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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E82AD it is the complementary color #C17D52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E82AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E82AD shade: #4382A8, #5494BB, #65A6CE, #76B8E1 and #87CAF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E82AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E82AD shade: #3E82AD, #2D709A, #1C5E87, #0B4C74 and #003A61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E82AD shade: #3E81AC, #3E63AC, #3E46AC, #533EAC and #713EAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E82AD shade: #3E81AC, #3E63AC, #3E46AC and #3E3EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E82AD shade matches the following richer shades: #3E81AC, #2B85BF, #188AD2 and #058EE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E82AD shade: #3E81AC, #517D99, #647986, #777473 and #8A7060

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E82AD shade: #3EAC9B, #3E9FAC, #3E82AC, #3E64AC and #3E47AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E82AD shade: #28546F, #336A8E, #3E81AC, #5296C0 and #71A8CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E82AD shade: #3E82AD, #7E3EAC and #ACAA3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E82AD shade: #3E82AD, #AC3E82 and #82AC3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E82AD shade: #3E82AD, #7E3EAC, #AC683E and #6CAC3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E82AD shade: #3E82AD, #9F3EAC, #AC683E and #4BAC3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 25 / 0 / 32

HEX #3E82AD

RGB 62 130 173

HSL 203.24, 0.47%, 0.46%

LAB 51.84, -7.92, -29.16

 

Complementary color

CMYK 0 / 35 / 58 / 24

HEX #C17D52

RGB 193 125 82

HSL 23.24, 0.47%, 0.54%

LAB 58.62, 22, 34.13

 

CMYK 60 / 23 / 0 / 34

HEX #4382A8

RGB 67 130 168

HSL 202.57, 0.43%, 0.46%

LAB 51.82, -8.62, -26.29

 

CMYK 55 / 21 / 0 / 27

HEX #5494BB

RGB 84 148 187

HSL 202.72, 0.43%, 0.53%

LAB 58.65, -9.22, -26.55

 

CMYK 51 / 19 / 0 / 19

HEX #65A6CE

RGB 101 166 206

HSL 202.86, 0.52%, 0.6%

LAB 65.35, -9.69, -26.8

 

CMYK 48 / 18 / 0 / 12

HEX #76B8E1

RGB 118 184 225

HSL 202.99, 0.64%, 0.67%

LAB 71.94, -10.05, -27.05

 

CMYK 45 / 17 / 0 / 4

HEX #87CAF4

RGB 135 202 244

HSL 203.12, 0.83%, 0.74%

LAB 78.42, -10.35, -27.31

 

CMYK 64 / 25 / 0 / 32

HEX #3E82AD

RGB 62 130 173

HSL 203.24, 0.47%, 0.46%

LAB 51.84, -7.92, -29.16

 

CMYK 71 / 27 / 0 / 40

HEX #2D709A

RGB 45 112 154

HSL 203.12, 0.55%, 0.39%

LAB 44.91, -6.88, -28.91

 

CMYK 79 / 30 / 0 / 47

HEX #1C5E87

RGB 28 94 135

HSL 202.99, 0.66%, 0.32%

LAB 37.85, -5.43, -28.62

 

CMYK 91 / 34 / 0 / 55

HEX #0B4C74

RGB 11 76 116

HSL 202.86, 0.83%, 0.25%

LAB 30.64, -3.35, -28.26

 

CMYK 100 / 40 / 0 / 62

HEX #003A61

RGB 0 58 97

HSL 204.12, 1%, 0.19%

LAB 23.3, -0.4, -27.77

 

CMYK 64 / 25 / 0 / 33

HEX #3E81AC

RGB 62 129 172

HSL 203.45, 0.47%, 0.46%

LAB 51.5, -7.68, -29.12

 

CMYK 64 / 42 / 0 / 33

HEX #3E63AC

RGB 62 99 172

HSL 219.82, 0.47%, 0.46%

LAB 42.65, 10.58, -43.06

 

