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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F2AFC it is the complementary color #C0D503. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F2AFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F2AFC shade: #442AF7, #553CFF, #664EFF, #7760FF and #8872FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F2AFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F2AFC shade: #3F2AFC, #2E18E9, #1D06D6, #0C00C3 and #0000B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F2AFC shade: #402CFB, #782CFB, #B02CFB, #E82CFB and #FB2CD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F2AFC shade: #402CFB and #2C2CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F2AFC shade matches the following richer shades: #402CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F2AFC shade: #402CFB, #4E3DEA, #5C4ED9, #6A5FC7 and #7871B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F2AFC shade: #2C86FB, #2C4EFB, #402CFB, #782CFB and #AF2CFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F2AFC shade: #1703D2, #1C03FA, #402CFB, #6554FC and #8A7DFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F2AFC shade: #3F2AFC, #FB2CBD and #6AFB2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F2AFC shade: #3F2AFC, #FB402C and #2CFB40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F2AFC shade: #3F2AFC, #FB2CBD, #E7FB2C and #2CFB6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F2AFC shade: #3F2AFC, #FB2C7F, #E7FB2C and #2CFBA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 83 / 0 / 1

HEX #3F2AFC

RGB 63 42 252

HSL 246, 0.97%, 0.58%

LAB 37.37, 69.54, -97.67

 

Complementary color

CMYK 10 / 0 / 99 / 16

HEX #C0D503

RGB 192 213 3

HSL 66, 0.97%, 0.42%

LAB 81.18, -27.61, 80.32

 

CMYK 72 / 83 / 0 / 3

HEX #442AF7

RGB 68 42 247

HSL 247.61, 0.93%, 0.57%

LAB 37.12, 68.45, -95.28

 

CMYK 67 / 76 / 0 / 0

HEX #553CFF

RGB 85 60 255

HSL 247.69, 1%, 0.62%

LAB 41.82, 64.21, -91.93

 

CMYK 60 / 69 / 0 / 0

HEX #664EFF

RGB 102 78 255

HSL 248.14, 1%, 0.65%

LAB 46.3, 57.08, -84.5

 

CMYK 53 / 62 / 0 / 0

HEX #7760FF

RGB 119 96 255

HSL 248.68, 1%, 0.69%

LAB 51.28, 49.85, -76.32

 

CMYK 47 / 55 / 0 / 0

HEX #8872FF

RGB 136 114 255

HSL 249.36, 1%, 0.72%

LAB 56.57, 42.88, -67.67

 

CMYK 75 / 83 / 0 / 1

HEX #3F2AFC

RGB 63 42 252

HSL 246, 0.97%, 0.58%

LAB 37.37, 69.54, -97.67

 

CMYK 80 / 90 / 0 / 9

HEX #2E18E9

RGB 46 24 233

HSL 246.32, 0.83%, 0.5%

LAB 32.07, 69.79, -95.77

 

CMYK 86 / 97 / 0 / 16

HEX #1D06D6

RGB 29 6 214

HSL 246.63, 0.95%, 0.43%

LAB 27.43, 68.5, -92.63

 

CMYK 94 / 100 / 0 / 24

HEX #0C00C3

RGB 12 0 195

HSL 243.69, 1%, 0.38%

LAB 23.73, 64.8, -87.71

 

CMYK 100 / 100 / 0 / 31

HEX #0000B0

RGB 0 0 176

HSL 240, 1%, 0.35%

LAB 20.58, 59.97, -81.68

 

CMYK 75 / 82 / 0 / 2

HEX #402CFB

RGB 64 44 251

HSL 245.8, 0.96%, 0.58%

LAB 37.58, 68.54, -96.76

 

CMYK 52 / 82 / 0 / 2

HEX #782CFB

RGB 120 44 251

HSL 262.03, 0.96%, 0.58%

LAB 42.4, 73.1, -88.63

 

CMYK 30 / 82 / 0 / 2

HEX #B02CFB

RGB 176 44 251

HSL 278.26, 0.96%, 0.58%

LAB 49.49, 80.2, -76.73

 

CMYK 8 / 82 / 0 / 2

HEX #E82CFB

RGB 232 44 251

HSL 294.49, 0.96%, 0.58%

LAB 57.96, 89.06, -62.61

 

CMYK 0 / 82 / 15 / 2

HEX #FB2CD6

RGB 251 44 214

HSL 310.72, 0.96%, 0.58%

LAB 59.13, 87.26, -39.8

 

CMYK 75 / 82 / 0 / 2

HEX #402CFB

RGB 64 44 251

HSL 245.8, 0.96%, 0.58%

LAB 37.58, 68.54, -96.76

 

CMYK 82 / 82 / 0 / 2

HEX #2C2CFB

RGB 44 44 251

HSL 240, 0.96%, 0.58%

LAB 36.56, 67.6, -98.49

 

CMYK 75 / 82 / 0 / 2

HEX #402CFB

RGB 64 44 251

HSL 245.8, 0.96%, 0.58%

LAB 37.58, 68.54, -96.76

 

CMYK 75 / 82 / 0 / 2

HEX #402CFB

RGB 64 44 251

HSL 245.8, 0.96%, 0.58%

LAB 37.58, 68.54, -96.76

 

CMYK 67 / 74 / 0 / 8

HEX #4E3DEA

RGB 78 61 234

HSL 245.9, 0.8%, 0.58%

LAB 39.41, 56.88, -84.12

 

