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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E9376 it is the complementary color #C16C89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E9376. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E9376 shade: #439371, #54A584, #65B797, #76C9AA and #87DBBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E9376. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E9376 shade: #3E9376, #2D8163, #1C6F50, #0B5D3D and #004B2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E9376 shade: #3D9376, #3D935F, #3D9347, #4A933D and #61933D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E9376 shade: #3D9376, #3D938D, #3D8293, #3D6B93 and #3D5493

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E9376 shade matches the following richer shades: #3D9376, #2CA47B, #1BB580 and #0AC686

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E9376 shade: #3D9376, #4E8270, #5F716B, #706066 and #814F60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E9376 shade: #3D9347, #3D935E, #3D9375, #3D938C and #3D8393

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E9376 shade: #255947, #31765E, #3D9376, #49B08D and #65BEA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E9376 shade: #3E9376, #3D4A93 and #93533D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E9376 shade: #3E9376, #753D93 and #93753D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E9376 shade: #3E9376, #3D4A93, #933D5B and #93863D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E9376 shade: #3E9376, #4A3D93, #933D5B and #86933D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 20 / 42

HEX #3E9376

RGB 62 147 118

HSL 159.53, 0.41%, 0.41%

LAB 55.28, -32.95, 7.72

 

Complementary color

CMYK 0 / 44 / 29 / 24

HEX #C16C89

RGB 193 108 137

HSL 339.53, 0.41%, 0.59%

LAB 55.96, 37.21, -0.96

 

CMYK 54 / 0 / 23 / 42

HEX #439371

RGB 67 147 113

HSL 154.5, 0.37%, 0.42%

LAB 55.33, -32.96, 10.67

 

CMYK 49 / 0 / 20 / 35

HEX #54A584

RGB 84 165 132

HSL 155.56, 0.33%, 0.49%

LAB 62.05, -32.83, 9.56

 

CMYK 45 / 0 / 17 / 28

HEX #65B797

RGB 101 183 151

HSL 156.59, 0.36%, 0.56%

LAB 68.66, -32.65, 8.55

 

CMYK 41 / 0 / 15 / 21

HEX #76C9AA

RGB 118 201 170

HSL 157.59, 0.43%, 0.63%

LAB 75.16, -32.45, 7.62

 

CMYK 38 / 0 / 14 / 14

HEX #87DBBD

RGB 135 219 189

HSL 158.57, 0.54%, 0.69%

LAB 81.56, -32.24, 6.75

 

CMYK 58 / 0 / 20 / 42

HEX #3E9376

RGB 62 147 118

HSL 159.53, 0.41%, 0.41%

LAB 55.28, -32.95, 7.72

 

CMYK 65 / 0 / 23 / 49

HEX #2D8163

RGB 45 129 99

HSL 158.57, 0.48%, 0.34%

LAB 48.46, -32.83, 8.94

 

CMYK 75 / 0 / 28 / 56

HEX #1C6F50

RGB 28 111 80

HSL 157.59, 0.6%, 0.27%

LAB 41.52, -32.43, 10.34

 

CMYK 88 / 0 / 34 / 64

HEX #0B5D3D

RGB 11 93 61

HSL 156.59, 0.79%, 0.2%

LAB 34.47, -31.53, 12

 

CMYK 100 / 0 / 44 / 71

HEX #004B2A

RGB 0 75 42

HSL 153.6, 1%, 0.15%

LAB 27.3, -29.77, 13.98

 

CMYK 59 / 0 / 20 / 42

HEX #3D9376

RGB 61 147 118

HSL 159.77, 0.41%, 0.41%

LAB 55.24, -33.17, 7.67

 

CMYK 59 / 0 / 35 / 42

HEX #3D935F

RGB 61 147 95

HSL 143.72, 0.41%, 0.41%

LAB 54.75, -38.25, 19.97

 

CMYK 59 / 0 / 52 / 42

HEX #3D9347

RGB 61 147 71

HSL 126.98, 0.41%, 0.41%

LAB 54.36, -42.42, 32.43

 

