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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E86C0 it is the complementary color #C1793F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E86C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E86C0 shade: #4386BB, #5498CE, #65AAE1, #76BCF4 and #87CEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E86C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E86C0 shade: #3E86C0, #2D74AD, #1C629A, #0B5087 and #003E74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E86C0 shade: #3E86C0, #3E63C0, #3E40C0, #5F3EC0 and #823EC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E86C0 shade: #3E86C0, #3E63C0, #3E40C0 and #3E3EC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E86C0 shade matches the following richer shades: #3E86C0, #2988D5, #158AE9 and #008DFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E86C0 shade: #3E86C0, #5384AB, #678297, #7C7F82 and #907D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E86C0 shade: #3EC0B3, #3EAAC0, #3E88C0, #3E65C0 and #3E42C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E86C0 shade: #2A5A82, #3470A1, #3E86C0, #5D99CA and #7CADD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E86C0 shade: #3E86C0, #903EC0 and #BCC03E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E86C0 shade: #3E86C0, #C03E88 and #88C03E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E86C0 shade: #3E86C0, #903EC0, #C0763E and #6EC03E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E86C0 shade: #3E86C0, #B73EC0, #C0763E and #47C03E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

Complementary color

CMYK 0 / 37 / 67 / 24

HEX #C1793F

RGB 193 121 63

HSL 26.77, 0.51%, 0.5%

LAB 57.44, 22.87, 42.73

 

CMYK 64 / 28 / 0 / 27

HEX #4386BB

RGB 67 134 187

HSL 206.5, 0.47%, 0.5%

LAB 53.85, -4.62, -34.06

 

CMYK 59 / 26 / 0 / 19

HEX #5498CE

RGB 84 152 206

HSL 206.56, 0.55%, 0.57%

LAB 60.6, -5.5, -34.21

 

CMYK 55 / 24 / 0 / 12

HEX #65AAE1

RGB 101 170 225

HSL 206.61, 0.67%, 0.64%

LAB 67.24, -6.2, -34.37

 

CMYK 52 / 23 / 0 / 4

HEX #76BCF4

RGB 118 188 244

HSL 206.67, 0.85%, 0.71%

LAB 73.77, -6.76, -34.53

 

CMYK 47 / 19 / 0 / 0

HEX #87CEFF

RGB 135 206 255

HSL 204.5, 1%, 0.76%

LAB 79.91, -9.45, -30.9

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 74 / 33 / 0 / 32

HEX #2D74AD

RGB 45 116 173

HSL 206.72, 0.59%, 0.43%

LAB 47.06, -2.39, -36.69

 

CMYK 82 / 36 / 0 / 40

HEX #1C629A

RGB 28 98 154

HSL 206.67, 0.69%, 0.36%

LAB 40.11, -0.57, -36.5

 

CMYK 92 / 41 / 0 / 47

HEX #0B5087

RGB 11 80 135

HSL 206.61, 0.85%, 0.29%

LAB 33.04, 1.91, -36.24

 

CMYK 100 / 47 / 0 / 55

HEX #003E74

RGB 0 62 116

HSL 207.93, 1%, 0.23%

LAB 25.88, 5.25, -35.85

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 68 / 48 / 0 / 25

HEX #3E63C0

RGB 62 99 192

HSL 222.92, 0.51%, 0.5%

LAB 43.88, 17.77, -52.77

 

CMYK 68 / 67 / 0 / 25

HEX #3E40C0

RGB 62 64 192

HSL 239.08, 0.51%, 0.5%

LAB 35, 39.99, -67.2

 

CMYK 51 / 68 / 0 / 25

HEX #5F3EC0

RGB 95 62 192

HSL 255.23, 0.51%, 0.5%

LAB 37.27, 46.22, -63.37

 

CMYK 32 / 68 / 0 / 25

HEX #823EC0

RGB 130 62 192

HSL 271.38, 0.51%, 0.5%

LAB 41.21, 52.98, -56.79

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 68 / 48 / 0 / 25

HEX #3E63C0

RGB 62 99 192

HSL 222.92, 0.51%, 0.5%

LAB 43.88, 17.77, -52.77

 

CMYK 68 / 67 / 0 / 25

HEX #3E40C0

RGB 62 64 192

HSL 239.08, 0.51%, 0.5%

LAB 35, 39.99, -67.2

 

CMYK 68 / 68 / 0 / 25

HEX #3E3EC0

RGB 62 62 192

HSL 240, 0.51%, 0.5%

LAB 34.55, 41.2, -67.93

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 81 / 36 / 0 / 16

HEX #2988D5

RGB 41 136 213

HSL 206.86, 0.68%, 0.5%

LAB 54.95, -0.1, -47.12

 

CMYK 91 / 41 / 0 / 9

HEX #158AE9

RGB 21 138 233

HSL 206.89, 0.83%, 0.5%

LAB 56.31, 4.82, -56.18

 