CMYK 64 / 59 / 0 / 33

HEX #3E46AC

RGB 62 70 172

HSL 235.64, 0.47%, 0.46%

LAB 34.77, 29.35, -55.75

 

CMYK 52 / 64 / 0 / 33

HEX #533EAC

RGB 83 62 172

HSL 251.45, 0.47%, 0.46%

LAB 34.52, 38.08, -56.07

 

CMYK 34 / 64 / 0 / 33

HEX #713EAC

RGB 113 62 172

HSL 267.82, 0.47%, 0.46%

LAB 37.72, 44.39, -50.74

 

CMYK 64 / 25 / 0 / 33

HEX #3E81AC

RGB 62 129 172

HSL 203.45, 0.47%, 0.46%

LAB 51.5, -7.68, -29.12

 

CMYK 64 / 42 / 0 / 33

HEX #3E63AC

RGB 62 99 172

HSL 219.82, 0.47%, 0.46%

LAB 42.65, 10.58, -43.06

 

CMYK 64 / 59 / 0 / 33

HEX #3E46AC

RGB 62 70 172

HSL 235.64, 0.47%, 0.46%

LAB 34.77, 29.35, -55.75

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 64 / 25 / 0 / 33

HEX #3E81AC

RGB 62 129 172

HSL 203.45, 0.47%, 0.46%

LAB 51.5, -7.68, -29.12

 

CMYK 77 / 30 / 0 / 25

HEX #2B85BF

RGB 43 133 191

HSL 203.51, 0.63%, 0.46%

LAB 53, -6.17, -37.72

 

CMYK 89 / 34 / 0 / 18

HEX #188AD2

RGB 24 138 210

HSL 203.23, 0.79%, 0.46%

LAB 55.1, -3.71, -45.22

 

CMYK 98 / 38 / 0 / 10

HEX #058EE5

RGB 5 142 229

HSL 203.3, 0.96%, 0.46%

LAB 57.11, 0.37, -52.67

 

CMYK 64 / 25 / 0 / 33

HEX #3E81AC

RGB 62 129 172

HSL 203.45, 0.47%, 0.46%

LAB 51.5, -7.68, -29.12

 

CMYK 47 / 18 / 0 / 40

HEX #517D99

RGB 81 125 153

HSL 203.33, 0.31%, 0.46%

LAB 50.35, -7.22, -19.78

 

CMYK 25 / 10 / 0 / 47

HEX #647986

RGB 100 121 134

HSL 202.94, 0.15%, 0.46%

LAB 49.62, -4.52, -9.63

 

CMYK 0 / 3 / 3 / 53

HEX #777473

RGB 119 116 115

HSL 15, 0.02%, 0.46%

LAB 49.07, 0.95, 0.95

 

CMYK 0 / 19 / 30 / 46

HEX #8A7060

RGB 138 112 96

HSL 22.86, 0.18%, 0.46%

LAB 49.3, 7.72, 12.75

 

CMYK 64 / 0 / 10 / 33

HEX #3EAC9B

RGB 62 172 155

HSL 170.73, 0.47%, 0.46%

LAB 64.08, -35.14, -0.45

 

CMYK 64 / 8 / 0 / 33

HEX #3E9FAC

RGB 62 159 172

HSL 187.09, 0.47%, 0.46%

LAB 60.6, -23.98, -15.16

 

CMYK 64 / 24 / 0 / 33

HEX #3E82AC

RGB 62 130 172

HSL 202.91, 0.47%, 0.46%

LAB 51.8, -8.26, -28.65

 

CMYK 64 / 42 / 0 / 33

HEX #3E64AC

RGB 62 100 172

HSL 219.27, 0.47%, 0.46%

LAB 42.94, 9.95, -42.6

 

CMYK 64 / 59 / 0 / 33

HEX #3E47AC

RGB 62 71 172

HSL 235.09, 0.47%, 0.46%

LAB 35.02, 28.71, -55.34

 

