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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F61D9 it is the complementary color #C09E26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F61D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F61D9 shade: #4461D4, #5573E7, #6685FA, #7797FF and #88A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F61D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F61D9 shade: #3F61D9, #2E4FC6, #1D3DB3, #0C2BA0 and #00198D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F61D9 shade: #3F61D9, #463FD9, #703FD9, #993FD9 and #C33FD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F61D9 shade: #3F61D9 and #3F3FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F61D9 shade matches the following richer shades: #3F61D9, #2C56EB and #1A4CFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F61D9 shade: #3F61D9, #516BC6, #6476B3, #7780A1 and #898A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F61D9 shade: #3FB5D9, #3F8CD9, #3F63D9, #443FD9 and #6D3FD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F61D9 shade: #203DA5, #274AC7, #3F61D9, #617DDF and #849AE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F61D9 shade: #3F61D9, #D43FD9 and #A0D93F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F61D9 shade: #3F61D9, #D93F63 and #63D93F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F61D9 shade: #3F61D9, #D43FD9, #D9B53F and #44D93F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F61D9 shade: #3F61D9, #D93FB0, #D9B53F and #3FD968

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

Complementary color

CMYK 0 / 18 / 80 / 25

HEX #C09E26

RGB 192 158 38

HSL 46.75, 0.67%, 0.45%

LAB 66.37, 1, 62.14

 

CMYK 68 / 54 / 0 / 17

HEX #4461D4

RGB 68 97 212

HSL 227.92, 0.63%, 0.55%

LAB 44.99, 27.12, -62.49

 

CMYK 63 / 50 / 0 / 9

HEX #5573E7

RGB 85 115 231

HSL 227.67, 0.75%, 0.62%

LAB 51.79, 25.13, -62.2

 

CMYK 59 / 47 / 0 / 2

HEX #6685FA

RGB 102 133 250

HSL 227.43, 0.94%, 0.69%

LAB 58.51, 23.46, -61.92

 

CMYK 53 / 41 / 0 / 0

HEX #7797FF

RGB 119 151 255

HSL 225.88, 1%, 0.73%

LAB 64.38, 17.69, -55.23

 

CMYK 47 / 34 / 0 / 0

HEX #88A9FF

RGB 136 169 255

HSL 223.36, 1%, 0.77%

LAB 70.06, 11.08, -46.2

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 77 / 60 / 0 / 22

HEX #2E4FC6

RGB 46 79 198

HSL 226.97, 0.62%, 0.48%

LAB 38.29, 30.79, -65.35

 

CMYK 84 / 66 / 0 / 30

HEX #1D3DB3

RGB 29 61 179

HSL 227.2, 0.72%, 0.41%

LAB 31.47, 33.86, -65.37

 

CMYK 93 / 73 / 0 / 37

HEX #0C2BA0

RGB 12 43 160

HSL 227.43, 0.86%, 0.34%

LAB 24.78, 37.36, -64.99

 

CMYK 100 / 82 / 0 / 45

HEX #00198D

RGB 0 25 141

HSL 229.36, 1%, 0.28%

LAB 18.45, 40.8, -63.78

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 68 / 71 / 0 / 15

HEX #463FD9

RGB 70 63 217

HSL 242.73, 0.67%, 0.55%

LAB 37.6, 49.71, -77.41

 

CMYK 48 / 71 / 0 / 15

HEX #703FD9

RGB 112 63 217

HSL 259.09, 0.67%, 0.55%

LAB 41.23, 55.51, -71.32

 

CMYK 29 / 71 / 0 / 15

HEX #993FD9

RGB 153 63 217

HSL 275.06, 0.67%, 0.55%

LAB 46.09, 62.81, -63.19

 

CMYK 10 / 71 / 0 / 15

HEX #C33FD9

RGB 195 63 217

HSL 291.43, 0.67%, 0.55%

LAB 52.03, 71.24, -53.33

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 71 / 71 / 0 / 15

HEX #3F3FD9

RGB 63 63 217

HSL 240, 0.67%, 0.55%

LAB 37.15, 48.97, -78.16

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 81 / 63 / 0 / 8

HEX #2C56EB

RGB 44 86 235

HSL 226.81, 0.83%, 0.55%

LAB 43.05, 39.69, -78.76

 

CMYK 90 / 70 / 0 / 0

HEX #1A4CFE

RGB 26 76 254

HSL 226.84, 0.99%, 0.55%

LAB 42.07, 51.5, -91.05

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 59 / 46 / 0 / 22

HEX #516BC6

RGB 81 107 198

HSL 226.67, 0.51%, 0.55%

LAB 47.42, 18.19, -50.5

 

