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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3EC0AB it is the complementary color #C13F54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3EC0AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3EC0AB shade: #43C0A6, #54D2B9, #65E4CC, #76F6DF and #87FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3EC0AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3EC0AB shade: #3EC0AB, #2DAE98, #1C9C85, #0B8A72 and #00785F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3EC0AB shade: #3EC0AB, #3EC088, #3EC065, #3EC042 and #5DC03E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3EC0AB shade: #3EC0AB, #3EB2C0, #3E8FC0, #3E6CC0 and #3E49C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3EC0AB shade matches the following richer shades: #3EC0AB, #29D5B9, #15E9C7 and #00FED5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3EC0AB shade: #3EC0AB, #53AB9D, #67978F, #7C8281 and #906E73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3EC0AB shade: #3EC065, #3EC088, #3EC0AA, #3EB3C0 and #3E90C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3EC0AB shade: #2A8274, #34A18F, #3EC0AB, #5DCAB9 and #7CD4C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3EC0AB shade: #3EC0AB, #423EC0 and #C0763E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3EC0AB shade: #3EC0AB, #AA3EC0 and #C0AA3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3EC0AB shade: #3EC0AB, #423EC0, #C03E54 and #BCC03E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3EC0AB shade: #3EC0AB, #693EC0, #C03E54 and #95C03E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

Complementary color

CMYK 0 / 67 / 56 / 24

HEX #C13F54

RGB 193 63 84

HSL 350.31, 0.51%, 0.5%

LAB 46.36, 53.16, 17.13

 

CMYK 65 / 0 / 14 / 25

HEX #43C0A6

RGB 67 192 166

HSL 167.52, 0.5%, 0.51%

LAB 70.63, -40.51, 3.04

 

CMYK 60 / 0 / 12 / 18

HEX #54D2B9

RGB 84 210 185

HSL 168.1, 0.58%, 0.58%

LAB 76.97, -40.79, 2.01

 

CMYK 56 / 0 / 11 / 11

HEX #65E4CC

RGB 101 228 204

HSL 168.66, 0.7%, 0.65%

LAB 83.24, -40.93, 1.08

 

CMYK 52 / 0 / 9 / 4

HEX #76F6DF

RGB 118 246 223

HSL 169.22, 0.88%, 0.71%

LAB 89.44, -41, 0.21

 

CMYK 47 / 0 / 5 / 0

HEX #87FFF2

RGB 135 255 242

HSL 173.5, 1%, 0.76%

LAB 93.05, -36.93, -4.28

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 74 / 0 / 13 / 32

HEX #2DAE98

RGB 45 174 152

HSL 169.77, 0.59%, 0.43%

LAB 64.24, -39.4, 1.42

 

CMYK 82 / 0 / 15 / 39

HEX #1C9C85

RGB 28 156 133

HSL 169.22, 0.7%, 0.36%

LAB 57.77, -38.47, 2.66

 

CMYK 92 / 0 / 17 / 46

HEX #0B8A72

RGB 11 138 114

HSL 168.66, 0.85%, 0.29%

LAB 51.22, -37.1, 4.08

 

CMYK 100 / 0 / 21 / 53

HEX #00785F

RGB 0 120 95

HSL 167.5, 1%, 0.24%

LAB 44.6, -35.18, 5.71

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 68 / 0 / 29 / 25

HEX #3EC088

RGB 62 192 136

HSL 154.15, 0.51%, 0.5%

LAB 69.82, -48.38, 18.15

 

CMYK 68 / 0 / 47 / 25

HEX #3EC065

RGB 62 192 101

HSL 138, 0.51%, 0.5%

LAB 69.23, -54.95, 35.69

 

CMYK 68 / 0 / 66 / 25

HEX #3EC042

RGB 62 192 66

HSL 121.85, 0.51%, 0.5%

LAB 68.84, -59.52, 51.58

 

CMYK 52 / 0 / 68 / 25

HEX #5DC03E

RGB 93 192 62

HSL 105.69, 0.51%, 0.5%

LAB 69.74, -52.5, 54.47

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 68 / 7 / 0 / 25

HEX #3EB2C0

RGB 62 178 192

HSL 186.46, 0.51%, 0.5%

LAB 67.03, -27.5, -16.61

 

CMYK 68 / 26 / 0 / 25

HEX #3E8FC0

RGB 62 143 192

HSL 202.62, 0.51%, 0.5%

LAB 56.56, -8.94, -32.69

 

CMYK 68 / 44 / 0 / 25

HEX #3E6CC0

RGB 62 108 192

HSL 218.77, 0.51%, 0.5%

LAB 46.39, 12.06, -48.75

 

CMYK 68 / 62 / 0 / 25

HEX #3E49C0

RGB 62 73 192

HSL 234.92, 0.51%, 0.5%

LAB 37.11, 34.42, -63.75

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 81 / 0 / 13 / 16

HEX #29D5B9

RGB 41 213 185

HSL 170.23, 0.68%, 0.5%

LAB 77.02, -47.88, 1.98

 

