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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E8616 it is the complementary color #C179E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E8616. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E8616 shade: #438611, #549824, #65AA37, #76BC4A and #87CE5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E8616. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E8616 shade: #3E8616, #2D7403, #1C6200, #0B5000 and #003E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E8616 shade: #3E8716, #5D8716, #7C8716, #877516 and #875616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E8616 shade: #3E8716, #208716, #16872A, #168749 and #168768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E8616 shade matches the following richer shades: #3E8716 and #3B9409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E8616 shade: #3E8716, #427B22, #466E2F, #49613C and #4D5449

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E8616 shade: #7C8716, #5E8716, #3F8716, #218716 and #168729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E8616 shade: #1E410A, #2E6410, #3E8716, #4FAB1B and #5FCE21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E8616 shade: #3E8616, #168774 and #87166D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E8616 shade: #3E8616, #163F87 and #87163F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E8616 shade: #3E8616, #168774, #5E1687 and #871629

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E8616 shade: #3E8616, #167887, #5E1687 and #872516

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 84 / 47

HEX #3E8616

RGB 62 134 22

HSL 98.57, 0.72%, 0.31%

LAB 49.66, -41.9, 48.44

 

Complementary color

CMYK 17 / 48 / 0 / 9

HEX #C179E9

RGB 193 121 233

HSL 278.57, 0.72%, 0.69%

LAB 62.42, 47.42, -45.83

 

CMYK 50 / 0 / 87 / 47

HEX #438611

RGB 67 134 17

HSL 94.36, 0.77%, 0.3%

LAB 49.84, -40.56, 50.03

 

CMYK 45 / 0 / 76 / 40

HEX #549824

RGB 84 152 36

HSL 95.17, 0.62%, 0.37%

LAB 56.55, -41.32, 50.76

 

CMYK 41 / 0 / 68 / 33

HEX #65AA37

RGB 101 170 55

HSL 96, 0.51%, 0.44%

LAB 63.17, -41.74, 50.44

 

CMYK 37 / 0 / 61 / 26

HEX #76BC4A

RGB 118 188 74

HSL 96.84, 0.46%, 0.51%

LAB 69.69, -41.94, 49.63

 

CMYK 34 / 0 / 55 / 19

HEX #87CE5D

RGB 135 206 93

HSL 97.7, 0.54%, 0.59%

LAB 76.12, -42, 48.6

 

CMYK 54 / 0 / 84 / 47

HEX #3E8616

RGB 62 134 22

HSL 98.57, 0.72%, 0.31%

LAB 49.66, -41.9, 48.44

 

CMYK 61 / 0 / 97 / 55

HEX #2D7403

RGB 45 116 3

HSL 97.7, 0.95%, 0.23%

LAB 42.85, -40.69, 46.83

 

CMYK 71 / 0 / 100 / 62

HEX #1C6200

RGB 28 98 0

HSL 102.86, 1%, 0.19%

LAB 35.95, -38.51, 41.86

 

CMYK 86 / 0 / 100 / 69

HEX #0B5000

RGB 11 80 0

HSL 111.75, 1%, 0.16%

LAB 28.92, -35.51, 36.1

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 54 / 0 / 84 / 47

HEX #3E8716

RGB 62 135 22

HSL 98.76, 0.72%, 0.31%

LAB 49.99, -42.3, 48.74

 

CMYK 31 / 0 / 84 / 47

HEX #5D8716

RGB 93 135 22

HSL 82.3, 0.72%, 0.31%

LAB 51.51, -31.27, 50.69

 

CMYK 8 / 0 / 84 / 47

HEX #7C8716

RGB 124 135 22

HSL 65.84, 0.72%, 0.31%

LAB 53.68, -17.95, 53.43

 

CMYK 0 / 13 / 84 / 47

HEX #877516

RGB 135 117 22

HSL 50.44, 0.72%, 0.31%

LAB 49.41, -3.04, 50.11

 

CMYK 0 / 36 / 84 / 47

HEX #875616

RGB 135 86 22

HSL 33.98, 0.72%, 0.31%

LAB 41, 14.96, 42.67

 

CMYK 54 / 0 / 84 / 47

HEX #3E8716

RGB 62 135 22

HSL 98.76, 0.72%, 0.31%

LAB 49.99, -42.3, 48.74

 

CMYK 76 / 0 / 84 / 47

HEX #208716

RGB 32 135 22

HSL 114.69, 0.72%, 0.31%

LAB 49.12, -49.44, 47.62

 

CMYK 84 / 0 / 69 / 47

HEX #16872A

RGB 22 135 42

HSL 130.62, 0.72%, 0.31%

LAB 49.09, -49.22, 40.11

 

CMYK 84 / 0 / 46 / 47

HEX #168749

RGB 22 135 73

HSL 147.08, 0.72%, 0.31%

LAB 49.47, -44.62, 25

 

CMYK 84 / 0 / 23 / 47

HEX #168768

RGB 22 135 104

HSL 163.54, 0.72%, 0.31%

LAB 50.09, -37.64, 8.28

 

CMYK 54 / 0 / 84 / 47

HEX #3E8716

RGB 62 135 22

HSL 98.76, 0.72%, 0.31%

LAB 49.99, -42.3, 48.74

 

CMYK 60 / 0 / 94 / 42

HEX #3B9409

RGB 59 148 9

HSL 98.42, 0.89%, 0.31%

LAB 54.16, -48.55, 55.19

 

CMYK 54 / 0 / 84 / 47

HEX #3E8716

RGB 62 135 22

HSL 98.76, 0.72%, 0.31%

LAB 49.99, -42.3, 48.74

 

