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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F3892 it is the complementary color #C0C76D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F3892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F3892 shade: #44388D, #554AA0, #665CB3, #776EC6 and #8880D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F3892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F3892 shade: #3F3892, #2E267F, #1D146C, #0C0259 and #000046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F3892 shade: #3F3893, #583893, #703893, #893893 and #933885

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F3892 shade: #3F3893 and #383893

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F3892 shade matches the following richer shades: #3F3893, #3127A4, #2317B4 and #1506C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F3892 shade: #3F3893, #4D4883, #5B5972, #696962 and #767A51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F3892 shade: #386293, #384A93, #3E3893, #563893 and #6F3893

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F3892 shade: #252158, #322C75, #3F3893, #4C43B1 and #645CC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F3892 shade: #3F3892, #93387B and #569338

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F3892 shade: #3F3892, #933E38 and #38933E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F3892 shade: #3F3892, #93387B, #8D9338 and #389350

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F3892 shade: #3F3892, #93385F, #8D9338 and #38936C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 62 / 0 / 43

HEX #3F3892

RGB 63 56 146

HSL 244.67, 0.45%, 0.4%

LAB 29.31, 29.61, -48.89

 

Complementary color

CMYK 4 / 0 / 45 / 22

HEX #C0C76D

RGB 192 199 109

HSL 64.67, 0.45%, 0.6%

LAB 77.97, -15.56, 44.02

 

CMYK 52 / 60 / 0 / 45

HEX #44388D

RGB 68 56 141

HSL 248.47, 0.43%, 0.39%

LAB 29.36, 28.99, -45.71

 

CMYK 47 / 54 / 0 / 37

HEX #554AA0

RGB 85 74 160

HSL 247.67, 0.37%, 0.46%

LAB 36.68, 27.47, -45.39

 

CMYK 43 / 49 / 0 / 30

HEX #665CB3

RGB 102 92 179

HSL 246.9, 0.36%, 0.53%

LAB 43.85, 26.17, -45.1

 

CMYK 40 / 44 / 0 / 22

HEX #776EC6

RGB 119 110 198

HSL 246.14, 0.44%, 0.6%

LAB 50.86, 25.07, -44.85

 

CMYK 37 / 41 / 0 / 15

HEX #8880D9

RGB 136 128 217

HSL 245.39, 0.54%, 0.68%

LAB 57.73, 24.11, -44.66

 

CMYK 57 / 62 / 0 / 43

HEX #3F3892

RGB 63 56 146

HSL 244.67, 0.45%, 0.4%

LAB 29.31, 29.61, -48.89

 

CMYK 64 / 70 / 0 / 50

HEX #2E267F

RGB 46 38 127

HSL 245.39, 0.54%, 0.32%

LAB 21.94, 31.6, -49.13

 

CMYK 73 / 81 / 0 / 58

HEX #1D146C

RGB 29 20 108

HSL 246.14, 0.69%, 0.25%

LAB 14.65, 33.67, -48.96

 

CMYK 87 / 98 / 0 / 65

HEX #0C0259

RGB 12 2 89

HSL 246.9, 0.96%, 0.18%

LAB 7.61, 35.71, -48.02

 

CMYK 100 / 100 / 0 / 73

HEX #000046

RGB 0 0 70

HSL 240, 1%, 0.14%

LAB 3.99, 27.1, -40.87

 

CMYK 57 / 62 / 0 / 42

HEX #3F3893

RGB 63 56 147

HSL 244.62, 0.45%, 0.4%

LAB 29.39, 29.95, -49.37

 

CMYK 40 / 62 / 0 / 42

HEX #583893

RGB 88 56 147

HSL 261.1, 0.45%, 0.4%

LAB 31.83, 35.31, -45.31

 

CMYK 24 / 62 / 0 / 42

HEX #703893

RGB 112 56 147

HSL 276.92, 0.45%, 0.4%

LAB 34.76, 41.19, -40.44

 

CMYK 7 / 62 / 0 / 42

HEX #893893

RGB 137 56 147

HSL 293.41, 0.45%, 0.4%

LAB 38.29, 47.67, -34.61

 

CMYK 0 / 62 / 10 / 42

HEX #933885

RGB 147 56 133

HSL 309.23, 0.45%, 0.4%

LAB 39.11, 47.87, -24.65

 

CMYK 57 / 62 / 0 / 42

HEX #3F3893

RGB 63 56 147

HSL 244.62, 0.45%, 0.4%

LAB 29.39, 29.95, -49.37

 

CMYK 62 / 62 / 0 / 42

HEX #383893

RGB 56 56 147

HSL 240, 0.45%, 0.4%

LAB 28.84, 28.66, -50.3

 

CMYK 57 / 62 / 0 / 42

HEX #3F3893

RGB 63 56 147

HSL 244.62, 0.45%, 0.4%

LAB 29.39, 29.95, -49.37

 

CMYK 70 / 76 / 0 / 36

HEX #3127A4

RGB 49 39 164

HSL 244.8, 0.62%, 0.4%

LAB 26.11, 43.76, -65.16

 

CMYK 81 / 87 / 0 / 29

HEX #2317B4

RGB 35 23 180

HSL 244.59, 0.77%, 0.4%

LAB 24.53, 55.19, -77.44

 

CMYK 89 / 97 / 0 / 23

HEX #1506C5

RGB 21 6 197

HSL 244.71, 0.94%, 0.4%

LAB 24.71, 64.1, -87.25

 

CMYK 57 / 62 / 0 / 42

HEX #3F3893

RGB 63 56 147

HSL 244.62, 0.45%, 0.4%

LAB 29.39, 29.95, -49.37

 

