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Color name
HEX #3F7E0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F7E0A it is the complementary color #C081F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F7E0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F7E0A shade: #447E05, #559018, #66A22B, #77B43E and #88C651

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F7E0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F7E0A shade: #3F7E0A, #2E6C00, #1D5A00, #0C4800 and #003600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F7E0A shade: #3F7F0A, #5F7F0A, #7E7F0A, #7F600A and #7F400A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F7E0A shade: #3F7F0A, #207F0A, #0A7F13, #0A7F33 and #0A7F53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F7E0A shade matches the following richer shades: #3F7F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F7E0A shade: #3F7F0A, #407415, #416920, #425D2B and #435236

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F7E0A shade: #7F7F0A, #607F0A, #407F0A, #217F0A and #0A7F12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F7E0A shade: #193304, #2C5907, #3F7F0A, #52A50D and #66CB10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F7E0A shade: #3F7E0A, #0A7F60 and #7F0A6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F7E0A shade: #3F7E0A, #0A407F and #7F0A40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F7E0A shade: #3F7E0A, #0A7F60, #480A7F and #7F0A29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F7E0A shade: #3F7E0A, #0A7B7F, #480A7F and #7F0E0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 92 / 51

HEX #3F7E0A

RGB 63 126 10

HSL 92.59, 0.85%, 0.27%

LAB 46.97, -38.87, 49.05

 

Complementary color

CMYK 22 / 47 / 0 / 4

HEX #C081F5

RGB 192 129 245

HSL 272.59, 0.85%, 0.73%

LAB 64.56, 45.51, -49.09

 

CMYK 46 / 0 / 96 / 51

HEX #447E05

RGB 68 126 5

HSL 88.76, 0.92%, 0.26%

LAB 47.19, -37.32, 50.31

 

CMYK 41 / 0 / 83 / 44

HEX #559018

RGB 85 144 24

HSL 89.5, 0.71%, 0.33%

LAB 53.97, -38.25, 52.17

 

CMYK 37 / 0 / 73 / 36

HEX #66A22B

RGB 102 162 43

HSL 90.25, 0.58%, 0.4%

LAB 60.64, -38.84, 52.56

 

CMYK 34 / 0 / 66 / 29

HEX #77B43E

RGB 119 180 62

HSL 91.02, 0.49%, 0.47%

LAB 67.21, -39.17, 52.12

 

CMYK 31 / 0 / 59 / 22

HEX #88C651

RGB 136 198 81

HSL 91.79, 0.51%, 0.55%

LAB 73.69, -39.35, 51.27

 

CMYK 50 / 0 / 92 / 51

HEX #3F7E0A

RGB 63 126 10

HSL 92.59, 0.85%, 0.27%

LAB 46.97, -38.87, 49.05

 

CMYK 57 / 0 / 100 / 58

HEX #2E6C00

RGB 46 108 0

HSL 94.44, 1%, 0.21%

LAB 40.09, -37.42, 45.38

 

CMYK 68 / 0 / 100 / 65

HEX #1D5A00

RGB 29 90 0

HSL 100.67, 1%, 0.18%

LAB 33.08, -35.3, 39.59

 

CMYK 83 / 0 / 100 / 72

HEX #0C4800

RGB 12 72 0

HSL 110, 1%, 0.14%

LAB 25.9, -32.53, 33.51

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 50 / 0 / 92 / 50

HEX #3F7F0A

RGB 63 127 10

HSL 92.82, 0.85%, 0.27%

LAB 47.31, -39.28, 49.33

 

CMYK 25 / 0 / 92 / 50

HEX #5F7F0A

RGB 95 127 10

HSL 76.41, 0.85%, 0.27%

LAB 49.05, -27.04, 51.48

 

CMYK 1 / 0 / 92 / 50

HEX #7E7F0A

RGB 126 127 10

HSL 60.51, 0.85%, 0.27%

LAB 51.42, -13.12, 54.39

 

CMYK 0 / 24 / 92 / 50

HEX #7F600A

RGB 127 96 10

HSL 44.1, 0.85%, 0.27%

LAB 42.61, 4.91, 47.48

 

CMYK 0 / 50 / 92 / 50

HEX #7F400A

RGB 127 64 10

HSL 27.69, 0.85%, 0.27%

LAB 34.4, 23.75, 41.07

 

CMYK 50 / 0 / 92 / 50

HEX #3F7F0A

RGB 63 127 10

HSL 92.82, 0.85%, 0.27%

LAB 47.31, -39.28, 49.33

 

CMYK 75 / 0 / 92 / 50

HEX #207F0A

RGB 32 127 10

HSL 108.72, 0.85%, 0.27%

LAB 46.32, -47.34, 48.1

 

CMYK 92 / 0 / 85 / 50

HEX #0A7F13

RGB 10 127 19

HSL 124.62, 0.85%, 0.27%

LAB 46.03, -49.79, 45.52

 

CMYK 92 / 0 / 60 / 50

HEX #0A7F33

RGB 10 127 51

HSL 141.03, 0.85%, 0.27%

LAB 46.29, -46.55, 32.65

 

CMYK 92 / 0 / 35 / 50

HEX #0A7F53

RGB 10 127 83

HSL 157.44, 0.85%, 0.27%

LAB 46.8, -40.49, 15.82

 

CMYK 50 / 0 / 92 / 50

HEX #3F7F0A

RGB 63 127 10

HSL 92.82, 0.85%, 0.27%

LAB 47.31, -39.28, 49.33

 

CMYK 50 / 0 / 92 / 50

HEX #3F7F0A

RGB 63 127 10

HSL 92.82, 0.85%, 0.27%

LAB 47.31, -39.28, 49.33

 

