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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E60AE it is the complementary color #C19F51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E60AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E60AE shade: #4360A9, #5472BC, #6584CF, #7696E2 and #87A8F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E60AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E60AE shade: #3E60AE, #2D4E9B, #1C3C88, #0B2A75 and #001862

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E60AE shade: #3E5FAC, #3E41AC, #583EAC, #753EAC and #933EAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E60AE shade: #3E5FAC, #3E41AC and #3E3EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E60AE shade matches the following richer shades: #3E5FAC, #2B58BF, #1850D2 and #0549E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E60AE shade: #3E5FAC, #516799, #646E86, #777673 and #8A7D60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E60AE shade: #3E9BAC, #3E7EAC, #3E61AC, #3E43AC and #563EAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E60AE shade: #283D6F, #334E8E, #3E5FAC, #5274C0 and #718CCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E60AE shade: #3E60AE, #9F3EAC and #8DAC3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E60AE shade: #3E60AE, #AC3E61 and #61AC3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E60AE shade: #3E60AE, #9F3EAC, #AC893E and #4BAC3E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E60AE shade: #3E60AE, #AC3E98, #AC893E and #3EAC52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 45 / 0 / 32

HEX #3E60AE

RGB 62 96 174

HSL 221.79, 0.47%, 0.46%

LAB 41.92, 13.22, -45.41

 

Complementary color

CMYK 0 / 18 / 58 / 24

HEX #C19F51

RGB 193 159 81

HSL 41.79, 0.47%, 0.54%

LAB 67.07, 3.28, 44.79

 

CMYK 60 / 43 / 0 / 34

HEX #4360A9

RGB 67 96 169

HSL 222.94, 0.43%, 0.46%

LAB 41.88, 12.41, -42.5

 

CMYK 55 / 39 / 0 / 26

HEX #5472BC

RGB 84 114 188

HSL 222.69, 0.44%, 0.53%

LAB 48.95, 11.13, -42.3

 

CMYK 51 / 36 / 0 / 19

HEX #6584CF

RGB 101 132 207

HSL 222.45, 0.52%, 0.6%

LAB 55.86, 10.1, -42.15

 

CMYK 48 / 34 / 0 / 11

HEX #7696E2

RGB 118 150 226

HSL 222.22, 0.65%, 0.67%

LAB 62.64, 9.26, -42.04

 

CMYK 45 / 31 / 0 / 4

HEX #87A8F5

RGB 135 168 245

HSL 222, 0.85%, 0.75%

LAB 69.29, 8.54, -41.97

 

CMYK 64 / 45 / 0 / 32

HEX #3E60AE

RGB 62 96 174

HSL 221.79, 0.47%, 0.46%

LAB 41.92, 13.22, -45.41

 

CMYK 71 / 50 / 0 / 39

HEX #2D4E9B

RGB 45 78 155

HSL 222, 0.55%, 0.39%

LAB 34.75, 15.1, -45.63

 

CMYK 79 / 56 / 0 / 47

HEX #1C3C88

RGB 28 60 136

HSL 222.22, 0.66%, 0.32%

LAB 27.45, 17.58, -45.83

 

CMYK 91 / 64 / 0 / 54

HEX #0B2A75

RGB 11 42 117

HSL 222.45, 0.83%, 0.25%

LAB 20.09, 20.89, -45.87

 

CMYK 100 / 76 / 0 / 62

HEX #001862

RGB 0 24 98

HSL 225.31, 1%, 0.19%

LAB 12.83, 25.05, -45.43

 

CMYK 64 / 45 / 0 / 33

HEX #3E5FAC

RGB 62 95 172

HSL 222, 0.47%, 0.46%

LAB 41.51, 13.14, -44.88

 

CMYK 64 / 62 / 0 / 33

HEX #3E41AC

RGB 62 65 172

HSL 238.36, 0.47%, 0.46%

LAB 33.53, 32.55, -57.77

 

