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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F2998 it is the complementary color #C0D667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F2998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F2998 shade: #442993, #553BA6, #664DB9, #775FCC and #8871DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F2998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F2998 shade: #3F2998, #2E1785, #1D0572, #0C005F and #00004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F2998 shade: #3E2899, #5D2899, #7B2899, #992898 and #992879

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F2998 shade: #3E2899 and #282899

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F2998 shade matches the following richer shades: #3E2899, #3519A8 and #2C09B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F2998 shade: #3E2899, #483889, #514879, #5B576A and #64675A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F2998 shade: #285099, #283299, #3D2899, #5B2899 and #792899

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F2998 shade: #241757, #312078, #3E2899, #4C31B9 and #6146CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F2998 shade: #3F2998, #99286E and #419928

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F2998 shade: #3F2998, #993D28 and #28993D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F2998 shade: #3F2998, #99286E, #849928 and #289953

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F2998 shade: #3F2998, #99284C, #849928 and #289975

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 73 / 0 / 40

HEX #3F2998

RGB 63 41 152

HSL 251.89, 0.58%, 0.38%

LAB 26.48, 40.6, -57.2

 

Complementary color

CMYK 10 / 0 / 52 / 16

HEX #C0D667

RGB 192 214 103

HSL 71.89, 0.58%, 0.62%

LAB 81.99, -23.55, 51.72

 

CMYK 54 / 72 / 0 / 42

HEX #442993

RGB 68 41 147

HSL 255.28, 0.56%, 0.37%

LAB 26.51, 39.87, -54.05

 

CMYK 49 / 64 / 0 / 35

HEX #553BA6

RGB 85 59 166

HSL 254.58, 0.48%, 0.44%

LAB 33.59, 38.43, -53.99

 

CMYK 45 / 58 / 0 / 27

HEX #664DB9

RGB 102 77 185

HSL 253.89, 0.44%, 0.51%

LAB 40.63, 37.01, -53.78

 

CMYK 42 / 53 / 0 / 20

HEX #775FCC

RGB 119 95 204

HSL 253.21, 0.52%, 0.59%

LAB 47.58, 35.7, -53.54

 

CMYK 39 / 49 / 0 / 13

HEX #8871DF

RGB 136 113 223

HSL 252.55, 0.63%, 0.66%

LAB 54.42, 34.53, -53.3

 

CMYK 59 / 73 / 0 / 40

HEX #3F2998

RGB 63 41 152

HSL 251.89, 0.58%, 0.38%

LAB 26.48, 40.6, -57.2

 

CMYK 65 / 83 / 0 / 48

HEX #2E1785

RGB 46 23 133

HSL 252.55, 0.71%, 0.31%

LAB 19.59, 41.94, -56.8

 

CMYK 75 / 96 / 0 / 55

HEX #1D0572

RGB 29 5 114

HSL 253.21, 0.92%, 0.23%

LAB 13.14, 42.3, -55.38

 

CMYK 87 / 100 / 0 / 63

HEX #0C005F

RGB 12 0 95

HSL 247.58, 1%, 0.19%

LAB 8.17, 38.69, -51.15

 

CMYK 100 / 100 / 0 / 70

HEX #00004C

RGB 0 0 76

HSL 240, 1%, 0.15%

LAB 4.71, 30.43, -43.91

 

CMYK 59 / 74 / 0 / 40

HEX #3E2899

RGB 62 40 153

HSL 251.68, 0.59%, 0.38%

LAB 26.28, 41.32, -58.14

 

CMYK 39 / 74 / 0 / 40

HEX #5D2899

RGB 93 40 153

HSL 268.14, 0.59%, 0.38%

LAB 29.77, 46.53, -52.28

 

CMYK 20 / 74 / 0 / 40

HEX #7B2899

RGB 123 40 153

HSL 284.07, 0.59%, 0.38%

LAB 34.04, 52.55, -45.17

 

CMYK 0 / 74 / 1 / 40

HEX #992898

RGB 153 40 152

HSL 300.53, 0.59%, 0.38%

LAB 38.82, 58.9, -36.64

 

CMYK 0 / 74 / 21 / 40

HEX #992879

RGB 153 40 121

HSL 316.99, 0.59%, 0.38%

LAB 37.24, 54.12, -20.04

 

CMYK 59 / 74 / 0 / 40

HEX #3E2899

RGB 62 40 153

HSL 251.68, 0.59%, 0.38%

LAB 26.28, 41.32, -58.14

 

CMYK 74 / 74 / 0 / 40

HEX #282899

RGB 40 40 153

HSL 240, 0.59%, 0.38%

LAB 24.54, 38.6, -61.07

 

CMYK 59 / 74 / 0 / 40

HEX #3E2899

RGB 62 40 153

HSL 251.68, 0.59%, 0.38%

LAB 26.28, 41.32, -58.14

 

CMYK 68 / 85 / 0 / 34

HEX #3519A8

RGB 53 25 168

HSL 251.75, 0.74%, 0.38%

LAB 24.57, 52.02, -70.12

 

CMYK 76 / 95 / 0 / 28

HEX #2C09B8

RGB 44 9 184

HSL 252, 0.91%, 0.38%

LAB 24.29, 60.68, -80.2

 

CMYK 59 / 74 / 0 / 40

HEX #3E2899

RGB 62 40 153

HSL 251.68, 0.59%, 0.38%

LAB 26.28, 41.32, -58.14

 

