.42, -10.86, -20.89

 

CMYK 51 / 17 / 0 / 32

HEX #5591AE

RGB 85 145 174

HSL 199.55, 0.35%, 0.51%

LAB 57.31, -11.27, -21.23

 

CMYK 47 / 16 / 0 / 24

HEX #66A3C1

RGB 102 163 193

HSL 199.78, 0.42%, 0.58%

LAB 64.06, -11.57, -21.55

 

CMYK 44 / 15 / 0 / 17

HEX #77B5D4

RGB 119 181 212

HSL 200, 0.52%, 0.65%

LAB 70.68, -11.8, -21.88

 

CMYK 41 / 14 / 0 / 9

HEX #88C7E7

RGB 136 199 231

HSL 200.21, 0.66%, 0.72%

LAB 77.19, -11.99, -22.2

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 67 / 23 / 0 / 45

HEX #2E6D8D

RGB 46 109 141

HSL 200.21, 0.51%, 0.37%

LAB 43.42, -9.52, -23.5

 

CMYK 76 / 25 / 0 / 52

HEX #1D5B7A

RGB 29 91 122

HSL 200, 0.62%, 0.3%

LAB 36.27, -8.38, -23.13

 

CMYK 88 / 29 / 0 / 60

HEX #0C4967

RGB 12 73 103

HSL 199.78, 0.79%, 0.23%

LAB 28.96, -6.67, -22.68

 

CMYK 100 / 35 / 0 / 67

HEX #003754

RGB 0 55 84

HSL 200.71, 1%, 0.16%

LAB 21.48, -4.12, -22.12

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 61 / 37 / 0 / 37

HEX #3F65A0

RGB 63 101 160

HSL 216.49, 0.43%, 0.44%

LAB 42.62, 5.28, -36.02

 

CMYK 61 / 53 / 0 / 37

HEX #3F4BA0

RGB 63 75 160

HSL 232.58, 0.43%, 0.44%

LAB 35.26, 22.07, -47.78

 

CMYK 51 / 61 / 0 / 37

HEX #4E3FA0

RGB 78 63 160

HSL 249.28, 0.43%, 0.44%

LAB 33.38, 32.77, -50.76

 

CMYK 35 / 61 / 0 / 37

HEX #683FA0

RGB 104 63 160

HSL 265.36, 0.43%, 0.44%

LAB 36.05, 38.63, -46.3

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 61 / 37 / 0 / 37

HEX #3F65A0

RGB 63 101 160

HSL 216.49, 0.43%, 0.44%

LAB 42.62, 5.28, -36.02

 

CMYK 61 / 53 / 0 / 37

HEX #3F4BA0

RGB 63 75 160

HSL 232.58, 0.43%, 0.44%

LAB 35.26, 22.07, -47.78

 

CMYK 61 / 61 / 0 / 37

HEX #3F3FA0

RGB 63 63 160

HSL 240, 0.43%, 0.44%

LAB 32.15, 29.87, -52.81

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 75 / 25 / 0 / 30

HEX #2D85B2

RGB 45 133 178

HSL 200.3, 0.6%, 0.44%

LAB 52.45, -10.57, -31.14

 

CMYK 86 / 29 / 0 / 23

HEX #1B8BC4

RGB 27 139 196

HSL 200.24, 0.76%, 0.44%

LAB 54.75, -9.29, -37.85

 

CMYK 96 / 32 / 0 / 16

HEX #0991D6

RGB 9 145 214

HSL 200.2, 0.92%, 0.44%

LAB 57.23, -6.93, -44.1

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 42 / 15 / 0 / 44

HEX #52798E

RGB 82 121 142

HSL 201, 0.27%, 0.44%

LAB 48.79, -7.86, -15.71

 

CMYK 19 / 6 / 0 / 51

HEX #64747C

RGB 100 116 124

HSL 200, 0.11%, 0.44%

LAB 47.82, -4.06, -6.4

 

CMYK 0 / 7 / 11 / 54

HEX #766E69

RGB 118 110 105

HSL 23.08, 0.06%, 0.44%

LAB 47.01, 2.17, 3.9

 