CMYK 64 / 24 / 0 / 56

HEX #28546F

RGB 40 84 111

HSL 202.82, 0.47%, 0.3%

LAB 33.86, -6.17, -20.03

 

CMYK 64 / 25 / 0 / 44

HEX #336A8E

RGB 51 106 142

HSL 203.74, 0.47%, 0.38%

LAB 42.71, -6.47, -25.19

 

CMYK 64 / 25 / 0 / 33

HEX #3E81AC

RGB 62 129 172

HSL 203.45, 0.47%, 0.46%

LAB 51.5, -7.68, -29.12

 

CMYK 57 / 22 / 0 / 25

HEX #5296C0

RGB 82 150 192

HSL 202.91, 0.47%, 0.54%

LAB 59.35, -9.21, -28.29

 

CMYK 44 / 17 / 0 / 20

HEX #71A8CB

RGB 113 168 203

HSL 203.33, 0.46%, 0.62%

LAB 66.39, -8.77, -23.5

 

CMYK 64 / 25 / 0 / 32

HEX #3E82AD

RGB 62 130 173

HSL 203.24, 0.47%, 0.46%

LAB 51.84, -7.92, -29.16

 

CMYK 27 / 64 / 0 / 33

HEX #7E3EAC

RGB 126 62 172

HSL 274.91, 0.47%, 0.46%

LAB 39.34, 47.37, -48.05

 

CMYK 0 / 1 / 64 / 33

HEX #ACAA3E

RGB 172 170 62

HSL 58.91, 0.47%, 0.46%

LAB 67.92, -12.97, 53.96

 

CMYK 64 / 25 / 0 / 32

HEX #3E82AD

RGB 62 130 173

HSL 203.24, 0.47%, 0.46%

LAB 51.84, -7.92, -29.16

 

CMYK 0 / 64 / 24 / 33

HEX #AC3E82

RGB 172 62 130

HSL 322.91, 0.47%, 0.46%

LAB 43.98, 51.96, -14.97

 

CMYK 24 / 0 / 64 / 33

HEX #82AC3E

RGB 130 172 62

HSL 82.91, 0.47%, 0.46%

LAB 65.44, -31.39, 50.39

 

CMYK 64 / 25 / 0 / 32

HEX #3E82AD

RGB 62 130 173

HSL 203.24, 0.47%, 0.46%

LAB 51.84, -7.92, -29.16

 

CMYK 27 / 64 / 0 / 33

HEX #7E3EAC

RGB 126 62 172

HSL 274.91, 0.47%, 0.46%

LAB 39.34, 47.37, -48.05

 

CMYK 0 / 40 / 64 / 33

HEX #AC683E

RGB 172 104 62

HSL 22.91, 0.47%, 0.46%

LAB 50.71, 23.28, 34.8

 

CMYK 37 / 0 / 64 / 33

HEX #6CAC3E

RGB 108 172 62

HSL 94.91, 0.47%, 0.46%

LAB 64.19, -39.57, 48.68

 

CMYK 64 / 25 / 0 / 32

HEX #3E82AD

RGB 62 130 173

HSL 203.24, 0.47%, 0.46%

LAB 51.84, -7.92, -29.16

 

CMYK 8 / 64 / 0 / 33

HEX #9F3EAC

RGB 159 62 172

HSL 292.91, 0.47%, 0.46%

LAB 43.94, 55.32, -40.44

 

CMYK 0 / 40 / 64 / 33

HEX #AC683E

RGB 172 104 62

HSL 22.91, 0.47%, 0.46%

LAB 50.71, 23.28, 34.8

 

CMYK 56 / 0 / 64 / 33

HEX #4BAC3E

RGB 75 172 62

HSL 112.91, 0.47%, 0.46%

LAB 62.8, -49.77, 46.75

 

Description

Color code: HEX #3E82AD | qconv.com Color code: HEX #3E82AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 130 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 130 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 25 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 25% 0% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - Chris Gooley
Link: http://chrisgooley.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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