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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E6688 it is the complementary color #C19977. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E6688. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E6688 shade: #436683, #547896, #658AA9, #769CBC and #87AECF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E6688. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E6688 shade: #3E6688, #2D5475, #1C4262, #0B304F and #001E3C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E6688 shade: #3E6688, #3E5288, #3E3E88, #523E88 and #663E88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E6688 shade: #3E6688, #3E5288, #3E3E88 and #3E3E88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E6688 shade matches the following richer shades: #3E6688, #2E6798, #1E69A8 and #0E6AB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E6688 shade: #3E6688, #4E6578, #5E6368, #6E6257 and #7F6147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E6688 shade: #3E8882, #3E7A88, #3E6788, #3E5388 and #3E3F88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E6688 shade: #243B4F, #31516B, #3E6688, #4B7BA4 and #6290B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E6688 shade: #3E6688, #6E3E88 and #84883E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E6688 shade: #3E6688, #883E67 and #67883E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E6688 shade: #3E6688, #6E3E88, #885F3E and #58883E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E6688 shade: #3E6688, #843E88, #885F3E and #42883E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

Complementary color

CMYK 0 / 21 / 38 / 24

HEX #C19977

RGB 193 153 119

HSL 27.57, 0.37%, 0.61%

LAB 66.1, 10.26, 23.55

 

CMYK 49 / 22 / 0 / 49

HEX #436683

RGB 67 102 131

HSL 207.19, 0.32%, 0.39%

LAB 41.74, -4.03, -20.01

 

CMYK 44 / 20 / 0 / 41

HEX #547896

RGB 84 120 150

HSL 207.27, 0.28%, 0.46%

LAB 48.91, -4.41, -20.22

 

CMYK 40 / 18 / 0 / 34

HEX #658AA9

RGB 101 138 169

HSL 207.35, 0.28%, 0.53%

LAB 55.9, -4.69, -20.46

 

CMYK 37 / 17 / 0 / 26

HEX #769CBC

RGB 118 156 188

HSL 207.43, 0.34%, 0.6%

LAB 62.73, -4.92, -20.71

 

CMYK 35 / 16 / 0 / 19

HEX #87AECF

RGB 135 174 207

HSL 207.5, 0.43%, 0.67%

LAB 69.42, -5.12, -20.97

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 62 / 28 / 0 / 54

HEX #2D5475

RGB 45 84 117

HSL 207.5, 0.44%, 0.32%

LAB 34.36, -2.96, -22.97

 

CMYK 71 / 33 / 0 / 62

HEX #1C4262

RGB 28 66 98

HSL 207.43, 0.56%, 0.25%

LAB 26.81, -1.88, -22.83

 

CMYK 86 / 39 / 0 / 69

HEX #0B304F

RGB 11 48 79

HSL 207.35, 0.76%, 0.18%

LAB 19.01, -0.14, -22.66

 

CMYK 100 / 50 / 0 / 76

HEX #001E3C

RGB 0 30 60

HSL 210, 1%, 0.12%

LAB 10.96, 2.77, -22.41

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 54 / 40 / 0 / 47

HEX #3E5288

RGB 62 82 136

HSL 223.78, 0.37%, 0.39%

LAB 35.67, 8.91, -32.57

 

CMYK 54 / 54 / 0 / 47

HEX #3E3E88

RGB 62 62 136

HSL 240, 0.37%, 0.39%

LAB 30.03, 22.12, -41.57

 

CMYK 40 / 54 / 0 / 47

HEX #523E88

RGB 82 62 136

HSL 256.22, 0.37%, 0.39%

LAB 31.84, 27, -38.55

 

CMYK 25 / 54 / 0 / 47

HEX #663E88

RGB 102 62 136

HSL 272.43, 0.37%, 0.39%

LAB 34.08, 32.47, -34.85

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 54 / 40 / 0 / 47

HEX #3E5288

RGB 62 82 136

HSL 223.78, 0.37%, 0.39%

LAB 35.67, 8.91, -32.57

 

CMYK 54 / 54 / 0 / 47

HEX #3E3E88

RGB 62 62 136

HSL 240, 0.37%, 0.39%

LAB 30.03, 22.12, -41.57

 

CMYK 54 / 54 / 0 / 47

HEX #3E3E88

RGB 62 62 136

HSL 240, 0.37%, 0.39%

LAB 30.03, 22.12, -41.57

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 70 / 32 / 0 / 40

HEX #2E6798

RGB 46 103 152

HSL 207.74, 0.54%, 0.39%

LAB 42.07, -1.99, -32.17

 

CMYK 82 / 38 / 0 / 34

HEX #1E69A8

RGB 30 105 168

HSL 207.39, 0.7%, 0.39%

LAB 43.07, 0.69, -40.1

 

