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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3E2348 it is the complementary color #C1DCB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3E2348. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3E2348 shade: #432343, #543556, #654769, #76597C and #876B8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3E2348. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3E2348 shade: #3E2348, #2D1135, #1C0022 and #0B000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3E2348 shade: #3E2248, #482248, #48223E, #482234 and #482229

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3E2348 shade: #3E2248, #342248, #292248 and #222248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3E2348 shade matches the following richer shades: #3E2248, #421A50, #461159, #4A0862 and #4E006A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3E2348 shade: #3E2248, #3A2B3F, #363436, #323C2E and #2E4525

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3E2348 shade: #292248, #332248, #3D2248, #472248 and #48223E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3E2348 shade: #0E0710, #26152C, #3E2248, #563064 and #6E3D7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3E2348 shade: #3E2348, #482225 and #22482E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3E2348 shade: #3E2348, #483D22 and #22483D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3E2348 shade: #3E2348, #482225, #2D4822 and #224845

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3E2348 shade: #3E2348, #482A22, #2D4822 and #224048

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 51 / 0 / 72

HEX #3E2348

RGB 62 35 72

HSL 283.78, 0.35%, 0.21%

LAB 18.77, 20.44, -18.02

 

Complementary color

CMYK 12 / 0 / 17 / 14

HEX #C1DCB7

RGB 193 220 183

HSL 103.78, 0.35%, 0.79%

LAB 84.97, -15.71, 15.22

 

CMYK 0 / 48 / 0 / 74

HEX #432343

RGB 67 35 67

HSL 300, 0.31%, 0.2%

LAB 19.23, 21.04, -13.83

 

CMYK 2 / 38 / 0 / 66

HEX #543556

RGB 84 53 86

HSL 296.36, 0.24%, 0.27%

LAB 27.03, 20.15, -14.34

 

CMYK 4 / 32 / 0 / 59

HEX #654769

RGB 101 71 105

HSL 292.94, 0.19%, 0.35%

LAB 34.59, 19.33, -14.75

 

CMYK 5 / 28 / 0 / 51

HEX #76597C

RGB 118 89 124

HSL 289.71, 0.16%, 0.42%

LAB 41.92, 18.6, -15.13

 

CMYK 6 / 25 / 0 / 44

HEX #876B8F

RGB 135 107 143

HSL 286.67, 0.14%, 0.49%

LAB 49.07, 17.95, -15.49

 

CMYK 14 / 51 / 0 / 72

HEX #3E2348

RGB 62 35 72

HSL 283.78, 0.35%, 0.21%

LAB 18.77, 20.44, -18.02

 

CMYK 15 / 68 / 0 / 79

HEX #2D1135

RGB 45 17 53

HSL 286.67, 0.51%, 0.14%

LAB 10.67, 21.32, -17.61

 

CMYK 18 / 100 / 0 / 87

HEX #1C0022

RGB 28 0 34

HSL 289.41, 1%, 0.07%

LAB 3.27, 17.34, -15.17

 

CMYK 27 / 100 / 0 / 94

HEX #0B000F

RGB 11 0 15

HSL 284, 1%, 0.03%

LAB 0.95, 5.07, -4.94

 

CMYK 14 / 53 / 0 / 72

HEX #3E2248

RGB 62 34 72

HSL 284.21, 0.36%, 0.21%

LAB 18.52, 21.08, -18.41

 

CMYK 0 / 53 / 0 / 72

HEX #482248

RGB 72 34 72

HSL 300, 0.36%, 0.21%

LAB 20, 24.54, -15.99

 

CMYK 0 / 53 / 14 / 72

HEX #48223E

RGB 72 34 62

HSL 315.79, 0.36%, 0.21%

LAB 19.51, 22.48, -9.88

 

CMYK 0 / 53 / 28 / 72

HEX #482234

RGB 72 34 52

HSL 331.58, 0.36%, 0.21%

LAB 19.1, 20.65, -3.56

 

