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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E7CB5 it is the complementary color #C1834A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E7CB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E7CB5 shade: #437CB0, #548EC3, #65A0D6, #76B2E9 and #87C4FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E7CB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E7CB5 shade: #3E7CB5, #2D6AA2, #1C588F, #0B467C and #003469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E7CB5 shade: #3E7CB6, #3E5CB6, #403EB6, #603EB6 and #813EB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E7CB5 shade: #3E7CB6, #3E5CB6 and #3E3EB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E7CB5 shade matches the following richer shades: #3E7CB6, #2A7DCA, #167EDD and #037FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E7CB5 shade: #3E7CB6, #527CA2, #667B8E, #797A7A and #8D7967

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E7CB5 shade: #3EB6AE, #3E9EB6, #3E7EB6, #3E5EB6 and #3E3EB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E7CB5 shade: #295278, #336797, #3E7CB6, #5891C5 and #76A5D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E7CB5 shade: #3E7CB5, #8E3EB6 and #AEB63E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E7CB5 shade: #3E7CB5, #B63E7E and #7EB63E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E7CB5 shade: #3E7CB5, #8E3EB6, #B6763E and #66B63E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E7CB5 shade: #3E7CB5, #B23EB6, #B6763E and #42B63E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 31 / 0 / 29

HEX #3E7CB5

RGB 62 124 181

HSL 208.74, 0.49%, 0.48%

LAB 50.42, -1.67, -36

 

Complementary color

CMYK 0 / 32 / 62 / 24

HEX #C1834A

RGB 193 131 74

HSL 28.74, 0.49%, 0.52%

LAB 59.95, 18.09, 39.98

 

CMYK 62 / 30 / 0 / 31

HEX #437CB0

RGB 67 124 176

HSL 208.62, 0.45%, 0.48%

LAB 50.39, -2.46, -33.16

 

CMYK 57 / 27 / 0 / 24

HEX #548EC3

RGB 84 142 195

HSL 208.65, 0.48%, 0.55%

LAB 57.24, -3.31, -33.26

 

CMYK 53 / 25 / 0 / 16

HEX #65A0D6

RGB 101 160 214

HSL 208.67, 0.58%, 0.62%

LAB 63.97, -3.98, -33.38

 

CMYK 49 / 24 / 0 / 9

HEX #76B2E9

RGB 118 178 233

HSL 208.7, 0.72%, 0.69%

LAB 70.58, -4.51, -33.51

 

CMYK 46 / 22 / 0 / 1

HEX #87C4FC

RGB 135 196 252

HSL 208.72, 0.95%, 0.76%

LAB 77.08, -4.96, -33.65

 

CMYK 66 / 31 / 0 / 29

HEX #3E7CB5

RGB 62 124 181

HSL 208.74, 0.49%, 0.48%

LAB 50.42, -1.67, -36

 

CMYK 72 / 35 / 0 / 36

HEX #2D6AA2

RGB 45 106 162

HSL 208.72, 0.57%, 0.41%

LAB 43.47, -0.33, -35.9

 

CMYK 80 / 38 / 0 / 44

HEX #1C588F

RGB 28 88 143

HSL 208.7, 0.67%, 0.34%

LAB 36.38, 1.48, -35.79

 

CMYK 91 / 44 / 0 / 51

HEX #0B467C

RGB 11 70 124

HSL 208.67, 0.84%, 0.26%

LAB 29.18, 3.99, -35.6

 

CMYK 100 / 50 / 0 / 59

HEX #003469

RGB 0 52 105

HSL 210.29, 1%, 0.21%

LAB 21.86, 7.46, -35.28

 

CMYK 66 / 32 / 0 / 29

HEX #3E7CB6

RGB 62 124 182

HSL 209, 0.49%, 0.48%

LAB 50.47, -1.33, -36.5

 

CMYK 66 / 49 / 0 / 29

HEX #3E5CB6

RGB 62 92 182

HSL 225, 0.49%, 0.48%

LAB 41.3, 18.66, -51.09

 