CMYK 92 / 42 / 0 / 28

HEX #0E6AB8

RGB 14 106 184

HSL 207.53, 0.86%, 0.39%

LAB 44.03, 5.21, -47.95

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 35 / 16 / 0 / 53

HEX #4E6578

RGB 78 101 120

HSL 207.14, 0.21%, 0.39%

LAB 41.66, -3.52, -13.41

 

CMYK 10 / 5 / 0 / 59

HEX #5E6368

RGB 94 99 104

HSL 210, 0.05%, 0.39%

LAB 41.69, -0.83, -3.5

 

CMYK 0 / 11 / 21 / 57

HEX #6E6257

RGB 110 98 87

HSL 28.7, 0.12%, 0.39%

LAB 42.37, 2.81, 8.01

 

CMYK 0 / 24 / 44 / 50

HEX #7F6147

RGB 127 97 71

HSL 27.86, 0.28%, 0.39%

LAB 43.53, 8.49, 19.49

 

CMYK 54 / 0 / 4 / 47

HEX #3E8882

RGB 62 136 130

HSL 175.14, 0.37%, 0.39%

LAB 52.11, -24.47, -3.79

 

CMYK 54 / 10 / 0 / 47

HEX #3E7A88

RGB 62 122 136

HSL 191.35, 0.37%, 0.39%

LAB 47.91, -15.29, -13.6

 

CMYK 54 / 24 / 0 / 47

HEX #3E6788

RGB 62 103 136

HSL 206.76, 0.37%, 0.39%

LAB 42, -4.3, -22.64

 

CMYK 54 / 39 / 0 / 47

HEX #3E5388

RGB 62 83 136

HSL 222.97, 0.37%, 0.39%

LAB 35.96, 8.26, -32.1

 

CMYK 54 / 54 / 0 / 47

HEX #3E3F88

RGB 62 63 136

HSL 239.19, 0.37%, 0.39%

LAB 30.3, 21.46, -41.14

 

CMYK 54 / 25 / 0 / 69

HEX #243B4F

RGB 36 59 79

HSL 207.91, 0.37%, 0.23%

LAB 23.89, -2.46, -14.94

 

CMYK 54 / 24 / 0 / 58

HEX #31516B

RGB 49 81 107

HSL 206.9, 0.37%, 0.31%

LAB 33.13, -3.58, -18.61

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 54 / 25 / 0 / 36

HEX #4B7BA4

RGB 75 123 164

HSL 207.64, 0.37%, 0.47%

LAB 49.91, -4.12, -26.91

 

CMYK 46 / 21 / 0 / 29

HEX #6290B6

RGB 98 144 182

HSL 207.14, 0.37%, 0.55%

LAB 57.96, -5.19, -24.72

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 19 / 54 / 0 / 47

HEX #6E3E88

RGB 110 62 136

HSL 278.92, 0.37%, 0.39%

LAB 35.08, 34.76, -33.21

 

CMYK 3 / 0 / 54 / 47

HEX #84883E

RGB 132 136 62

HSL 63.24, 0.37%, 0.39%

LAB 54.93, -12.41, 38.67

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 0 / 54 / 24 / 47

HEX #883E67

RGB 136 62 103

HSL 326.76, 0.37%, 0.39%

LAB 37.22, 36.67, -9.04

 

CMYK 24 / 0 / 54 / 47

HEX #67883E

RGB 103 136 62

HSL 86.76, 0.37%, 0.39%

LAB 52.77, -24.64, 35.6

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 19 / 54 / 0 / 47

HEX #6E3E88

RGB 110 62 136

HSL 278.92, 0.37%, 0.39%

LAB 35.08, 34.76, -33.21

 

CMYK 0 / 30 / 54 / 47

HEX #885F3E

RGB 136 95 62

HSL 26.76, 0.37%, 0.39%

LAB 43.9, 12.72, 25.43

 

CMYK 35 / 0 / 54 / 47

HEX #58883E

RGB 88 136 62

HSL 98.92, 0.37%, 0.39%

LAB 51.87, -30.41, 34.31

 

CMYK 54 / 25 / 0 / 47

HEX #3E6688

RGB 62 102 136

HSL 207.57, 0.37%, 0.39%

LAB 41.7, -3.69, -23.12

 

CMYK 3 / 54 / 0 / 47

HEX #843E88

RGB 132 62 136

HSL 296.76, 0.37%, 0.39%

LAB 38.07, 41.17, -28.29

 

CMYK 0 / 30 / 54 / 47

HEX #885F3E

RGB 136 95 62

HSL 26.76, 0.37%, 0.39%

LAB 43.9, 12.72, 25.43

 

CMYK 51 / 0 / 54 / 47

HEX #42883E

RGB 66 136 62

HSL 116.76, 0.37%, 0.39%

LAB 50.82, -37.74, 32.79

 

Description

Color code: HEX #3E6688 | qconv.com Color code: HEX #3E6688 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 102 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 102 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 25 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 25% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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