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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F50D3 it is the complementary color #C0AF2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F50D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F50D3 shade: #4450CE, #5562E1, #6674F4, #7786FF and #8898FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F50D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F50D3 shade: #3F50D3, #2E3EC0, #1D2CAD, #0C1A9A and #000887

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F50D3 shade: #3F50D3, #563FD3, #7E3FD3, #A63FD3 and #CE3FD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F50D3 shade: #3F50D3 and #3F3FD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F50D3 shade matches the following richer shades: #3F50D3, #2C42E6 and #1933F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F50D3 shade: #3F50D3, #525FC0, #656EAD, #787C9A and #8B8B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F50D3 shade: #3F9FD3, #3F78D3, #3F51D3, #553FD3 and #7D3FD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F50D3 shade: #23319D, #2B3CBE, #3F50D3, #616FDB and #838EE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F50D3 shade: #3F50D3, #D33FC7 and #8CD33F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F50D3 shade: #3F50D3, #D33F51 and #51D33F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F50D3 shade: #3F50D3, #D33FC7, #D3C23F and #3FD34C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F50D3 shade: #3F50D3, #D33F9A, #D3C23F and #3FD378

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

Complementary color

CMYK 0 / 9 / 77 / 25

HEX #C0AF2C

RGB 192 175 44

HSL 53.11, 0.63%, 0.46%

LAB 70.9, -7.79, 64.29

 

CMYK 67 / 61 / 0 / 19

HEX #4450CE

RGB 68 80 206

HSL 234.78, 0.58%, 0.54%

LAB 40.28, 35.72, -66.69

 

CMYK 62 / 56 / 0 / 12

HEX #5562E1

RGB 85 98 225

HSL 234.43, 0.7%, 0.61%

LAB 47.11, 33.59, -66.39

 

CMYK 58 / 52 / 0 / 4

HEX #6674F4

RGB 102 116 244

HSL 234.08, 0.87%, 0.68%

LAB 53.86, 31.77, -66.07

 

CMYK 53 / 47 / 0 / 0

HEX #7786FF

RGB 119 134 255

HSL 233.38, 1%, 0.73%

LAB 60.06, 27.72, -62.12

 

CMYK 47 / 40 / 0 / 0

HEX #8898FF

RGB 136 152 255

HSL 231.93, 1%, 0.77%

LAB 65.68, 20.85, -53.1

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 76 / 68 / 0 / 25

HEX #2E3EC0

RGB 46 62 192

HSL 233.42, 0.61%, 0.47%

LAB 33.63, 39.42, -69.48

 

CMYK 83 / 75 / 0 / 32

HEX #1D2CAD

RGB 29 44 173

HSL 233.75, 0.71%, 0.4%

LAB 26.96, 42.3, -69.22

 

CMYK 92 / 83 / 0 / 40

HEX #0C1A9A

RGB 12 26 154

HSL 234.08, 0.86%, 0.33%

LAB 20.64, 45.01, -68.19

 

CMYK 100 / 94 / 0 / 47

HEX #000887

RGB 0 8 135

HSL 236.44, 1%, 0.26%

LAB 15.08, 46.39, -65.63

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 59 / 70 / 0 / 17

HEX #563FD3

RGB 86 63 211

HSL 249.32, 0.63%, 0.54%

LAB 38.26, 49.86, -72.82

 

CMYK 40 / 70 / 0 / 17

HEX #7E3FD3

RGB 126 63 211

HSL 265.54, 0.63%, 0.54%

LAB 42.3, 56.36, -66.06

 

CMYK 21 / 70 / 0 / 17

HEX #A63FD3

RGB 166 63 211

HSL 281.76, 0.63%, 0.54%

LAB 47.45, 64.12, -57.48

 

CMYK 2 / 70 / 0 / 17

HEX #CE3FD3

RGB 206 63 211

HSL 297.97, 0.63%, 0.54%

LAB 53.36, 72.53, -47.68

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 70 / 70 / 0 / 17

HEX #3F3FD3

RGB 63 63 211

HSL 240, 0.63%, 0.54%

LAB 36.58, 47.02, -75.65

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 81 / 71 / 0 / 10

HEX #2C42E6

RGB 44 66 230

HSL 232.9, 0.79%, 0.54%

LAB 38.1, 50, -84.06

 

CMYK 90 / 80 / 0 / 2

HEX #1933F9

RGB 25 51 249

HSL 233.04, 0.95%, 0.54%

LAB 36.77, 63.27, -97.03

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 57 / 51 / 0 / 25

HEX #525FC0

RGB 82 95 192

HSL 232.91, 0.47%, 0.54%

LAB 43.92, 23.91, -52.65

 

