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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F3DCB it is the complementary color #C0C234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F3DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F3DCB shade: #443DC6, #554FD9, #6661EC, #7773FF and #8885FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F3DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F3DCB shade: #3F3DCB, #2E2BB8, #1D19A5, #0C0792 and #00007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F3DCB shade: #3F3DCB, #653DCB, #8C3DCB, #B23DCB and #CB3DBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F3DCB shade: #3F3DCB and #3D3DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F3DCB shade matches the following richer shades: #3F3DCB, #2C29DF and #1915F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F3DCB shade: #3F3DCB, #5251B7, #6665A3, #797990 and #8C8C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F3DCB shade: #3D89CB, #3D63CB, #3D3DCB, #633DCB and #893DCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F3DCB shade: #272690, #302FB0, #3F3DCB, #5F5ED4 and #807EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F3DCB shade: #3F3DCB, #CB3DAF and #76CB3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F3DCB shade: #3F3DCB, #CB3D3D and #3DCB3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F3DCB shade: #3F3DCB, #CB3DAF, #CBCB3D and #3DCB5A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F3DCB shade: #3F3DCB, #CB3D84, #CBCB3D and #3DCB84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

Complementary color

CMYK 1 / 0 / 73 / 24

HEX #C0C234

RGB 192 194 52

HSL 60.85, 0.58%, 0.48%

LAB 76.09, -17.17, 66.45

 

CMYK 66 / 69 / 0 / 22

HEX #443DC6

RGB 68 61 198

HSL 243.07, 0.55%, 0.51%

LAB 35.29, 44.52, -70.22

 

CMYK 61 / 64 / 0 / 15

HEX #554FD9

RGB 85 79 217

HSL 242.61, 0.64%, 0.58%

LAB 42.05, 42.48, -70.07

 

CMYK 57 / 59 / 0 / 7

HEX #6661EC

RGB 102 97 236

HSL 242.16, 0.79%, 0.65%

LAB 48.8, 40.61, -69.8

 

CMYK 53 / 55 / 0 / 0

HEX #7773FF

RGB 119 115 255

HSL 241.71, 1%, 0.73%

LAB 55.49, 38.94, -69.49

 

CMYK 47 / 48 / 0 / 0

HEX #8885FF

RGB 136 133 255

HSL 241.48, 1%, 0.76%

LAB 60.98, 31.91, -60.58

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 75 / 77 / 0 / 28

HEX #2E2BB8

RGB 46 43 184

HSL 241.28, 0.62%, 0.45%

LAB 28.82, 47.79, -72.68

 

CMYK 82 / 85 / 0 / 35

HEX #1D19A5

RGB 29 25 165

HSL 241.71, 0.74%, 0.37%

LAB 22.56, 49.63, -71.69

 

CMYK 92 / 95 / 0 / 43

HEX #0C0792

RGB 12 7 146

HSL 242.16, 0.91%, 0.3%

LAB 17.01, 50.1, -69.27

 

CMYK 100 / 100 / 0 / 50

HEX #00007F

RGB 0 0 127

HSL 240, 1%, 0.25%

LAB 12.81, 47.24, -64.34

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 50 / 70 / 0 / 20

HEX #653DCB

RGB 101 61 203

HSL 256.9, 0.58%, 0.52%

LAB 38.58, 50.89, -67.62

 

CMYK 31 / 70 / 0 / 20

HEX #8C3DCB

RGB 140 61 203

HSL 273.38, 0.58%, 0.52%

LAB 43.1, 58.02, -60.07

 

CMYK 12 / 70 / 0 / 20

HEX #B23DCB

RGB 178 61 203

HSL 289.44, 0.58%, 0.52%

LAB 48.4, 65.86, -51.25

 

CMYK 0 / 70 / 6 / 20

HEX #CB3DBE

RGB 203 61 190

HSL 305.49, 0.58%, 0.52%

LAB 51.56, 69.2, -38.49

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 70 / 70 / 0 / 20

HEX #3D3DCB

RGB 61 61 203

HSL 240, 0.58%, 0.52%

LAB 35.28, 45.33, -73.15

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 80 / 82 / 0 / 13

HEX #2C29DF

RGB 44 41 223

HSL 240.99, 0.74%, 0.52%

LAB 32.81, 60.72, -88.83

 

CMYK 90 / 91 / 0 / 5

HEX #1915F3

RGB 25 21 243

HSL 241.08, 0.9%, 0.52%

LAB 32.29, 72.72, -101.11

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 55 / 56 / 0 / 28

HEX #5251B7

RGB 82 81 183

HSL 240.59, 0.41%, 0.52%

LAB 39.74, 29.74, -54.13

 

