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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F08A0 it is the complementary color #C0F75F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F08A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F08A0 shade: #44089B, #551AAE, #662CC1, #773ED4 and #8850E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F08A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F08A0 shade: #3F08A0, #2E008D, #1D007A, #0C0067 and #000054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F08A0 shade: #3F089F, #68089F, #90089F, #9F0886 and #9F085D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F08A0 shade: #3F089F, #16089F and #08089F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F08A0 shade matches the following richer shades: #3F089F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F08A0 shade: #3F089F, #421692, #462384, #4A3177 and #4E3E69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F08A0 shade: #08249F, #15089F, #3D089F, #65089F and #8E089F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F08A0 shade: #200451, #2F0678, #3F089F, #4E0AC7 and #5E0CEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F08A0 shade: #3F08A0, #9F084C and #0F9F08

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F08A0 shade: #3F08A0, #9F3D08 and #089F3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F08A0 shade: #3F08A0, #9F084C, #6A9F08 and #089F5B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F08A0 shade: #3F08A0, #9F081F, #6A9F08 and #089F89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 95 / 0 / 37

HEX #3F08A0

RGB 63 8 160

HSL 261.71, 0.9%, 0.33%

LAB 22.89, 55.8, -68.02

 

Complementary color

CMYK 22 / 0 / 62 / 3

HEX #C0F75F

RGB 192 247 95

HSL 81.71, 0.9%, 0.67%

LAB 91.03, -39.54, 65.46

 

CMYK 56 / 95 / 0 / 39

HEX #44089B

RGB 68 8 155

HSL 264.49, 0.9%, 0.32%

LAB 22.89, 54.96, -64.93

 

CMYK 51 / 85 / 0 / 32

HEX #551AAE

RGB 85 26 174

HSL 263.92, 0.74%, 0.39%

LAB 28.71, 56.4, -66.78

 

CMYK 47 / 77 / 0 / 24

HEX #662CC1

RGB 102 44 193

HSL 263.36, 0.63%, 0.46%

LAB 34.96, 56.47, -67.71

 

CMYK 44 / 71 / 0 / 17

HEX #773ED4

RGB 119 62 212

HSL 262.8, 0.64%, 0.54%

LAB 41.41, 55.85, -68.13

 

CMYK 41 / 65 / 0 / 9

HEX #8850E7

RGB 136 80 231

HSL 262.25, 0.76%, 0.61%

LAB 47.93, 54.91, -68.26

 

CMYK 61 / 95 / 0 / 37

HEX #3F08A0

RGB 63 8 160

HSL 261.71, 0.9%, 0.33%

LAB 22.89, 55.8, -68.02

 

CMYK 67 / 100 / 0 / 45

HEX #2E008D

RGB 46 0 141

HSL 259.57, 1%, 0.28%

LAB 17.94, 52.08, -64.56

 

CMYK 76 / 100 / 0 / 52

HEX #1D007A

RGB 29 0 122

HSL 254.26, 1%, 0.24%

LAB 13.63, 46.49, -59.73

 

CMYK 88 / 100 / 0 / 60

HEX #0C0067

RGB 12 0 103

HSL 246.99, 1%, 0.2%

LAB 9.46, 40.9, -54.33

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 60 / 95 / 0 / 38

HEX #3F089F

RGB 63 8 159

HSL 261.85, 0.9%, 0.33%

LAB 22.77, 55.55, -67.6

 

CMYK 35 / 95 / 0 / 38

HEX #68089F

RGB 104 8 159

HSL 278.15, 0.9%, 0.33%

LAB 28.43, 59.69, -58.07

 

CMYK 9 / 95 / 0 / 38

HEX #90089F

RGB 144 8 159

HSL 294.04, 0.9%, 0.33%

LAB 35.21, 65.56, -46.75

 

CMYK 0 / 95 / 16 / 38

HEX #9F0886

RGB 159 8 134

HSL 309.93, 0.9%, 0.33%

LAB 36.49, 64.49, -29.22

 

CMYK 0 / 95 / 42 / 38

HEX #9F085D

RGB 159 8 93

HSL 326.23, 0.9%, 0.33%

LAB 34.67, 59.73, -6.07

 

CMYK 60 / 95 / 0 / 38

HEX #3F089F

RGB 63 8 159

HSL 261.85, 0.9%, 0.33%

LAB 22.77, 55.55, -67.6

 

CMYK 86 / 95 / 0 / 38

HEX #16089F

RGB 22 8 159

HSL 245.56, 0.9%, 0.33%

LAB 19.42, 53.61, -73.27

 

CMYK 95 / 95 / 0 / 38

HEX #08089F

RGB 8 8 159

HSL 240, 0.9%, 0.33%

LAB 18.92, 53.37, -74.12

 

CMYK 60 / 95 / 0 / 38

HEX #3F089F

RGB 63 8 159

HSL 261.85, 0.9%, 0.33%

LAB 22.77, 55.55, -67.6

 

CMYK 60 / 95 / 0 / 38

HEX #3F089F

RGB 63 8 159

HSL 261.85, 0.9%, 0.33%

LAB 22.77, 55.55, -67.6

 

CMYK 55 / 85 / 0 / 43

HEX #421692

RGB 66 22 146

HSL 261.29, 0.74%, 0.33%

LAB 23.02, 48.35, -59.17

 