CMYK 0 / 53 / 43 / 72

HEX #482229

RGB 72 34 41

HSL 348.95, 0.36%, 0.21%

LAB 18.72, 18.95, 3.61

 

CMYK 14 / 53 / 0 / 72

HEX #3E2248

RGB 62 34 72

HSL 284.21, 0.36%, 0.21%

LAB 18.52, 21.08, -18.41

 

CMYK 28 / 53 / 0 / 72

HEX #342248

RGB 52 34 72

HSL 268.42, 0.36%, 0.21%

LAB 17.19, 17.69, -20.61

 

CMYK 43 / 53 / 0 / 72

HEX #292248

RGB 41 34 72

HSL 251.05, 0.36%, 0.21%

LAB 15.92, 14.15, -22.7

 

CMYK 53 / 53 / 0 / 72

HEX #222248

RGB 34 34 72

HSL 240, 0.36%, 0.21%

LAB 15.23, 12.09, -23.84

 

CMYK 14 / 53 / 0 / 72

HEX #3E2248

RGB 62 34 72

HSL 284.21, 0.36%, 0.21%

LAB 18.52, 21.08, -18.41

 

CMYK 18 / 68 / 0 / 69

HEX #421A50

RGB 66 26 80

HSL 284.44, 0.51%, 0.21%

LAB 17.81, 29.11, -24.96

 

CMYK 21 / 81 / 0 / 65

HEX #461159

RGB 70 17 89

HSL 284.17, 0.68%, 0.21%

LAB 17.57, 36.57, -31.38

 

CMYK 24 / 92 / 0 / 62

HEX #4A0862

RGB 74 8 98

HSL 284, 0.85%, 0.21%

LAB 17.97, 42.36, -36.71

 

CMYK 26 / 100 / 0 / 58

HEX #4E006A

RGB 78 0 106

HSL 284.15, 1%, 0.21%

LAB 18.63, 46.95, -40.87

 

CMYK 14 / 53 / 0 / 72

HEX #3E2248

RGB 62 34 72

HSL 284.21, 0.36%, 0.21%

LAB 18.52, 21.08, -18.41

 

CMYK 8 / 32 / 0 / 75

HEX #3A2B3F

RGB 58 43 63

HSL 285, 0.19%, 0.21%

LAB 19.99, 11.32, -10.02

 

CMYK 0 / 4 / 0 / 79

HEX #363436

RGB 54 52 54

HSL 300, 0.02%, 0.21%

LAB 21.97, 1.34, -0.95

 

CMYK 17 / 0 / 23 / 76

HEX #323C2E

RGB 50 60 46

HSL 102.86, 0.13%, 0.21%

LAB 24.02, -7.37, 7.3

 

CMYK 33 / 0 / 46 / 73

HEX #2E4525

RGB 46 69 37

HSL 103.13, 0.3%, 0.21%

LAB 26.65, -16.1, 16.54

 

CMYK 43 / 53 / 0 / 72

HEX #292248

RGB 41 34 72

HSL 251.05, 0.36%, 0.21%

LAB 15.92, 14.15, -22.7

 

CMYK 29 / 53 / 0 / 72

HEX #332248

RGB 51 34 72

HSL 266.84, 0.36%, 0.21%

LAB 17.06, 17.35, -20.81

 

CMYK 15 / 53 / 0 / 72

HEX #3D2248

RGB 61 34 72

HSL 282.63, 0.36%, 0.21%

LAB 18.38, 20.74, -18.64

 

CMYK 1 / 53 / 0 / 72

HEX #472248

RGB 71 34 72

HSL 298.42, 0.36%, 0.21%

LAB 19.85, 24.2, -16.24

 

CMYK 0 / 53 / 14 / 72

HEX #48223E

RGB 72 34 62

HSL 315.79, 0.36%, 0.21%

LAB 19.51, 22.48, -9.88

 