CMYK 49 / 64 / 0 / 33

HEX #583EAC

RGB 88 62 172

HSL 254.18, 0.47%, 0.46%

LAB 35, 39.06, -55.28

 

CMYK 32 / 64 / 0 / 33

HEX #753EAC

RGB 117 62 172

HSL 270, 0.47%, 0.46%

LAB 38.21, 45.29, -49.93

 

CMYK 15 / 64 / 0 / 33

HEX #933EAC

RGB 147 62 172

HSL 286.36, 0.47%, 0.46%

LAB 42.2, 52.39, -43.32

 

CMYK 64 / 45 / 0 / 33

HEX #3E5FAC

RGB 62 95 172

HSL 222, 0.47%, 0.46%

LAB 41.51, 13.14, -44.88

 

CMYK 64 / 62 / 0 / 33

HEX #3E41AC

RGB 62 65 172

HSL 238.36, 0.47%, 0.46%

LAB 33.53, 32.55, -57.77

 

CMYK 64 / 64 / 0 / 33

HEX #3E3EAC

RGB 62 62 172

HSL 240, 0.47%, 0.46%

LAB 32.81, 34.44, -58.95

 

CMYK 64 / 45 / 0 / 33

HEX #3E5FAC

RGB 62 95 172

HSL 222, 0.47%, 0.46%

LAB 41.51, 13.14, -44.88

 

CMYK 77 / 54 / 0 / 25

HEX #2B58BF

RGB 43 88 191

HSL 221.76, 0.63%, 0.46%

LAB 40.01, 21.96, -58.49

 

CMYK 89 / 62 / 0 / 18

HEX #1850D2

RGB 24 80 210

HSL 221.94, 0.79%, 0.46%

LAB 38.87, 32.95, -71.37

 

CMYK 98 / 68 / 0 / 10

HEX #0549E5

RGB 5 73 229

HSL 221.79, 0.96%, 0.46%

LAB 38.65, 43.88, -82.63

 

CMYK 64 / 45 / 0 / 33

HEX #3E5FAC

RGB 62 95 172

HSL 222, 0.47%, 0.46%

LAB 41.51, 13.14, -44.88

 

CMYK 47 / 33 / 0 / 40

HEX #516799

RGB 81 103 153

HSL 221.67, 0.31%, 0.46%

LAB 43.87, 5.95, -29.82

 

CMYK 25 / 18 / 0 / 47

HEX #646E86

RGB 100 110 134

HSL 222.35, 0.15%, 0.46%

LAB 46.42, 1.95, -14.46

 

CMYK 0 / 1 / 3 / 53

HEX #777673

RGB 119 118 115

HSL 45, 0.02%, 0.46%

LAB 49.64, -0.21, 1.78

 

CMYK 0 / 9 / 30 / 46

HEX #8A7D60

RGB 138 125 96

HSL 41.43, 0.18%, 0.46%

LAB 52.86, 0.23, 17.65

 

CMYK 64 / 10 / 0 / 33

HEX #3E9BAC

RGB 62 155 172

HSL 189.27, 0.47%, 0.46%

LAB 59.38, -21.92, -17

 

CMYK 64 / 27 / 0 / 33

HEX #3E7EAC

RGB 62 126 172

HSL 205.09, 0.47%, 0.46%

LAB 50.6, -5.94, -30.52

 

CMYK 64 / 44 / 0 / 33

HEX #3E61AC

RGB 62 97 172

HSL 220.91, 0.47%, 0.46%

LAB 42.08, 11.86, -43.97

 

CMYK 64 / 61 / 0 / 33

HEX #3E43AC

RGB 62 67 172

HSL 237.27, 0.47%, 0.46%

LAB 34.02, 31.27, -56.97

 

CMYK 50 / 64 / 0 / 33

HEX #563EAC

RGB 86 62 172

HSL 253.09, 0.47%, 0.46%

LAB 34.81, 38.66, -55.6

 

