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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E62D0 it is the complementary color #C19D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E62D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E62D0 shade: #4362CB, #5474DE, #6586F1, #7698FF and #87AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E62D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E62D0 shade: #3E62D0, #2D50BD, #1C3EAA, #0B2C97 and #001A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E62D0 shade: #3E62D0, #413ED0, #683ED0, #903ED0 and #B73ED0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E62D0 shade: #3E62D0 and #3E3ED0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E62D0 shade matches the following richer shades: #3E62D0, #2A58E3 and #174EF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E62D0 shade: #3E62D0, #516BBC, #6475A9, #787F96 and #8B8982

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E62D0 shade: #3EB0D0, #3E89D0, #3E62D0, #403ED0 and #673ED0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E62D0 shade: #244097, #2C4FB8, #3E62D0, #5F7DD8 and #8098E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E62D0 shade: #3E62D0, #C83ED0 and #9DD03E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E62D0 shade: #3E62D0, #D03E62 and #62D03E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E62D0 shade: #3E62D0, #C83ED0, #D0AB3E and #45D03E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E62D0 shade: #3E62D0, #D03EAB, #D0AB3E and #3ED062

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

Complementary color

CMYK 0 / 19 / 76 / 24

HEX #C19D2F

RGB 193 157 47

HSL 45.21, 0.61%, 0.47%

LAB 66.26, 2.33, 58.94

 

CMYK 67 / 52 / 0 / 20

HEX #4362CB

RGB 67 98 203

HSL 226.32, 0.57%, 0.53%

LAB 44.58, 23.14, -57.99

 

CMYK 62 / 48 / 0 / 13

HEX #5474DE

RGB 84 116 222

HSL 226.09, 0.68%, 0.6%

LAB 51.44, 21.28, -57.71

 

CMYK 58 / 44 / 0 / 5

HEX #6586F1

RGB 101 134 241

HSL 225.86, 0.83%, 0.67%

LAB 58.2, 19.75, -57.45

 

CMYK 54 / 40 / 0 / 0

HEX #7698FF

RGB 118 152 255

HSL 225.11, 1%, 0.73%

LAB 64.59, 16.9, -54.91

 

CMYK 47 / 33 / 0 / 0

HEX #87AAFF

RGB 135 170 255

HSL 222.5, 1%, 0.76%

LAB 70.26, 10.28, -45.88

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 76 / 58 / 0 / 26

HEX #2D50BD

RGB 45 80 189

HSL 225.42, 0.62%, 0.46%

LAB 37.79, 26.67, -60.92

 

CMYK 84 / 64 / 0 / 33

HEX #1C3EAA

RGB 28 62 170

HSL 225.63, 0.72%, 0.39%

LAB 30.87, 29.69, -61

 

CMYK 93 / 71 / 0 / 41

HEX #0B2C97

RGB 11 44 151

HSL 225.86, 0.86%, 0.32%

LAB 24.02, 33.26, -60.74

 

CMYK 100 / 80 / 0 / 48

HEX #001A84

RGB 0 26 132

HSL 228.18, 1%, 0.26%

LAB 17.48, 37.02, -59.73

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 69 / 70 / 0 / 18

HEX #413ED0

RGB 65 62 208

HSL 241.23, 0.61%, 0.53%

LAB 36.22, 46.83, -74.51

 

CMYK 50 / 70 / 0 / 18

HEX #683ED0

RGB 104 62 208

HSL 257.26, 0.61%, 0.53%

LAB 39.48, 52.26, -69.03

 

CMYK 31 / 70 / 0 / 18

HEX #903ED0

RGB 144 62 208

HSL 273.7, 0.61%, 0.53%

LAB 44.13, 59.5, -61.26

 

CMYK 12 / 70 / 0 / 18

HEX #B73ED0

RGB 183 62 208

HSL 289.73, 0.61%, 0.53%

LAB 49.58, 67.47, -52.21

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 70 / 70 / 0 / 18

HEX #3E3ED0

RGB 62 62 208

HSL 240, 0.61%, 0.53%

LAB 36.03, 46.5, -74.83

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 81 / 61 / 0 / 11

HEX #2A58E3

RGB 42 88 227

HSL 225.08, 0.77%, 0.53%

LAB 42.79, 35.36, -74.65

 

CMYK 91 / 68 / 0 / 3

HEX #174EF7

RGB 23 78 247

HSL 225.27, 0.93%, 0.53%

LAB 41.76, 47.76, -87.64

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 57 / 43 / 0 / 26

HEX #516BBC

RGB 81 107 188

HSL 225.42, 0.44%, 0.53%

LAB 46.84, 14.83, -45.66

 