CMYK 0 / 24 / 36 / 47

HEX #886857

RGB 136 104 87

HSL 20.82, 0.22%, 0.44%

LAB 46.74, 10.3, 14.51

 

CMYK 61 / 0 / 12 / 37

HEX #3FA08D

RGB 63 160 141

HSL 168.25, 0.43%, 0.44%

LAB 60, -33.04, 1.47

 

CMYK 61 / 4 / 0 / 37

HEX #3F9AA0

RGB 63 154 160

HSL 183.71, 0.43%, 0.44%

LAB 58.7, -24.84, -11.22

 

CMYK 61 / 20 / 0 / 37

HEX #3F80A0

RGB 63 128 160

HSL 199.79, 0.43%, 0.44%

LAB 50.73, -10.88, -23.36

 

CMYK 61 / 36 / 0 / 37

HEX #3F66A0

RGB 63 102 160

HSL 215.88, 0.43%, 0.44%

LAB 42.91, 4.66, -35.56

 

CMYK 61 / 53 / 0 / 37

HEX #3F4CA0

RGB 63 76 160

HSL 231.96, 0.43%, 0.44%

LAB 35.53, 21.42, -47.34

 

CMYK 60 / 21 / 0 / 60

HEX #285065

RGB 40 80 101

HSL 200.66, 0.43%, 0.28%

LAB 32.1, -7.21, -16.47

 

CMYK 60 / 20 / 0 / 49

HEX #346882

RGB 52 104 130

HSL 200, 0.43%, 0.36%

LAB 41.6, -9.15, -19.69

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 57 / 19 / 0 / 27

HEX #5095B9

RGB 80 149 185

HSL 200.57, 0.43%, 0.52%

LAB 58.7, -11.25, -25.36

 

CMYK 45 / 15 / 0 / 23

HEX #6DA7C5

RGB 109 167 197

HSL 200.45, 0.43%, 0.6%

LAB 65.69, -10.9, -21.26

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 28 / 61 / 0 / 37

HEX #733FA0

RGB 115 63 160

HSL 272.16, 0.43%, 0.44%

LAB 37.37, 41.32, -44.12

 

CMYK 0 / 4 / 61 / 37

HEX #A09A3F

RGB 160 154 63

HSL 56.29, 0.43%, 0.44%

LAB 62.46, -9.71, 47.34

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 0 / 61 / 20 / 37

HEX #A03F80

RGB 160 63 128

HSL 319.79, 0.43%, 0.44%

LAB 42.13, 47.66, -16.75

 

CMYK 20 / 0 / 61 / 37

HEX #80A03F

RGB 128 160 63

HSL 79.79, 0.43%, 0.44%

LAB 61.73, -26.34, 45.84

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 28 / 61 / 0 / 37

HEX #733FA0

RGB 115 63 160

HSL 272.16, 0.43%, 0.44%

LAB 37.37, 41.32, -44.12

 

CMYK 0 / 40 / 61 / 37

HEX #A0603F

RGB 160 96 63

HSL 20.41, 0.43%, 0.44%

LAB 47.23, 22.73, 29.68

 

CMYK 33 / 0 / 61 / 37

HEX #6CA03F

RGB 108 160 63

HSL 92.16, 0.43%, 0.44%

LAB 60.51, -34.1, 44.13

 

CMYK 61 / 21 / 0 / 37

HEX #3F7FA0

RGB 63 127 160

HSL 200.41, 0.43%, 0.44%

LAB 50.42, -10.31, -23.83

 

CMYK 10 / 61 / 0 / 37

HEX #903FA0

RGB 144 63 160

HSL 290.1, 0.43%, 0.44%

LAB 41.25, 48.75, -37.7

 

CMYK 0 / 40 / 61 / 37

HEX #A0603F

RGB 160 96 63

HSL 20.41, 0.43%, 0.44%

LAB 47.23, 22.73, 29.68

 

CMYK 50 / 0 / 61 / 37

HEX #50A03F

RGB 80 160 63

HSL 109.48, 0.43%, 0.44%

LAB 59.16, -43.51, 42.25

 

Description

Color code: HEX #3F7FA0 | qconv.com Color code: HEX #3F7FA0 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 127 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 127 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 21 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 21% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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