CMYK 47 / 59 / 0 / 46

HEX #483889

RGB 72 56 137

HSL 251.85, 0.42%, 0.38%

LAB 29.44, 28.61, -43.09

 

CMYK 33 / 40 / 0 / 53

HEX #514879

RGB 81 72 121

HSL 251.02, 0.25%, 0.38%

LAB 33.49, 15.95, -26.64

 

CMYK 14 / 18 / 0 / 58

HEX #5B576A

RGB 91 87 106

HSL 252.63, 0.1%, 0.38%

LAB 37.99, 5.86, -10.3

 

CMYK 3 / 0 / 13 / 60

HEX #64675A

RGB 100 103 90

HSL 73.85, 0.07%, 0.38%

LAB 42.99, -3.75, 6.94

 

CMYK 74 / 48 / 0 / 40

HEX #285099

RGB 40 80 153

HSL 218.76, 0.59%, 0.38%

LAB 34.98, 12.25, -44.06

 

CMYK 74 / 67 / 0 / 40

HEX #283299

RGB 40 50 153

HSL 234.69, 0.59%, 0.38%

LAB 26.83, 32.36, -57.31

 

CMYK 60 / 74 / 0 / 40

HEX #3D2899

RGB 61 40 153

HSL 251.15, 0.59%, 0.38%

LAB 26.19, 41.17, -58.3

 

CMYK 41 / 74 / 0 / 40

HEX #5B2899

RGB 91 40 153

HSL 267.08, 0.59%, 0.38%

LAB 29.52, 46.15, -52.71

 

CMYK 21 / 74 / 0 / 40

HEX #792899

RGB 121 40 153

HSL 283.01, 0.59%, 0.38%

LAB 33.74, 52.13, -45.68

 

CMYK 59 / 74 / 0 / 66

HEX #241757

RGB 36 23 87

HSL 252.19, 0.58%, 0.22%

LAB 13.69, 25.62, -36.56

 

CMYK 59 / 73 / 0 / 53

HEX #312078

RGB 49 32 120

HSL 251.59, 0.58%, 0.3%

LAB 20.21, 33.4, -47.5

 

CMYK 59 / 74 / 0 / 40

HEX #3E2899

RGB 62 40 153

HSL 251.68, 0.59%, 0.38%

LAB 26.28, 41.32, -58.14

 

CMYK 59 / 74 / 0 / 27

HEX #4C31B9

RGB 76 49 185

HSL 251.91, 0.58%, 0.46%

LAB 32.34, 48.17, -67.4

 

CMYK 53 / 66 / 0 / 20

HEX #6146CD

RGB 97 70 205

HSL 252, 0.57%, 0.54%

LAB 40.13, 45.93, -66.27

 

CMYK 59 / 73 / 0 / 40

HEX #3F2998

RGB 63 41 152

HSL 251.89, 0.58%, 0.38%

LAB 26.48, 40.6, -57.2

 

CMYK 0 / 74 / 28 / 40

HEX #99286E

RGB 153 40 110

HSL 322.83, 0.59%, 0.38%

LAB 36.77, 52.63, -13.86

 

CMYK 58 / 0 / 74 / 40

HEX #419928

RGB 65 153 40

HSL 106.73, 0.59%, 0.38%

LAB 56.15, -47.21, 48.64

 

CMYK 59 / 73 / 0 / 40

HEX #3F2998

RGB 63 41 152

HSL 251.89, 0.58%, 0.38%

LAB 26.48, 40.6, -57.2

 

CMYK 0 / 60 / 74 / 40

HEX #993D28

RGB 153 61 40

HSL 11.15, 0.59%, 0.38%

LAB 38.31, 37.23, 32

 

CMYK 74 / 0 / 60 / 40

HEX #28993D

RGB 40 153 61

HSL 131.15, 0.59%, 0.38%

LAB 55.66, -50.53, 38.83

 

CMYK 59 / 73 / 0 / 40

HEX #3F2998

RGB 63 41 152

HSL 251.89, 0.58%, 0.38%

LAB 26.48, 40.6, -57.2

 

CMYK 0 / 74 / 28 / 40

HEX #99286E

RGB 153 40 110

HSL 322.83, 0.59%, 0.38%

LAB 36.77, 52.63, -13.86

 

CMYK 14 / 0 / 74 / 40

HEX #849928

RGB 132 153 40

HSL 71.15, 0.59%, 0.38%

LAB 59.75, -22.83, 53.41

 

CMYK 74 / 0 / 46 / 40

HEX #289953

RGB 40 153 83

HSL 142.83, 0.59%, 0.38%

LAB 55.95, -47.14, 28

 

CMYK 59 / 73 / 0 / 40

HEX #3F2998

RGB 63 41 152

HSL 251.89, 0.58%, 0.38%

LAB 26.48, 40.6, -57.2

 

CMYK 0 / 74 / 50 / 40

HEX #99284C

RGB 153 40 76

HSL 340.88, 0.59%, 0.38%

LAB 35.62, 48.9, 6.16

 

CMYK 14 / 0 / 74 / 40

HEX #849928

RGB 132 153 40

HSL 71.15, 0.59%, 0.38%

LAB 59.75, -22.83, 53.41

 

CMYK 74 / 0 / 24 / 40

HEX #289975

RGB 40 153 117

HSL 160.88, 0.59%, 0.38%

LAB 56.6, -39.91, 10.09

 

Description

Color code: HEX #3F2998 | qconv.com Color code: HEX #3F2998 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 41 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 41 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 73 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 73% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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