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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F7202 it is the complementary color #C08DFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F7202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F7202 shade: #447200, #558410, #669623, #77A836 and #88BA49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F7202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F7202 shade: #3F7202, #2E6000, #1D4E00, #0C3C00 and #002A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F7202 shade: #3F7301, #5E7301, #736901, #734B01 and #732C01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F7202 shade: #3F7301, #217301, #027301, #01731F and #01733E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F7202 shade matches the following richer shades: #3F7301

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F7202 shade: #3F7301, #3E6A0B, #3E6014, #3D571E and #3C4D27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F7202 shade: #736A01, #5E7301, #407301, #217301 and #037301

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F7202 shade: #122200, #294A01, #3F7301, #569C02 and #6CC402

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F7202 shade: #3F7202, #01734B and #73016D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F7202 shade: #3F7202, #014073 and #730140

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F7202 shade: #3F7202, #01734B, #340173 and #730129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F7202 shade: #3F7202, #01736D, #340173 and #730107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 98 / 55

HEX #3F7202

RGB 63 114 2

HSL 87.32, 0.97%, 0.23%

LAB 42.91, -34.08, 47.43

 

Complementary color

CMYK 24 / 44 / 0 / 1

HEX #C08DFD

RGB 192 141 253

HSL 267.32, 0.97%, 0.77%

LAB 67.54, 40.82, -48.78

 

CMYK 40 / 0 / 100 / 55

HEX #447200

RGB 68 114 0

HSL 84.21, 1%, 0.22%

LAB 43.16, -32.26, 48.21

 

CMYK 36 / 0 / 88 / 48

HEX #558410

RGB 85 132 16

HSL 84.31, 0.78%, 0.29%

LAB 50.06, -33.29, 50.81

 

CMYK 32 / 0 / 77 / 41

HEX #669623

RGB 102 150 35

HSL 85.04, 0.62%, 0.36%

LAB 56.84, -33.98, 51.7

 

CMYK 29 / 0 / 68 / 34

HEX #77A836

RGB 119 168 54

HSL 85.79, 0.51%, 0.44%

LAB 63.5, -34.41, 51.5

 

CMYK 27 / 0 / 61 / 27

HEX #88BA49

RGB 136 186 73

HSL 86.55, 0.45%, 0.51%

LAB 70.06, -34.67, 50.76

 

CMYK 45 / 0 / 98 / 55

HEX #3F7202

RGB 63 114 2

HSL 87.32, 0.97%, 0.23%

LAB 42.91, -34.08, 47.43

 

CMYK 52 / 0 / 100 / 62

HEX #2E6000

RGB 46 96 0

HSL 91.25, 1%, 0.19%

LAB 35.88, -32.49, 42.08

 

CMYK 63 / 0 / 100 / 69

HEX #1D4E00

RGB 29 78 0

HSL 97.69, 1%, 0.15%

LAB 28.67, -30.57, 36.1

 

CMYK 80 / 0 / 100 / 76

HEX #0C3C00

RGB 12 60 0

HSL 108, 1%, 0.12%

LAB 21.24, -28.07, 28.82

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 45 / 0 / 99 / 55

HEX #3F7301

RGB 63 115 1

HSL 87.37, 0.98%, 0.23%

LAB 43.24, -34.55, 47.93

 

CMYK 18 / 0 / 99 / 55

HEX #5E7301

RGB 94 115 1

HSL 71.05, 0.98%, 0.23%

LAB 45.14, -21.72, 50.22

 

CMYK 0 / 9 / 99 / 55

HEX #736901

RGB 115 105 1

HSL 54.74, 0.98%, 0.23%

LAB 43.87, -6.35, 50.08

 

CMYK 0 / 35 / 99 / 55

HEX #734B01

RGB 115 75 1

HSL 38.95, 0.98%, 0.23%

LAB 35.36, 11.41, 44.06

 

CMYK 0 / 62 / 99 / 55

HEX #732C01

RGB 115 44 1

HSL 22.63, 0.98%, 0.23%

LAB 27.98, 29.36, 38.79

 

CMYK 45 / 0 / 99 / 55

HEX #3F7301

RGB 63 115 1

HSL 87.37, 0.98%, 0.23%

LAB 43.24, -34.55, 47.93

 

CMYK 71 / 0 / 99 / 55

HEX #217301

RGB 33 115 1

HSL 103.16, 0.98%, 0.23%

LAB 42.13, -43.38, 46.58

 

CMYK 98 / 0 / 99 / 55

HEX #027301

RGB 2 115 1

HSL 119.47, 0.98%, 0.23%

LAB 41.65, -47.65, 45.99

 

CMYK 99 / 0 / 73 / 55

HEX #01731F

RGB 1 115 31

HSL 135.79, 0.98%, 0.23%

LAB 41.79, -45.79, 37

 

CMYK 99 / 0 / 46 / 55

HEX #01733E

RGB 1 115 62

HSL 152.11, 0.98%, 0.23%

LAB 42.18, -41.06, 21.65

 

CMYK 45 / 0 / 99 / 55

HEX #3F7301

RGB 63 115 1

HSL 87.37, 0.98%, 0.23%

LAB 43.24, -34.55, 47.93

 

CMYK 45 / 0 / 99 / 55

HEX #3F7301

RGB 63 115 1

HSL 87.37, 0.98%, 0.23%

LAB 43.24, -34.55, 47.93

 