CMYK 41 / 31 / 0 / 34

HEX #6475A9

RGB 100 117 169

HSL 225.22, 0.29%, 0.53%

LAB 49.85, 7.36, -29.79

 

CMYK 20 / 15 / 0 / 41

HEX #787F96

RGB 120 127 150

HSL 226, 0.13%, 0.53%

LAB 53.36, 2.55, -13.23

 

CMYK 0 / 1 / 6 / 45

HEX #8B8982

RGB 139 137 130

HSL 46.67, 0.04%, 0.53%

LAB 57.07, -0.58, 4.01

 

CMYK 70 / 15 / 0 / 18

HEX #3EB0D0

RGB 62 176 208

HSL 193.15, 0.61%, 0.53%

LAB 67, -21.54, -25.49

 

CMYK 70 / 34 / 0 / 18

HEX #3E89D0

RGB 62 137 208

HSL 209.18, 0.61%, 0.53%

LAB 55.55, 0.05, -43.32

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 69 / 70 / 0 / 18

HEX #403ED0

RGB 64 62 208

HSL 240.82, 0.61%, 0.53%

LAB 36.16, 46.72, -74.61

 

CMYK 50 / 70 / 0 / 18

HEX #673ED0

RGB 103 62 208

HSL 256.85, 0.61%, 0.53%

LAB 39.38, 52.1, -69.2

 

CMYK 76 / 58 / 0 / 41

HEX #244097

RGB 36 64 151

HSL 225.39, 0.61%, 0.37%

LAB 30.1, 21.75, -50.75

 

CMYK 76 / 57 / 0 / 28

HEX #2C4FB8

RGB 44 79 184

HSL 225, 0.61%, 0.45%

LAB 37.09, 25.33, -59.12

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 56 / 42 / 0 / 15

HEX #5F7DD8

RGB 95 125 216

HSL 225.12, 0.61%, 0.61%

LAB 54.09, 15.88, -50.06

 

CMYK 43 / 32 / 0 / 12

HEX #8098E0

RGB 128 152 224

HSL 225, 0.61%, 0.69%

LAB 63.69, 9.97, -39.23

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 4 / 70 / 0 / 18

HEX #C83ED0

RGB 200 62 208

HSL 296.71, 0.61%, 0.53%

LAB 52.15, 71.09, -47.95

 

CMYK 25 / 0 / 70 / 18

HEX #9DD03E

RGB 157 208 62

HSL 80.96, 0.61%, 0.53%

LAB 77.65, -37.52, 63.63

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 0 / 70 / 53 / 18

HEX #D03E62

RGB 208 62 98

HSL 345.21, 0.61%, 0.53%

LAB 49.18, 59.27, 12.89

 

CMYK 53 / 0 / 70 / 18

HEX #62D03E

RGB 98 208 62

HSL 105.21, 0.61%, 0.53%

LAB 74.86, -57.13, 59.89

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 4 / 70 / 0 / 18

HEX #C83ED0

RGB 200 62 208

HSL 296.71, 0.61%, 0.53%

LAB 52.15, 71.09, -47.95

 

CMYK 0 / 18 / 70 / 18

HEX #D0AB3E

RGB 208 171 62

HSL 44.79, 0.61%, 0.53%

LAB 71.48, 2.1, 58.67

 

CMYK 67 / 0 / 70 / 18

HEX #45D03E

RGB 69 208 62

HSL 117.12, 0.61%, 0.53%

LAB 74.01, -63.92, 58.74

 

CMYK 70 / 53 / 0 / 18

HEX #3E62D0

RGB 62 98 208

HSL 225.21, 0.61%, 0.53%

LAB 44.68, 24.19, -60.71

 

CMYK 0 / 70 / 18 / 18

HEX #D03EAB

RGB 208 62 171

HSL 315.21, 0.61%, 0.53%

LAB 51.61, 67.27, -27.27

 

CMYK 0 / 18 / 70 / 18

HEX #D0AB3E

RGB 208 171 62

HSL 44.79, 0.61%, 0.53%

LAB 71.48, 2.1, 58.67

 

CMYK 70 / 0 / 53 / 18

HEX #3ED062

RGB 62 208 98

HSL 134.79, 0.61%, 0.53%

LAB 74.2, -61.14, 43.33

 

Description

Color code: HEX #3E62D0 | qconv.com Color code: HEX #3E62D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 98 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 98 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 53 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 53% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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