CMYK 58 / 64 / 0 / 15

HEX #5C4ED9

RGB 92 78 217

HSL 246.04, 0.65%, 0.58%

LAB 42.36, 44.16, -69.55

 

CMYK 47 / 52 / 0 / 22

HEX #6A5FC7

RGB 106 95 199

HSL 246.35, 0.48%, 0.58%

LAB 46.14, 31.25, -53.03

 

CMYK 34 / 38 / 0 / 29

HEX #7871B6

RGB 120 113 182

HSL 246.09, 0.32%, 0.58%

LAB 50.9, 19.08, -35.59

 

CMYK 82 / 47 / 0 / 2

HEX #2C86FB

RGB 44 134 251

HSL 213.91, 0.96%, 0.58%

LAB 56.64, 15.51, -65.6

 

CMYK 82 / 69 / 0 / 2

HEX #2C4EFB

RGB 44 78 251

HSL 230.14, 0.96%, 0.58%

LAB 42.69, 50.15, -88.34

 

CMYK 75 / 82 / 0 / 2

HEX #402CFB

RGB 64 44 251

HSL 245.8, 0.96%, 0.58%

LAB 37.58, 68.54, -96.76

 

CMYK 52 / 82 / 0 / 2

HEX #782CFB

RGB 120 44 251

HSL 262.03, 0.96%, 0.58%

LAB 42.4, 73.1, -88.63

 

CMYK 30 / 82 / 0 / 2

HEX #AF2CFB

RGB 175 44 251

HSL 277.97, 0.96%, 0.58%

LAB 49.35, 80.05, -76.96

 

CMYK 89 / 99 / 0 / 18

HEX #1703D2

RGB 23 3 210

HSL 245.8, 0.97%, 0.42%

LAB 26.45, 67.99, -91.94

 

CMYK 89 / 99 / 0 / 2

HEX #1C03FA

RGB 28 3 250

HSL 246.07, 0.98%, 0.5%

LAB 32.29, 77.74, -105.06

 

CMYK 75 / 82 / 0 / 2

HEX #402CFB

RGB 64 44 251

HSL 245.8, 0.96%, 0.58%

LAB 37.58, 68.54, -96.76

 

CMYK 60 / 67 / 0 / 1

HEX #6554FC

RGB 101 84 252

HSL 246.07, 0.97%, 0.66%

LAB 47.15, 52.82, -81.44

 

CMYK 45 / 51 / 0 / 1

HEX #8A7DFD

RGB 138 125 253

HSL 246.09, 0.97%, 0.74%

LAB 59.12, 36.42, -62.45

 

CMYK 75 / 83 / 0 / 1

HEX #3F2AFC

RGB 63 42 252

HSL 246, 0.97%, 0.58%

LAB 37.37, 69.54, -97.67

 

CMYK 0 / 82 / 25 / 2

HEX #FB2CBD

RGB 251 44 189

HSL 317.97, 0.96%, 0.58%

LAB 58.02, 84.21, -27.22

 

CMYK 58 / 0 / 82 / 2

HEX #6AFB2C

RGB 106 251 44

HSL 102.03, 0.96%, 0.58%

LAB 88.08, -71.17, 78.1

 

CMYK 75 / 83 / 0 / 1

HEX #3F2AFC

RGB 63 42 252

HSL 246, 0.97%, 0.58%

LAB 37.37, 69.54, -97.67

 

CMYK 0 / 75 / 82 / 2

HEX #FB402C

RGB 251 64 44

HSL 5.8, 0.96%, 0.58%

LAB 56.44, 68.79, 53.92

 

CMYK 82 / 0 / 75 / 2

HEX #2CFB40

RGB 44 251 64

HSL 125.8, 0.96%, 0.58%

LAB 86.95, -80.44, 71.04

 

CMYK 75 / 83 / 0 / 1

HEX #3F2AFC

RGB 63 42 252

HSL 246, 0.97%, 0.58%

LAB 37.37, 69.54, -97.67

 

CMYK 0 / 82 / 25 / 2

HEX #FB2CBD

RGB 251 44 189

HSL 317.97, 0.96%, 0.58%

LAB 58.02, 84.21, -27.22

 

CMYK 8 / 0 / 82 / 2

HEX #E7FB2C

RGB 231 251 44

HSL 65.8, 0.96%, 0.58%

LAB 94.38, -28.8, 86.03

 

CMYK 82 / 0 / 58 / 2

HEX #2CFB6A

RGB 44 251 106

HSL 137.97, 0.96%, 0.58%

LAB 87.28, -76.37, 55.19

 

CMYK 75 / 83 / 0 / 1

HEX #3F2AFC

RGB 63 42 252

HSL 246, 0.97%, 0.58%

LAB 37.37, 69.54, -97.67

 

CMYK 0 / 82 / 49 / 2

HEX #FB2C7F

RGB 251 44 127

HSL 335.94, 0.96%, 0.58%

LAB 55.93, 78.25, 6.07

 

CMYK 8 / 0 / 82 / 2

HEX #E7FB2C

RGB 231 251 44

HSL 65.8, 0.96%, 0.58%

LAB 94.38, -28.8, 86.03

 

CMYK 82 / 0 / 33 / 2

HEX #2CFBA8

RGB 44 251 168

HSL 155.94, 0.96%, 0.58%

LAB 88.14, -66.23, 26.53

 

Description

Color code: HEX #3F2AFC | qconv.com Color code: HEX #3F2AFC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 42 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 42 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 83 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 83% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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