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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DED68 it is the complementary color #C21297. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DED68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DED68 shade: #42ED63, #53FF76, #64FF89, #75FF9C and #86FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DED68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DED68 shade: #3DED68, #2CDB55, #1BC942, #0AB72F and #00A51C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DED68 shade: #3BEC66, #3FEC3B, #6FEC3B, #9FEC3B and #CFEC3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DED68 shade: #3BEC66, #3BEC96, #3BECC6, #3BE3EC and #3BB3EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DED68 shade matches the following richer shades: #3BEC66 and #29FE5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DED68 shade: #3BEC66, #4CDB6F, #5DCA78, #6EB881 and #80A789

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DED68 shade: #70EC3B, #40EC3B, #3BEC64, #3BEC93 and #3BECC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DED68 shade: #12C33D, #15E849, #3BEC66, #60F083 and #86F3A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DED68 shade: #3DED68, #3B9FEC and #EC3B58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DED68 shade: #3DED68, #643BEC and #EC643B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DED68 shade: #3DED68, #3B9FEC, #EC3BC3 and #EC883B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DED68 shade: #3DED68, #3B6AEC, #EC3BC3 and #ECBD3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 56 / 7

HEX #3DED68

RGB 61 237 104

HSL 134.66, 0.83%, 0.58%

LAB 83.21, -70.25, 51.35

 

Complementary color

CMYK 0 / 91 / 22 / 24

HEX #C21297

RGB 194 18 151

HSL 314.66, 0.83%, 0.42%

LAB 44.43, 72.43, -26.72

 

CMYK 72 / 0 / 58 / 7

HEX #42ED63

RGB 66 237 99

HSL 131.58, 0.83%, 0.59%

LAB 83.25, -70.14, 53.65

 

CMYK 67 / 0 / 54 / 0

HEX #53FF76

RGB 83 255 118

HSL 132.21, 1%, 0.66%

LAB 89.24, -70.97, 52.31

 

CMYK 61 / 0 / 46 / 0

HEX #64FF89

RGB 100 255 137

HSL 134.32, 1%, 0.7%

LAB 89.88, -65.14, 44.32

 

CMYK 54 / 0 / 39 / 0

HEX #75FF9C

RGB 117 255 156

HSL 136.96, 1%, 0.73%

LAB 90.64, -58.49, 36.16

 

CMYK 47 / 0 / 31 / 0

HEX #86FFAF

RGB 134 255 175

HSL 140.33, 1%, 0.76%

LAB 91.54, -51.15, 27.97

 

CMYK 74 / 0 / 56 / 7

HEX #3DED68

RGB 61 237 104

HSL 134.66, 0.83%, 0.58%

LAB 83.21, -70.25, 51.35

 

CMYK 80 / 0 / 61 / 14

HEX #2CDB55

RGB 44 219 85

HSL 134.06, 0.71%, 0.52%

LAB 77.19, -68.96, 52.72

 

CMYK 87 / 0 / 67 / 21

HEX #1BC942

RGB 27 201 66

HSL 133.45, 0.76%, 0.45%

LAB 71.15, -67.14, 53.93

 

CMYK 95 / 0 / 74 / 28

HEX #0AB72F

RGB 10 183 47

HSL 132.83, 0.9%, 0.38%

LAB 65.07, -64.61, 54.8

 

CMYK 100 / 0 / 83 / 35

HEX #00A51C

RGB 0 165 28

HSL 130.18, 1%, 0.32%

LAB 58.97, -61.21, 54.93

 

CMYK 75 / 0 / 57 / 7

HEX #3BEC66

RGB 59 236 102

HSL 134.58, 0.82%, 0.58%

LAB 82.85, -70.45, 51.82

 

CMYK 73 / 0 / 75 / 7

HEX #3FEC3B

RGB 63 236 59

HSL 118.64, 0.82%, 0.58%

LAB 82.57, -74.05, 68.41

 