CMYK 91 / 0 / 15 / 9

HEX #15E9C7

RGB 21 233 199

HSL 170.38, 0.83%, 0.5%

LAB 83.21, -53.7, 3.51

 

CMYK 100 / 0 / 16 / 0

HEX #00FED5

RGB 0 254 213

HSL 170.31, 1%, 0.5%

LAB 89.71, -59.01, 5.59

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 51 / 0 / 8 / 33

HEX #53AB9D

RGB 83 171 157

HSL 170.45, 0.35%, 0.5%

LAB 64.48, -29.93, -0.89

 

CMYK 32 / 0 / 5 / 41

HEX #67978F

RGB 103 151 143

HSL 170, 0.19%, 0.5%

LAB 58.97, -17.96, -0.96

 

CMYK 5 / 0 / 1 / 49

HEX #7C8281

RGB 124 130 129

HSL 170, 0.02%, 0.5%

LAB 53.85, -2.42, -0.24

 

CMYK 0 / 24 / 20 / 44

HEX #906E73

RGB 144 110 115

HSL 351.18, 0.13%, 0.5%

LAB 49.88, 14.28, 2.43

 

CMYK 68 / 0 / 47 / 25

HEX #3EC065

RGB 62 192 101

HSL 138, 0.51%, 0.5%

LAB 69.23, -54.95, 35.69

 

CMYK 68 / 0 / 29 / 25

HEX #3EC088

RGB 62 192 136

HSL 154.15, 0.51%, 0.5%

LAB 69.82, -48.38, 18.15

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AA

RGB 62 192 170

HSL 169.85, 0.51%, 0.5%

LAB 70.61, -40.27, 0.82

 

CMYK 68 / 7 / 0 / 25

HEX #3EB3C0

RGB 62 179 192

HSL 186, 0.51%, 0.5%

LAB 67.33, -27.99, -16.16

 

CMYK 68 / 25 / 0 / 25

HEX #3E90C0

RGB 62 144 192

HSL 202.15, 0.51%, 0.5%

LAB 56.86, -9.51, -32.22

 

CMYK 68 / 0 / 11 / 49

HEX #2A8274

RGB 42 130 116

HSL 170.45, 0.51%, 0.34%

LAB 49.15, -29.37, -0.03

 

CMYK 68 / 0 / 11 / 37

HEX #34A18F

RGB 52 161 143

HSL 170.09, 0.51%, 0.42%

LAB 60.07, -34.93, 0.41

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 54 / 0 / 8 / 21

HEX #5DCAB9

RGB 93 202 185

HSL 170.64, 0.51%, 0.58%

LAB 74.87, -35.39, -1.01

 

CMYK 42 / 0 / 7 / 17

HEX #7CD4C6

RGB 124 212 198

HSL 170.45, 0.51%, 0.66%

LAB 79.3, -29.79, -1.38

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 66 / 68 / 0 / 25

HEX #423EC0

RGB 66 62 192

HSL 241.85, 0.51%, 0.5%

LAB 34.82, 41.72, -67.48

 

CMYK 0 / 39 / 68 / 25

HEX #C0763E

RGB 192 118 62

HSL 25.85, 0.51%, 0.5%

LAB 56.6, 24.03, 42.26

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 11 / 68 / 0 / 25

HEX #AA3EC0

RGB 170 62 192

HSL 289.85, 0.51%, 0.5%

LAB 46.71, 61.67, -47.66

 

CMYK 0 / 11 / 68 / 25

HEX #C0AA3E

RGB 192 170 62

HSL 49.85, 0.51%, 0.5%

LAB 69.69, -4.31, 56.35

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 66 / 68 / 0 / 25

HEX #423EC0

RGB 66 62 192

HSL 241.85, 0.51%, 0.5%

LAB 34.82, 41.72, -67.48

 

CMYK 0 / 68 / 56 / 25

HEX #C03E54

RGB 192 62 84

HSL 349.85, 0.51%, 0.5%

LAB 46.03, 53.24, 16.66

 

CMYK 2 / 0 / 68 / 25

HEX #BCC03E

RGB 188 192 62

HSL 61.85, 0.51%, 0.5%

LAB 75.29, -17.36, 61.95

 

CMYK 68 / 0 / 11 / 25

HEX #3EC0AB

RGB 62 192 171

HSL 170.31, 0.51%, 0.5%

LAB 70.64, -40.01, 0.31

 

CMYK 45 / 68 / 0 / 25

HEX #693EC0

RGB 105 62 192

HSL 259.85, 0.51%, 0.5%

LAB 38.29, 48.03, -61.66

 

CMYK 0 / 68 / 56 / 25

HEX #C03E54

RGB 192 62 84

HSL 349.85, 0.51%, 0.5%

LAB 46.03, 53.24, 16.66

 

CMYK 22 / 0 / 68 / 25

HEX #95C03E

RGB 149 192 62

HSL 79.85, 0.51%, 0.5%

LAB 72.52, -33.3, 58.24

 

Description

Color code: HEX #3EC0AB | qconv.com Color code: HEX #3EC0AB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 192 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 192 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 11 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 11% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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