CMYK 37 / 38 / 0 / 36

HEX #6665A3

RGB 102 101 163

HSL 240.97, 0.25%, 0.52%

LAB 45.33, 15.95, -33.35

 

CMYK 16 / 16 / 0 / 44

HEX #797990

RGB 121 121 144

HSL 240, 0.09%, 0.52%

LAB 51.56, 4.99, -12.43

 

CMYK 0 / 0 / 11 / 45

HEX #8C8C7C

RGB 140 140 124

HSL 60, 0.07%, 0.52%

LAB 57.83, -2.96, 8.55

 

CMYK 70 / 33 / 0 / 20

HEX #3D89CB

RGB 61 137 203

HSL 207.89, 0.58%, 0.52%

LAB 55.27, -1.85, -40.93

 

CMYK 70 / 51 / 0 / 20

HEX #3D63CB

RGB 61 99 203

HSL 223.94, 0.58%, 0.52%

LAB 44.56, 21.6, -58.03

 

CMYK 70 / 70 / 0 / 20

HEX #3D3DCB

RGB 61 61 203

HSL 240, 0.58%, 0.52%

LAB 35.28, 45.33, -73.15

 

CMYK 51 / 70 / 0 / 20

HEX #633DCB

RGB 99 61 203

HSL 256.06, 0.58%, 0.52%

LAB 38.38, 50.56, -67.96

 

CMYK 33 / 70 / 0 / 20

HEX #893DCB

RGB 137 61 203

HSL 272.11, 0.58%, 0.52%

LAB 42.71, 57.43, -60.71

 

CMYK 73 / 74 / 0 / 44

HEX #272690

RGB 39 38 144

HSL 240.57, 0.58%, 0.36%

LAB 23.11, 36.58, -57.88

 

CMYK 73 / 73 / 0 / 31

HEX #302FB0

RGB 48 47 176

HSL 240.47, 0.58%, 0.44%

LAB 28.89, 43.11, -67.8

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 55 / 56 / 0 / 17

HEX #5F5ED4

RGB 95 94 212

HSL 240.51, 0.58%, 0.6%

LAB 45.9, 33.58, -60.93

 

CMYK 42 / 43 / 0 / 14

HEX #807EDC

RGB 128 126 220

HSL 241.28, 0.57%, 0.68%

LAB 56.76, 24.07, -47.93

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 0 / 70 / 14 / 20

HEX #CB3DAF

RGB 203 61 175

HSL 311.83, 0.58%, 0.52%

LAB 50.84, 66.96, -30.88

 

CMYK 42 / 0 / 70 / 20

HEX #76CB3D

RGB 118 203 61

HSL 95.92, 0.58%, 0.52%

LAB 74.13, -49.3, 59.76

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 0 / 70 / 70 / 20

HEX #CB3D3D

RGB 203 61 61

HSL 0, 0.58%, 0.52%

LAB 47.46, 55.73, 32.7

 

CMYK 70 / 0 / 70 / 20

HEX #3DCB3D

RGB 61 203 61

HSL 120, 0.58%, 0.52%

LAB 72.26, -63.85, 57.23

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 0 / 70 / 14 / 20

HEX #CB3DAF

RGB 203 61 175

HSL 311.83, 0.58%, 0.52%

LAB 50.84, 66.96, -30.88

 

CMYK 0 / 0 / 70 / 20

HEX #CBCB3D

RGB 203 203 61

HSL 60, 0.58%, 0.52%

LAB 79.47, -16.6, 66.87

 

CMYK 70 / 0 / 56 / 20

HEX #3DCB5A

RGB 61 203 90

HSL 132.25, 0.58%, 0.52%

LAB 72.52, -60.67, 45.09

 

CMYK 69 / 70 / 0 / 20

HEX #3F3DCB

RGB 63 61 203

HSL 240.85, 0.58%, 0.52%

LAB 35.41, 45.55, -72.94

 

CMYK 0 / 70 / 35 / 20

HEX #CB3D84

RGB 203 61 132

HSL 330, 0.58%, 0.52%

LAB 49.13, 61.44, -7.91

 

CMYK 0 / 0 / 70 / 20

HEX #CBCB3D

RGB 203 203 61

HSL 60, 0.58%, 0.52%

LAB 79.47, -16.6, 66.87

 

CMYK 70 / 0 / 35 / 20

HEX #3DCB84

RGB 61 203 132

HSL 150, 0.58%, 0.52%

LAB 73.13, -53.72, 24.79

 

Description

Color code: HEX #3F3DCB | qconv.com Color code: HEX #3F3DCB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 61 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 61 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 70 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 70% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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