CMYK 53 / 0 / 75 / 7

HEX #6FEC3B

RGB 111 236 59

HSL 102.37, 0.82%, 0.58%

LAB 83.8, -63.98, 70.03

 

CMYK 33 / 0 / 75 / 7

HEX #9FEC3B

RGB 159 236 59

HSL 86.1, 0.82%, 0.58%

LAB 85.84, -49.05, 72.71

 

CMYK 12 / 0 / 75 / 7

HEX #CFEC3B

RGB 207 236 59

HSL 69.83, 0.82%, 0.58%

LAB 88.72, -30.93, 76.44

 

CMYK 75 / 0 / 57 / 7

HEX #3BEC66

RGB 59 236 102

HSL 134.58, 0.82%, 0.58%

LAB 82.85, -70.45, 51.82

 

CMYK 75 / 0 / 36 / 7

HEX #3BEC96

RGB 59 236 150

HSL 150.85, 0.82%, 0.58%

LAB 83.51, -62.83, 29.44

 

CMYK 75 / 0 / 16 / 7

HEX #3BECC6

RGB 59 236 198

HSL 167.12, 0.82%, 0.58%

LAB 84.48, -52.3, 5.92

 

CMYK 75 / 4 / 0 / 7

HEX #3BE3EC

RGB 59 227 236

HSL 183.05, 0.82%, 0.58%

LAB 82.87, -38.18, -16.51

 

CMYK 75 / 24 / 0 / 7

HEX #3BB3EC

RGB 59 179 236

HSL 199.32, 0.82%, 0.58%

LAB 68.91, -14.36, -37.88

 

CMYK 75 / 0 / 57 / 7

HEX #3BEC66

RGB 59 236 102

HSL 134.58, 0.82%, 0.58%

LAB 82.85, -70.45, 51.82

 

CMYK 84 / 0 / 63 / 0

HEX #29FE5D

RGB 41 254 93

HSL 134.65, 0.99%, 0.58%

LAB 88.04, -79.03, 61.56

 

CMYK 75 / 0 / 57 / 7

HEX #3BEC66

RGB 59 236 102

HSL 134.58, 0.82%, 0.58%

LAB 82.85, -70.45, 51.82

 

CMYK 65 / 0 / 49 / 14

HEX #4CDB6F

RGB 76 219 111

HSL 134.69, 0.67%, 0.58%

LAB 78.08, -60.67, 41.91

 

CMYK 54 / 0 / 41 / 21

HEX #5DCA78

RGB 93 202 120

HSL 134.86, 0.51%, 0.58%

LAB 73.5, -49.06, 31.67

 

CMYK 40 / 0 / 30 / 28

HEX #6EB881

RGB 110 184 129

HSL 135.41, 0.34%, 0.58%

LAB 68.88, -35.04, 20.88

 

CMYK 23 / 0 / 18 / 35

HEX #80A789

RGB 128 167 137

HSL 133.85, 0.18%, 0.58%

LAB 64.99, -19.45, 11.25

 

CMYK 53 / 0 / 75 / 7

HEX #70EC3B

RGB 112 236 59

HSL 102.03, 0.82%, 0.58%

LAB 83.84, -63.72, 70.07

 

CMYK 73 / 0 / 75 / 7

HEX #40EC3B

RGB 64 236 59

HSL 118.31, 0.82%, 0.58%

LAB 82.59, -73.9, 68.43

 

CMYK 75 / 0 / 58 / 7

HEX #3BEC64

RGB 59 236 100

HSL 133.9, 0.82%, 0.58%

LAB 82.83, -70.7, 52.69

 

CMYK 75 / 0 / 38 / 7

HEX #3BEC93

RGB 59 236 147

HSL 149.83, 0.82%, 0.58%

LAB 83.46, -63.39, 30.89

 

CMYK 75 / 0 / 17 / 7

HEX #3BECC3

RGB 59 236 195

HSL 166.1, 0.82%, 0.58%

LAB 84.41, -53.03, 7.39

 