CMYK 13 / 56 / 0 / 94

HEX #0E0710

RGB 14 7 16

HSL 286.67, 0.39%, 0.05%

LAB 2.55, 3.35, -3.12

 

CMYK 14 / 52 / 0 / 83

HEX #26152C

RGB 38 21 44

HSL 284.35, 0.35%, 0.13%

LAB 10.03, 13.82, -12.12

 

CMYK 14 / 53 / 0 / 72

HEX #3E2248

RGB 62 34 72

HSL 284.21, 0.36%, 0.21%

LAB 18.52, 21.08, -18.41

 

CMYK 14 / 52 / 0 / 61

HEX #563064

RGB 86 48 100

HSL 283.85, 0.35%, 0.29%

LAB 26.77, 27.16, -23.84

 

CMYK 13 / 52 / 0 / 50

HEX #6E3D7F

RGB 110 61 127

HSL 284.55, 0.35%, 0.37%

LAB 34.36, 33.25, -28.77

 

CMYK 14 / 51 / 0 / 72

HEX #3E2348

RGB 62 35 72

HSL 283.78, 0.35%, 0.21%

LAB 18.77, 20.44, -18.02

 

CMYK 0 / 53 / 49 / 72

HEX #482225

RGB 72 34 37

HSL 355.26, 0.36%, 0.21%

LAB 18.61, 18.41, 6.25

 

CMYK 53 / 0 / 36 / 72

HEX #22482E

RGB 34 72 46

HSL 138.95, 0.36%, 0.21%

LAB 27.22, -20.42, 11.54

 

CMYK 14 / 51 / 0 / 72

HEX #3E2348

RGB 62 35 72

HSL 283.78, 0.35%, 0.21%

LAB 18.77, 20.44, -18.02

 

CMYK 0 / 15 / 53 / 72

HEX #483D22

RGB 72 61 34

HSL 42.63, 0.36%, 0.21%

LAB 26.25, 0.51, 18.35

 

CMYK 53 / 0 / 15 / 72

HEX #22483D

RGB 34 72 61

HSL 162.63, 0.36%, 0.21%

LAB 27.61, -16.69, 2.44

 

CMYK 14 / 51 / 0 / 72

HEX #3E2348

RGB 62 35 72

HSL 283.78, 0.35%, 0.21%

LAB 18.77, 20.44, -18.02

 

CMYK 0 / 53 / 49 / 72

HEX #482225

RGB 72 34 37

HSL 355.26, 0.36%, 0.21%

LAB 18.61, 18.41, 6.25

 

CMYK 38 / 0 / 53 / 72

HEX #2D4822

RGB 45 72 34

HSL 102.63, 0.36%, 0.21%

LAB 27.6, -18.63, 19.53

 

CMYK 53 / 0 / 4 / 72

HEX #224845

RGB 34 72 69

HSL 175.26, 0.36%, 0.21%

LAB 27.86, -14.38, -2.39

 

CMYK 14 / 51 / 0 / 72

HEX #3E2348

RGB 62 35 72

HSL 283.78, 0.35%, 0.21%

LAB 18.77, 20.44, -18.02

 

CMYK 0 / 42 / 53 / 72

HEX #482A22

RGB 72 42 34

HSL 12.63, 0.36%, 0.21%

LAB 20.63, 12.91, 11.09

 

CMYK 38 / 0 / 53 / 72

HEX #2D4822

RGB 45 72 34

HSL 102.63, 0.36%, 0.21%

LAB 27.6, -18.63, 19.53

 

CMYK 53 / 11 / 0 / 72

HEX #224048

RGB 34 64 72

HSL 192.63, 0.36%, 0.21%

LAB 25.18, -8.63, -8.35

 

Description

Color code: HEX #3E2348 | qconv.com Color code: HEX #3E2348 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 35 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 35 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 51 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 51% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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