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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ECA63 it is the complementary color #C1359C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ECA63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ECA63 shade: #43CA5E, #54DC71, #65EE84, #76FF97 and #87FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ECA63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ECA63 shade: #3ECA63, #2DB850, #1CA63D, #0B942A and #008217

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ECA63 shade: #3ECA63, #3FCA3E, #65CA3E, #8ACA3E and #B0CA3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ECA63 shade: #3ECA63, #3ECA89, #3ECAAE, #3EC0CA and #3E9ACA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ECA63 shade matches the following richer shades: #3ECA63, #2BDE5A and #17F151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ECA63 shade: #3ECA63, #52B66D, #66A276, #7A8E7F and #8E7B89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ECA63 shade: #66CA3E, #41CA3E, #3ECA61, #3ECA86 and #3ECAAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ECA63 shade: #278F42, #30AF51, #3ECA63, #5FD37D and #7FDC98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ECA63 shade: #3ECA63, #3E8BCA and #CA3E53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ECA63 shade: #3ECA63, #613ECA and #CA613E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ECA63 shade: #3ECA63, #3E8BCA, #CA3EA7 and #CA7D3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ECA63 shade: #3ECA63, #3E61CA, #CA3EA7 and #CAA73E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

Complementary color

CMYK 0 / 73 / 19 / 24

HEX #C1359C

RGB 193 53 156

HSL 315.86, 0.57%, 0.48%

LAB 47.34, 64.6, -25.2

 

CMYK 67 / 0 / 53 / 21

HEX #43CA5E

RGB 67 202 94

HSL 132, 0.56%, 0.53%

LAB 72.39, -58.7, 43.06

 

CMYK 62 / 0 / 49 / 14

HEX #54DC71

RGB 84 220 113

HSL 132.79, 0.66%, 0.6%

LAB 78.62, -59.16, 41.65

 

CMYK 58 / 0 / 45 / 7

HEX #65EE84

RGB 101 238 132

HSL 133.58, 0.8%, 0.66%

LAB 84.78, -59.38, 40.27

 

CMYK 54 / 0 / 41 / 0

HEX #76FF97

RGB 118 255 151

HSL 134.45, 1%, 0.73%

LAB 90.6, -59.06, 38.57

 

CMYK 47 / 0 / 33 / 0

HEX #87FFAA

RGB 135 255 170

HSL 137.5, 1%, 0.76%

LAB 91.49, -51.77, 30.42

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 76 / 0 / 57 / 28

HEX #2DB850

RGB 45 184 80

HSL 135.11, 0.61%, 0.45%

LAB 66.07, -58.01, 42.05

 

CMYK 83 / 0 / 63 / 35

HEX #1CA63D

RGB 28 166 61

HSL 134.35, 0.71%, 0.38%

LAB 59.76, -56.6, 43.49

 

CMYK 93 / 0 / 72 / 42

HEX #0B942A

RGB 11 148 42

HSL 133.58, 0.86%, 0.31%

LAB 53.4, -54.42, 44.68

 

CMYK 100 / 0 / 82 / 49

HEX #008217

RGB 0 130 23

HSL 130.62, 1%, 0.25%

LAB 47.01, -51.23, 45.2

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 69 / 0 / 69 / 21

HEX #3FCA3E

RGB 63 202 62

HSL 119.57, 0.57%, 0.52%

LAB 71.99, -63.07, 56.58

 

CMYK 50 / 0 / 69 / 21

HEX #65CA3E

RGB 101 202 62

HSL 103.29, 0.57%, 0.52%

LAB 73.13, -54.04, 58.12

 

CMYK 32 / 0 / 69 / 21

HEX #8ACA3E

RGB 138 202 62

HSL 87.43, 0.57%, 0.52%

LAB 74.82, -41.93, 60.41

 

CMYK 13 / 0 / 69 / 21

HEX #B0CA3E

RGB 176 202 62

HSL 71.14, 0.57%, 0.52%

LAB 77.17, -27.24, 63.55

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 69 / 0 / 32 / 21

HEX #3ECA89

RGB 62 202 137

HSL 152.14, 0.57%, 0.52%

LAB 72.94, -52.17, 21.9

 

CMYK 69 / 0 / 14 / 21

HEX #3ECAAE

RGB 62 202 174

HSL 168, 0.57%, 0.52%

LAB 73.75, -43.63, 3.21

 

CMYK 69 / 5 / 0 / 21

HEX #3EC0CA

RGB 62 192 202

HSL 184.29, 0.57%, 0.52%

LAB 71.55, -31.35, -15.29

 

CMYK 69 / 24 / 0 / 21

HEX #3E9ACA

RGB 62 154 202

HSL 200.57, 0.57%, 0.52%

LAB 60.25, -11.74, -32.58

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 81 / 0 / 59 / 13

HEX #2BDE5A

RGB 43 222 90

HSL 135.75, 0.73%, 0.52%

LAB 78.17, -69.42, 51.64

 

