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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DFC0C it is the complementary color #C203F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DFC0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DFC0C shade: #42FC07, #53FF1A, #64FF2D, #75FF40 and #86FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DFC0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DFC0C shade: #3DFC0C, #2CEA00, #1BD800, #0AC600 and #00B400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DFC0C shade: #3DFC0C, #7EFC0C, #BFFC0C, #FCF90C and #FCB80C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DFC0C shade: #3DFC0C, #0CFC1C, #0CFC5D, #0CFC9D and #0CFCDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DFC0C shade matches the following richer shades: #3DFC0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DFC0C shade: #3DFC0C, #49E820, #55D434, #60C148 and #6CAD5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DFC0C shade: #C0FC0C, #80FC0C, #40FC0C, #0CFC18 and #0CFC58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DFC0C shade: #26B401, #2FDD02, #3DFC0C, #5EFC35 and #7EFD5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DFC0C shade: #3DFC0C, #0CFCF8 and #FC0CA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DFC0C shade: #3DFC0C, #0C40FC and #FC0C40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DFC0C shade: #3DFC0C, #0CFCF8, #C80CFC and #FC0C10

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DFC0C shade: #3DFC0C, #0CB8FC, #C80CFC and #FC500C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

Complementary color

CMYK 20 / 99 / 0 / 5

HEX #C203F3

RGB 194 3 243

HSL 287.75, 0.98%, 0.48%

LAB 49.5, 87.48, -72.11

 

CMYK 74 / 0 / 97 / 1

HEX #42FC07

RGB 66 252 7

HSL 105.55, 0.98%, 0.51%

LAB 87.39, -80.23, 82.6

 

CMYK 67 / 0 / 90 / 0

HEX #53FF1A

RGB 83 255 26

HSL 105.07, 1%, 0.55%

LAB 88.65, -77.93, 81.78

 

CMYK 61 / 0 / 82 / 0

HEX #64FF2D

RGB 100 255 45

HSL 104.29, 1%, 0.59%

LAB 89.12, -73.82, 78.73

 

CMYK 54 / 0 / 75 / 0

HEX #75FF40

RGB 117 255 64

HSL 103.35, 1%, 0.63%

LAB 89.71, -68.78, 74.27

 

CMYK 47 / 0 / 67 / 0

HEX #86FF53

RGB 134 255 83

HSL 102.21, 1%, 0.66%

LAB 90.42, -62.89, 68.66

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 81 / 0 / 100 / 8

HEX #2CEA00

RGB 44 234 0

HSL 108.72, 1%, 0.46%

LAB 81.5, -78.09, 78.3

 

CMYK 88 / 0 / 100 / 15

HEX #1BD800

RGB 27 216 0

HSL 112.5, 1%, 0.42%

LAB 75.67, -74.72, 73.56

 

CMYK 95 / 0 / 100 / 22

HEX #0AC600

RGB 10 198 0

HSL 116.97, 1%, 0.39%

LAB 69.79, -70.82, 68.81

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 50 / 0 / 95 / 1

HEX #7EFC0C

RGB 126 252 12

HSL 91.5, 0.98%, 0.52%

LAB 88.96, -67.16, 84.14

 

CMYK 24 / 0 / 95 / 1

HEX #BFFC0C

RGB 191 252 12

HSL 75.25, 0.98%, 0.52%

LAB 92.01, -45.49, 87.84

 

CMYK 0 / 1 / 95 / 1

HEX #FCF90C

RGB 252 249 12

HSL 59.25, 0.98%, 0.52%

LAB 95.36, -19.84, 92.22

 

CMYK 0 / 27 / 95 / 1

HEX #FCB80C

RGB 252 184 12

HSL 43, 0.98%, 0.52%

LAB 79.04, 12.84, 80.3

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 95 / 0 / 89 / 1

HEX #0CFC1C

RGB 12 252 28

HSL 124, 0.98%, 0.52%

LAB 86.89, -84.53, 79.64

 

CMYK 95 / 0 / 63 / 1

HEX #0CFC5D

RGB 12 252 93

HSL 140.25, 0.98%, 0.52%

LAB 87.24, -80.11, 60.61

 

CMYK 95 / 0 / 38 / 1

HEX #0CFC9D

RGB 12 252 157

HSL 156.25, 0.98%, 0.52%

LAB 88.03, -70.48, 31.89

 

CMYK 95 / 0 / 12 / 1

HEX #0CFCDE

RGB 12 252 222

HSL 172.5, 0.98%, 0.52%

LAB 89.38, -55.65, 0.44

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 69 / 0 / 86 / 9

HEX #49E820

RGB 73 232 32

HSL 107.7, 0.81%, 0.52%

LAB 81.42, -72.57, 74.48

 