CMYK 42 / 0 / 90 / 58

HEX #3E6A0B

RGB 62 106 11

HSL 87.79, 0.81%, 0.23%

LAB 40.17, -30.56, 42.97

 

CMYK 35 / 0 / 79 / 62

HEX #3E6014

RGB 62 96 20

HSL 86.84, 0.66%, 0.23%

LAB 36.82, -25.36, 36.99

 

CMYK 30 / 0 / 66 / 66

HEX #3D571E

RGB 61 87 30

HSL 87.37, 0.49%, 0.23%

LAB 33.78, -20.39, 29.28

 

CMYK 22 / 0 / 49 / 70

HEX #3C4D27

RGB 60 77 39

HSL 86.84, 0.33%, 0.23%

LAB 30.44, -14.27, 20.33

 

CMYK 0 / 8 / 99 / 55

HEX #736A01

RGB 115 106 1

HSL 55.26, 0.98%, 0.23%

LAB 44.17, -6.92, 50.29

 

CMYK 18 / 0 / 99 / 55

HEX #5E7301

RGB 94 115 1

HSL 71.05, 0.98%, 0.23%

LAB 45.14, -21.72, 50.22

 

CMYK 44 / 0 / 99 / 55

HEX #407301

RGB 64 115 1

HSL 86.84, 0.98%, 0.23%

LAB 43.29, -34.18, 47.99

 

CMYK 71 / 0 / 99 / 55

HEX #217301

RGB 33 115 1

HSL 103.16, 0.98%, 0.23%

LAB 42.13, -43.38, 46.58

 

CMYK 97 / 0 / 99 / 55

HEX #037301

RGB 3 115 1

HSL 118.95, 0.98%, 0.23%

LAB 41.66, -47.56, 46

 

CMYK 47 / 0 / 100 / 87

HEX #122200

RGB 18 34 0

HSL 88.24, 1%, 0.07%

LAB 11.08, -14.12, 16.21

 

CMYK 45 / 0 / 99 / 71

HEX #294A01

RGB 41 74 1

HSL 87.12, 0.97%, 0.15%

LAB 27.77, -24.41, 35.17

 

CMYK 45 / 0 / 99 / 55

HEX #3F7301

RGB 63 115 1

HSL 87.37, 0.98%, 0.23%

LAB 43.24, -34.55, 47.93

 

CMYK 45 / 0 / 99 / 39

HEX #569C02

RGB 86 156 2

HSL 87.27, 0.97%, 0.31%

LAB 57.81, -43.58, 59.68

 

CMYK 45 / 0 / 99 / 23

HEX #6CC402

RGB 108 196 2

HSL 87.22, 0.98%, 0.39%

LAB 71.33, -52.13, 70.73

 

CMYK 45 / 0 / 98 / 55

HEX #3F7202

RGB 63 114 2

HSL 87.32, 0.97%, 0.23%

LAB 42.91, -34.08, 47.43

 

CMYK 99 / 0 / 35 / 55

HEX #01734B

RGB 1 115 75

HSL 158.95, 0.98%, 0.23%

LAB 42.42, -38.2, 14.48

 

CMYK 0 / 99 / 5 / 55

HEX #73016D

RGB 115 1 109

HSL 303.16, 0.98%, 0.23%

LAB 26.07, 53.45, -30.46

 

CMYK 45 / 0 / 98 / 55

HEX #3F7202

RGB 63 114 2

HSL 87.32, 0.97%, 0.23%

LAB 42.91, -34.08, 47.43

 

CMYK 99 / 44 / 0 / 55

HEX #014073

RGB 1 64 115

HSL 206.84, 0.98%, 0.23%

LAB 26.48, 3.5, -34.26

 

CMYK 0 / 99 / 44 / 55

HEX #730140

RGB 115 1 64

HSL 326.84, 0.98%, 0.23%

LAB 23.79, 47.66, -3.99

 

CMYK 45 / 0 / 98 / 55

HEX #3F7202

RGB 63 114 2

HSL 87.32, 0.97%, 0.23%

LAB 42.91, -34.08, 47.43

 

CMYK 99 / 0 / 35 / 55

HEX #01734B

RGB 1 115 75

HSL 158.95, 0.98%, 0.23%

LAB 42.42, -38.2, 14.48

 

CMYK 55 / 99 / 0 / 55

HEX #340173

RGB 52 1 115

HSL 266.84, 0.98%, 0.23%

LAB 15.43, 45.69, -52.14

 

CMYK 0 / 99 / 64 / 55

HEX #730129

RGB 115 1 41

HSL 338.95, 0.98%, 0.23%

LAB 23.09, 45.79, 10.99

 

CMYK 45 / 0 / 98 / 55

HEX #3F7202

RGB 63 114 2

HSL 87.32, 0.97%, 0.23%

LAB 42.91, -34.08, 47.43

 

CMYK 99 / 0 / 5 / 55

HEX #01736D

RGB 1 115 109

HSL 176.84, 0.98%, 0.23%

LAB 43.32, -28.6, -4.53

 

CMYK 55 / 99 / 0 / 55

HEX #340173

RGB 52 1 115

HSL 266.84, 0.98%, 0.23%

LAB 15.43, 45.69, -52.14

 

CMYK 0 / 99 / 94 / 55

HEX #730107

RGB 115 1 7

HSL 356.84, 0.98%, 0.23%

LAB 22.59, 44.43, 31.28

 

Description

Color code: HEX #3F7202 | qconv.com Color code: HEX #3F7202 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 114 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 114 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 98 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 98% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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