CMYK 90 / 0 / 66 / 5

HEX #17F151

RGB 23 241 81

HSL 135.96, 0.89%, 0.52%

LAB 83.8, -77.72, 61.66

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 55 / 0 / 40 / 29

HEX #52B66D

RGB 82 182 109

HSL 136.2, 0.41%, 0.52%

LAB 66.79, -45.42, 28.53

 

CMYK 37 / 0 / 27 / 36

HEX #66A276

RGB 102 162 118

HSL 136, 0.24%, 0.52%

LAB 61.63, -29.17, 16.88

 

CMYK 14 / 0 / 11 / 44

HEX #7A8E7F

RGB 122 142 127

HSL 135, 0.08%, 0.52%

LAB 57.09, -10.25, 5.59

 

CMYK 0 / 13 / 4 / 44

HEX #8E7B89

RGB 142 123 137

HSL 315.79, 0.08%, 0.52%

LAB 53.73, 9.89, -4.89

 

CMYK 50 / 0 / 69 / 21

HEX #66CA3E

RGB 102 202 62

HSL 102.86, 0.57%, 0.52%

LAB 73.16, -53.75, 58.17

 

CMYK 68 / 0 / 69 / 21

HEX #41CA3E

RGB 65 202 62

HSL 118.71, 0.57%, 0.52%

LAB 72.04, -62.69, 56.65

 

CMYK 69 / 0 / 52 / 21

HEX #3ECA61

RGB 62 202 97

HSL 135, 0.57%, 0.52%

LAB 72.31, -59.18, 41.5

 

CMYK 69 / 0 / 34 / 21

HEX #3ECA86

RGB 62 202 134

HSL 150.86, 0.57%, 0.52%

LAB 72.88, -52.78, 23.4

 

CMYK 69 / 0 / 15 / 21

HEX #3ECAAC

RGB 62 202 172

HSL 167.14, 0.57%, 0.52%

LAB 73.7, -44.14, 4.22

 

CMYK 73 / 0 / 54 / 44

HEX #278F42

RGB 39 143 66

HSL 135.58, 0.57%, 0.36%

LAB 52.36, -46.36, 32.42

 

CMYK 73 / 0 / 54 / 31

HEX #30AF51

RGB 48 175 81

HSL 135.59, 0.57%, 0.44%

LAB 63.25, -54.26, 38.18

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 55 / 0 / 41 / 17

HEX #5FD37D

RGB 95 211 125

HSL 135.52, 0.57%, 0.6%

LAB 76.38, -51.37, 32.88

 

CMYK 42 / 0 / 31 / 14

HEX #7FDC98

RGB 127 220 152

HSL 136.13, 0.57%, 0.68%

LAB 80.72, -42.16, 24.98

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 69 / 31 / 0 / 21

HEX #3E8BCA

RGB 62 139 202

HSL 207, 0.57%, 0.52%

LAB 55.84, -3.22, -39.47

 

CMYK 0 / 69 / 59 / 21

HEX #CA3E53

RGB 202 62 83

HSL 351, 0.57%, 0.52%

LAB 47.79, 56.33, 19.93

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 52 / 69 / 0 / 21

HEX #613ECA

RGB 97 62 202

HSL 255, 0.57%, 0.52%

LAB 38.29, 49.43, -67.53

 

CMYK 0 / 52 / 69 / 21

HEX #CA613E

RGB 202 97 62

HSL 15, 0.57%, 0.52%

LAB 53.44, 39.21, 39.06

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 69 / 31 / 0 / 21

HEX #3E8BCA

RGB 62 139 202

HSL 207, 0.57%, 0.52%

LAB 55.84, -3.22, -39.47

 

CMYK 0 / 69 / 17 / 21

HEX #CA3EA7

RGB 202 62 167

HSL 315, 0.57%, 0.52%

LAB 50.44, 65.22, -26.8

 

CMYK 0 / 38 / 69 / 21

HEX #CA7D3E

RGB 202 125 62

HSL 27, 0.57%, 0.52%

LAB 59.5, 24.42, 45.84

 

CMYK 69 / 0 / 51 / 21

HEX #3ECA63

RGB 62 202 99

HSL 135.86, 0.57%, 0.52%

LAB 72.34, -58.89, 40.56

 

CMYK 69 / 52 / 0 / 21

HEX #3E61CA

RGB 62 97 202

HSL 225, 0.57%, 0.52%

LAB 44, 22.66, -58.36

 

CMYK 0 / 69 / 17 / 21

HEX #CA3EA7

RGB 202 62 167

HSL 315, 0.57%, 0.52%

LAB 50.44, 65.22, -26.8

 

CMYK 0 / 17 / 69 / 21

HEX #CAA73E

RGB 202 167 62

HSL 45, 0.57%, 0.52%

LAB 69.85, 1.63, 56.82

 

Description

Color code: HEX #3ECA63 | qconv.com Color code: HEX #3ECA63 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 202 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 202 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 51 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 51% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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