CMYK 60 / 0 / 75 / 17

HEX #55D434

RGB 85 212 52

HSL 107.63, 0.65%, 0.52%

LAB 75.62, -62.56, 64.01

 

CMYK 50 / 0 / 63 / 24

HEX #60C148

RGB 96 193 72

HSL 108.1, 0.49%, 0.52%

LAB 70.24, -51.1, 50.87

 

CMYK 38 / 0 / 47 / 32

HEX #6CAD5B

RGB 108 173 91

HSL 107.56, 0.33%, 0.52%

LAB 64.83, -36.75, 35.57

 

CMYK 24 / 0 / 95 / 1

HEX #C0FC0C

RGB 192 252 12

HSL 75, 0.98%, 0.52%

LAB 92.07, -45.11, 87.91

 

CMYK 49 / 0 / 95 / 1

HEX #80FC0C

RGB 128 252 12

HSL 91, 0.98%, 0.52%

LAB 89.03, -66.59, 84.23

 

CMYK 75 / 0 / 95 / 1

HEX #40FC0C

RGB 64 252 12

HSL 107, 0.98%, 0.52%

LAB 87.36, -80.45, 82.17

 

CMYK 95 / 0 / 90 / 1

HEX #0CFC18

RGB 12 252 24

HSL 123, 0.98%, 0.52%

LAB 86.88, -84.64, 80.23

 

CMYK 95 / 0 / 65 / 1

HEX #0CFC58

RGB 12 252 88

HSL 139, 0.98%, 0.52%

LAB 87.19, -80.63, 62.58

 

CMYK 79 / 0 / 99 / 29

HEX #26B401

RGB 38 180 1

HSL 107.6, 0.99%, 0.35%

LAB 64.21, -63.31, 64.33

 

CMYK 79 / 0 / 99 / 13

HEX #2FDD02

RGB 47 221 2

HSL 107.67, 0.98%, 0.44%

LAB 77.47, -74.05, 74.91

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 63 / 0 / 79 / 1

HEX #5EFC35

RGB 94 252 53

HSL 107.64, 0.97%, 0.6%

LAB 88.09, -73.76, 75.71

 

CMYK 50 / 0 / 63 / 1

HEX #7EFD5E

RGB 126 253 94

HSL 107.92, 0.98%, 0.68%

LAB 89.62, -63.43, 63.43

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 95 / 0 / 2 / 1

HEX #0CFCF8

RGB 12 252 248

HSL 179, 0.98%, 0.52%

LAB 90.08, -48.55, -12.05

 

CMYK 0 / 95 / 37 / 1

HEX #FC0CA0

RGB 252 12 160

HSL 323, 0.98%, 0.52%

LAB 55.58, 85.79, -14.03

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 95 / 75 / 0 / 1

HEX #0C40FC

RGB 12 64 252

HSL 227, 0.98%, 0.52%

LAB 39.2, 57.26, -94.69

 

CMYK 0 / 95 / 75 / 1

HEX #FC0C40

RGB 252 12 64

HSL 347, 0.98%, 0.52%

LAB 53.31, 79.67, 40.16

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 95 / 0 / 2 / 1

HEX #0CFCF8

RGB 12 252 248

HSL 179, 0.98%, 0.52%

LAB 90.08, -48.55, -12.05

 

CMYK 21 / 95 / 0 / 1

HEX #C80CFC

RGB 200 12 252

HSL 287, 0.98%, 0.52%

LAB 51.35, 89.09, -74.11

 

CMYK 0 / 95 / 94 / 1

HEX #FC0C10

RGB 252 12 16

HSL 359, 0.98%, 0.52%

LAB 52.94, 78.67, 62.68

 

CMYK 76 / 0 / 95 / 1

HEX #3DFC0C

RGB 61 252 12

HSL 107.75, 0.98%, 0.52%

LAB 87.31, -80.87, 82.12

 

CMYK 95 / 27 / 0 / 1

HEX #0CB8FC

RGB 12 184 252

HSL 197, 0.98%, 0.52%

LAB 70.45, -14.7, -44.22

 

CMYK 21 / 95 / 0 / 1

HEX #C80CFC

RGB 200 12 252

HSL 287, 0.98%, 0.52%

LAB 51.35, 89.09, -74.11

 

CMYK 0 / 68 / 95 / 1

HEX #FC500C

RGB 252 80 12

HSL 17, 0.98%, 0.52%

LAB 58.47, 63.08, 66.78

 

Description

Color code: HEX #3DFC0C | qconv.com Color code: HEX #3DFC0C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 252 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 252 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 95 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 95% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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