CMYK 47 / 73 / 0 / 48

HEX #462384

RGB 70 35 132

HSL 261.65, 0.58%, 0.33%

LAB 24.23, 39.07, -48.45

 

CMYK 38 / 59 / 0 / 53

HEX #4A3177

RGB 74 49 119

HSL 261.43, 0.42%, 0.33%

LAB 26.69, 28.06, -36.23

 

CMYK 26 / 41 / 0 / 59

HEX #4E3E69

RGB 78 62 105

HSL 262.33, 0.26%, 0.33%

LAB 29.63, 16.98, -22.64

 

CMYK 95 / 77 / 0 / 38

HEX #08249F

RGB 8 36 159

HSL 228.87, 0.9%, 0.33%

LAB 23.06, 41.13, -67.23

 

CMYK 87 / 95 / 0 / 38

HEX #15089F

RGB 21 8 159

HSL 245.17, 0.9%, 0.33%

LAB 19.38, 53.59, -73.35

 

CMYK 62 / 95 / 0 / 38

HEX #3D089F

RGB 61 8 159

HSL 261.06, 0.9%, 0.33%

LAB 22.55, 55.41, -67.98

 

CMYK 36 / 95 / 0 / 38

HEX #65089F

RGB 101 8 159

HSL 276.95, 0.9%, 0.33%

LAB 27.96, 59.31, -58.86

 

CMYK 11 / 95 / 0 / 38

HEX #8E089F

RGB 142 8 159

HSL 293.25, 0.9%, 0.33%

LAB 34.86, 65.23, -47.34

 

CMYK 60 / 95 / 0 / 68

HEX #200451

RGB 32 4 81

HSL 261.82, 0.91%, 0.17%

LAB 8.89, 33.55, -40.37

 

CMYK 61 / 95 / 0 / 53

HEX #2F0678

RGB 47 6 120

HSL 261.58, 0.9%, 0.25%

LAB 15.96, 44.83, -54.52

 

CMYK 60 / 95 / 0 / 38

HEX #3F089F

RGB 63 8 159

HSL 261.85, 0.9%, 0.33%

LAB 22.77, 55.55, -67.6

 

CMYK 61 / 95 / 0 / 22

HEX #4E0AC7

RGB 78 10 199

HSL 261.59, 0.9%, 0.41%

LAB 29.31, 65.95, -80.64

 

CMYK 61 / 95 / 0 / 7

HEX #5E0CEE

RGB 94 12 238

HSL 261.77, 0.9%, 0.49%

LAB 35.63, 75.76, -92.6

 

CMYK 61 / 95 / 0 / 37

HEX #3F08A0

RGB 63 8 160

HSL 261.71, 0.9%, 0.33%

LAB 22.89, 55.8, -68.02

 

CMYK 0 / 95 / 52 / 38

HEX #9F084C

RGB 159 8 76

HSL 332.98, 0.9%, 0.33%

LAB 34.12, 58.24, 4.19

 

CMYK 91 / 0 / 95 / 38

HEX #0F9F08

RGB 15 159 8

HSL 117.22, 0.9%, 0.33%

LAB 56.99, -59.42, 57.36

 

CMYK 61 / 95 / 0 / 37

HEX #3F08A0

RGB 63 8 160

HSL 261.71, 0.9%, 0.33%

LAB 22.89, 55.8, -68.02

 

CMYK 0 / 62 / 95 / 38

HEX #9F3D08

RGB 159 61 8

HSL 21.06, 0.9%, 0.33%

LAB 39.12, 38.57, 47.55

 

CMYK 95 / 0 / 62 / 38

HEX #089F3D

RGB 8 159 61

HSL 141.06, 0.9%, 0.33%

LAB 57.26, -55.91, 40.58

 

CMYK 61 / 95 / 0 / 37

HEX #3F08A0

RGB 63 8 160

HSL 261.71, 0.9%, 0.33%

LAB 22.89, 55.8, -68.02

 

CMYK 0 / 95 / 52 / 38

HEX #9F084C

RGB 159 8 76

HSL 332.98, 0.9%, 0.33%

LAB 34.12, 58.24, 4.19

 

CMYK 33 / 0 / 95 / 38

HEX #6A9F08

RGB 106 159 8

HSL 81.06, 0.9%, 0.33%

LAB 59.78, -37.46, 60.79

 

CMYK 95 / 0 / 43 / 38

HEX #089F5B

RGB 8 159 91

HSL 152.98, 0.9%, 0.33%

LAB 57.66, -51.03, 25.86

 

CMYK 61 / 95 / 0 / 37

HEX #3F08A0

RGB 63 8 160

HSL 261.71, 0.9%, 0.33%

LAB 22.89, 55.8, -68.02

 

CMYK 0 / 95 / 81 / 38

HEX #9F081F

RGB 159 8 31

HSL 350.86, 0.9%, 0.33%

LAB 33.23, 55.78, 32.1

 

CMYK 33 / 0 / 95 / 38

HEX #6A9F08

RGB 106 159 8

HSL 81.06, 0.9%, 0.33%

LAB 59.78, -37.46, 60.79

 

CMYK 95 / 0 / 14 / 38

HEX #089F89

RGB 8 159 137

HSL 171.26, 0.9%, 0.33%

LAB 58.65, -39.99, 1.66

 

Description

Color code: HEX #3F08A0 | qconv.com Color code: HEX #3F08A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 8 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 8 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 95 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 95% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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