CMYK 41 / 45 / 0 / 49

HEX #4D4883

RGB 77 72 131

HSL 245.08, 0.29%, 0.4%

LAB 33.67, 17.74, -32.58

 

CMYK 20 / 22 / 0 / 55

HEX #5B5972

RGB 91 89 114

HSL 244.8, 0.12%, 0.4%

LAB 38.87, 6.59, -13.9

 

CMYK 0 / 0 / 7 / 59

HEX #696962

RGB 105 105 98

HSL 60, 0.03%, 0.4%

LAB 44.22, -1.4, 3.93

 

CMYK 3 / 0 / 34 / 52

HEX #767A51

RGB 118 122 81

HSL 65.85, 0.2%, 0.4%

LAB 49.94, -8.61, 21.99

 

CMYK 62 / 33 / 0 / 42

HEX #386293

RGB 56 98 147

HSL 212.31, 0.45%, 0.4%

LAB 40.71, 1.18, -31.3

 

CMYK 62 / 50 / 0 / 42

HEX #384A93

RGB 56 74 147

HSL 228.13, 0.45%, 0.4%

LAB 33.66, 16.74, -42.51

 

CMYK 58 / 62 / 0 / 42

HEX #3E3893

RGB 62 56 147

HSL 243.96, 0.45%, 0.4%

LAB 29.31, 29.76, -49.51

 

CMYK 41 / 62 / 0 / 42

HEX #563893

RGB 86 56 147

HSL 259.78, 0.45%, 0.4%

LAB 31.61, 34.84, -45.68

 

CMYK 24 / 62 / 0 / 42

HEX #6F3893

RGB 111 56 147

HSL 276.26, 0.45%, 0.4%

LAB 34.63, 40.94, -40.66

 

CMYK 58 / 63 / 0 / 65

HEX #252158

RGB 37 33 88

HSL 244.36, 0.45%, 0.24%

LAB 16.43, 19.41, -32.76

 

CMYK 57 / 62 / 0 / 54

HEX #322C75

RGB 50 44 117

HSL 244.93, 0.45%, 0.32%

LAB 22.87, 24.97, -41.24

 

CMYK 57 / 62 / 0 / 42

HEX #3F3893

RGB 63 56 147

HSL 244.62, 0.45%, 0.4%

LAB 29.39, 29.95, -49.37

 

CMYK 57 / 62 / 0 / 31

HEX #4C43B1

RGB 76 67 177

HSL 244.91, 0.45%, 0.48%

LAB 35.45, 35.34, -57.57

 

CMYK 48 / 52 / 0 / 24

HEX #645CC1

RGB 100 92 193

HSL 244.75, 0.45%, 0.56%

LAB 44.54, 29.91, -52.16

 

CMYK 57 / 62 / 0 / 43

HEX #3F3892

RGB 63 56 146

HSL 244.67, 0.45%, 0.4%

LAB 29.31, 29.61, -48.89

 

CMYK 0 / 62 / 16 / 42

HEX #93387B

RGB 147 56 123

HSL 315.82, 0.45%, 0.4%

LAB 38.66, 46.24, -19.19

 

CMYK 41 / 0 / 62 / 42

HEX #569338

RGB 86 147 56

HSL 100.22, 0.45%, 0.4%

LAB 55.21, -36.82, 41.09

 

CMYK 57 / 62 / 0 / 43

HEX #3F3892

RGB 63 56 146

HSL 244.67, 0.45%, 0.4%

LAB 29.31, 29.61, -48.89

 

CMYK 0 / 58 / 62 / 42

HEX #933E38

RGB 147 62 56

HSL 3.96, 0.45%, 0.4%

LAB 37.72, 35.41, 21.51

 

CMYK 62 / 0 / 58 / 42

HEX #38933E

RGB 56 147 62

HSL 123.96, 0.45%, 0.4%

LAB 54.09, -44.92, 36.61

 

CMYK 57 / 62 / 0 / 43

HEX #3F3892

RGB 63 56 146

HSL 244.67, 0.45%, 0.4%

LAB 29.31, 29.61, -48.89

 

CMYK 0 / 62 / 16 / 42

HEX #93387B

RGB 147 56 123

HSL 315.82, 0.45%, 0.4%

LAB 38.66, 46.24, -19.19

 

CMYK 4 / 0 / 62 / 42

HEX #8D9338

RGB 141 147 56

HSL 63.96, 0.45%, 0.4%

LAB 58.8, -14.82, 46.08

 

CMYK 62 / 0 / 46 / 42

HEX #389350

RGB 56 147 80

HSL 135.82, 0.45%, 0.4%

LAB 54.33, -42.19, 27.61

 

CMYK 57 / 62 / 0 / 43

HEX #3F3892

RGB 63 56 146

HSL 244.67, 0.45%, 0.4%

LAB 29.31, 29.61, -48.89

 

CMYK 0 / 62 / 35 / 42

HEX #93385F

RGB 147 56 95

HSL 334.29, 0.45%, 0.4%

LAB 37.59, 42.27, -3.26

 

CMYK 4 / 0 / 62 / 42

HEX #8D9338

RGB 141 147 56

HSL 63.96, 0.45%, 0.4%

LAB 58.8, -14.82, 46.08

 

CMYK 62 / 0 / 27 / 42

HEX #38936C

RGB 56 147 108

HSL 154.29, 0.45%, 0.4%

LAB 54.86, -36.59, 12.79

 

Description

Color code: HEX #3F3892 | qconv.com Color code: HEX #3F3892 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 56 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 56 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 62 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 62% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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