CMYK 50 / 0 / 59 / 42

HEX #4A933D

RGB 74 147 61

HSL 110.93, 0.41%, 0.41%

LAB 54.72, -40.14, 38.01

 

CMYK 34 / 0 / 59 / 42

HEX #61933D

RGB 97 147 61

HSL 94.88, 0.41%, 0.41%

LAB 55.83, -32.37, 39.58

 

CMYK 59 / 0 / 20 / 42

HEX #3D9376

RGB 61 147 118

HSL 159.77, 0.41%, 0.41%

LAB 55.24, -33.17, 7.67

 

CMYK 59 / 0 / 4 / 42

HEX #3D938D

RGB 61 147 141

HSL 175.81, 0.41%, 0.41%

LAB 55.87, -27.16, -4.6

 

CMYK 59 / 12 / 0 / 42

HEX #3D8293

RGB 61 130 147

HSL 191.86, 0.41%, 0.41%

LAB 50.76, -16.53, -15.73

 

CMYK 59 / 27 / 0 / 42

HEX #3D6B93

RGB 61 107 147

HSL 207.91, 0.41%, 0.41%

LAB 43.67, -3.3, -26.64

 

CMYK 59 / 43 / 0 / 42

HEX #3D5493

RGB 61 84 147

HSL 223.95, 0.41%, 0.41%

LAB 36.82, 11.19, -37.44

 

CMYK 59 / 0 / 20 / 42

HEX #3D9376

RGB 61 147 118

HSL 159.77, 0.41%, 0.41%

LAB 55.24, -33.17, 7.67

 

CMYK 73 / 0 / 25 / 36

HEX #2CA47B

RGB 44 164 123

HSL 159.5, 0.58%, 0.41%

LAB 60.35, -42.56, 12.01

 

CMYK 85 / 0 / 29 / 29

HEX #1BB580

RGB 27 181 128

HSL 159.35, 0.74%, 0.41%

LAB 65.62, -50.17, 16.58

 

CMYK 95 / 0 / 32 / 22

HEX #0AC686

RGB 10 198 134

HSL 159.57, 0.9%, 0.41%

LAB 70.99, -56.22, 20.72

 

CMYK 59 / 0 / 20 / 42

HEX #3D9376

RGB 61 147 118

HSL 159.77, 0.41%, 0.41%

LAB 55.24, -33.17, 7.67

 

CMYK 40 / 0 / 14 / 49

HEX #4E8270

RGB 78 130 112

HSL 159.23, 0.25%, 0.41%

LAB 50.4, -21.84, 4.29

 

CMYK 16 / 0 / 5 / 56

HEX #5F716B

RGB 95 113 107

HSL 160, 0.09%, 0.41%

LAB 46.05, -8.01, 1.08

 

CMYK 0 / 14 / 9 / 56

HEX #706066

RGB 112 96 102

HSL 337.5, 0.08%, 0.41%

LAB 42.41, 7.56, -1.03

 

CMYK 0 / 39 / 26 / 49

HEX #814F60

RGB 129 79 96

HSL 339.6, 0.24%, 0.41%

LAB 39.75, 23.49, -1.01

 

CMYK 59 / 0 / 52 / 42

HEX #3D9347

RGB 61 147 71

HSL 126.98, 0.41%, 0.41%

LAB 54.36, -42.42, 32.43

 

CMYK 59 / 0 / 36 / 42

HEX #3D935E

RGB 61 147 94

HSL 143.02, 0.41%, 0.41%

LAB 54.73, -38.45, 20.5

 

CMYK 59 / 0 / 20 / 42

HEX #3D9375

RGB 61 147 117

HSL 159.07, 0.41%, 0.41%

LAB 55.22, -33.41, 8.21

 

CMYK 59 / 0 / 5 / 42

HEX #3D938C

RGB 61 147 140

HSL 175.12, 0.41%, 0.41%

LAB 55.84, -27.43, -4.07

 