CMYK 44 / 34 / 0 / 30

HEX #6476B3

RGB 100 118 179

HSL 226.33, 0.34%, 0.55%

LAB 50.59, 9.71, -34.44

 

CMYK 26 / 20 / 0 / 37

HEX #7780A1

RGB 119 128 161

HSL 227.14, 0.18%, 0.55%

LAB 53.96, 4.34, -18.71

 

CMYK 4 / 3 / 0 / 44

HEX #898A8E

RGB 137 138 142

HSL 228, 0.02%, 0.55%

LAB 57.51, 0.43, -2.27

 

CMYK 71 / 17 / 0 / 15

HEX #3FB5D9

RGB 63 181 217

HSL 194.03, 0.67%, 0.55%

LAB 68.83, -21.13, -27.62

 

CMYK 71 / 35 / 0 / 15

HEX #3F8CD9

RGB 63 140 217

HSL 210, 0.67%, 0.55%

LAB 56.9, 1.59, -46.24

 

CMYK 71 / 54 / 0 / 15

HEX #3F63D9

RGB 63 99 217

HSL 225.97, 0.67%, 0.55%

LAB 45.62, 26.93, -64.32

 

CMYK 69 / 71 / 0 / 15

HEX #443FD9

RGB 68 63 217

HSL 241.95, 0.67%, 0.55%

LAB 37.47, 49.49, -77.63

 

CMYK 50 / 71 / 0 / 15

HEX #6D3FD9

RGB 109 63 217

HSL 257.92, 0.67%, 0.55%

LAB 40.92, 55.03, -71.83

 

CMYK 81 / 63 / 0 / 35

HEX #203DA5

RGB 32 61 165

HSL 226.92, 0.68%, 0.39%

LAB 30.31, 28.77, -58.9

 

CMYK 80 / 63 / 0 / 22

HEX #274AC7

RGB 39 74 199

HSL 226.88, 0.67%, 0.47%

LAB 36.84, 33.72, -68.31

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 57 / 44 / 0 / 13

HEX #617DDF

RGB 97 125 223

HSL 226.67, 0.66%, 0.63%

LAB 54.59, 18.56, -53.19

 

CMYK 43 / 33 / 0 / 10

HEX #849AE6

RGB 132 154 230

HSL 226.53, 0.66%, 0.71%

LAB 64.75, 11.54, -40.88

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 2 / 71 / 0 / 15

HEX #D43FD9

RGB 212 63 217

HSL 298.05, 0.67%, 0.55%

LAB 54.62, 74.79, -49.04

 

CMYK 26 / 0 / 71 / 15

HEX #A0D93F

RGB 160 217 63

HSL 82.21, 0.67%, 0.55%

LAB 80.44, -40.33, 66.11

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 0 / 71 / 54 / 15

HEX #D93F63

RGB 217 63 99

HSL 345.97, 0.67%, 0.55%

LAB 50.93, 61.67, 14.95

 

CMYK 54 / 0 / 71 / 15

HEX #63D93F

RGB 99 217 63

HSL 105.97, 0.67%, 0.55%

LAB 77.66, -60.07, 62.41

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 2 / 71 / 0 / 15

HEX #D43FD9

RGB 212 63 217

HSL 298.05, 0.67%, 0.55%

LAB 54.62, 74.79, -49.04

 

CMYK 0 / 17 / 71 / 15

HEX #D9B53F

RGB 217 181 63

HSL 45.97, 0.67%, 0.55%

LAB 74.92, 0.75, 62.03

 

CMYK 69 / 0 / 71 / 15

HEX #44D93F

RGB 68 217 63

HSL 118.05, 0.67%, 0.55%

LAB 76.81, -66.97, 61.26

 

CMYK 71 / 55 / 0 / 15

HEX #3F61D9

RGB 63 97 217

HSL 226.75, 0.67%, 0.55%

LAB 45.1, 28.2, -65.16

 

CMYK 0 / 71 / 19 / 15

HEX #D93FB0

RGB 217 63 176

HSL 315.97, 0.67%, 0.55%

LAB 53.43, 69.82, -27.25

 

CMYK 0 / 17 / 71 / 15

HEX #D9B53F

RGB 217 181 63

HSL 45.97, 0.67%, 0.55%

LAB 74.92, 0.75, 62.03

 

CMYK 71 / 0 / 52 / 15

HEX #3FD968

RGB 63 217 104

HSL 135.97, 0.67%, 0.55%

LAB 77.09, -63.25, 43.99

 

Description

Color code: HEX #3F61D9 | qconv.com Color code: HEX #3F61D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 97 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 97 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 55 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 55% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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