CMYK 100 / 44 / 0 / 0

HEX #008DFE

RGB 0 141 254

HSL 206.69, 1%, 0.5%

LAB 58.23, 10.39, -64.71

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 51 / 23 / 0 / 33

HEX #5384AB

RGB 83 132 171

HSL 206.59, 0.35%, 0.5%

LAB 53.26, -5.3, -25.75

 

CMYK 32 / 14 / 0 / 41

HEX #678297

RGB 103 130 151

HSL 206.25, 0.19%, 0.5%

LAB 53.04, -4.41, -14.4

 

CMYK 5 / 2 / 0 / 49

HEX #7C7F82

RGB 124 127 130

HSL 210, 0.02%, 0.5%

LAB 53.03, -0.5, -2.02

 

CMYK 0 / 13 / 24 / 44

HEX #907D6E

RGB 144 125 110

HSL 26.47, 0.13%, 0.5%

LAB 53.73, 4.79, 10.86

 

CMYK 68 / 0 / 7 / 25

HEX #3EC0B3

RGB 62 192 179

HSL 174, 0.51%, 0.5%

LAB 70.86, -37.88, -3.75

 

CMYK 68 / 11 / 0 / 25

HEX #3EAAC0

RGB 62 170 192

HSL 190.15, 0.51%, 0.5%

LAB 64.63, -23.47, -20.26

 

CMYK 68 / 29 / 0 / 25

HEX #3E88C0

RGB 62 136 192

HSL 205.85, 0.51%, 0.5%

LAB 54.49, -4.93, -35.92

 

CMYK 68 / 47 / 0 / 25

HEX #3E65C0

RGB 62 101 192

HSL 222, 0.51%, 0.5%

LAB 44.43, 16.49, -51.89

 

CMYK 68 / 66 / 0 / 25

HEX #3E42C0

RGB 62 66 192

HSL 238.15, 0.51%, 0.5%

LAB 35.45, 38.77, -66.45

 

CMYK 68 / 31 / 0 / 49

HEX #2A5A82

RGB 42 90 130

HSL 207.27, 0.51%, 0.34%

LAB 36.77, -2.65, -27.22

 

CMYK 68 / 30 / 0 / 37

HEX #3470A1

RGB 52 112 161

HSL 206.97, 0.51%, 0.42%

LAB 45.49, -3.23, -32.12

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 54 / 24 / 0 / 21

HEX #5D99CA

RGB 93 153 202

HSL 206.97, 0.51%, 0.58%

LAB 61.11, -5.46, -31.15

 

CMYK 42 / 18 / 0 / 17

HEX #7CADD4

RGB 124 173 212

HSL 206.59, 0.51%, 0.66%

LAB 68.7, -6.22, -24.88

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 25 / 68 / 0 / 25

HEX #903EC0

RGB 144 62 192

HSL 277.85, 0.51%, 0.5%

LAB 43.03, 55.94, -53.76

 

CMYK 2 / 0 / 68 / 25

HEX #BCC03E

RGB 188 192 62

HSL 61.85, 0.51%, 0.5%

LAB 75.29, -17.36, 61.95

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 0 / 68 / 29 / 25

HEX #C03E88

RGB 192 62 136

HSL 325.85, 0.51%, 0.5%

LAB 47.53, 58.47, -12.92

 

CMYK 29 / 0 / 68 / 25

HEX #88C03E

RGB 136 192 62

HSL 85.85, 0.51%, 0.5%

LAB 71.75, -38.26, 57.2

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 25 / 68 / 0 / 25

HEX #903EC0

RGB 144 62 192

HSL 277.85, 0.51%, 0.5%

LAB 43.03, 55.94, -53.76

 

CMYK 0 / 39 / 68 / 25

HEX #C0763E

RGB 192 118 62

HSL 25.85, 0.51%, 0.5%

LAB 56.6, 24.03, 42.26

 

CMYK 43 / 0 / 68 / 25

HEX #6EC03E

RGB 110 192 62

HSL 97.85, 0.51%, 0.5%

LAB 70.43, -47.34, 55.41

 

CMYK 68 / 30 / 0 / 25

HEX #3E86C0

RGB 62 134 192

HSL 206.77, 0.51%, 0.5%

LAB 53.9, -3.77, -36.85

 

CMYK 5 / 68 / 0 / 25

HEX #B73EC0

RGB 183 62 192

HSL 295.85, 0.51%, 0.5%

LAB 48.66, 64.6, -44.44

 

CMYK 0 / 39 / 68 / 25

HEX #C0763E

RGB 192 118 62

HSL 25.85, 0.51%, 0.5%

LAB 56.6, 24.03, 42.26

 

CMYK 63 / 0 / 68 / 25

HEX #47C03E

RGB 71 192 62

HSL 115.85, 0.51%, 0.5%

LAB 69.03, -58.04, 53.5

 

Description

Color code: HEX #3E86C0 | qconv.com Color code: HEX #3E86C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 134 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 134 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 30 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 30% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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