CMYK 59 / 11 / 0 / 42

HEX #3D8393

RGB 61 131 147

HSL 191.16, 0.41%, 0.41%

LAB 51.07, -17.07, -15.26

 

CMYK 58 / 0 / 20 / 65

HEX #255947

RGB 37 89 71

HSL 159.23, 0.41%, 0.25%

LAB 33.97, -22.31, 5.22

 

CMYK 58 / 0 / 20 / 54

HEX #31765E

RGB 49 118 94

HSL 159.13, 0.41%, 0.33%

LAB 44.83, -28, 6.75

 

CMYK 59 / 0 / 20 / 42

HEX #3D9376

RGB 61 147 118

HSL 159.77, 0.41%, 0.41%

LAB 55.24, -33.17, 7.67

 

CMYK 59 / 0 / 20 / 31

HEX #49B08D

RGB 73 176 141

HSL 159.61, 0.41%, 0.49%

LAB 65.27, -38.36, 9.09

 

CMYK 47 / 0 / 16 / 25

HEX #65BEA0

RGB 101 190 160

HSL 159.78, 0.41%, 0.57%

LAB 70.96, -33.93, 6.93

 

CMYK 58 / 0 / 20 / 42

HEX #3E9376

RGB 62 147 118

HSL 159.53, 0.41%, 0.41%

LAB 55.28, -32.95, 7.72

 

CMYK 59 / 50 / 0 / 42

HEX #3D4A93

RGB 61 74 147

HSL 230.93, 0.41%, 0.41%

LAB 33.98, 17.76, -41.98

 

CMYK 0 / 44 / 59 / 42

HEX #93533D

RGB 147 83 61

HSL 15.35, 0.41%, 0.41%

LAB 42.35, 24.39, 24.37

 

CMYK 58 / 0 / 20 / 42

HEX #3E9376

RGB 62 147 118

HSL 159.53, 0.41%, 0.41%

LAB 55.28, -32.95, 7.72

 

CMYK 20 / 59 / 0 / 42

HEX #753D93

RGB 117 61 147

HSL 279.07, 0.41%, 0.41%

LAB 36.42, 39.82, -37.76

 

CMYK 0 / 20 / 59 / 42

HEX #93753D

RGB 147 117 61

HSL 39.07, 0.41%, 0.41%

LAB 50.99, 4.8, 34.93

 

CMYK 58 / 0 / 20 / 42

HEX #3E9376

RGB 62 147 118

HSL 159.53, 0.41%, 0.41%

LAB 55.28, -32.95, 7.72

 

CMYK 59 / 50 / 0 / 42

HEX #3D4A93

RGB 61 74 147

HSL 230.93, 0.41%, 0.41%

LAB 33.98, 17.76, -41.98

 

CMYK 0 / 59 / 38 / 42

HEX #933D5B

RGB 147 61 91

HSL 339.07, 0.41%, 0.41%

LAB 38.37, 39.35, 0.41

 

CMYK 0 / 9 / 59 / 42

HEX #93863D

RGB 147 134 61

HSL 50.93, 0.41%, 0.41%

LAB 55.68, -4.77, 40.37

 

CMYK 58 / 0 / 20 / 42

HEX #3E9376

RGB 62 147 118

HSL 159.53, 0.41%, 0.41%

LAB 55.28, -32.95, 7.72

 

CMYK 50 / 59 / 0 / 42

HEX #4A3D93

RGB 74 61 147

HSL 249.07, 0.41%, 0.41%

LAB 31.58, 29.06, -45.79

 

CMYK 0 / 59 / 38 / 42

HEX #933D5B

RGB 147 61 91

HSL 339.07, 0.41%, 0.41%

LAB 38.37, 39.35, 0.41

 

CMYK 9 / 0 / 59 / 42

HEX #86933D

RGB 134 147 61

HSL 69.07, 0.41%, 0.41%

LAB 58.29, -17.45, 43.04

 

Description

Color code: HEX #3E9376 | qconv.com Color code: HEX #3E9376 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 147 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 147 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 20 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 20% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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