CMYK 45 / 0 / 82 / 55

HEX #407415

RGB 64 116 21

HSL 92.84, 0.69%, 0.27%

LAB 43.7, -33.8, 43.26

 

CMYK 38 / 0 / 70 / 59

HEX #416920

RGB 65 105 32

HSL 92.88, 0.53%, 0.27%

LAB 40.13, -27.57, 35.33

 

CMYK 29 / 0 / 54 / 64

HEX #425D2B

RGB 66 93 43

HSL 92.4, 0.37%, 0.27%

LAB 36.29, -19.92, 25.34

 

CMYK 18 / 0 / 34 / 68

HEX #435236

RGB 67 82 54

HSL 92.14, 0.21%, 0.27%

LAB 32.91, -11.74, 14.56

 

CMYK 0 / 0 / 92 / 50

HEX #7F7F0A

RGB 127 127 10

HSL 60, 0.85%, 0.27%

LAB 51.51, -12.66, 54.5

 

CMYK 24 / 0 / 92 / 50

HEX #607F0A

RGB 96 127 10

HSL 75.9, 0.85%, 0.27%

LAB 49.11, -26.61, 51.57

 

CMYK 50 / 0 / 92 / 50

HEX #407F0A

RGB 64 127 10

HSL 92.31, 0.85%, 0.27%

LAB 47.35, -38.95, 49.38

 

CMYK 74 / 0 / 92 / 50

HEX #217F0A

RGB 33 127 10

HSL 108.21, 0.85%, 0.27%

LAB 46.34, -47.15, 48.12

 

CMYK 92 / 0 / 86 / 50

HEX #0A7F12

RGB 10 127 18

HSL 124.1, 0.85%, 0.27%

LAB 46.02, -49.85, 45.8

 

CMYK 51 / 0 / 92 / 80

HEX #193304

RGB 25 51 4

HSL 93.19, 0.85%, 0.11%

LAB 18.29, -19.48, 23.97

 

CMYK 51 / 0 / 92 / 65

HEX #2C5907

RGB 44 89 7

HSL 92.93, 0.85%, 0.19%

LAB 33.34, -29.81, 37.76

 

CMYK 50 / 0 / 92 / 50

HEX #3F7F0A

RGB 63 127 10

HSL 92.82, 0.85%, 0.27%

LAB 47.31, -39.28, 49.33

 

CMYK 50 / 0 / 92 / 35

HEX #52A50D

RGB 82 165 13

HSL 92.76, 0.85%, 0.35%

LAB 60.55, -48.18, 60.21

 

CMYK 50 / 0 / 92 / 20

HEX #66CB10

RGB 102 203 16

HSL 92.41, 0.85%, 0.43%

LAB 73.27, -56.38, 70.61

 

CMYK 50 / 0 / 92 / 51

HEX #3F7E0A

RGB 63 126 10

HSL 92.59, 0.85%, 0.27%

LAB 46.97, -38.87, 49.05

 

CMYK 92 / 0 / 24 / 50

HEX #0A7F60

RGB 10 127 96

HSL 164.1, 0.85%, 0.27%

LAB 47.09, -37.27, 8.67

 

CMYK 0 / 92 / 13 / 50

HEX #7F0A6F

RGB 127 10 111

HSL 308.21, 0.85%, 0.27%

LAB 29.1, 54.54, -26.79

 

CMYK 50 / 0 / 92 / 51

HEX #3F7E0A

RGB 63 126 10

HSL 92.59, 0.85%, 0.27%

LAB 46.97, -38.87, 49.05

 

CMYK 92 / 50 / 0 / 50

HEX #0A407F

RGB 10 64 127

HSL 212.31, 0.85%, 0.27%

LAB 27.47, 9.34, -40.21

 

CMYK 0 / 92 / 50 / 50

HEX #7F0A40

RGB 127 10 64

HSL 332.31, 0.85%, 0.27%

LAB 27.02, 48.94, 1.05

 

CMYK 50 / 0 / 92 / 51

HEX #3F7E0A

RGB 63 126 10

HSL 92.59, 0.85%, 0.27%

LAB 46.97, -38.87, 49.05

 

CMYK 92 / 0 / 24 / 50

HEX #0A7F60

RGB 10 127 96

HSL 164.1, 0.85%, 0.27%

LAB 47.09, -37.27, 8.67

 

CMYK 43 / 92 / 0 / 50

HEX #480A7F

RGB 72 10 127

HSL 271.79, 0.85%, 0.27%

LAB 20.55, 48.11, -51.31

 

CMYK 0 / 92 / 68 / 50

HEX #7F0A29

RGB 127 10 41

HSL 344.1, 0.85%, 0.27%

LAB 26.42, 47.25, 15.89

 

CMYK 50 / 0 / 92 / 51

HEX #3F7E0A

RGB 63 126 10

HSL 92.59, 0.85%, 0.27%

LAB 46.97, -38.87, 49.05

 

CMYK 92 / 3 / 0 / 50

HEX #0A7B7F

RGB 10 123 127

HSL 182.05, 0.85%, 0.27%

LAB 46.66, -26.14, -10.27

 

CMYK 43 / 92 / 0 / 50

HEX #480A7F

RGB 72 10 127

HSL 271.79, 0.85%, 0.27%

LAB 20.55, 48.11, -51.31

 

CMYK 0 / 89 / 92 / 50

HEX #7F0E0A

RGB 127 14 10

HSL 2.05, 0.85%, 0.27%

LAB 26.3, 45.28, 34.61

 

Description

Color code: HEX #3F7E0A | qconv.com Color code: HEX #3F7E0A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 126 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 126 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 92 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 92% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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