CMYK 65 / 66 / 0 / 29

HEX #403EB6

RGB 64 62 182

HSL 241, 0.49%, 0.48%

LAB 33.8, 38.12, -63.26

 

CMYK 47 / 66 / 0 / 29

HEX #603EB6

RGB 96 62 182

HSL 257, 0.49%, 0.48%

LAB 36.57, 43.53, -58.62

 

CMYK 29 / 66 / 0 / 29

HEX #813EB6

RGB 129 62 182

HSL 273.5, 0.49%, 0.48%

LAB 40.39, 50.4, -52.25

 

CMYK 66 / 32 / 0 / 29

HEX #3E7CB6

RGB 62 124 182

HSL 209, 0.49%, 0.48%

LAB 50.47, -1.33, -36.5

 

CMYK 66 / 49 / 0 / 29

HEX #3E5CB6

RGB 62 92 182

HSL 225, 0.49%, 0.48%

LAB 41.3, 18.66, -51.09

 

CMYK 66 / 66 / 0 / 29

HEX #3E3EB6

RGB 62 62 182

HSL 240, 0.49%, 0.48%

LAB 33.66, 37.83, -63.49

 

CMYK 66 / 32 / 0 / 29

HEX #3E7CB6

RGB 62 124 182

HSL 209, 0.49%, 0.48%

LAB 50.47, -1.33, -36.5

 

CMYK 79 / 38 / 0 / 21

HEX #2A7DCA

RGB 42 125 202

HSL 208.88, 0.66%, 0.48%

LAB 51.18, 2.53, -46.88

 

CMYK 90 / 43 / 0 / 13

HEX #167EDD

RGB 22 126 221

HSL 208.64, 0.82%, 0.48%

LAB 52.19, 7.6, -56.05

 

CMYK 99 / 47 / 0 / 5

HEX #037FF1

RGB 3 127 241

HSL 208.74, 0.98%, 0.48%

LAB 53.55, 14.07, -65.07

 

CMYK 66 / 32 / 0 / 29

HEX #3E7CB6

RGB 62 124 182

HSL 209, 0.49%, 0.48%

LAB 50.47, -1.33, -36.5

 

CMYK 49 / 23 / 0 / 36

HEX #527CA2

RGB 82 124 162

HSL 208.5, 0.33%, 0.48%

LAB 50.47, -3.66, -24.84

 

CMYK 28 / 13 / 0 / 44

HEX #667B8E

RGB 102 123 142

HSL 208.5, 0.16%, 0.48%

LAB 50.62, -3.01, -12.81

 

CMYK 1 / 0 / 0 / 52

HEX #797A7A

RGB 121 122 122

HSL 180, 0%, 0.48%

LAB 51.14, -0.37, -0.14

 

CMYK 0 / 14 / 27 / 45

HEX #8D7967

RGB 141 121 103

HSL 28.42, 0.16%, 0.48%

LAB 52.19, 4.79, 12.73

 

CMYK 66 / 0 / 4 / 29

HEX #3EB6AE

RGB 62 182 174

HSL 176, 0.49%, 0.48%

LAB 67.68, -34.63, -5.69

 

CMYK 66 / 13 / 0 / 29

HEX #3E9EB6

RGB 62 158 182

HSL 192, 0.49%, 0.48%

LAB 60.65, -20.38, -20.72

 

CMYK 66 / 31 / 0 / 29

HEX #3E7EB6

RGB 62 126 182

HSL 208, 0.49%, 0.48%

LAB 51.06, -2.51, -35.57

 

CMYK 66 / 48 / 0 / 29

HEX #3E5EB6

RGB 62 94 182

HSL 224, 0.49%, 0.48%

LAB 41.86, 17.37, -50.2

 

CMYK 66 / 66 / 0 / 29

HEX #3E3EB6

RGB 62 62 182

HSL 240, 0.49%, 0.48%

LAB 33.66, 37.83, -63.49

 