CMYK 46 / 0 / 72 / 52

HEX #427B22

RGB 66 123 34

HSL 98.43, 0.57%, 0.31%

LAB 46.23, -35.23, 40.88

 

CMYK 36 / 0 / 57 / 57

HEX #466E2F

RGB 70 110 47

HSL 98.1, 0.4%, 0.31%

LAB 42.25, -26.46, 30.37

 

CMYK 25 / 0 / 38 / 62

HEX #49613C

RGB 73 97 60

HSL 98.92, 0.24%, 0.31%

LAB 38.36, -16.68, 18.27

 

CMYK 8 / 0 / 13 / 67

HEX #4D5449

RGB 77 84 73

HSL 98.18, 0.07%, 0.31%

LAB 34.8, -5.15, 5.48

 

CMYK 8 / 0 / 84 / 47

HEX #7C8716

RGB 124 135 22

HSL 65.84, 0.72%, 0.31%

LAB 53.68, -17.95, 53.43

 

CMYK 30 / 0 / 84 / 47

HEX #5E8716

RGB 94 135 22

HSL 81.77, 0.72%, 0.31%

LAB 51.57, -30.86, 50.76

 

CMYK 53 / 0 / 84 / 47

HEX #3F8716

RGB 63 135 22

HSL 98.23, 0.72%, 0.31%

LAB 50.03, -41.99, 48.79

 

CMYK 76 / 0 / 84 / 47

HEX #218716

RGB 33 135 22

HSL 114.16, 0.72%, 0.31%

LAB 49.14, -49.26, 47.65

 

CMYK 84 / 0 / 70 / 47

HEX #168729

RGB 22 135 41

HSL 130.09, 0.72%, 0.31%

LAB 49.08, -49.33, 40.53

 

CMYK 54 / 0 / 85 / 75

HEX #1E410A

RGB 30 65 10

HSL 98.18, 0.73%, 0.15%

LAB 23.93, -23.8, 27.76

 

CMYK 54 / 0 / 84 / 61

HEX #2E6410

RGB 46 100 16

HSL 98.57, 0.72%, 0.23%

LAB 37.36, -33.4, 38.67

 

CMYK 54 / 0 / 84 / 47

HEX #3E8716

RGB 62 135 22

HSL 98.76, 0.72%, 0.31%

LAB 49.99, -42.3, 48.74

 

CMYK 54 / 0 / 84 / 33

HEX #4FAB1B

RGB 79 171 27

HSL 98.33, 0.73%, 0.39%

LAB 62.4, -50.86, 58.86

 

CMYK 54 / 0 / 84 / 19

HEX #5FCE21

RGB 95 206 33

HSL 98.5, 0.72%, 0.47%

LAB 73.99, -58.93, 67.95

 

CMYK 54 / 0 / 84 / 47

HEX #3E8616

RGB 62 134 22

HSL 98.57, 0.72%, 0.31%

LAB 49.66, -41.9, 48.44

 

CMYK 84 / 0 / 14 / 47

HEX #168774

RGB 22 135 116

HSL 169.91, 0.72%, 0.31%

LAB 50.4, -34.37, 1.75

 

CMYK 0 / 84 / 19 / 47

HEX #87166D

RGB 135 22 109

HSL 313.81, 0.72%, 0.31%

LAB 31.41, 53.5, -21.77

 

CMYK 54 / 0 / 84 / 47

HEX #3E8616

RGB 62 134 22

HSL 98.57, 0.72%, 0.31%

LAB 49.66, -41.9, 48.44

 

CMYK 84 / 53 / 0 / 47

HEX #163F87

RGB 22 63 135

HSL 218.23, 0.72%, 0.31%

LAB 28.05, 14.42, -44.26

 

CMYK 0 / 84 / 53 / 47

HEX #87163F

RGB 135 22 63

HSL 338.23, 0.72%, 0.31%

LAB 29.62, 48.3, 5.69

 

CMYK 54 / 0 / 84 / 47

HEX #3E8616

RGB 62 134 22

HSL 98.57, 0.72%, 0.31%

LAB 49.66, -41.9, 48.44

 

CMYK 84 / 0 / 14 / 47

HEX #168774

RGB 22 135 116

HSL 169.91, 0.72%, 0.31%

LAB 50.4, -34.37, 1.75

 

CMYK 30 / 84 / 0 / 47

HEX #5E1687

RGB 94 22 135

HSL 278.23, 0.72%, 0.31%

LAB 25.87, 49.73, -47.51

 

CMYK 0 / 84 / 70 / 47

HEX #871629

RGB 135 22 41

HSL 349.91, 0.72%, 0.31%

LAB 29.12, 46.78, 19.68

 

CMYK 54 / 0 / 84 / 47

HEX #3E8616

RGB 62 134 22

HSL 98.57, 0.72%, 0.31%

LAB 49.66, -41.9, 48.44

 

CMYK 84 / 11 / 0 / 47

HEX #167887

RGB 22 120 135

HSL 187.96, 0.72%, 0.31%

LAB 46.11, -21, -15.84

 

CMYK 30 / 84 / 0 / 47

HEX #5E1687

RGB 94 22 135

HSL 278.23, 0.72%, 0.31%

LAB 25.87, 49.73, -47.51

 

CMYK 0 / 73 / 84 / 47

HEX #872516

RGB 135 37 22

HSL 7.96, 0.72%, 0.31%

LAB 30.72, 40.8, 33.13

 

Description

Color code: HEX #3E8616 | qconv.com Color code: HEX #3E8616 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 134 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 134 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 84 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 84% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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