CMYK 91 / 0 / 69 / 24

HEX #12C33D

RGB 18 195 61

HSL 134.58, 0.83%, 0.42%

LAB 69.11, -66.48, 53.73

 

CMYK 91 / 0 / 69 / 9

HEX #15E849

RGB 21 232 73

HSL 134.79, 0.83%, 0.5%

LAB 80.94, -76, 61.66

 

CMYK 75 / 0 / 57 / 7

HEX #3BEC66

RGB 59 236 102

HSL 134.58, 0.82%, 0.58%

LAB 82.85, -70.45, 51.82

 

CMYK 60 / 0 / 45 / 6

HEX #60F083

RGB 96 240 131

HSL 134.58, 0.83%, 0.66%

LAB 85.22, -61.36, 41.29

 

CMYK 45 / 0 / 34 / 5

HEX #86F3A1

RGB 134 243 161

HSL 134.86, 0.82%, 0.74%

LAB 87.84, -48.56, 30.05

 

CMYK 74 / 0 / 56 / 7

HEX #3DED68

RGB 61 237 104

HSL 134.66, 0.83%, 0.58%

LAB 83.21, -70.25, 51.35

 

CMYK 75 / 33 / 0 / 7

HEX #3B9FEC

RGB 59 159 236

HSL 206.1, 0.82%, 0.58%

LAB 63.16, -3.29, -46.9

 

CMYK 0 / 75 / 63 / 7

HEX #EC3B58

RGB 236 59 88

HSL 350.17, 0.82%, 0.58%

LAB 53.67, 67.77, 25.81

 

CMYK 74 / 0 / 56 / 7

HEX #3DED68

RGB 61 237 104

HSL 134.66, 0.83%, 0.58%

LAB 83.21, -70.25, 51.35

 

CMYK 58 / 75 / 0 / 7

HEX #643BEC

RGB 100 59 236

HSL 253.9, 0.82%, 0.58%

LAB 41.05, 60.92, -82.49

 

CMYK 0 / 58 / 75 / 7

HEX #EC643B

RGB 236 100 59

HSL 13.9, 0.82%, 0.58%

LAB 59.22, 50.29, 48.45

 

CMYK 74 / 0 / 56 / 7

HEX #3DED68

RGB 61 237 104

HSL 134.66, 0.83%, 0.58%

LAB 83.21, -70.25, 51.35

 

CMYK 75 / 33 / 0 / 7

HEX #3B9FEC

RGB 59 159 236

HSL 206.1, 0.82%, 0.58%

LAB 63.16, -3.29, -46.9

 

CMYK 0 / 75 / 17 / 7

HEX #EC3BC3

RGB 236 59 195

HSL 313.9, 0.82%, 0.58%

LAB 56.98, 78.02, -32.5

 

CMYK 0 / 42 / 75 / 7

HEX #EC883B

RGB 236 136 59

HSL 26.1, 0.82%, 0.58%

LAB 66.33, 32.45, 55.78

 

CMYK 74 / 0 / 56 / 7

HEX #3DED68

RGB 61 237 104

HSL 134.66, 0.83%, 0.58%

LAB 83.21, -70.25, 51.35

 

CMYK 75 / 55 / 0 / 7

HEX #3B6AEC

RGB 59 106 236

HSL 224.07, 0.82%, 0.58%

LAB 48.63, 28.88, -70.19

 

CMYK 0 / 75 / 17 / 7

HEX #EC3BC3

RGB 236 59 195

HSL 313.9, 0.82%, 0.58%

LAB 56.98, 78.02, -32.5

 

CMYK 0 / 20 / 75 / 7

HEX #ECBD3B

RGB 236 189 59

HSL 44.07, 0.82%, 0.58%

LAB 78.78, 4.51, 67.94

 

Description

Color code: HEX #3DED68 | qconv.com Color code: HEX #3DED68 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 237 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 237 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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