CMYK 66 / 32 / 0 / 53

HEX #295278

RGB 41 82 120

HSL 208.86, 0.49%, 0.32%

LAB 33.69, -1.45, -25.89

 

CMYK 66 / 32 / 0 / 41

HEX #336797

RGB 51 103 151

HSL 208.8, 0.5%, 0.4%

LAB 42.21, -1.48, -31.34

 

CMYK 66 / 32 / 0 / 29

HEX #3E7CB6

RGB 62 124 182

HSL 209, 0.49%, 0.48%

LAB 50.47, -1.33, -36.5

 

CMYK 55 / 26 / 0 / 23

HEX #5891C5

RGB 88 145 197

HSL 208.62, 0.48%, 0.56%

LAB 58.37, -3.55, -32.61

 

CMYK 43 / 21 / 0 / 18

HEX #76A5D0

RGB 118 165 208

HSL 208.67, 0.49%, 0.64%

LAB 65.99, -4.46, -26.85

 

CMYK 66 / 31 / 0 / 29

HEX #3E7CB5

RGB 62 124 181

HSL 208.74, 0.49%, 0.48%

LAB 50.42, -1.67, -36

 

CMYK 22 / 66 / 0 / 29

HEX #8E3EB6

RGB 142 62 182

HSL 280, 0.49%, 0.48%

LAB 42.11, 53.32, -49.39

 

CMYK 4 / 0 / 66 / 29

HEX #AEB63E

RGB 174 182 62

HSL 64, 0.49%, 0.48%

LAB 71.42, -18.25, 57.66

 

CMYK 66 / 31 / 0 / 29

HEX #3E7CB5

RGB 62 124 181

HSL 208.74, 0.49%, 0.48%

LAB 50.42, -1.67, -36

 

CMYK 0 / 66 / 31 / 29

HEX #B63E7E

RGB 182 62 126

HSL 328, 0.49%, 0.48%

LAB 45.49, 54.36, -10.09

 

CMYK 31 / 0 / 66 / 29

HEX #7EB63E

RGB 126 182 62

HSL 88, 0.49%, 0.48%

LAB 68.2, -37.5, 53.28

 

CMYK 66 / 31 / 0 / 29

HEX #3E7CB5

RGB 62 124 181

HSL 208.74, 0.49%, 0.48%

LAB 50.42, -1.67, -36

 

CMYK 22 / 66 / 0 / 29

HEX #8E3EB6

RGB 142 62 182

HSL 280, 0.49%, 0.48%

LAB 42.11, 53.32, -49.39

 

CMYK 0 / 35 / 66 / 29

HEX #B6763E

RGB 182 118 62

HSL 28, 0.49%, 0.48%

LAB 55.33, 19.76, 40.49

 

CMYK 44 / 0 / 66 / 29

HEX #66B63E

RGB 102 182 62

HSL 100, 0.49%, 0.48%

LAB 67, -45.82, 51.64

 

CMYK 66 / 31 / 0 / 29

HEX #3E7CB5

RGB 62 124 181

HSL 208.74, 0.49%, 0.48%

LAB 50.42, -1.67, -36

 

CMYK 2 / 66 / 0 / 29

HEX #B23EB6

RGB 178 62 182

HSL 298, 0.49%, 0.48%

LAB 47.35, 61.71, -40.73

 

CMYK 0 / 35 / 66 / 29

HEX #B6763E

RGB 182 118 62

HSL 28, 0.49%, 0.48%

LAB 55.33, 19.76, 40.49

 

CMYK 64 / 0 / 66 / 29

HEX #42B63E

RGB 66 182 62

HSL 118, 0.49%, 0.48%

LAB 65.72, -55.62, 49.88

 

Description

Color code: HEX #3E7CB5 | qconv.com Color code: HEX #3E7CB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 124 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 124 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 31 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 31% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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