CMYK 64 / 45 / 0 / 56

HEX #283D6F

RGB 40 61 111

HSL 222.25, 0.47%, 0.3%

LAB 26.55, 8.95, -31.52

 

CMYK 64 / 45 / 0 / 44

HEX #334E8E

RGB 51 78 142

HSL 222.2, 0.47%, 0.38%

LAB 34.2, 11.27, -38.6

 

CMYK 64 / 45 / 0 / 33

HEX #3E5FAC

RGB 62 95 172

HSL 222, 0.47%, 0.46%

LAB 41.51, 13.14, -44.88

 

CMYK 57 / 40 / 0 / 25

HEX #5274C0

RGB 82 116 192

HSL 221.45, 0.47%, 0.54%

LAB 49.61, 10.79, -43.56

 

CMYK 44 / 31 / 0 / 20

HEX #718CCB

RGB 113 140 203

HSL 222, 0.46%, 0.62%

LAB 58.58, 7.08, -35.57

 

CMYK 64 / 45 / 0 / 32

HEX #3E60AE

RGB 62 96 174

HSL 221.79, 0.47%, 0.46%

LAB 41.92, 13.22, -45.41

 

CMYK 8 / 64 / 0 / 33

HEX #9F3EAC

RGB 159 62 172

HSL 292.91, 0.47%, 0.46%

LAB 43.94, 55.32, -40.44

 

CMYK 18 / 0 / 64 / 33

HEX #8DAC3E

RGB 141 172 62

HSL 76.91, 0.47%, 0.46%

LAB 66.15, -27.01, 51.37

 

CMYK 64 / 45 / 0 / 32

HEX #3E60AE

RGB 62 96 174

HSL 221.79, 0.47%, 0.46%

LAB 41.92, 13.22, -45.41

 

CMYK 0 / 64 / 44 / 33

HEX #AC3E61

RGB 172 62 97

HSL 340.91, 0.47%, 0.46%

LAB 42.88, 47.96, 3.72

 

CMYK 44 / 0 / 64 / 33

HEX #61AC3E

RGB 97 172 62

HSL 100.91, 0.47%, 0.46%

LAB 63.67, -43.29, 47.95

 

CMYK 64 / 45 / 0 / 32

HEX #3E60AE

RGB 62 96 174

HSL 221.79, 0.47%, 0.46%

LAB 41.92, 13.22, -45.41

 

CMYK 8 / 64 / 0 / 33

HEX #9F3EAC

RGB 159 62 172

HSL 292.91, 0.47%, 0.46%

LAB 43.94, 55.32, -40.44

 

CMYK 0 / 20 / 64 / 33

HEX #AC893E

RGB 172 137 62

HSL 40.91, 0.47%, 0.46%

LAB 58.98, 4.78, 44.29

 

CMYK 56 / 0 / 64 / 33

HEX #4BAC3E

RGB 75 172 62

HSL 112.91, 0.47%, 0.46%

LAB 62.8, -49.77, 46.75

 

CMYK 64 / 45 / 0 / 32

HEX #3E60AE

RGB 62 96 174

HSL 221.79, 0.47%, 0.46%

LAB 41.92, 13.22, -45.41

 

CMYK 0 / 64 / 12 / 33

HEX #AC3E98

RGB 172 62 152

HSL 310.91, 0.47%, 0.46%

LAB 44.92, 55.21, -26.85

 

CMYK 0 / 20 / 64 / 33

HEX #AC893E

RGB 172 137 62

HSL 40.91, 0.47%, 0.46%

LAB 58.98, 4.78, 44.29

 

CMYK 64 / 0 / 52 / 33

HEX #3EAC52

RGB 62 172 82

HSL 130.91, 0.47%, 0.46%

LAB 62.62, -50.38, 37

 

Description

Color code: HEX #3E60AE | qconv.com Color code: HEX #3E60AE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 96 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 96 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 45 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 45% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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