CMYK 42 / 36 / 0 / 32

HEX #656EAD

RGB 101 110 173

HSL 232.5, 0.31%, 0.54%

LAB 48.18, 13.06, -34.74

 

CMYK 22 / 19 / 0 / 40

HEX #787C9A

RGB 120 124 154

HSL 232.94, 0.14%, 0.54%

LAB 52.67, 5.27, -16.6

 

CMYK 0 / 0 / 3 / 45

HEX #8B8B87

RGB 139 139 135

HSL 60, 0.02%, 0.54%

LAB 57.75, -0.77, 2.13

 

CMYK 70 / 25 / 0 / 17

HEX #3F9FD3

RGB 63 159 211

HSL 201.08, 0.63%, 0.54%

LAB 62.13, -11.34, -34.68

 

CMYK 70 / 43 / 0 / 17

HEX #3F78D3

RGB 63 120 211

HSL 216.89, 0.63%, 0.54%

LAB 50.91, 11.56, -52.39

 

CMYK 70 / 62 / 0 / 17

HEX #3F51D3

RGB 63 81 211

HSL 232.7, 0.63%, 0.54%

LAB 40.65, 36.16, -68.99

 

CMYK 60 / 70 / 0 / 17

HEX #553FD3

RGB 85 63 211

HSL 248.92, 0.63%, 0.54%

LAB 38.18, 49.72, -72.96

 

CMYK 41 / 70 / 0 / 17

HEX #7D3FD3

RGB 125 63 211

HSL 265.14, 0.63%, 0.54%

LAB 42.18, 56.18, -66.26

 

CMYK 78 / 69 / 0 / 38

HEX #23319D

RGB 35 49 157

HSL 233.11, 0.64%, 0.38%

LAB 26.7, 33.94, -59.96

 

CMYK 77 / 68 / 0 / 25

HEX #2B3CBE

RGB 43 60 190

HSL 233.06, 0.63%, 0.46%

LAB 32.84, 39.67, -69.61

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 56 / 49 / 0 / 14

HEX #616FDB

RGB 97 111 219

HSL 233.11, 0.63%, 0.62%

LAB 50.72, 25.81, -57.14

 

CMYK 42 / 37 / 0 / 11

HEX #838EE2

RGB 131 142 226

HSL 233.05, 0.62%, 0.7%

LAB 61.36, 17.11, -43.99

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 0 / 70 / 6 / 17

HEX #D33FC7

RGB 211 63 199

HSL 304.86, 0.63%, 0.54%

LAB 53.52, 71.72, -40.5

 

CMYK 34 / 0 / 70 / 17

HEX #8CD33F

RGB 140 211 63

HSL 88.78, 0.63%, 0.54%

LAB 77.59, -45.01, 62.9

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 0 / 70 / 62 / 17

HEX #D33F51

RGB 211 63 81

HSL 352.7, 0.63%, 0.54%

LAB 49.49, 58.61, 23.69

 

CMYK 62 / 0 / 70 / 17

HEX #51D33F

RGB 81 211 63

HSL 112.7, 0.63%, 0.54%

LAB 75.26, -62.33, 59.76

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 0 / 70 / 6 / 17

HEX #D33FC7

RGB 211 63 199

HSL 304.86, 0.63%, 0.54%

LAB 53.52, 71.72, -40.5

 

CMYK 0 / 8 / 70 / 17

HEX #D3C23F

RGB 211 194 63

HSL 53.11, 0.63%, 0.54%

LAB 77.75, -8.57, 64.67

 

CMYK 70 / 0 / 64 / 17

HEX #3FD34C

RGB 63 211 76

HSL 125.27, 0.63%, 0.54%

LAB 74.93, -64.69, 54.11

 

CMYK 70 / 62 / 0 / 17

HEX #3F50D3

RGB 63 80 211

HSL 233.11, 0.63%, 0.54%

LAB 40.41, 36.79, -69.38

 

CMYK 0 / 70 / 27 / 17

HEX #D33F9A

RGB 211 63 154

HSL 323.11, 0.63%, 0.54%

LAB 51.54, 65.46, -17.3

 

CMYK 0 / 8 / 70 / 17

HEX #D3C23F

RGB 211 194 63

HSL 53.11, 0.63%, 0.54%

LAB 77.75, -8.57, 64.67

 

CMYK 70 / 0 / 43 / 17

HEX #3FD378

RGB 63 211 120

HSL 143.11, 0.63%, 0.54%

LAB 75.45, -58.61, 34.05

 

Description

Color code: HEX #3F50D3 | qconv.com Color code: HEX #3F50D3 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 80 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 80 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 62 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 62% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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